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The Kryptonian Cybernet Issue 10
THE KRYPTONIAN CYBERNET - ISSUE #10 - FEBRUARY 1995
AN ELECTRONIC MAGAZINE DEDICATED TO THE FAMILY OF SUPERMAN CHARACTERS
All characters and locales are copyright and/or trademark DC Comics
CONTENTS
ÑÑÑÑ
Section 1: Superscripts: Notes from the Editor
News from KC, the comics, and Hollywood
Got a question for Mike Carlin? Read further!
And Who Disguised As...
The Essence of Superman, by J.D. Rummel
Hooked on the Man of Steel
A lifetime of Superman comics, by Jon Knutson
Section 2: Reviews
The Triangle Titles
Superman: The Man of Steel #42, by Anatole
Superman #98, by Arthur LaMarche
Adventures of Superman #521, by Patrick Stout
Action Comics #708, by Arthur LaMarche
Other Super-Titles
Superboy #13, by Victor Chan
Steel #13, by Arthur LaMarche
Section 3: Reviews
Other Super-Titles (cont)
Showcase Ô95 #2, by ReneÕ Gobeyn
Miniseries and Special Appearances
Metropolis S.C.U. #4, by ReneÕ Gobeyn
Superman: Kal, by ReneÕ Gobeyn
The Fleischer Cartoons
Episode #6, ÒThe Magnetic TelescopeÓ,
by Neil Ottenstein
Looking Back
AfterByrne: Post-Crisis Reviews
Panic In the Sky
Second and Third Strikes, by Jeff Sykes
Section 4: Looking Back (cont)
Legacies: Pre-Crisis Reviews
The Silver Age Superman
A review of the Silver Age of Superman comics Ñ
a new column by Bill Morse
Superman: The Virus-X Serial
A review of a serial running from Action #362 through
Action #366, by Jon Knutson
Action Comics #343, by Ken McKee
KC Contest!!!
Win a copy of Superman: The Man of Steel #1, autographed by
Louise Simonson!
Section 5: Lois and Clark: The New Adventures of Superman
Up, Up, and Coming
News and Notes, by Jeff Sykes and Jennifer L. Traver
You CanÕt Rollerskate in a Buffalo Herd
Futility and sexual tension, by Zoomway
Episode Reviews:
ÒThe Eyes Have It,Ó by Jennifer L. Traver
ÒThe Prankster,Ó by Jennifer L. Traver
Coming Attractions
Section 6: Super-Crosswords
Crossword #5 and Answers to Crossword #4
Resources
Classifieds
The Mailbag
EDITORIAL STAFF:
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Jeffery D. Sykes, Editor-in-chief
Arthur E. LaMarche, Reviews
Jennifer L. Traver, Lois & Clark
Shawn Aeria Lee Keels
Victor Chan Donald MacPherson
Pat Gonzales Ken McKee
Curtis Herink Joel W. Tscherne
LEGAL DISCLAIMERS:
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Superman and all related characters, locations, and events are
copyright and trademark DC Comics. Use of the aforementioned is not
intended to challenge said ownership. We strongly suggest that each
reader look to the media sources mentioned within for further infor-
mation.
Opinions presented within this issue belong to the authors of
the articles which contain them. They should in no way be construed
as those of any other particular member of the editorial or contributing
staff, unless otherwise indicated.
This magazine should be distributed freely via e-mail. Should
you desire to share this publication with other on-line services, please
contact me at sykes@ms.uky.edu for permission. Feel free to advertise
subscription information on other on-line services which have internet
mail availability.
THE KRYPTONIAN CYBERNET is available by e-mail Ñ to subscribe, send
the commands
subscribe kc [<address>]
end
in the body of an e-mail message to Òlists@phoenix.creighton.eduÓ (without
the quotation marks). The address field need not be used when the address
being subscribed is the same as that from which the request is being sent.
The program ignores the subject line of the message.
Back issues are available via ftp Ñ see the resources section.
==========================================================
SUPERSCRIPTS: Notes from the Editor
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KC News:
The new mailing list is operational! The big plus here is that I wonÕt
have to spend nearly as much time in maintaining the list of subscribers
or in the actual mailing of the issues. In addition, the new list makes
it possible for subscribers to receive back issues and any files stored
at the KC archive site by e-mail! Just as a reminder, to subscribe, send
the commands
subscribe kc [<address>]
end
in the body of an e-mail message to Òlists@phoenix.creighton.eduÓ (without
the quotation marks, of course). The address field need not be used when
the address being subscribed is the same as that from which the request is
being sent. The program ignores the subject line of the message.
I have recently obtained the current list of North American Superman
licensees, and I plan to print the addresses of these licensees, bit by
bit, over the next few months. In addition, in the coming months, the
merchandise section of Coming Attractions will separate from the new
comic previews (which will soon be provided directly by DC Ñ no more
going through Diamond Previews to get the info!) into its own section.
I will be inviting each of the licensees to advertise new products in KC.
This month marks the debut of the new classified section of KC. Check
out what Superman merchandise other readers are selling or looking for.
You can also find information there about submitting your own ad.
We are *still* looking for a writer for THE SCU FILES, our (intended)
monthly column spotlighting SupermanÕs greatest villains from the
post-Byrne era. I am also entertaining the idea of such a column to
focus on the many supporting characters in the Superman universe. If
you are interested in writing one of these columns, contact me at
KryptonCN@aol.com or by replying to this issue.
Finally, weÕve been tossing around some ideas for a few special features
in our first anniversary issue, which will be ready in May. One such
special will be an interview with Mike Carlin, the editor of the Superman
comics! If you have any questions to ask Mr. Carlin, send them to me by
March 10th at the latest. With the number of questions weÕve already
received since our announcement of the interview, I need to remind you
that we canÕt logistically ask every question submitted, so *please* donÕt
get angry if your question is not asked.
Comics News:
In April, during the middle of the big ÒDeath of Clark KentÓ storyline,
all of the Superman titles, including SUPERBOY and STEEL are being given
a face lift. Beginning with those issues, each of the six titles will be
upgraded to DCÕs new Miraweb format, featuring coated (aka glossy) paper.
I expect this to be somewhat similar to the type of paper used in MarvelÕs
X-Men line, as well as many of ImageÕs books. This upgrade has been
partially spurred on by an ongoing paper shortage in the printing
industry, and it will unfortunately result in higher prices. Each book
will now sport a $1.95 cover price.
As well, all other DC books (except for ending limited series) will also
be facing price increases. This will affect SHOWCASE Ô95, which will see
its current $2.50 cover price raise to $2.95.
Supergirl officially joins the New Titans in April, so this adds an
additional book to the get list for all of you Superman completists.
After the price hike, THE NEW TITANS will sell for $2.25. Her
involvement as an official member of the Titans begins with a four-part
crossover involving DEATHSTROKE and THE DARKSTARS. Each of these books
will also sell for $2.25 per issue.
Hollywood/Other-Media News:
IÕve now heard that the Superman animated series is a go, and episodes
should begin airing in 1996. However, I still treat this as rumor, as I
have yet to see it in print anywhere. Should anyone have any information
on this, please contact me!
The February/March issue of ÒRememberÓ magazine has a fascinating article
on the death of George Reeves, the actor who played Superman on TV. It
offers alternatives to the suicide theory. It also has some great photos
of Reeves as Superman. A Òmust-haveÓ for all Superman fans. Thanks to
Ken McKee for alerting me to this information!
Enjoy the new issue!
Jeff Sykes
sykes@ms.uky.edu
=========================================================
AND WHO DISGUISED AS...
ÑÑÑÑÑÑÑÑÑÑÑ-
By J.D. Rummel (rummel@phoenix.creighton.edu)
The Essence of Superman
Recently, through circumstances I am unclear about, an e-letter appeared
in my e-mailbox reprinting an article that supposedly appeared in the
Pasadena Star-News. I wonÕt reprint the letter or article here (if enough
of you want it, contact Mr. Sykes and he could probably reprint it in the
next issue), but the authorÕs general thrust was that Superman should be
put to sleep. He concluded that this was the most expedient means of
allowing SupermanÕs audience an escape from the pain of witnessing the
various marketing campaigns that Warner Communications has designed to
sell Superman merchandise. The author argues that the Death of Superman,
Return of Superman, and now the death of Clark Kent story lines are simply
insulting, and The Man of Steel deserves a decent retirement. He appeared
to be serious, expressing that Superman has run his course and neither we
nor he should be put through the embarrassing travails he currently
endures.
Now, I am certainly the last guy to argue that SupermanÕs adventures in
any medium over the last few years have been good, or even interesting for
that matter. Anybody who has read my column lately knows how I feel about
this issue, but I gotta take exception with the authorÕs remedy. Based on
my intimate association with Greatest Hero of All, I know something that
the writer may have forgotten. Draw around and listen, Ôcause you see,
that one thing I learned from all those adventures is this:
Superman does not quit.
ThatÕs the whole point of a Superman isnÕt it? I mean, sure _we_ quit,
_we_ fail, but Superman doesnÕt. Superman rises above, literally and
figuratively. When the rest of us give in, when the boss is on our backs,
when the responsibilities of getting up, and moving down the hall to the
next task are just too painful and heavy, sometimes we throw in the towel.
After a while it wears us down and we just expect to lose. As we put in
yet another day we get pushed a little lower, until we begin to expect the
madness and disappointment surrounding O.J. SimpsonÑwe expect to pick up
the paper, turn on the tube and be let down by our fellow man. On some
level weÕre conditioned for it. _ThatÕs the way things are_ we tell
ourselves. So we learn to just nod and say, Òokay.Ó
That disappointment, that feeling of defeat, of loss, thatÕs why we
created SupermanÑwe donÕt like it. We know down in our hearts that it
should be better, that _we_ can be better. That feeling of Òmaybe,Ó
Òsomewhere,Ó Òwhat if,Ó Òit has to be better,Ó Òthis is wrong,Ó thatÕs
where Superman was born. Superman is the best of us. He is the part that
stands up and says, Òthis must change.Ó He champions folks who canÕt
always stand up, who maybe need to stay down, if only to catch their
breath. Superman will always be there, fists on his hips, to tell us not
to quit, to try again tomorrow.
He is a fantasy figure who fights for real things, things that most of us
lose sight of when weÕre pissed that we canÕt find a parking spot.
Yes, Superman lately has been badly served by those charged with managing
him, but trust me on this one. He is mightier than they are. The artists
who think _this is just a job_ will be replaced by those who know what a
responsibility it is to be his custodian, his raconteur, and sooner or
later, the Action Ace will ascend to his rightful place. A kid in an awful
movie once said: ÒYou can do it, Superman, show Ôem, youÕre just in a
slump, youÕll be great again.Ó
Believe it.
Away.
=========================================================
HOOKED ON THE MAN OF STEEL
ÑÑÑÑÑÑÑÑÑÑÑÑÑ
By Jon B. Knutson (jonknutson@aol.com)
IÕve recently had the chance to do some reminiscing over how I got interested
in the Man of Steel... and IÕm sure many of you will find it to be a familiar
story...
It started when I was much younger... IÕll be 32 by the time this gets
published in the KC, so it mustÕve been... oh, letÕs see, third grade... that
would be 1971 or so. This was a great time to be a kid who loved to read
comic books. You could find Ôem at garage sales and junk sales for a nickel
each, and I grabbed up many, many comics that way. At my elementary school,
the sixth graders used to have a junk sale every year to raise money for
camp, and there were plenty of silver age Superman titles there. I remember
voraciously reading the annuals, featuring collections of great stories,
including the all-Supergirl Action annual, as well as many, many Legion
collections.
I loved this stuff, and ate it up with a fork. As if this werenÕt enough to
get me started on this already, one of my next-door neighbors one day gave my
family a big box of comic books. This neighbor worked for Flying Tigers, and
said he collected them from a few flights... apparently, someone left them on
board, or they were purchased for kids to read on the flights.
One of the issues was an Action Comics... this was probably the first
Imaginary Story I ever read... it took place in the future, and had Superman
in a wheelchair. The cover had Supey in the wheelchair racing away from a
crowd of people trying to find out why the Man of Steel was begging for
change.
I begged my mom to help me find the second half of this story... we went to
every place in Tacoma, WA where comics were sold... including many stores
that are no longer in business.... with no luck whatsoever.
Other childhood memories include watching the Filmation Superman and Superboy
cartoons... I recall the theme music (one of the great animated series themes
from that era), as well as some specifics here and there... such as a
Superboy cartoon that had Superboy breaking the time barrier by flying in a
tight circle.
Later, of course, there were the Super Friends, but at this point, IÕd
started to discover Marvel Comics. However, this didnÕt stop me from wanting
the Mego WorldÕs Greatest Super-Heroes figures when they came out! Sure, the
line concentrated on Batman, but I had the Superman figure (actually, I sort
of had a Superman figure before... IÕd taken a G.I. Joe figure, tied a
handkerchief around his neck, and voila! Superman!... more on this later),
among others.
Unfortunately, this was one of the many items from my childhood IÕve since
invested a lot of time and money into re-acquiring in my adult life.
This was about the same period of time I got heavily into puppetry, which
taught me how to sew (a good talent for a bachelor to have, anyway). I
wasnÕt aware of ÒCaptain Action,Ó but that didnÕt stop me from making
homemade superhero costumes for my 12Ó Joes. DonÕt recall making a Superman
outfit for these, since I was in my Marvel phase at the time.
I do recall one other Superman memory from that time... OK, actually several.
The first was at the beginning of a family car trip to visit relatives in
the midwest. To help pass the time, my parents bought my brothers, sisters
and myself several items to keep us busy. My choice, of course, was comic
books, and one of them was the first part of the special anniversary issue of
JLA, which was the annual JLA-JSA team-up where the Seven Soldiers of Victory
were recovered from when they were lost in time. This was my first exposure
to Earth-2, but I donÕt recall having much of a problem understanding this,
especially after seeing a Superman with gray hair on his temples, like Reed
Richards had. While in the midwest, I passed a lot of time making paper
action figures of the JLA and JSA, as well as a few of the Soldiers.
I also recall seeing for the first time ÒThe Adventures of SupermanÓ when a
local independent station started running the show. I loved watching these,
as well... but unless my memoryÕs playing games with me (and it probably has,
given that IÕm probably including these memories entirely out of order),
those episodes werenÕt run for very long... and I didnÕt see them again until
Nick at Nite started showing them a few years ago.
Also around this time (or probably earlier... I canÕt really tell anymore), I
remember seeing ÒThe Steranko History of ComicsÓ for sale at a variety store
that no longer exists. I begged my mom to buy these for me, but she
wouldnÕt. I also begged her to buy me the Golden Records album-sized book
and record sets, to no avail.
When Power Records did 45 rpm book and record sets, however, we got all the
Marvel ones we could find, as well as the Planet of the Apes ones.
I began a period where I was primarily into Marvel, as I said before... and
when ÒSuperman the MovieÓ came out, I decided to see ÒLord of the RingsÓ
instead, not seeing Chris Reeve as the Man of Steel until some time later.
It was about this time that I wouldnÕt be caught dead reading a Superman
comic... the character just didnÕt appeal to me any longer.
Fast-forward to high school... 1980-81... senior year. I had long been
interested in the history of comics, having purchased copies of ÒAll in Color
for a DimeÓ and ÒThe Great Comic Book Heroes.Ó I had begun to really note
the difference between artists, and had developed definite preferences. Gil
Kane was one of my favorites. Also at this time, IÕd managed to pick up the
FF #1 Golden Record (without comic) at a garage sale. Anyway, Kane was a
favorite of mine, and IÕd started picking up fanzines such as the RocketÕs
Blast/Comic Collector (RBCC) and The Comics Reader. In 1981, I also managed
to pick up the first issue of Amazing Heroes. Hence, I was not surprised
when the Superman Special came out with Gil Kane artwork, originally
published in Germany, I believe. As I read this, loving every page of it, I
thought... ÒThis is the kind of Superman stories I want to read!Ó But I
still didnÕt get back into Superman. In the fall of 1981, I worked at a
bookstore, where I picked up a copy of ÒSuperman Ñ From the 30Õs to the
70ÕsÓ... so there was still some interest in the Man of Steel, it seems.
In 1983, I started a five-year stint in the Navy. John ByrneÕs Fantastic
Four was my favorite title, although IÕd started buying more DCÕs now,
including Batman, Detective, and All-Star Squadron. I even bought ÒThe
Daring New Adventures of Supergirl,Ó but still stayed away from Superman, DC
Comics Presents (unless there was a guest-appearance by a character whose
book I was reading, such as Arion, Lord of Atlantis or Amethyst, Princess of
Gemworld) and Action. This was fine while I was in school, but once I went
out to sea, where new comics were hard to come by, I actually started picking
up a few Superman titles. It was also at this time that I was fortunate
enough to see the Fleischer Superman cartoons. I picked up Superman 400 (I
think this was the one... painted cover, a cast of thousands, including the
strangest Steranko story IÕve ever read, bar none), and wondered when the
book would be readable every issue.
Then, it happened: It was announced that John Byrne would be taking over
Superman! I was overjoyed... even though it meant he wouldnÕt be continuing
on the FF. I was getting hooked again! I pored over ÒMan of SteelÓ and
ÒLegends,Ó and couldnÕt wait for the next issue of each book to come out. Of
course, having Jerry Ordway drawing ÒAdventures of SupermanÓ didnÕt hurt,
either, having been familiar with his artwork from All-Star Squadron.
Even after Byrne left the book (shortly after the anniversary... and yes, I
was one of the people who hated the TV anniversary special!), I continued to
buy it... and believe me, it helped me get through some of the worst times in
the Navy.
When I got my honorable discharge, I continued to buy Superman and the
related titles... although something strange happened a few years ago that I
can only blame Fred Hembeck and Don Rosa for. You see, while I was in the
Navy, Fred HembeckÕs comic books (Bah, Hembeck!, and Abbot and Costello Meet
the Bride of Hembeck, among others) took several opportunities to talk about
the Silver Age Superman Family titles... and I admit, my interest was getting
piqued here. Don RosaÕs share of the blame comes from his column
ÒInformation CenterÓ in the RBCC (see how this stuff starts tying
together?)... where he would answer questions about these books as well.
It started slowly... I was at the local swap meet looking for figures to add
to my action figure collection (which also started after I got out of the
Navy), but couldnÕt find any. I found someone with books at 1/2 off Guide.
I looked through the Silver Age stuff (I told myself it was to find out what
was modified from old continuity to current continuity, but I was really just
suffering from nostalgia, wanting to read some of the stories from my
childhood). I donÕt recall specifically what I bought that day, but I went
by there week after week until I cleared that dealer out of Silver Age
Superman titles.
Then I started at the conventions... sometimes spending $50+ at a single
dealerÕs booth. I wasnÕt very systematic about this, though... IÕd primarily
look through a dealerÕs dollar box, picking up what I wanted there... and
getting a lot of duplicates in the process.
Having been disappointed in the latter Chris Reeve Superman movies, and only
having seen one episode of the one-season Superman animated series of some
years past, I was beginning to wonder if weÕd ever see a good Superman series
on TV or in the movies. Sure, the Superboy series was OK, but I never
managed to find the time to watch it, no matter how sexy Lana Lang (portrayed
by Stacy Haiduk) was, until fall of 1993... when ÒLois and Clark: The New
Adventures of SupermanÓ premiered, and I immediately fell in lust with Teri
Hatcher.
I continued by hitting the comic shops between conventions... and my
collection grew. A little over two months ago, I knew there was a major
comic book con happening in Portland, OR, and planned to drive down there and
find some of the books I was missing. Since money was a little tight, I
decided it was time to list what I needed... but I still ended up buying two
copies of one book while I was there (made the mistake of not checking off an
issue number once I found it).
Also at this time, I subscribed to the KC, and began to work on a project
that IÕm sure will take me a long time to complete: The Silver Age Superman
Index (now you know where my articles for the KC have come from). I also
discovered that IÕd managed to absorb a lot of info from these books (as well
as jogged my memory about things IÕd read from childhood), and could answer
questions from people... like the origins of Supergirl and the Legion of
Super-Pets (these from the old Superman folder on America On-Line)... and
later, a multi-part post on the super-kids of Superman (serialized in
the KC). IÕd received some e-mail from people suggesting that I write for
the KC, and I decided to follow through on that.
So, here I am, 1994, 32 years old, with several comic book boxes full of
nothing but Superman comics and a lot of information crammed into my brain.
What has it got me? Well, the boxes of comics, for one, which I enjoy
reading over and over, for starters. Also, since I went on-line, IÕve made
some pen-pal friends all over the US, as well as got to know a few people
from Internet newsgroups and AOL comics folders. IÕve subscribed to the Lois
& Clark mailing list, and made more on-line friends that way, and been
published here in the KC.
And you know what? ItÕs been a great ride all the way! Long Live the Man of
Steel!
=========================================================
End of Section 1
=========================================================
REVIEWS
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Ratings Panelists:
AL: Art LaMarche PS: Patrick Stout
AW: Anatole Wilson RG: ReneÕ Gobeyn
JG: Jose R. Galan SA: Shawn Aeria
JS: Jeff Sykes VC: Victor Chan
KM: Ken McKee WN: William J Nixon
As always, the first panelist rating is that of the reviewer.
THE ÒTRIANGLEÓ TITLES:
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9. SUPERMAN: MAN OF STEEL #42, ÒLock and KeyÓ
Writer: Louise Simonson
Pencils: Michal Dutkiewicz
Inks: Dennis Janke
$1.50 US/$2.10 CAN/70p UK
RATINGS:
AW: 1 Shield - This issue leaves me asking not only ÒwhereÕs the Steel?Ó
but also, ÒwhereÕs the story?Ó
AL: 2 Shields - I thought the story was below average. DutkiewiczÕs pencils
were okay, but I like Bog a lot more.
JG: 1 Shield - A pretentious but silly story, I think no one can understand.
Completely senseless. I know this stuff is mainly for kids
sometimes, but I am not, and this is my opinion. About the
drawings, well, I even missed Bog......
JS: 2.5 Shields - Okay Simonson writing, hideous art. IÕve decided Ñ itÕs
Janke who has to go (DutkiewiczÕs art looks much better than
this in Psyba-Rats, which is not inked by Janke).
KM: 4 Shields - Not a bad story and even the artwork was nice. I kept
looking for Tom Cruise to pop in for a cameo, though.
PS: 3 Shields - A better finish to ÒLove BitesÓ than I expected; a lot of
action in this one with great ÒwhirlwindÓ art by Dutkiewicz
and Janke.
As I predicted, the Babe/Lock storyline led to a clicheÕd and predictable
conclusion. In a nutshell, LockÕs dimensional vortex goes out of control.
Babe, whoÕs almost totally under the control of an old vampire Superman has
battled before, turns out to be the ÒkeyÓ that can help Lock close the vortex
before it sucks up all of Metropolis. Babe and Lock jump into the vortex,
have some feeble attempt at a struggle with the vampireÑwho losesÑand then
itÕs over, with lots of talk about all that Babe was willing to sacrifice.
Where was the Steel? As usual, mostly an observer in his own comic. He
hardly gives a second glance to a helicopter that gets sucked in to the
vortex. ÒWhoops! Guess thereÕs nothing I can do about that one!Ó {in
Kal-ElÕs defense, he was carrying the ÒLove BoatÓ at the time ÑArt} If
Lois had been on the helicopter, you can bet he would have followed her in
there. Of course, then they would have had to stretch out this rancid story
an extra issue or two.
Frankly, thereÕs nothing to recommend this comic. I not only resent having
wasted an entire issue reading a clicheÕd story with no real conflict or
suspense, I resent that last issue was wasted setting up this story. Ten
years ago, both issues would have been told in an eight-page backup story.
I also resent the deceptive cover that showed a demonic Lock holding
Superman in a strangle hold. This doesnÕt even come close to representing
the story inside.
The nicest thing I can say about this issue is that the inside art by
Dutkiewicz is passable. The layouts show potential, but his work needs
refinement. The artwork, though, is the only thing that pulled my rating
up to one shield.
I wish I could find something good about MOS 42. How about...at least I
didnÕt pay $1.95 for it. Yet.
Anatole
=========================================================
10. SUPERMAN #98, ÒChangesÓ
Writer: Dan Jurgens
Pencils: Dan Jurgens
Inks: Joe Rubinstein
$1.50 US/$2.10 CAN/70p UK
RATINGS:
AL: 4 Shields - Great art, powerful story, but I am not sure if I liked it.
AW: 3 Shields - Nice art, but ToymanÕs psychoses? And people thought
Pre-Byrne LuthorÕs psychosis was a stretch...
JS: 2.5 Shields - Pretty good art, and the smaller stories (foiling the jail
break and the look at Shadow Dragon) were okay. But I
just did not buy the Toyman story at all.
KM: 5 Shields - Love the cover! I love any issue where Cat is featured.
Bring her back!
PS: 4 Shields - A dynamite ÒgenericÓ cover by Jurgens & Breeding graces this
well-told (JurgenÕs again) story of how a severe toy fixation
turned the Toyman into a murderer; thereÕs a deeper message
here about fan-boys and toy tie-ins.
WN: Art: 3 Shields - Striking Cover
Story: 1 Shield - Nice opener, but IÕm with Cat Grant on this one.
Ping, ping! PING! This story opens with a jail break as three stooges fire
uzis at our hero. Superman quickly disables their now-empty guns and knocks
each unconscious with a flick of his finger while wearing a smug grin. He
delivers the trio to the Warden just in time to meet Cat Grant. The two of
them are meeting Winslow Schott; the Toyman. The Toyman is sitting in a dark,
solitary cell, entertaining himself with one of his creations. As Cat and
Superman enter, they are greeted by the Toyman and we ÒhearÓ his motherÕs
voice echoing in his head Ala. ÒPsychoÓ.
The scene shifts to one of Shadow DragonÕs martial training sessions Ñ which
is over in seconds. He then returns to his computer and we see the missing
Superman files diskette in his hand as he says that this noble obstacle must
be *removed*.
Back in the cell, the interview continues in an addition to a flashback to
Superman 13 and Action 657, where we see the ToymanÕs first conflict with
Superman and his later attempt to ÒprotectÓ children by kidnapping them.
Then, we see where SchottÕs psyche is further fractured. It seems that in
the post-Doomsday-rampage, a toy manufacturer is creating a line of action
figures of the foes of Superman and they need SchottÕs okay to make a figure
of him. He never hears from them again. Schott continues to develop new
toys, but he is unable to give or market his toys to children. Eventually,
Schott is able to get a work release as a janitor in a toystore where he
finds his likeness is not selling and has been marked down numerous times.
Berserk, he strangles the night watchman with a slinky, and arrives at the
house of the toy developer who visited him in prison. He finds that the
children were not interested in him, but marketing indicated that ÒheÓ would
have sold better if he looked like a homicidal maniac viewing an artist sketch
similar to the present Toyman. He quickly kills the businessman and begins
his transformation with the help of some scissors and a razor.
The scene fades back to the present where we see a shocked Cat Grant. She has
learned that the Toyman is way out there. Originally, she thought he was
faking it. Superman and Cat leave with solemn good-byes and part company with
nothing to ease the pain caused by the murder of her son. Back in the cell, a
guard delivers a present to the Toyman. When he opens it, he finds dozens of
Toyman toys...
The cover was cool. In the back of the book, it states that Android Images
separated their flying ÒSÓ shield cover. I hope we can see more of these
abstract ÒCYBER-typeÓ covers. The art in the issue was well done. The
lighting of the cell when we first see the Toyman set the tone for the story
very well. I also liked the highlights in CatÕs eyes and hair. There were
also some very interesting perspective shots. Another nice touch was the
light snow on the ground and the very overcast skies in the opening scenes.
{AOS starts with a nasty storm Ñ Art} It was a great piece of subtly-done
continuity that plays very well with the overall tone of the story. This was
a really heavy story, and I have mixed feelings about it. It really needed
the lightness provided by the three jail breakers. I can really feel CatÕs
pain, but I can feel the pain of the Toyman, as well. Granted, what he did
was terrible, but he could have been given better treatment. Every child
deserves a toy for Christmas {I work hard for the Toys-For-Tots every year Ñ
Art} and the Toyman is very child-like. I think the story they developed for
the change in his personality is as good as any that could have been
developed. This was a powerful story Ñ I think it was well done, but I am
not sure if I liked it.
Arthur LaMarche
=========================================================
11. ADVENTURES OF SUPERMAN #521, ÒCold as IceÓ
Writer: Karl Kesel
Penciller: Stuart Immonen
Inker: Jose Marzan
$1.50 US/$2.10 CAN/70p UK
RATINGS:
PS: 4 Shields
AL: 3.5 Shields - I do not care much for the Thorn character or the Riot
Grrrls, but I really like the attention paid to the
lighting by Immonen.
JS: 3.5 Shields - Very good pencils, though MarzanÕs inks have been better.
A decent story, but I really donÕt see a need for the
Riot Grrls.
WN: 4 Shields
Kesel uses the first three pages to memorialize our harsher than usual winter
weather this year, showing Superman blocking, separating, and straightening
out cars caught up in an ice storm. ItÕs a nice touch and one of the ways in
which Kesel excels in portraying how a Superman might impact our ordinary
human lives.
The story transitions to Rose watching a news story about SupermanÕs icy
escapade and an update on the worsening winter weather. SheÕs pessimistic Ñ
ÒSo many ways to get hurt in this townÑa hundred ways.Ó The next TV news
story is about the court aftermath of ÒThe Night of 100 ThievesÓ (#520). The
newscasterÕs repetition of the word Ò100Ó causes RoseÕs head to throb as she
thinks about the death of her father at the hands of the criminal cartel known
as ÒThe 100Ó Ñ RoseÕs personality regresses as her alter ego, Thorn, emerges;
a being dedicated to the destruction of that criminal group. ImmonenÕs expert
portrayal of light and shadow works especially well here, as Rose starts out
as a couch potato bathed in the glow of the TV tube and her Thorn personality
dynamically glides into the walk-in closet in search of her costume (page 5
is strikingly beautiful).
As in two other issues this month, there is an interlude in which a computer
disc labeled ÒSuperman FileÓ makes an appearance; Shadowdragon delivers it in
this issue to someone whose face we donÕt see. He pulled the disc out to
deliver in Superman #98, and Conduit has a copy in Action #708. WeÕll have to
stay tuned to see how this all pulls together.
The story in AOS continues with a visit by Lois and Clark to a Metropolis
night spot to interview the Riot Grrrls for an article Lois is writing on
women in rock. Thorn enters and starts busting her way into a backroom
office; searching for a link to the 100. When the battle causes the club
owner to fall out an upper-story window, Superman makes his appearance with
a timely save.
Kesel and ImmonenÕs fascination with winter driving crops up again, as Thorn
pits her motorcycle against a red sports car in an iced-up alley. A car crash
and ensuing explosion tips Thorn and the cycle, and Superman saves her body
from a collision with a city snowplow. She tells him of her theory that the
Ònight of 100 thievesÓ was meant to send the message that the 100 are re-
exerting their gang control in Metropolis.
The conversation between the two heroes is interrupted when Superman goes off
to answer a call for help. ÒWe both have our never-ending battles, Superman,
donÕt we?Ó muses Thorn. ÒSomething that wonÕt let us sleep at night....when
those weÕve sworn to protect are touched by fear as cold as ice.Ó
KeselÕs look at the crime element in Metropolis over the last two issues has
been an enjoyable read. ItÕs like taking the Gotham atmosphere from Batman
and transferring it to SupermanÕs Metropolis. And ImmonenÕs blend of light
and shadow provides the perfect graphic portrayal of KeselÕs script. While
aliens, vampires, and super-villains are fun to read about, KeselÕs work
reminds us that itÕs the person walking down a dark street in the middle of
the city who might be most in need of Superman.
Patrick M. Stout
=========================================================
12. ACTION COMICS #708, ÒMoving MiracleÓ
Writer: David Michelinie
Artists: Jackson Guice and Denis Rodier
$1.50 US/$2.10 CAN/70p UK
RATINGS:
AL: 3.5 Shields
JS: 1.5 Shields - Guice & RodierÕs art was a bit better this issue than in the
past few, but still lacking. While the story was okay, the
writing was bad. Michelinie has a tendency to make the
characters tell us what weÕre seeing Ñ weÕre not morons,
we can *see* whatÕs happening!
PS: 3 Shields - The colors in this book just leap off the page, starting
with the striking Jack Kirby tribute cover by Jackson Guice;
MichelinieÕs story starts up the Superman/Mr. Miracle versus
Deathtrap arc with some nice romantic bits for Clark and
Lois (pp. 7-8) and some romantic questions regarding Scott
and Barda (page 5).
This issue opens with very strong foreshadowing. A young man is apparently
holding Superman in a headlock. We quickly find that the ÒSupermanÓ is really
a cardboard cut-out being carried by two custodians. Eventually the scene
changes to Clark KentÕs bathroom where he shaves with his heat vision and
then flies off as Superman, thinking about his love of Lois on his way to the
Planet. Before arriving, he makes a ÒshortÓ detour to Kauai to pick a flower
for Lois. Lois and Clark talk a while and we learn that the serial killer
case is really heating up. We are shown a note that states ÒDeath to all
Deceivers is at hand! Vengeance is Mine!! Saviour.Ó One of these notes has
been delivered to the Planet before each murder. Then, Superman leaves to
open a new social services building. As he cuts the ribbon, it springs to
life and wraps around his arms and draws him in and slams the door. He breaks
free, but more ribbons quickly mummify Superman.
Light years away, Scott is feeling depressed on New Genesis even though he has
Barda bouncing around with no clothes on. Then, the monotony of New Genesis
is broken as ScottÕs Mother Box clads him in his Mister Miracle outfit, draws
him into a Boom Tube, and brings him to aid Superman. With Mister MiracleÕs
and Mother BoxÕs help, Superman is quickly freed. Scott tells Superman and us
that it was Apokolipsian technology that was holding him and that the attack
signals were originating in the basement. Superman breaks through the floor,
and he and Miracle investigate. Scott is quickly trapped in a power grid, but
Superman escapes by use of super speed. Mother Box saves the day again, and
Miracle escapes as Superman unsuccessfully tries to destroy the machine which
regenerates itself as quickly as it is destroyed. Then, Superman and Mister
Miracle are trapped in some sort of shackle rack that looks like it would have
given Houdini a hard time, even if he did have the key in his mouth. The trap
is then rocketed up and out of the building.
As the page is turned, so does the scene. We are taken to StrykerÕs Island
maximum security prison, where there is also an explosion. Someone has
escaped holding the Superman File diskette, and vows to Òpay back that two-
faced fiend called *Clark Kent!*Ó Back at the trap, our heroes have been
unable to escape. The rocket carrying them is headed to a volcanic island
somewhere in the pacific. Mister Miracle is able to pick the lock and free
himself, but Superman is still trapped and hurtles into the volcano. The trap
is unable to survive the impact, but of course our hero does. Then, a
holographic image of Deathtrap tells Superman that he wonÕt escape alive next
time.
I enjoyed this issue a lot! The art was great. I can not think of anything
off the top of my head that I disliked about the artwork. I also enjoyed the
story. I have been intrigued with the Death Trap character since the first
time we met him. I hope The Super-team will do more with this character and
give us more of his development. This is a great character to show up for a
couple of issue that could always be interesting. I would really love some
intellectual traps. I think the development of the subplots over the last few
issues has been great. I love the way this is handled. Just a couple of
pages here and there that show important developments as the story approaches,
not dropping the story on you with the first issue with some ÒprequelÓ
garbage Ñ ÒOh, by the way folks, while you were away...Ó This shows how
well thought out the Superman stories are.
On alt.comics.superman, I saw one poster point out how much Apokolips has
been playing in the recent DC Universe. I only follow the Superman books and
a couple of others, so I had not noticed. The poster pointed out that he
thought something big was going to happen. I have had the same thoughts from
reading the Superman books. I do not recall the posterÕs name, but I tip my
hat to him for pointing out the Apokolips events in the rest of the DC
Universe.
Arthur LaMarche
=========================================================
OTHER SUPER-TITLES:
ÑÑÑÑÑÑÑÑÑ
SUPERBOY #13, ÒSuicidal TendenciesÓ (Watery Grave: Part 1 of 3)
Writer: Karl Kesel
Artist: Tom Grummett
Inker: Doug Hazlewood
$1.50 US/$2.10 CAN/70p UK
RATINGS:
VC: 4.5 Shields - Only because IÕm giving Karl and Tom room to wow me with
an even better issue in the future!
AW: 4.5 Shields - Always well done, this has become my favorite Super-title.
AL: 4.5 Shields - Have to agree with Anatole here. These guys seem to have
a lock on 4+ Shield stories.
JS: 4.5 Shields - Great characterizations and pacing. Fantastic art. It
doesnÕt get much better than this!
As Knockout is leaving ÔworkÕ, she encounters Deadshot, who recruits her for
a mysterious mission. In the meantime, Superboy is taking his placement exam.
In the midst of it, he hears a loud and suspicious noise and departs, in spite
of Mack HarlinÕs warning that the KidÕs grade depends only on what heÕs
written so far.
Shortly, Superboy saves Captain Boomerang from a couple of Silicon Dragons
thugs. Superboy notices agent Makoa as the three are being taken into custody
and deduces that something has to do with the Silicon Dragons. Superboy
immediately pledges his help to Makoa, who reluctantly agrees to take him on.
During a brief respite, it seems everyone except Superboy and Roxy are in a
jovial mood. Superboy appears uneasy for misleading Tana about his exam,
while Roxy calls for a taxi to take her to the airport to leave Hawaii.
Later, Superboy and Makao proceed below deck on a naval ship at sea. Inside
the hold, Superboy is surprised by the appearance of the Suicide Squad formed
of Knockout, Sidearm, Deadshot, Capt. Boomerang and even King Shark, much to
MakoaÕs horror. They have all been assembled there by Amanda Waller to
infiltrate and take out the Silicon DragonsÕ central base.
Needless to say, they have a hairy ride getting to and inside the cartelÕs
fortress, only to be met with a formidable opponent.
I highly recommend this issue: relationships take a back seat to danger and
intrigue for this start of a three-parter. I like KeselÕs idea of having
SuperboyÕs foes (since the first ish) join forces (unwillingly in some
instances) with him. This will undoubtedly lead to great tension and much
paranoia - something I look forward to in the next couple of issues! :)
Art is by Kesel and Hazlewood - some of the most consistent work from DC
that I know of. IÕm sure Tom must be having fun, getting the chance to draw
diverse characters for these three issues.
Victor Chan
=========================================================
STEEL #13, ÒThe Great EscapeÓ (Maximum Orbit: Part 3 0f 3)
Writer: Louise Simonson
Pencils: Chris Batista
Inker: Dan Davis
$1.50 US/$2.10 CAN/70p UK
RATINGS:
AL: 2.5 Shields
JS: 3 Shields - Not quite as good as the first two parts Ñ the ending seemed
a bit rushed. BatistaÕs art is strong Ñ detailed & clean
(once you get used to his silicon lips and boxersÕ noses).
The story opens were the last issue left off Ñ a fight between Steel and the
gun-toting-western-cyberpoke. Steel quickly dispatches him and rushes to free
Maxima. Steel announces his presence with a thrown hammer that takes the
ÒpriestÓ square in the stomach. He quickly frees Maxima and the two of them
flee to DeÕcineÕs yacht. There is some suspense as BÕaad arrives with armor-
piercing bullets. Steel is able to defeat him by placing a rivet in the barrel
of the gun. In the firefight, Steel takes a round in the shoulder but is able
to escape with Maxima. They flee in the ship to Earth, but are followed.
Maxima sets the ship to explode just after they leave the ship in an escape
pod. But some of the debris from the explosion damages the pod and Steel is
forced to don a space helmet and hope Maxima can bring him to her ship, which
they left in orbit two issues ago.
Unfortunately, her ship is not there. Steel will never survive re-entry, nor
can he survive the vacuum of space for much longer. Luckily, some of the other
members of Extreme Justice arrive and save Steel and Maxima. The team then
goes to investigate the satellite that Steel originally hoped to in the
opening issue. The satellite explodes before they are able to gain much
information.
Not really much here. The fight scenes were not too spectacular, but done
okay. I thought the art was strong, and there was little artistic license
taken with MaximaÕs and the other membersÕ of Extreme Justice renderings. I
enjoyed the issues of this story, more so than the drug and gang related
stories that have often been the plot for Steel books. But, I do not think
this is the strength of the Steel books. Although, I find it much easier to
relate to these types of stories than inner city problems, I still think the
city problems are important. I hope this does not seem racist. I feel it is
important for everyone to have heroes to look up to, and some people may find
it as hard to have a hero who was a farmboy from Kansas as I do with someone
from Washington DC. I think Louise Simonson does a great job of mixing
interesting story and raising public awareness and consciousness.
Arthur LaMarche
=========================================================
End of Section 2
=========================================================
OTHER SUPER-TITLES (cont):
ÑÑÑÑÑÑÑÑÑÑÑÑ-
SHOWCASE Ô95 #2, ÒPerfect FormÓ (Part 2 of 2)
Starring Supergirl
Written by Charles Moore
Pencils by Stuart Immonen
Inks by Wade Von Grawbadger
$2.50 US/$3.50 CAN/L1.50 UK
RATINGS:
RG: Story 2.5 Shields - Overall, I wasnÕt impressed. Supergirl deserves better
Art: 3 Shields - lack of detail, looked rough and unfinished
AL: 2.5 Shields - Average ish. This is not a bad thing 8 )
JS: 3 Shields - Very little in the way of story Ñ I especially hate it
when SG Òpunks out.Ó Good Immonen art, but Marzan
inks him better. Beautiful final panel, though!
Supergirl has been captured by the alien entity Dichon who wants to take over
her body for his own use. She is able to resist him, and break free. She
proceeds to destroy his aspect drones as fast as he can build them. Meanwhile,
the boys from Bonedagger Labs are trying to investigate the ship. They get
knocked out of the sky and Supergirl has to break off her fight with Dichon to
save them.
Dichon has informed Supergirl (off panel) that he intends to try to build
himself a new body using the crystals that were found under the city. The
only problem with this is that the process he intends to use will destroy the
city and everything in it. Supergirl comes up with a plan to defeat Dichon.
Bailey (one of the Bonedagger scientists) then joins Supergirl on the ship
and helps her to defeat Dichon. The story continues in New Titans #120.
Supergirl is one of my favorite Superman supporting characters. IÕve always
enjoyed her appearances in the past, even when she was completely under
LuthorÕs control. This story upset me. The way she carries herself, the
(non) use of her abilities, and the lack of personality was depressing.
{The second story featured Argus, and has nothing to do with Superman, so it
will not be reviewed. The final story was about the Metal Men, who are
connected to Superman via their writer, Mike Carlin, and by an appearance in
the story by Prof. Hamilton. A brief review follows. ÑJeff}
ÒShreddinÕ MetalÓ
Written by: Mike Carlin
Pencilled by: Paul Pelletier
Inks by: John Stokes
Following shortly after the Metal Men mini-series of last year we find the
original Metal Men and the newest Metal Man, Veridium, undergoing testing by
none other than Professor Hamilton. After the testing is completed, they are
attacked by Shrapnel, an assassin who has been hired by the Metal MenÕs enemy,
Tonegawa. The Metal Men easily defeat Shrapnel learning more about VeridiumÕs
abilities in the process.
This story was almost worth the price of the book by itself. We got a
complete, self-contained story that competently introduces new readers to the
established characters. Enough detail is given, both visually and in dialogue,
to bring someone who didnÕt read the mini-series up to speed. We get a chance
to see the Metal Men back in action in a story that reminded me of the old pre-
Crisis group. Admittedly, they all know who they really are now and have real
personalities. IÕm looking forward to getting to know them all better, either
here, or perhaps in another self-contained series. The Metal Men were one of
the most off-beat and interesting set of characters in the old pre-crisis DC
universe. IÕm glad to see them back.
The art in this story is quite a bit better than what I had expected. While
not quite as good as what was in the mini-series, it still had the attention
to detail that shows in a more experienced team. My only complaint with the
art was in the lack of backgrounds that (to me) detracts from the story.
Story: 4 shields - good example of exposition in a short story
Art: 4 shields - more background details would have gotten a 5
ReneÕ Gobeyn
=========================================================
MINISERIES AND SPECIAL APPEARANCES:
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ
METROPOLIS S.C.U. #4 (of 4), ÒBlack PlagueÓ
Writer: Cindy Goff
Pencils: Pete Krause
Inks: Jose Marzan Jr.
$1.50 US/$2.10 Can/70p UK
RATINGS:
RG: 5 Shields - a great ending to the yearÕs best mini-series so far.
AL: 4.5 Shields - Well done, I hope it sold well, so we can see more.
JS: 3 Shields - This story never caught my interest, though IÕll admit that
the writing was decent. KrauseÕs art was quite lackluster
during this series Ñ check Power of Shazam! for a better
indication of his talent. All told, though, the final
issue was the best of the four.
As the story opens, Maggie Sawyer and the SCU are trying to break into the Ark
that Dr. Noah Brazil has built. Brazil is planning to unleash nerve agents
that will kill every breathing animal on the face of the Earth. Dr. BrazilÕs
wife, Felicity, opens the door to the dome to get her cat. Naturally, the SCU
grabs her just as Brazil locks down the dome, trapping Maggie inside.
The SCU team manages to keep the balloons (containing the nerve agents) from
escaping the dome. Maggie manages to defeat Brazil, free the animals from the
dome, and trap the nerve agents inside, saving everybody. Maggie is shot and
badly injured during the fight with Brazil, and Brazil is accidentally killed
by the very animals he built the ark to save. At the end of the story (two
weeks later), Maggie is surprised with a welcome home party. Lois resigns her
position on the SCU, Toby and MaggieÕs ex-husband, Jim, are getting along
better, and Maggie and Toby are back together again. A true ending to the
story, tying up all the various plot lines.
To me, this is the must have mini-series of the year. It has it all. An
interesting and detailed plot with several sub-plots that tie together well.
Solid consistent art, well done layouts that convey the feelings behind the
dialogue. We get a good inside view of the job that the police play in a
super-powered universe. Perhaps more importantly, we get to see the
characters reacting to the pressures of the story.
The main character of the story is Maggie Sawyer of the Metropolis SCU. We
are given a close up of her life in such a way that we can feel her pain and
anger as her life and career choices come into conflict. We feel her pain
when Toby leaves her and her joy when Toby comes back. We also get to view
TobyÕs reaction to the pressures of living with a FULL-TIME cop, as well as
her dealings with MaggieÕs daughter and ex-husband, Jim. Everything about
MaggieÕs and TobyÕs relationship, with all the stresses and strains are
brought out into the open and handled well.
When I first started reading this series, I was a bit afraid that the story
was going to follow Lois as she worked to gain a position on the SCU. Cindy
Goff could easily have followed this path for the story, and I think it would
have worked. I am however glad that she chose to follow Maggie instead. Lois
(and Superman) show up enough in the series to maintain continuity and the
interest of the Superman readers without forcing the story to follow their
actions.
This series shows more of the Superman supporting cast than we have seen in
the main triangle books since he came back from the dead. I, for one, have
missed the by-play and insights that the cast brought to the books. I really
hope that this series and the Guardians of Metropolis have sold well enough to
convince the DC management to put more of the old cast-driven sub-plots back
into the triangle books, or (dare I hope) that at least one of the stories in
the upcoming Superman Quarterly will focus on the supporting cast the way the
old pre-crisis Lois Lane, Jimmy Olsen, and Superman Family books did.
ReneÕ Gobeyn
=========================================================
SUPERMAN: KAL
An Elseworld Superman graphic novel
Written by:Dave Gibbons
Art by: JoseÕ Luis Garcia-Lopez
$5.95 US/$8.25 CAN
RATINGS:
RG: Story: 4.5 - nicely handled, but a little obvious in places
Art: 5 - one of the nicest books IÕve seen recently, excellent
JS: 5 Shields - Incredible artwork, and a very intriguing (though a bit
disturbing) story.
KM: 5+ Shields - Outstanding story and nice artwork. This is what Elseworld
stories are all about. The stuff of legends. Great work.
The story opens with KalÕs ship crashing in the middle of farmer JohnÕs field.
He and his wife adopt the baby, raising him as their own. John is constantly
afraid that someone is going to find out about where Kal came from and that he
and his wife will be burned as witches. One day, the village smith arrives to
shoe the farmÕs horse and the bull breaks loose. Kal saves Jamie, smith OllÕs
son, from being trampled. The smith, seeing KalÕs super strength, offers to
apprentice him, so that his strength will not seem so unusual. Shortly after
this, Baron Luthor announces that he will be holding an open tournament in
honor of his ÒwardÓ LoisseÕs sixteenth birthday. Kal and many of the townsmen
enter the various events, but through trickery and better equipment, LuthorÕs
men win every event Ñ until Kal tries his hand in the strength event. He
easily wins this event, even though LuthorÕs man tries to cheat. Kal wins the
purse, and LoisseÕs heart in the bargain. Kal has his first experience with
Kryptonite at this time, as Baron Luthor wears a necklace of it around his
neck. This weakens Kal until he is ready to pass out. Nobody, not even Kal
or Luthor, connect the necklace to KalÕs weakness.
Later, while hunting, Luthor and his men find the ship that Kal arrived in.
Not knowing what it is, but finding that the metal is extremely hard, Luthor
has Kal forge it into a suit of armor, making Luthor nearly invulnerable. For
his service in forging the armor, Luthor announces that he will give Kal
whatever he wants as a reward, and Kal chooses to ask to marry Loisse. All
seems well except that Luthor chooses to exercise his right of Òdroit de
seigneurÓ on Loisse. He and his men capture her, and Kal is knocked
unconscious while weakened by the Kryptonite gem that Luthor is still wearing.
Loisse refuses to accept LuthorÕs advances and he beats her to death.
When Kal regains consciousness, we find that the armor was not the only thing
that was forged from the shipÕs metal, he also made a sword. Kal attacks the
castle, and the peasants rise in revolt behind him. For the first time Kal
uses his powers and defeats Luthor and his men, but he dies in the process.
This is really the end of KalÕs story, but I wonÕt spoil the slight twist that
end the book.
This book, like most of the other Superman-based Elseworld stories assumes
that much of SupermanÕs life would remain somewhat similar to his current
incarnation. I have always (at least so far) enjoyed the alternate Superman
stories, but I am starting to get a little tired of always finding Luthor as
the villain. Superman has a great supporting cast of both friends and foes.
More use should be made of them. Other than this I can find nothing to really
complain about in the treatment of this story. There are (as could be
expected) a fair number of similarities between this story and that of King
Arthur and other folk legends told of the time.
The art in the book is clean and sharp, richly detailed, and a pleasure to
look at. The visual layout is finely done and carries the pace of the story
well Ñ smaller panels where the story slows down, larger panels where the
pace of the story is quicker. All-in-all, this one is definitely a winner
and highly recommended.
ReneÕ Gobeyn
=========================================================
=========================================================
THE FLEISCHERCARTOONS:
ÑÑÑÑÑÑÑÑÑÑÑ
by Neil A. Ottenstein
Episode 6: ÒThe Magnetic TelescopeÓ
Released: 4-24-42
Running Time: 7:38 minutes
Faster than a speeding bullet
More powerful than a locomotive
Able to leap tall buildings in a single bound
The cartoon starts with a view of the night sky. We then see a telescope with
a horseshoe magnet attached to it pointing into the sky. There are pulses
coming out of the magnet. The scene switches to the Daily Planet where Perry,
Lois and Clark are discussing the experiment. Clark says, ÒHope nothing goes
wrong,Ó just before parts of a flaming comet hit the city.
The Daily Planet headline is ÒMagnetic Telescope Endangers City,Ó with another
headline of ÒAstronomical Experiments Must Cease Says Mayor.Ó In the
observatory the astronomer explains that he will not cease his experiments no
matter what the possible cost. He will bring a comet within a mile for study
and then send it back again. He tells the policemen there, ÒAny interference
may prove disastrous,Ó which we soon see.
A wall goes up isolating the astronomer so he can perform his experiment. The
police, unable to get to him turn away. The astronomer powers up the magnetic
telescope, pulling a comet in. The police break in the dynamo room and manage
to stop the power much to the astronomerÕs distress - Òthe pull of gravity
will bring it crashing to Earth any minute!Ó
The comet comes crashing into some other body which causes destruction.
Everyone but Lois leaves the observatory. Lois calls the situation in to the
Daily Planet just before parts of the observatory crash in on her. Clark is
driven towards the observatory, but is abandoned by his driver after they see
more destruction. He changes in the car and soon arrives at the observatory
as Superman.
Superman frees Lois and while Lois watches through the telescope, he flies up
to try to send the comet back through his own power. He is unsuccessful and
falls back to Earth as pieces of the comet hit the city causing more damage.
He tries again and falls into the observatory. He starts the power up again
and must conduct the electricity through his body to connect power wires. He
calls out to Lois to adjust the telescope controls. She puts it in reverse
and the comet is repulsed.
We see silhouettes and LoisÕ cry, ÒOh, Superman you were wonderful.Ó She
kisses and he says ÒYouÕre pretty wonderful yourself.Ó The lights go on to
reveal Clark as the one whom Lois has kissed. She asks him how he got there.
It ends with Clark saying, ÒThanks to Superman.Ó
There were some quite interesting aspects to this cartoon. When the title was
first shown, the word ÒMagneticÓ as flickering with a sound effect as if
energy was pulsing through the word. ClarkÕs changing just in a car was a bit
different from other times. The identity confusion was an amusing touch. As
opposed to many in the series there was no Daily Planet headline heralding
that Superman saved the day. The most dramatic scene of the whole cartoon is
that of Superman with the electrical power being conducted through his body.
It is an amazing image which would make a magnificent poster.
I donÕt know why the obvious scientific implausibility of this episode
disturbed me more than the fantastic scenes in other cartoons, but it did.
Still, accounting for 1942 it is not unreasonable and the cartoon as a whole
is most enjoyable.
The two Fleischer Superman cartoon volumes are available for $19.95 each
directly from Bosko Video or from anyone who carries high quality animation.
A catalog is available from Bosko Video
3802 East Cudahy Ave.
Cudahy WI 53110-1234
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LOOKING BACK
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AFTER-BYRNE: Reviews of the Post-Crisis Man of Steel
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PANIC IN THE SKY!
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Reviewed by Jeffery D. Sykes (sykes@ms.uky.edu)
SECOND STRIKE
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SUPERMAN #65, ÒHead ManÓ
March 1992
Written by Dan Jurgens
Art by Dan Jurgens & Brett Breeding
Cover Price: $1.00 US/$1.25 CAN/60p UK
Overstreet Price: $1.00 US
Almerac. Metron, of the New Gods, has arrived to inspect the destruction
wrought by Warworld. As he prepares to warn those planets in WarworldÕs path,
Metron is suddenly debilitated by a vicious psychic attack from Brainiac. In
a last-ditch effort, Metron manages to send his Mobius Chair away as a warning
before falling to Brainiac.
Cadmus. While aiding Dubbilex and Guardian in cleaning up the projectÕs
facilities, Superman is surprised by the sudden materialization of the Mobius
Chair. With his own psychic abilities, Dubbilex ascertains the chairÕs
ownership and purpose, but he is interrupted by the explosive arrival of
Orion and Lightray, who have come looking for Metron. When Superman explains
that they believe Metron has been captured by Warworld, the two New Gods rush
off to Warworld to rescue their comrade.
Metropolis. Rather than joining Orion and Lightray, Superman travels to LoisÕ
apartment, where he waits to see how the two fare against Brainiac. However,
he is quickly psychically contacted by Brainiac, who shows Superman that his
forces, including Maxima, have easily dispatched the New Gods. Brainiac is
still careful, however, to conceal the presence of Supergirl from the Man of
Steel. Enraged, Superman decides to take the fight to Brainiac, and flies
off in search of his own army.
LexCorp Tower. After quick trips to enlist the aid of Professor Hamilton,
Deathstroke, Wonder Woman, and Aquaman, Superman gathers the heroes at LexÕs
tower to organize a plan of attack. {Roll Call: The Metal Men, Gangbuster,
Guardian, Blue Beetle, Booster Gold, Batman, Flash, Valor, Guy Gardner, Fire,
Ice, Elongated Man, Rocket Red, Crimson Fox, Kilowog, Captain Marvel, Agent
Liberty, Thorn, Starman (Will Payton), the Forever People, Mister Miracle,
and Big Barda join Superman, Deathstroke, and Wonder Woman.} Several of the
lesser-powered heroes join to organize an Earth-Defense squad, while the
others will proceed to Warworld. But before they can act, the meeting is
interrupted by the arrival of BrainiacÕs headship from the bottom of the bay,
where it has captured Aquaman! To be continued...
This story is a very fast read, but quite a bit happens during the read.
Once again, as in the previous chapters of this tale, there is a bit of focus
on the supporting cast and the background relationships. But the primary
focus of the story Ñ the assembling of the heroes Ñ is not slighted. There
was a small continuity problem. Orion and Lightray depart from Cadmus, and
Superman fails to warn them about Brainiac being in control of Warworld. Yet
when they are in battle with WarworldÕs forces, Lightray mentions that they
should direct their wrath at Òthe man Superman spoke of...Brainiac!Ó Oops! :)
The art is Jurgens & Breeding. Generally speaking, that means Òenough said!Ó
But itÕs interesting to note that the style here is noticeably different from
their current style. It may simply be that the art process is a bit different
than it was even three years ago, but it seems that the drawings were a bit
softer back then. This can especially be seen in the depictions of the other
heroes Ñ including a fabulous rendition of Captain Marvel! As well, the
heroines werenÕt quite as, ahem, loaded as they tend to be illustrated today.
Like the ÒFirst Strike,Ó this issue features larger panels than the prologue,
but this helps to show off the dynamic art.
This part of the story isnÕt quite as meaty as the first two, but it is very
thorough and solidly written. Combining this storytelling with the beautiful
artwork, this chapter rates 4 shields!
=========================================================
THIRD STRIKE
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THE ADVENTURES OF SUPERMAN #488, ÒCounter Strike!Ó
March 1992
Written by Jerry Ordway
Art by Tom Grummett & Doug Hazlewood
Cover art by Tom Grummett & Jerry Ordway
Cover Price: $1.00 US/$1.25 CAN/60p UK
Overstreet Price: $1.00 US
Our heroes spring into battle against the reactivated headship, careful not
to injure the captured Aquaman. Organized under a battle plan executed at
pre-arranged Kryptonian commands, the heroes manage to fell the ship and break
inside with the help of Dubbilex and the Mobius Chair. Amidst the inane jibes
propagated primarily by Guy Gardner, as was the style of the Justice League in
those days, the heroes find their way to core of the ship. There they find a
large cylinder which Dubbilex informs them is holding Aquaman, and Superman
frees the King of the Seas with a careful blast of heat-vision.
As Warworld nears Earth, Maxima becomes restless, itching to join the fray.
Brainiac refuses to involve his ÒspecialÓ troops, but he transports many of
WarworldÕs combatants to Earth. Fortunately, some of the gathered heroes
remained behind for just such an emergency, and Batman leads them into battle
against the Warworld forces.
Meanwhile, Dubbilex has used the Mobius Chair to increase his abilities and
take control of the headship. He and SupermanÕs team proceed on course for
Warworld, and their arrival surprises even Brainiac Ñ he is impressed with
the fact that someone has been able to wrest control of the ship *and* cloak
its arrival. He tries to regain control, but Dubbilex manages to resist,
revealing himself to Brainiac in the process. Angered, Brainiac takes
MaximaÕs suggestion and tractors the ship in to WarworldÕs arena.
Superman exists the ship to find Draaga waiting for him. When Gardner jumps
into the mix, Brainiac teleports Maxima onto the playing field, where she
promptly blasts Superman. Amidst some squabbling between Maxima and Draaga
over the rights to kill the Man of Steel, the other heroes emerge and engage
the combatants. This prompts Brainiac to play his trump card, unleashing
Supergirl upon the unsuspecting heroes.
While the three pawns of Brainiac focus squarely on Kal-El, the other heroes
begin to move upon a shouted command from Superman. Miffed at his warriorsÕ
refusal to obey his commands, Brainiac unleashes the denizens of Warworld
upon the other heroes. With his attentions split, Brainiac begins to lose
his control of Supergirl and Draaga. Eventually, Superman manages to knock
some sense into Supergirl, and she forces Draaga to release the Man of Steel.
At this turn of events, Maxima teleports back to Brainiac, who gloats that
things are essentially proceeding according to plan. On the condition that
Superman agree to a final contest, Draaga joins with the heroes against
Brainiac.
Unfortunately, we lose the supporting cast side-stories in this issue, but
itÕs necessary to the relating of all the battle action. And Jerry Ordway
is a master at writing action sequences! The most striking thing to notice
is that not every little action is blatantly described to the readers in
dialogue and picture. A good example is the latest issue of Action Comics.
Notice how when Superman is first drawn into DeathtrapÕs snare, we are given
redundant thought balloons as Superman describes what we are seeing. Come on!
WeÕre not that stupid. With OrdwayÕs writing, we see the action and we read
the charactersÕ reactions to these dilemmas. For example, when Superman frees
Aquaman, we see the blast of heat vision, and we read *why* the heat vision is
being used. We donÕt simply have a thought balloon telling us Superman is
using his heat vision!
The art. What can I say about the art? The fans all agree that Grummett &
Hazlewood are about as good as it gets. As a reader in this issueÕs letter
column wrote, Ò...he is the top DC penciller right now....His work is very
detailed, easy to follow, clear, precise, and of course, very, very
consistent.Ó ThatÕs G&H to a tee. And in this issue, their Superman,
Batman, Brainiac, and Maxima renditions are killer.
The cover is inked by Jerry Ordway over Tom GrummettÕs inks, and though this
is a nice combination, I must admit that his covers IÕve seen inked by Karl
Kesel and by Hazlewood are much better.
Yet another great issue, and a *prime* example of what action-packed fight
scenes should be like! It really doesnÕt get any better than this!
5 Shields!
See you next month, as the panic reaches a fevered pitch!
Jeff
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End of Section 3
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LEGACIES: Reviews of the pre-Crisis Man of Steel
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THE SILVER AGE SUPERMAN
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by Bill Morse (BillMorse@aol.com)
I became conscious of Superman in the mid-fifties, when I was about five
years old. The George Reeves show was on television, as were the Fleischer
cartoons. Superman was appearing in Superman, Action, Lois Lane, Jimmy Olsen,
WorldÕs Finest, Superboy, and Adventure comics. Superman was a favorite game
among all of my neighborhood friends. (Since DisneyÕs Zorro was also on TV,
our games were crossovers between the DC universe and the Zorro universe.)
The secret identity aspect of both Superman and Zorro was a big attraction.
I had made costumes for both characters, out of old pajamas and underwear.
My coup was that I had a red cape and a black cape. My mother had let me have
two old skirts, the big flowing fifties type. I slit them and voila! Instant
capes!
The comics fascinated me, especially the artwork, and particularly Wayne
BoringÕs artwork. It was highly stylized and other-worldly. I had missed
SupermanÕs first decade-and-a-half, during which the artwork had progressed
from Joe ShusterÕs often crude drawings. Boring had first been brought in by
Siegel and Shuster, to copy ShusterÕs style. But Boring soon developed his
own distinctive style. As with all of the artists of the Silver Age, Superman
was not rendered like todayÕs ideal of a slim, muscular man. He was very
thick-waisted and thick-necked. An artist of our era would use that sort of
body to indicate a brutish character, along the lines of the Hulk. But this
was another eraÕs heroic ideal.
BoringÕs art didnÕt appear as frequently in the sixties. Curt Swan became
THE Superman artist. But Boring continued to draw occasional stories even
through the seventies. His last published artwork was a short story about
Jor-El in Metropolis, which was inked by John Byrne! This was in the last
few months before Byrne re-invented Superman. It was a fitting collaboration.
Can anyone identify that issue for me?
When I look at BoringÕs artwork today, it evokes a feel of the fifties, and
also a feeling of strangeness and alienation, in the way that DitkoÕs work did
on Spider-man and Dr. Strange. So does the musical score of the George Reeves
TV show. (The score, as opposed to the theme song, was not heroic music so
much as it was haunting and evocative, much like Bernard HerrmannÕs scores for
the Hitchcock films of the era. I have done my best to try and track down any
information on the composer and availability of the score, to no avail. If
anyone has any information, please let me know.) At that time, the artwork,
music, and legend were all part of one gestalt. Superman wasnÕt just another
superhero, he was THE superhero. Batman was around, and Wonder Woman, but the
revivals of Flash, Green Lantern, and other icons of the Silver Age such as
the Justice League, were still a couple of years in the future.
Nostalgia doesnÕt blind me to the shortcomings of the Silver Age comics. They
were quite definitely aimed at children, ages 5 to 12. Editor Mort Weisinger
didnÕt believe in writing above their heads, to put it kindly. He got many of
his story ideas by asking the kids in his neighborhood what theyÕd like to
see. ÒMake Superman an Indian Chief!Ó ÒHow about Giant Superbaby meets
Super-Gorilla?Ó The scripting and plot devices were contrived beyond all
reason. Lois Lane was an annoying snoop, always trying to unmask Clark, or
alternately, detesting him as a weakling. She was not very likable. The
last panel of each story would frequently depict Clark winking at the reader
as he stammered out an extremely implausible excuse to Lois: ÒI...er..suppose
that Superman must have...um...disguised himself as me to teach you a lesson,
when I...er, that is, he...caught you falling from that plane, Lois.Ó Yeah,
thatÕs the ticket!
On the plus side, even though the plots and scripts were implausible, they
held far more story content than todayÕs stories. TodayÕs scripts are far
more realistic, but the plots are still contrived. In the Silver Age,
Superman had three complete self-contained stories in each issue. The writing
was more dense than todayÕs, in terms of moving the story along and covering a
lot of ground in just a few pages. Conflicts with super-villains were not
the main topic in the majority of stories. Some of the common themes of the
Silver Age Superman stories were: the secret identity issue, including Lois
and Lana as snoops; red kryptonite, Mr. Mxyzptlk, or magic causing strange or
comical transformations in Superman or his friends; unlikely time-travel
meetings between members of the supporting cast (Jimmy meets Superboy, Perry
White on Krypton, Ma and Pa Kent adopt Supergirl, Lex Luthor trying to steal
Lara from Jor-El, Bruce Wayne in Smallville); every member of the supporting
cast having a shot at super-powers; numerous survivors of Krypton, including
people, animals, books, technology, artifacts; Superman look-alikes or other
super-heroes who were the Superman of their planet/dimension/era; unlikely
freak coincidences such as a doctor from Earth being whisked back in time to
save Jor-ElÕs life on Krypton, or Jor-El observing Earth and helping to bring
about the marriage of Jonathan and Martha Kent; L.L. as the initials of all of
SupermanÕs female friends, and many males as well; Batman, Green Arrow, and
Aquaman frequently popping up to help out by disguising as Clark or Superman,
or helping to teach Lois a lesson; the wackiness of the Bizarro world; and
Lois LaneÕs constant scheming to get Superman to marry her. Many stories in
LoisÕ own book featured her having a romance with a super-hero from another
planet, to make Superman jealous.
Some over-used themes that got old fast were: ÒJimmy OlsenÑSupermanÕs EX
Friend!Ó, ÒEVIL Superman, GOOD Clark!Ó, ÒMa and Pa KentÕs FIRST Super Child!Ó,
ÒSmallvilleÕs NEW Super-Hero!Ó, ÒThe Perry White of Steel!Ó, and ÒJor-El and
LaraÑALIVE?Ó Other Krypton survivors featured prominentlyÑthere was the
bottle city of Kandor, which had been captured and shrunk by Brainiac before
Krypton exploded, then rescued by Superman and kept in his Fortress (no one
ever thanked Brainiac for saving their city from destruction); there was the
Phantom Zone, a form of ghostly exile invented and imposed by Jor-El (too bad
he saved all of the criminals and didnÕt think to use it to save everyone
else); and there was Krypto and Beppo the Super-Monkey, who were placed in
experimental rockets by Jor-El. And of course, there was Supergirl, and her
whole Argo City, which was thrown off of Krypton and survived for years after
KryptonÕs destruction.
For several years after Supergirl was introduced, she kept her existence a
secret, and that plot device generated many stories. There was an interesting
series of stories that involved SuperboyÕs friend Pete Ross, who found out
ClarkÕs secret identity by accident, decided not to burden Clark with that
knowledge, and secretly helped protect ClarkÕs identity. There was a series
in which Superboy invented a memory enhancer, since there were some
Kryptonite-induced gaps in his super-memory. He would sit under the helmet
and re-live his early days on Krypton. It appeared that he was three or even
four years old before he was sent to Earth, definitely not an infant. There
were countless stories about SupermanÕs Fortress of Solitude, and the many
trophies therein.
The majority of these stories were lightweight, throwaway entertainment. It
was very rare for a story to actually cause a permanent change in the whole
mythos. Some exceptions were the introductory stories of Kandor, Phantom
Zone, etc. The Legion of Super-Heroes were introduced at this time, and
they have become a cornerstone of the DC Universe.
The exceptions to these disposable stories were the book-length ÒThree-Part
NovelsÓ. Once in a while, a book would feature a long story in three
chapters, instead of three unrelated stories. These were generally much
better plotted, and dealt with some more fundamental aspect of SupermanÕs
life. There was more romance and tragedy in these stories. One Three-Part
Novel contained as much storytelling as five or six issues of a story ÒarcÓ in
a contemporary comic. There was a story about an exact duplicate of Superman
who was found and raised by criminals. This wasnÕt an issue-length battle, it
was a sympathetic story of this other potential Superman, twisted into
something dark. He only confronted Superman once, at the very end, and
instead of a slug-fest, he realized what he had missed all of his life, and
sacrificed himself in one final, heroic act. This story gave a lot of insight
into the role the Kents had played in creating Superman.
An intriguing concept arose out of the Three-Part Novel: the imaginary story.
This concept allowed writers to bend and re-invent some of the constrictions
of SupermanÕs legend. The format was very successful and survives today in
the Elseworlds stories and MarvelÕs What If...? series. There were stories
such as ÒLuthor Kills Superman!Ó (the first Death of Superman story);
ÒSuperman Red and Superman BlueÓ (Superman is permanently split into two
identical selves, who pool their resources and solve all of their problems,
marry Lois AND Lana, and reap the rewards of an extraordinarily heroic life);
and my personal favorite, ÒWhat If Krypton Had Never Exploded?Ó
Future articles about the Silver Age Superman will go into some of these
outstanding stories in depth, particularly stories (real and imaginary) in
which Superman finds himself back on Krypton.
=========================================================
SUPERMAN: THE VIRUS-X SERIAL
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By Jon B. Knutson
Anyone who is of the opinion that DC Comics didnÕt publish multi-part stories
in the 60Õs has obviously not read many of the Superman titles from that
period. There were several serialized stories, and this is one of them, in
digest format.
This serial, which IÕve called ÒThe Virus X Serial,Ó is noteworthy for several
reasons, the first of which is how well it can serve as a primer for the
Silver Age Superman lore. As you read onward, youÕll encounter many facets
of this lore, which enriched the story immensely. YouÕll also note the number
of Òguest starsÓ that were involved with the story, which is fairly unusual
for a 60Õs Superman storyline. Readers of Action Comics and Superman in the
60Õs may well have reasoned that these stories took place on their own world
(which some have called Earth-Weisinger, named for Mort Weisinger, usually
credited for most of the lore because he edited the line), where Batman and
the rest of the Justice League didnÕt seem to exist, especially since there
were times where it must have seemed to the readership that Superman could
have used their help, but they were nowhere to be seen.
As DC tried to ÒMarvelizeÓ their line, more and more continued stories were
seen, as well as more and more appearances by other DC characters, most
prominently Batman (which makes sense, as Metropolis and Gotham were often
noted as being close, and the two were good friends at the time).
This story is also noteworthy for the style of the plotting. When you get to
the last chapter, youÕll be amazed at how it was plotted... but I wonÕt spoil
it for you by telling you anything too early.
The serial began in Action Comics #362, Apr 68, with ÒThe Head of Hate!Ó
Ventor, the ventriloquist, is secretly a crime boss, who also believes his
brother, Bruno, is still alive (although he simply provides a voice to a
Bruno dummy). Ventor supervises making up an armored truck that isnÕt
armored, which is exchanged for a real armored truck Clark Kent will
accompany on a delivery of charity funds to the bank. Just outside
Metropolis, the truck is ambushed, and Clark manages to prevent the guards
from being injured, but must let himself be captured to protect his secret
identity. At VentorÕs headquarters, a giant Superman head is revealed, built
from components of a defective Superman robot, which is used to brainwash
Clark into hating Superman. Clark balks at actually killing Superman, but
when heÕs shown dummies of Lois, Jimmy and Perry and told Superman beat them,
he uses self-hypnosis to convince himself to kill Superman, attacking the
giant head in the process.
The serial continues in Action Comics 363, May 68, with ÒThe Leper from
Krypton!Ó In prison, Lex Luthor re-creates Virus X, which can kill Superman.
He passes this on to Ventor the ventriloquist during VentorÕs prison show, and
Ventor passes it on to Clark Kent, who has been hypnotized to kill Superman.
Clark, at his apartment, infects himself with Virus X, and remembers heÕs
Superman. He recalls the stages of Virus X - Panic syndrome, followed by the
Òmummy effect,Ó and destruction of the immune system. Luthor announces on TV
that he was the person who re-created Virus X, and taunts Superman with that
knowledge. Superman has to stay away from people, as he could spread Virus X
to all of humanity. He makes one last task... to clear out his office at the
Planet as Clark Kent. As he is clearing his desk, he realizes the leprosy
symptom has spread to his face, leaving him with a Two-Face-like appearance.
Lois enters the office, and Clark tries to keep the ÒcleanÓ side of his face
to her, as well as keeping her from being infected.
Part three appears in Action Comics #364, Jun 68, with ÒThe Untouchable of
Metropolis! Clark is in his office at the Daily Planet when he realizes that
the Virus X symptoms have spread to his face, when he notices Lois is entering
the room. Moving at super-speed, he changes to Superman before Lois can tell
Clark was there. Superman leaves, discovering the Gimmick Gang is raiding a
gold shipment. The Gang gives up, fearing theyÕll be infected by Virus X.
Meanwhile, the UN puts together an emergency medical conference to try to cure
Superman, with no luck. They do, however, provide him with a germ-proof
fiberglass suit to keep him from infecting anyone else. Luthor announces on
TV he can cure Superman, demonstrating by using his cure on a cat infected
with Virus X. He demands one million dollars and freedom to cure Superman,
but when the money is raised, Luthor reveals he didnÕt have a cure, and if he
did, he wouldnÕt give it to Superman... announcing he faked the cure of the
cat. Superman flies to the Fortress, where Supergirl suggests sending him to
the Phantom Zone. However, the Phantom Zone villains use their mental power
to keep him out, fearing heÕll somehow infect them. Superman tricks Supergirl
into going into Kandor, where he traps her there until he leaves, then he
destroys all the advanced weapons in the Fortress. Superman then boards a
spaceship and launches himself towards the hottest sun in the universe.
The penultimate chapter of the story appears in Action Comics 365, Jul 68, in
ÒSupermanÕs Funeral!Ó The rocket carrying the Virus X-afflicted Superman is
tracked as it speeds towards the sun Flammbron. Superman witnesses rituals on
many planets to show their respect for Superman. Superman recalls his own
history as the ship approaches Flammbron, finally passing the Bizarro World,
where Bizarros throw Red K and White K at SupermanÕs rocket coffin. Before
entering the corona of Flammbron, Supergirl brings Lois, Lana and Lori to say
a last goodbye, then SupermanÕs rocket coffin enters Flammbron.
The final chapter appeared in Action Comics 366, Aug 68, ÒSubstitute
Superman!Ó When SupermanÕs rocket coffin enters the sun Flammbron, the
Flammbronians create a thermionic sheath to protect the ship. They bring
Superman to a crystalline world to discover heÕs been cured of Virus X.
Superman realizes when the Bizarros threw White Kryptonite at him, it mustÕve
destroyed the Virus X bacteria, since White K is deadly to all plants.
Superman returns to earth, but discovers that no oneÕs reacting to his
presumed death. Switching to Clark, he goes to the Planet, where Lois tells
him Superman told her Clark would be back soon. Hearing a message for
Superman, Clark changes and goes to the scene of a construction accident,
where he sees Batman and another Superman pulling off the rescue. The second
Superman leaves before the real Superman can question him. Changing back to
Clark, he checks the files at the Planet, and finds a story saying he was
cured. Another disaster occurs, and Superman flies to the rescue, only to
find Supergirl and his super-double already accomplishing the rescue. Other
emergencies follow, and Superman observes his double pulling off the rescues.
Suddenly, he realizes whatÕs going on. He flies to the JLA Secret Sanctuary,
to find Supergirl presiding over a meeting of Supermen. The other Supermen
are revealed as JLA members who used their own powers and abilities to sub for
Superman, since Kandor was taking too long to choose a new Superman. Superman
thanks the JLAÕers.
So, there you have it! So far, in my research, I only found one additional
mention of Virus X, which appears in a serial I like to call ÒTime After
Time,Ó which will be the next serial in this series of articles.
Jon Knutson
jonknutson@aol.com
=========================================================
ACTION COMICS #343, ÒEterno the ImmortalÓ
November 1966
$0.12
Rating: 3.5 Shields
I decided to review this one because it is the oldest issue in my collection.
It doesnÕt even reveal who wrote it or inked it. But considering the age, it
is in pretty good shape. The cover has Superman getting hit in the chest by
a gigantic orange arm with a brown glove on the hand. He is suspended above
a group of terrified onlookers who fear this may be the end of their hero.
The story starts out with a starship out in space heading toward the Sol
planetary system, the home of planet Earth. Inhabiting the ship are members
of the Superman Revenge Squad. Despite their being beaten by Superman
numerous times in the past, (anyone ever heard of them?) one of the leaders,
Arl, has a plan that will eliminate the Man of Steel once and for all.
Arl explains to Garan that about a billion years ago there existed on earth,
the XAN, a Òsuper-civilization of tall, handsome people, who lived in mighty
sky-cities built by their super-science.Ó The scientists also created a
50-foot immortal half-robot, half-android, creature called Eterno. Using his
immense strength and heat vision he was able to assist the XAN in their daily
tasks. He was also able to store knowledge and power in his artificial brain
which made him too wise and too powerful for his own good. He decides to
take over Earth and enslave the unsuspecting subjects.
Unfortunately another disaster overtook the XAN in the form of a cloud of
space gas, which drifted to earth. The XAN discovered the menace and
instructed Eterno to dig up the element Absorbium to absorb the deadly gas.
However, the AbsorbiumÕs strange power paralyzes Eterno 4,000 miles beneath
the center of the Earth. Since he canÕt move, the Xan slowly die out.
Back to present day. Garan plans to free Eterno with a cyclo-ray and use him
to destroy Superman. ÒThe searing ray spurts from the side of the ship...and
cuts a swath through space...it enters our atmosphere...then cleaves the
oceanÕs waters...slicing through the earthÕs crust and the rocky mantle
beneath, it reaches the inert Eterno and vaporizes the Absorbium at his
feet.Ó After thousands of eons Eterno emerges from an exploding volcano to
wreak havoc and chaos on an unsuspecting planet.
Cut to the Daily Planet where Clark Kent detects some earth tremors. A
helicopter hovers outside the window with a broadcast for Superman. He
is being summoned to the Metropolis Science Institute.
He rushes over to the institute and is briefed with the details of the
rampaging Eterno from a scientist who saw the monster emerge from the volcano.
Coincidentally, Eterno just happens to be entering Metropolis. He realizes
that this is not the race that constructed him, but what the heck, heÕll
conquer them anyway.
The next few panels show Eterno and Superman battling it out in the streets
of Metropolis. Superman is amazed at the sheer strength and willpower of the
android. Superman decides to use the Daily Planet Globe to try and stop his
opponent. Of course, it does no good; Eterno is just too tough. He grabs
Superman in midair and they both use their heat vision to try and stop each
other.
High above the battle the Superman Revenge Squad is carefully monitoring the
activities. Without realizing the loudspeaker has been switched on, one of
the Squad members proudly announces that Eterno is merely their puppet. Well,
Eterno doesnÕt take that too kindly and switches his attention from Superman
to the space ship. Eterno uses his heat vision to disable the ship, forcing
it to crash.
The disabled crew uses their atomic transmuter to change some nuclear
capsules to Absorbium which they fire at the approaching Eterno. Paralyzed
once again, he falls on top of the trapped ship, killing them instantly.
Superman investigates the damage, discovering how the Revenge Squad managed
to release Eterno. ÒHow ironic,Ó he states. ÒBy destroying him, they
destroyed themselves.Ó
Well, the story is a little cheesy, but I enjoyed it. One of the best
scenes is during the battle. Eterno tells Superman, ÒI will end your petty
interference.Ó Superman replies, ÒIn a pigÕs eye you will!Ó ThatÕs classic.
The writers didnÕt have to worry about being Òpolitically correctÓ in the
1960Õs. The drawings are crude and the comic reminded me of the Superman
Fleischer cartoons. In a lot of ways it had some Doomsday residue mixed in
it. Eterno, being immortal, rises from the depths of earth to do battle with
Superman. He is created by a race of creatures billions of years ago who
themselves are destroyed before they are enslaved by Eterno. The only problem
I had was Superman letting the crew of the Revenge Squad die. TodayÕs
Superman would have pushed Eterno out of the way before he crushed the ship.
Not a great comic, but not a bad one either. One more nostalgic momentÑthe
inside front cover had an advertisement for Punt, Pass, & Kick. Smile if
you remember those days (before 1968). I was 13 years old. I never wanted
to enter; I just wanted the PP&K pin.
Ken McKee
stdkrm01@shsu.edu
=========================================================
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KC CONTEST!!!
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ItÕs contest time again readers! Put your thinking caps on and answer the
following question:
Which Supes comic featured the first post-Byrne appearance of red Kryptonite?
Be careful, it might not be as easy a question as it sounds! :)
Send your answers to me at KryptonCN@aol.com or at sykes@ms.uky.edu, and
be certain to include your name as well as your e-mail address. KC staff
*are* eligible for this contest (except for David Chappell, who provided
the question, and myself), because...
One winner will be selected from all correct entries to receive a copy
of Superman: The Man of Steel #1, autographed by Louise Simonson!
So dig through those collections and get me those answers!
=========================================================
End of Section 4
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LOIS AND CLARK: THE NEW ADVENTURES OF SUPERMAN
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UP, UP, AND COMING:
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by Jennifer & Jeff
News: Things are looking good for a third season! First, several sources
report that Lois & Clark has garnished a solid second in its time slot
so far this season. And John Shea, in an interview on America Online,
has reported that he may be coming back to play Lex Luthor in a cliff-
hanger season finale! Sounds like a third season to me!
Welcome back FOLCs! I hope you are ready for another installment of our
Lois and Clark section. This month, along with the usual excellent articles
that appear, we will be reviewing ÒThe Eyes Have ItÓ, a January episode. In
February we will finally get some relief from three weeks of L&C pre-emptions
with what promises to be a wonderful episode: Lex Luthor is back... This
episode also promises romantic development for our darling duo. Also coming
in February, ÒThe Return of the PranksterÓ with Bronson Pinchot as Kyle
Griffin. So to refresh your memory, this month we offer a never before seen
review of the original episode ÒThe PranksterÓ. Next monthÕs issue will
contain reviews of ÒMetalloÓ and ÒChi of SteelÓ also. So here we go.....
=========================================================
YOU CANÕT ROLLERSKATE IN A BUFFALO HERD
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By Zoomway
This article will be dedicated to futility as the title implies. I canÕt
comment on the upcoming romantic arc between Lois and Clark because we go to
press even before the first installment of said romance gets underway. Ah,
futility. Speaking of which, IÕve discovered, or I should say rediscovered,
that sexual tension does not have to be lost once Lois and Clark actually fall
in love. The futility of unrequited love in this instance would not be
frustrating however, but actually....amusing.
While reading a friendÕs fanfic, I was reminded of a comic; Superman in Action
Comics #681. My friendÕs story had nothing to do with what went on in that
comic issue, in fact, that comic, like the Lois and Clark program itself,
illustrates how we fans enjoy the characterization better than the actual
plot. The plot was pretty forgettable, but the characterization of L&C in
that issue was wonderful. Why? Sexual tension. I donÕt mean the bad kind
that TV shows like Moonlighting used to keep a couple from ever falling in
love and ever having a romance. A different kind of Sexual tension that comes
from already being in love and wanting to be together, but circumstances
conspire to prevent the ÔconnectionÕ from happening.
The comic had Lois in proximity to Superman throughout this long ordeal in the
previous issues. She knows Superman is Clark, but she canÕt be with Clark
when heÕs Superman. This in itself creates a sexual tension between the two
of them. A deep longing to be close, but knowing they canÕt be, at least not
while heÕs Superman and they are surrounded by onlookers. Later, when the
crisis is over, Clark is able to approach Lois as himself. ItÕs a wonderfully
illustrated picture which expresses the relief and quiet satisfaction of being
able to hold each other in public again. But they still are not in a position
where they can be alone together, they have to get back to the Daily Planet.
As Perry White is ranting on and on to the city editor, Lois and Clark are
whispering to each other. The dialog doesnÕt hint at anything at all
romantic, but itÕs the way the couple are interacting that sells the moment.
Even though their whispered conversation is business as usual, Clark has LoisÕ
face tipped up towards his, and their mouths are very close together. They
donÕt dare kiss while PerryÕs on the warpath, so the tension builds. In the
next panel, Jimmy is talking to Clark, and Clark is responding to Jimmy, BUT
Clark never takes his eyes off Lois while heÕs talking, and Lois is in this
rather seductive but restless pose.
Finally, as if they canÕt stand it any longer, Lois and Clark say theyÕre
stepping out for some air (tee hee) they rendezvous inside the giant globe
atop the Daily Planet building. Even here, everything is wonderfully
understated. They still canÕt share a romantic moment because Clark has to
change back into Superman and take care of some business elsewhere, but their
brief time alone in the globe is very well handled. Clark changes very slowly
back into Superman, and we get to see Lois from his point of view as heÕs
changing. Lois is appreciatively watching Clark as he changes, but we do not
see him change, we only see LoisÕ riveted attention. Clark makes some clever
statement and Lois ÔwagglesÕ her hips (yes waggle, not wiggle) and says,
ÒYouÕre so clever. Brainy as well as brawny.Ó Clark (fully changed into
Superman now) wraps his arms around her from behind and presses his lips to
her ear, and he has a great ÔI want youÕ expression on his face. BUT he has
to go and do the Superman bit. As heÕs soaring into the sky, his thought
bubble says, ÒThat woman is an absolute jewel. Asking her to marry me was
the smartest thing I ever did. ItÕs good having someone to share life with.Ó
Now thatÕs GOOD sexual tension.
=========================================================
EPISODE REVIEWS:
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Episode #12: ÒThe Eyes Have ItÓ
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By Jennifer Traver (ksq3@maristb.marist.edu)
US Airdate: January 22, 1995
Guest Starring: Farrah Forke, David Bowe, and Gerrit Graham
Teleplay by: Kathy McCormick
Story by: Kathy McCormick & Grant Rosenberg
Directed by: Bill DÕelia
In this episode, the Superman/Clark dichotomy becomes ever clearer as it
becomes hard for Clark to separate his two lives. Superman becomes blinded
by an evil eye doctor and is incapable of carrying out his responsibilities.
His duties as Clark are also compromised. He canÕt very well present a blind
Clark; his true identity would become clear to his friends too quickly. So
what is he going to do if the blindness is permanent?
This episode actually had some suspense in it. An evil eye doctor and his
henchman kill a brilliant scientist who has just created a device that can
send knowledge on a beam of light through the eyes and into the brain. But
before they can kill him, the scientist breaks into LoisÕ apartment and shines
the beam in her eyes, transferring the knowledge to her brain and leaving the
device in her apartment. Lois unknowingly takes the device, disguised as a
ball-point pen, to the Daily Planet.
The evil eye doctor, Dr. Harold Light (haha), hatches a plan to neutralize
Superman by blinding him. They plan to use Lois to lure Superman to them
where they shine a purple beam into his eyes, blinding him. He flies with
Lois back to her apartment, crashing through her window. Superman stays the
night on LoisÕ couch, clearly uncomfortable with his dependence on someone
else. Lois tries to help Superman by calling a doctor from Star Labs to see
him. But Dr. Light overhears the conversation and impersonates the Star Labs
doctor. So Superman is still blind and Clark is missing, much to the dismay
and anger of Lois.
The subplot, meanwhile, reintroduces Mason Drake, ClarkÕs almost love interest.
She has asked Clark to come away to her cabin in the mountains for the weekend
and Clark sort of agrees. So when Clark is missing from work, everyone thinks
he has left early for his weekend with Mason. However, when Mason shows up at
the Planet looking for Clark, she, Perry and Jimmy can hardly believe Clark
has stood her up.
Lois gets kidnapped at this time (Twenty minutes until the end of the episode,
as usual) and Superman can do nothing to help her. The Kents come in to try
and help Superman figure out what to do. At about the same time, Lois and
Superman realize that the device is at the Planet. So Lois, accompanied by
Dr. Light and his henchman go to the Planet to retrieve it. Superman is one
step ahead. A scene ensues in the dark (got to even the score a little...)
where Superman hands over the device only to the doctor in return for LoisÕ
release. At this moment Lois breaks free, grabs the doctorÕs light instrument
and shines infrared light into SupermanÕs eyes to counteract the effects of
the ultraviolet light that originally blinded him. Superman regains his sight
just in time to destroy the device and blind the doctor and his buddy.
Back at the Planet, ClarkÕs return causes much misunderstanding, Perry is
disappointed in Clark, Mason is humiliated and hurt and Lois is angry. Lois
demands to know where Clark has been and for once, he doesnÕt have anything
to say. As a proponent of Clark disclosing his true identity to Lois, I loved
how this episode made it hard for him to integrate his two lives. Sooner or
later Clark is going to have to tell Lois, and its becoming sooner.
=========================================================
Episode #4: ÒThe PranksterÓ
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By Jennifer Traver (ksq3@maristb.marist.edu)
US Airdate: October 9, 1994
Guest Starring: Rick Overton, Harold Gould, Leonard Termo, John Fleck,
J.D. Cullum, and Special Appearance by Bronson Pinchot as
ÒThe PranksterÓ
Written by: Grant Rosenberg
Directed by: James Hayman
ÒThe PranksterÓ was not a bad episode; it was representative of the standard
of quality in the episodes of this season. It was peppered with some comedic
scenes, yet the plot depended too heavily on SupermanÕs superpowers. I
actually counted how many times he used his powers (eight). Most of these
examples were valid uses, and some were even amusing (Clark spinning a
basketball over his head using only his breath), but I hate to see these kinds
of devices become common and have dialogue suffer as a result.
This episode opens with the Daily Planet staff at a museum art exhibit. Here
Lois received a package: an opera jack-in-the-box from a Òsecret admirer.Ó At
first she is delighted as the Pavarottiesque device sings a glorious aria to
her. But the pitch of the song rises higher and higher, until people are
covering their ears and glass is shattering. It is at this moment that we
first see the Prankster, Kyle Griffin (played by Bronson Pinchot). He takes
advantage of the distraction to steal a huge diamond from a display case that
has shattered. Clark uses his heat vision to melt the jack-in-the-box and
silence it.
The next day Lois receives a diamond ring from her secret admirer (The
Prankster) and is enchanted with it until it gives her an allergic reaction.
Throughout the episode, Griffin causes disturbances in Metropolis in the name
of love for Lois Lane. He replaces the stadium scoreboard with a picture of
Lois and a message of love. He also plants a fake bomb and interrupts the
news to say he has done it in LoisÕs honor. Meanwhile, Griffin is stealing
parts from all over Metropolis to assemble a nuclear weapon.
Griffin is harassing Lois because five years previous, she wrote an expose on
illegal high tech weaponry that led to GriffinÕs arrest and imprisonment. So
he has two things on his agenda: to assemble his nuclear weapon and to get
revenge.
Midway through the episode, Lois really starts to get rattled. In a funny
scene, she arrives home and is afraid to turn on the TV, open the refrigerator
or answer the phone, fearing all are rigged to kill her. She tries to answer
the phone using piggy potholders and long wooden spoons, only to find Perry on
the other end of the line. But their call gets interrupted by Griffin, who
threatens Lois openly.
At this point Lois is so frightened that she shows up at ClarkÕs apartment
with a stack of Lethal Weapon movie videos and pizza, to his surprise. Lois
confides in Clark about her fear, and he comforts her. She snuggles next to
Clark in front of the TV and falls asleep.
Lois and Clark continue their investigation of Griffin. Consequently she is
kidnapped by Griffin and his idiot helper, Victor. Griffin has put together
his weapon and is going to demonstrate it by eradicating the Daily Planet.
Superman thwarts his plan by stopping the nuclear ray with his chest. He then
goes to save Lois, only to find that she has saved herself (for a change).
This is a happy moment for those of us who wish Lois would save herself once
in a while. Griffin is apprehended, and everything returns to normal.
Back at the Daily Planet, Lois receives a delivery of a dozen yellow roses.
Reading the card Òfrom a special friend,Ó she gets mad, thinking it is another
joke, and promptly dumps coffee all over the flowers. Clark watches in
anguish, commenting ÒThose cost me fifty bucks.Ó Realizing her mistake, Lois
sheepishly grins.
In my opinion there are a few things that signal a good episode: witty
dialogue, action that is truly suspenseful, and romantic tension. This
episode was not particularly original in its dialogue, though there were a
few zingers. The action wasnÕt all that great because it never seemed as if
Lois was in real danger. ÒThe Prankster,Ó by the nature of the episode, did
not focus on romantic tension either. So this episode was fair, but not one
of the best.
=========================================================
COMING ATTRACTIONS
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A List of Upcoming Comics Featuring The Superman Family of Characters
Assembled by Jeffery D. Sykes
This monthly section is dedicated to giving you official information
concerning which comics you should watch for in the near future in order
to keep up with Superman, Superboy, Supergirl, and all the rest of the
Superman family of characters.
The information which follows is reprinted without permission from Diamond
Previews and is in no way meant to serve as a replacement for that magazine.
In fact, I strongly recommend that each reader find his or her own copy for
additional detailed information on the entire DC Universe!
Notes: The story arc involving Supergirl and the New Titans continues
next month in THE DARKSTARS. THE RAY annual that is scheduled to
ship on April 4 features Ray battling Superman in a Òconfrontation
...that may not be what it seems.Ó The LOOSE CANNON miniseries
does not appear to be important to Superman continuity, but it
takes place in Metropolis and features Maggie Sawyer. Finally,
THE NEW TITANS annual will probably have a ÒYear OneÓ story about
Supergirl.
1. List of Titles by Shipping Date:
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Shipping date: Comic title and information:
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February 7: Action Comics #708
Michelinie, Guice, & Rodier
$1.50
Showcase Ô95 #3 (of 12)
Eradicator Story
K. Kesel (no info on art)
48 pgs, $2.50
February 14: Blood Pack #2 (Superboy)
C. Moore, C. Taylor, & Lanning
$1.50
Legends of the WorldÕs Finest Trade Paperback
Walt Simonson & Dan Brereton
160 pgs, $14.95
Superboy #14
WATERY GRAVE: Part 2 (of 3)
K. Kesel, Grummett, & Hazlewood
$1.50
Superman: The Man of Steel #43
L. Simonson, Bogdanove, & Janke
$1.50
February 21: The New Titans #120 (Supergirl)
FOREVER EVIL: Part 2 (of 3)
Wolfman, Rosado, & Champagne
$1.95
Superman #99
Jurgens, G. Kane, & Rubinstein
Cover by Jurgens & Breeding
$1.50
February 28: Adventures of Superman #522
K. Kesel, Immonen, & Marzan Jr.
$1.50
Steel #14
L. Simonson, Batista, & Faber
$1.50
March 7: Action Comics #709
Michelinie, Guice, & Rodier
$1.50
Guy Gardner: Warrior #30 (Superman, Supergirl)
Beau Smith, Byrd, & Davis
$1.50
Showcase Ô95 #4 (of 12)
Thorn story (Part 1 of 2)
Stern, Simpson, & Stegbauer
48 pgs, $2.50
March 14: Primal Force #7 (Superman)
Seagle, Choles & Larocque, & Kaalberg
$1.95
Superboy #15
WATERY GRAVE: Part 3 (of 3)
K. Kesel, Grummett, & Hazlewood
$1.50
Superman: The Man of Steel #44
THE DEATH OF CLARK KENT: Prologue
L. Simonson, Bogdanove, & Janke
$1.50
March 21: The New Titans #121 (Supergirl)
FOREVER EVIL: Part 3 (of 3)
Wolfman, Rosado, & Champagne
$1.95
SUPERMAN #100
THE DEATH OF CLARK KENT: Part 1 (of 7)
Jurgens, with Breeding & Rubinstein
64 pgs, $3.95 (Coll. Ed.), $2.95 (Stan. Ed.)
Superman: The Man of Steel Annual #4
L. Simonson, Leon, & Janke
Cover by Walt Simonson
56 pgs, $2.95
March 28: Adventures of Superman #523
THE DEATH OF CLARK KENT: Part 2 (of 7)
K. Kesel, Immonen, & Marzan Jr.
$1.50
Steel #15
L. Simonson, Batista, & Faber
$1.50
April 4: Action Comics #710
THE DEATH OF CLARK KENT: Part 3 (of 7)
Michelinie, Guice, & Rodier
$1.95
Guy Gardner: Warrior #31 (Supergirl)
Beau Smith, Byrd, & D. Davis
$1.75
April 11: Deathstroke #48 (Supergirl/New Titans)
THE CRIMELORD/SYNDICATE WAR: Part 1 (of 4)
Wolfman, S. & O. Cariello, & Blyberg
$2.25
Loose Cannon #1 (of 4)
Jeph Loeb & Adam Pollina
$1.75
The New Titans Annual #11
Wolfman, Land, Champagne & Blyberg
64 pgs, $3.95
Superboy #16
K. Kesel, Grummett, & Hazlewood
$1.95
Superman: The Man of Steel #45
THE DEATH OF CLARK KENT: Part 4 (of 7)
L. Simonson, Bogdanove, & Janke
$1.95
April 18: The New Titans #122
THE CRIMELORD/SYNDICATE WAR: Part 2 (of 4)
Wolfman, Rosado, & Champagne
$2.25
Showcase Ô95 #5 (of 12)
Thorn story (Part 2 of 2)
Stern, Simpson, & Stegbauer
48 pgs, $2.95
Superman #101
THE DEATH OF CLARK KENT: Part 5 (of 7)
Jurgens, G. Kane, Breeding & Rubinstein
$1.95
April 25: Adventures of Superman #524
THE DEATH OF CLARK KENT: Part 6 (of 7)
K. Kesel, Immonen, & Marzan Jr.
$1.95
Steel #16
L. Simonson, Batista, & Faber
$1.95
2. Merchandise:
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For more information on how to find these items, consult your local comic
shop dealer.
Superman & Batman Magazine #8
Welsh Publishing
DC ComicsÕ super-hero magazine for kids of all ages proudly presents an
all-new, 24-page Justice League comics story, ÒLet Justice Be Done,Ó
written by Roger (Action Comics) Stern and illustrated by Ty (Batman
Adventures) Templeton and Rick (Batman Adventures) Burchett. When
Superman, Batman, Wonder Woman, and the Flash investigate a series of
mysterious disturbances, they find a collection of unstoppable monsters
from outer space. Only DCÕs greatest heroes can team up to take on this
deadly threat. Plus, take a look behind the Dark KnightÕs cape and cowl,
as the ÒHero FileÓ focuses on Batman!
Magazine, 32 pgs, $1.95
The Adventures of Superman Hardcover
Applewood Comics
Written by George Lowther and originally published in 1942, THE ADVENTURES
OF SUPERMAN was the first full-length novel to star the Man of Steel.
This facsimile copy is an exact reproduction of the original novel,
complete with both color and black-and-white illustrations by Superman
co-creator Joe Shuster. Also comes wrapped in an exacting reproduction
of the original dust-jacket Ñ which is in many ways ever more rare than
the original book itself! Introduction by modern-day Superman novelist
Roger Stern.
Hardcover, 6x9, 228 pgs, $17.95
For more information, see the latest issue of Previews or your local
comic store.
3. Spoilers:
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April 4:
ÑÑÑ-
Action Comics #710
THE DEATH OF CLARK KENT: Part 3 (of 7) - The Man of Steel rockets back to
Metropolis to find Lois Lane before the enemy who knows his secret identity
can strike. But just as he arrives, a bomb is detonated... and Superman is
devastated when he realizes heÕs failed to save his one, true love.
Guy Gardner: Warrior #31
Supergirl and Sentinel (Alan Scott, the former Golden Age Green Lantern)
guest-star to battle Dementor when the villain arrives to claim the berserk
Warrior. If they fail, Guy GardnerÕs humanity is lost.
April 11:
ÑÑÑÑ
Deathstroke #48
THE CRIMELORD/SYNDICATE WAR: Part 1 (of 4) - The New Titans guest-star as
Deathstroke and the Titans join forces to stop a deadly power struggle Ñ a
war that will change the face of EarthÕs criminal underworld. Plus, Slade
Wilson rejects his daughter, and Rose is placed into protective custody
within the Titans.
Loose Cannon #1 (of 4)
ÒNew BloodÓ metahuman Loose Cannon is making a mess of Metropolis, and
Police Captain Maggie Sawyer has had enough. She assigns officer Eddie
Walker to apprehend the vigilante, not knowing that Walker is Loose Cannon!
But when circumstances conspire to make it seem that Loose Cannon has
killed Walker, a team of super-powered bounty-hunters goes after Cannon to
take him down Ñ dead or alive.
The New Titans Annual #11
The Year One Annuals continue, exploring pivotal events and untold stories
of the DC UniverseÕs greatest heroes. Writer Marv Wolfman and artists Greg
Land, Keith Champagne, and Will Blyberg zero in on the individual members
of the current Titans team, offering readers the perfect introduction to
each character, as well as revealing looks at the current team dynamic.
Superboy #16
Superboy is tricked into battling Loose Cannon when RexÕs ÒpalsÓ decide
Superboy must be eliminated. Plus, Krypto is released from quarantine.
Superman: The Man of Steel #45
THE DEATH OF CLARK KENT: Part 4 (of 7) - Clark Kent is no more... and
Superman is forced into hiding as the threat to his family and friends
increases to unbearable degrees.
April 18:
ÑÑÑÑ
The New Titans #122
THE CRIMELORD/SYNDICATE WAR: Part 2 (of 4) - Supergirl officially joins
the Titans as the team accompanies Deathstroke on a mission to stop the
warfare between the CrimelordÕs forces and the alien Syndicate.
Showcase Ô95 #5 (of 12)
While Thorn tries to take down a Metropolis crimelord, her actions lead
Maggie Sawyer to find a connection between Thorn and Rose Forrest.
Superman #101
THE DEATH OF CLARK KENT: Part 5 (of 7) - As the intrigue intensifies, both
Clark Kent and Superman are gone, and Metropolis is without a protector.
But of more immediate concern are the new threats that await Lois and the
Kents at every turn.
April 25:
ÑÑÑÑ
Adventures of Superman #524
THE DEATH OF CLARK KENT: Part 6 (of 7) - Superman draws out the villain
behind his nightmare ordeal... and the Man of Steel may not be able to
control himself when he faces the man who has destroyed *both* his lives!
Steel #16
RabbitÕs plan to arm everyone in America with super-weapons takes off.
Plus, Steel gains control of his armor and a member of the Irons family
disappears.
=========================================================
End of Section 5
=========================================================
SUPER-CROSSWORD #5
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By Jon Knutson (jonknutson@aol.com)
For best results, print this out in a monospaced typeface.
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| |XXX|32 | | |33 |XXX|34 | | | |XXX|
| |XXX| | | | |XXX| | | | |XXX|
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ-
| |XXX|35 | | | |XXX|36 | | | |37 |
| |XXX| | | | |XXX| | | | | |
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|38 |39 | | | | | | | | | | |
| | | | | | | | | | | | |
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ-
|XXX| |XXX| |XXX| |XXX| |XXX|XXX|40 | |
|XXX| |XXX| |XXX| |XXX| |XXX|XXX| | |
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ-
|XXX|41 | | | | |XXX|42 | | |XXX|XXX|
|XXX| | | | | |XXX| | | |XXX|XXX|
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ACROSS:
1 Ms. Faulkner
4 Goal
7 In an episode of L&C, he found something he didnÕt know
9 Moon of Mars
10 Captain America, Namor or the Torch
11 Reaction to a tasty treat
13 Pacific Land Enterprises (abbr.)
14 Have oneÕs attention focused
17 Don and Dawn Allen (abbr.)
19 The Joker or Prankster might pull one
22 KalÕs dad
23 Conjunction
24 Mammal
25 What you should put on a form where it doesnÕt apply
26 BeatlesÕ Film: Let It ___
28 DNA project
32 Captain Marvel villain
34 Building in disrepair
35 What Morgan and Lex were
36 Mr. Kitchen of Comics
38 Professor
40 Bond villain
41 Mon-ElÕs homeworld
42 Half of what Bugsy said to Shifty in ÒJailhouse RockÓ
DOWN:
1 It came in Jewel, Red or Gold, for example
2 A form of travel for the Silver Age Superman
3 Superman villain: ____man
4 Article
5 Creator of Amazo
6 Martha, to Clark
7 Super-Monkey
8 Conjunction
10 Antithesis of good comics?
12 One of two Earth-Prime heroes
15 Mr. Jamal, of stand-up fame
16 Three, in Espanol
18 A DNAlien
20 Movie theater chain
21 Security chief at 28 Across
27 Individual
29 Battle between two people
30 How you like to keep your comics
31 The kind of suit super-heroes wear?
32 Immortality Research Institute (init.)
33 A kind of school
39 A magazine also published by DC
===============================================
ANSWERS TO CROSSWORD #4
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|A|R|D|O|R|A| |B| |P|O|L|
|T| |O|R| |M|O|R|G|A|N| |
|L|E|G|I|O|N| |I| |L|T| |
|A| | |G|R|E|E|N|K| |H|E|
|N| |K|I|D|S| | |R|E|E|P|
|T| | |N|E|I|N| |U| |C|I|
|I|D| | |A|U| |A| |L|O|S|
|S|P|E|L|L|M|A|N| |I|V|O|
| | | |A| | |S|T|O|N|E|D|
| |S|I|N|C|E| |I| |D|R|E|
| |E| |A| |M| | | |A| |S|
| |M|A|S|Q|U|E|R|A|D|E| |
=========================================================
RESOURCES
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Instructions for obtaining the complete resources file can be found below.
This monthÕs new information:
WWW Homepages:
ÑÑÑÑÑÑ-
Kal-ElÕs Superman Homepage
http://web.syr.edu/~ajgould/superman.html
Victor ChanÕs L&C Homepage
http://gpu2.srv.ualberta.ca/~vichan/cyn.html
FTP Availability:
ÑÑÑÑÑÑÑÑ
Kryptonian Cybernet Files:
ÑÑÑÑÑÑÑÑÑÑÑÑ-
phoenix.creighton.edu
/pub/zines/kc
KC.Resources (20754) - This file
KC.January.95 (133357) - Issue #9, January 1995
ftp.hiof.no (158.36.33.3)
/pub/Comics/Fanzines
Mirrors (contains exactly the same files as) phoenix.creighton.edu
Comics Files:
ÑÑÑÑÑÑ
ftp.hiof.no (158.36.33.3)
/pub/Comics/Superman
Superman.ComicList (37989) - David T. ChappellÕs List of Superman Stories
Superman.FAQ (49671) - DTCÕs Superman FAQ
Superman.TimeLine (5320) - DTCÕs post-Crisis Superman Time Line
Lois and Clark Files:
ÑÑÑÑÑÑÑÑÑÑ
Text:
ftp.hiof.com
/pub/TV/Lois-and-Clark
LC.EpGuide1 (9545) - Jeffery D. SykesÕ first season episode
guide for Lois & Clark
LC.EpGuide2 (8478) - Second Season episode guide for L&C
LC1.zip (117213) - a zipped file containing the first season
episode guide and all summaries
LCSumm1.01 (19463) - Premiere
LCSumm1.02-03 (23013) - Strange Visitor & Neverending Battle
LCSumm1.04-05 (19738) - IÕm Looking Through You & Requiem For A
Super-Hero
LCSumm1.06-07 (23143) - IÕve Got A Crush On You & Smart Kids
LCSumm1.08-09 (28925) - The Green, Green Glow Of Home & The Man
Of Steel Bars
LCSumm1.10-11 (28303) - Pheromone, My Lovely & Honeymoon In Metropolis
LCSumm1.12-13 (31310) - All Shook Up & Witness
LCSumm1.14-15 (29957) - Illusions of Grandeur & The Ides of Metropolis
LCSumm1.16-17 (31896) - Foundling & The Rival
LCSumm1.18-19 (24190) - Vatman & Fly Hard
LCSumm1.20-21 (20871) - Barbarians At The Planet & The House Of Luthor
ftp.dhhalden.no (158.36.33.3)
/pub/Comics/Film_and_TV
Mirrors the episode guides and summary files from ftp.hyperion.com.
Pictures:
ftp.hyperion.com
/pub/TV/Lois-and-Clark
Index.jpg (165962) - a 840x810 thumbnail index of all pictures in
the directory excluding Òsmiley-chickÓ
{Note: a thumbnail index displays every picture indexed at a reduced size}
TH-Idx-1.GIF (186383) - a 640x512 thumbnail index of the Thatch pictures
(good quality for an index) All of these pictures
are high-resolution screen captures Ñ 18 are
head shots
THatch01.GIF (251797) - a 640x512 head shot of Teri Hatcher from
a talk show appearance (?)
THatch02.GIF (237239) - a 640x512 head shot of Teri Hatcher from
a pre-L&C program (long hair)
THatch03.GIF (239960) - a 640x512 picture of Lois showing Clark
some leg (from ÒPheremone, My LovelyÓ)
THatch04.GIF (197761) - a 640x512 head shot of Teri from L&C
THatch05.GIF (176284) - a 640x512 head shot of Teri from L&C
THatch06.GIF (225188) - a 640x512 head shot of Teri from L&C
THatch07.GIF (239674) - a 640x512 head shot of Teri from L&C (in
the car in ÒThe Green, Green Glow of HomeÓ)
THatch08.GIF (221563) - a 640x512 head shot of Teri from L&C
THatch09.GIF (199705) - a 640x512 head shot of Teri from L&C (the
bottom part of the picture is missing)
THatch10.GIF (229228) - a 640x512 picture of Teri in red outfit
with a little bit of her black bra showing
(from ÒWitnessÓ - two full length shots)
THatch11.GIF (235007) - a 640x512 head shot of Teri from L&C
(from ÒWitnessÓ - same outfit)
THatch12.GIF (235014) - a 640x512 head shot of Teri from L&C (almost
the same as #11 - most of picture missing)
THatch13.GIF (215336) - a 640x512 head shot of Teri from L&C (from
ÒWitness - on phone before attacked in apt)
THatch14.GIF (231534) - a 640x512 head shot of Teri from L&C
THatch15.GIF (225426) - a 640x512 head shot of Teri from L&C
THatch16.GIF (223933) - a 640x512 head shot of Teri from L&C
THatch17.GIF (216558) - a 640x512 head shot of Teri from L&C
THatch18.GIF (226925) - a 640x512 head shot of Teri from L&C
THatch19.GIF (209485) - a 640x512 head shot of Teri from L&C
(from end of ÒStrange VisitorÓ)
THatch20.GIF (217443) - a 640x512 head shot of Teri from L&C
(from end of ÒStrange VisitorÓ)
kc.smiley-chick.jpg (36041) - a 704x480 photo of K Callan wearing the
LOISCLA listserv t-shirt
How to obtain the complete Resources file:
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ-
Note that the file also contains information about how to use ftp and
ftp e-mail. The file will be located at phoenix.creighton.edu in the
directory /pub/zines/kc and at ftp.hiof.no in the directory
/pub/Comics/Fanzines. For those of you who do not know how to use ftp
or donÕt have ftp access, e-mail a message to either of the addresses
given below. For the body of your message include only the lines
between the dashes below.
Addresses: ftpmail@decwrl.dec.com or ftpmail@sunsite.unc.edu
Body:
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ-
connect phoenix.creighton.edu
chdir /pub/zines/kc
get KC.Resources
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ-
Do not include the lines of dashes, and do not include anything else
in the body of the message. You will receive a message telling you
that your request has been queued. Then, about a day later, you will
receive the file itself.
=========================================================
CLASSIFIEDS
ÑÑÑÑÑ-
From: David T. Chappell
SUPERMAN: MAN OF STEEL PLATINUM EDITION trading cards for sale or trade.
Prices listed are postage paid, though IÕll also consider trades for listed
wanted cards as well as sets of Doomsday or Return of Superman cards.
For Sale:
FS4 (Forged in Steel) 20.00 ppd
Extra singles:
CollectorÕs set- 3 4 7 9 13 16 18 23 32 40 44 45 46 55 57 63 64 70 71
72 74 76 81 82 88 89 90
DonÕt need any so they are .10 each or 2.00 for the lot (which brings it
down to .07 each).
Premium set- 2 3 5 6 7 8 10 12 14x2 17 18 20x2 23 24x2 25 28 32 36 37 38
41 42 44 45 47 48 49 50 53 54 56x2 60 65 66 67 68 71 74x2 75
77 78 79 81 82 83x2 84 85 88 89 90
Need- 1 4 9 11 13 15 16 19 22 26 29x2 31 40 46 51 52 55 58 61 63x2
64 70
Anyone who can provide me with ALL 24 cards I need can pick out 50 from
the extras!
The cards were collected by and belong to David Chappell. However, sales
are being conducted by Loretta Jackson. Contact Loretta via e-mail as
lmj@crl.com.
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ
From: Jeff Sykes (sykes@ms.uky.edu)
SUPERMAN: MAN OF STEEL trading cards wanted/for sale or trade.
Prices listed include postage (contact me for details). I will consider
a trade for the cards that I need:
WANTED:
CollectorÕs Edition - #41
FS2 (Forged in Steel - randomly inserted in Premium Ed. packages)
FOR SALE:
Premium Ed. Sets(2) - $30.00 each
CollectorÕs Ed. Set - $12.00
FS1 - $20.00
FG1,FG2 - $20.00 each (Forged in Gold - randomly inserted
in Pr. boxes from SamÕs & Wal-Mart)
S1,S5(2),S6 - $7.00 each (Spectra-Etch - randomly inserted in
Coll. Ed. packages)
I also have extra singles of most cards from each edition. Contact me
for details. Contact me (Jeff Sykes) via e-mail at sykes@ms.uky.edu.
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ
From: Ken McKee <stdkrm01@shsu.edu>
New Usenet POG group!
As well as collecting Superman, I am a big POG collector (especially
Superman POGs). This has led to the formation of the newsgroup
alt.games.milkcaps Ñ designed for people to buy, sell, trade, or
just talk about POG collecting. Drop by!
ÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑÑ
If you would like to place an ad, send it to one of the following addresses:
Arthur.E.LaMarche@Dartmouth, sykes@ms.uky.edu, or KryptonCN@aol.com. We ask
that you follow these three simple rules:
1. No dealers or businesses. This is meant to be more of a trading
post for fans of the Man of Steel, not an outlet for people to
operate a business.
2. Superman merchandise only. Anything not related to the Man of
Steel will be edited out of the ad.
3. Try to keep your ads short.
All advertisements must be received by the first Monday of the month to
be included in the next issue of the magazine. Be certain to include
your e-mail address in the ad.
=========================================================
THE MAILBAG
ÑÑÑÑÑ-
From: Denes House <dhouse@itsmail1.hamilton.edu>
To the Editor:
I have only been a fan of the ÔBogÕs work since shortly before ÔPanic
in the Sky,Õ but I have found his artwork more creative and fresh than
anything by Mr. Jurgens, especially when inked by Breeding (IMHO the
*worst* inker for Jurgens). Let me explain (or at least sum up):
Bogdanove has always excelled in the caricature of action and
anatomy. His Superman has always been a brick wall of muscle and rippling
action. Is Dennis Janke the best inker for him? The recent Klaus Janson
performance shows that others can make Bog look very fresh. The most recent
fill-in art by Mr. no-name guy shows, I think, how talented Bog is at
caricature. This other guy couldnÕt pull it off, and turned in one of my
least-favorite pencilling jobs in recent memory.
Jurgens annoys me for some reason. He seems to fall back on
pre-made poses, almost traced from his previous work. BreedingÕs dark,
angular blacks are the last thing Jurgens needs. His team-up with Art
Thibert back in the ÔDark Knight over MetropolisÕ days was some of the best
inking IÕve seen over JurgensÕ work (followed closely by Rubenstein, the
always-able Giordano, and the always-perfect Ordway).
Perhaps itÕs that, as a (admittedly amateur) comicbook artist, I
see more originality, vitality, and drive in BogdanoveÕs work than Jurgens.
Whatever, I donÕt think that the Bog is getting a fair shake from his
critics. Long live Bogdanove!
*** First, in *my* defense, I did admit last issue that BogÕs art may not be
as bad as I had previously thought. As you mentioned, Klaus JansonÕs inks
were a dramatic improvement over those of Dennis Janke. And to BogÕs
credit, I donÕt dislike his art Ñ itÕs his current style that I donÕt
like. As I pointed out last issue, before ÒReign of the Supermen,Ó BogÕs
style was much less angular. This style I much enjoyed (see my review
of the ÒFirst StrikeÓ of ÒPanic in the Sky!Ó And I think that Bog has
done some of the best painted artwork of the Man of Steel I have seen Ñ
for a cheaper example, check out the cards he painted for the recent
Skybox series.
Dan Jurgens has been writing and drawing various Superman titles for
at least six years now. The best art heÕs produced (in my opinion, of
course) was in this yearÕs ÒZero Hour.Ó Jerry OrdwayÕs inks complemented
DanÕs work *very* well. But I have always thought that BreedingÕs inks
were very good for Dan as well Ñ Hunter/Prey was beautiful. I do believe
that over the past year or so, *all* of the artists (with the exception
of Grummett on Superboy) have suffered from hastily produced work. The
art in the monthly titles has degraded a bit as a result. (An exception
is Guice on Action Comics Ñ his work has degraded a *lot*. I was just
reading Action #681, after reading ZoomwayÕs column, and itÕs amazing
how much more pleasant his art was to the eye back then!)
Of course, much of what we decide about who we do and donÕt like is based
on personal taste Ñ what styles of drawing we find appealing. Most of
us donÕt have any professional background upon which to base our likes
and dislikes. Since the pros out there all seem to think that Bog is
a great artist, I have no reason to dispute their claims. However, I can
state the fact that his current style simply doesnÕt appeal to me.
(Maybe we could get him to paint each issue! :)
Jeff
_______________________________________________________________
************************************************************
End of Issue #10
