Copy Link
Add to Bookmark
Report
Inklings Issue 4.21
================================================================
i n k l i n g s
Inkspot's newsletter for Writers on the Net
Issue 4.21 * Over 40,000 subscribers! * Oct. 14, 1998
================================================================
<http://www.inkspot.com/inklings/issues/ink0421.html>
This issue features tips by Carol Henson (ASK THE BOOK
DOCTOR) on using the Internet when starting to send out your
manuscript, and an article by Jody Brady about the trade
journal market.
This issue sponsored in part by:
================================================================
THE WRITER'S SOFTWARE COMPANION: multimedia software by Writer's
Digest's Nancy Kress. Uses advanced learning tech. and total
immersion to bypass years of trial-and-error, dramatically
accelerating a writer's progress. http://www.novalearn.com
================================================================
1998 Stephen J. Cannell Online Writing Seminar! Oct 24th.
Includes materials, a live Q & A session with Emmy-winning
producer/bestselling author Stephen J. Cannell and downloadable
teleplay pilots of The A-Team, The Rockford Files, Wiseguy.
$55. For more info go to http://www.writerswrite.com/seminar/
================================================================
Advertise in this space! Write to sales@inkspot.com for info,
or see http://www.inkspot.com/admin/ratecard.html.
================================================================
ISSN 1205-6413. Copyright 1995-1998 Debbie Ridpath Ohi. See end
of issue for copyright/contact info. http://www.inkspot.com
================================================================
CONTENTS THIS ISSUE:
From The Editor's Desk
Fresh Ink and Market Information
Ask The Book Doctor
Industry Insider: Writing For The Trade Journal Market
Writers' Classifieds
================================================================
FROM THE EDITOR'S DESK:
=======================
Inkspot will no longer be using MediaGlue to handle advertising;
looks like I'm on my own again. I've revamped the advertising
structure and pricing throughout Inkspot (new layout!) and
Inklings. If you have a writing-related service or product, there
are now a wide variety of methods in which you can use Inkspot or
Inklings for promotional purposes. I welcome all feedback and
suggestions! I'm a writer and editor, not a marketing expert, and
would appreciate any ideas or tips on potential advertisers I
should approach. For more information, please see
http://www.inkspot.com/admin/ratecard.html, or send email to
sales@inkspot.com.
Huge thanks to all those who volunteered to take flyers to
upcoming writers' conventions and workshops; your kindness is
much appreciated. If you'll be attending a literary-related
convention, writers' group meeting, or workshop in the next few
months and are willing to take at least 25 flyers, please send
details (name and date of convention, how many flyers you'd be
willing to take) to flyers@inkspot.com. Thanks!
Joe Holler will be taking over webmaster duties for the
Young Writer's section of Inkspot, which is in the process of
being massively updated. If you have suggestions or comments,
please direct them to joe@inkspot.com. Joe also has a monthly
column for young writers. If you have a chance, please do
check out For Young Writers at:
http://www.inkspot.com/young/
I am currently looking for authors willing to host chats in the
Inkspot Writers' Community Center, a text-based interactive
learning environment. Before volunteering, please check out the
environment. For details on how to logon, see URL below.
Non-profit writers' groups are also welcome! Shane Stacks has
kindly volunteered to answer questions about the IWCC...contact
staxx@inkspot.com.
http://www.inkspot.com/chat/
Congrats to the following readers whose names were randomly
selected to win copies of ELEMENTS OF STYLE FOR SCREENWRITERS
(Lone Eagle Publishing Company, 1998):
Wes Modes
Kara Johnson
Karin Beuerlein
FRESH INK
=========
BOOK PRIZE GIVEAWAY: 1999-2000 WRITER'S GUIDE TO BOOK EDITORS,
PUBLISHERS, AND LITERARY AGENTS
--------------------------------------------------------------
By Jeff Herman (Prima Publishing, 1998). 976 pages. Info about
publishing houses and literary agents in the U.S. and Canada.
Includes names of editors and agents with their specialties
as well as an extensive glossary of publishing terms.
One name will be randomly drawn to win this book. To enter, send
email to giveaway@inkspot.com with your name and email address
with "guide" in the subject header. By entering, you agree to let
Inkspot and Inklings publish your name and email address if you
win. Deadline: Oct.25, 1998. More info about the contest and
book (including ordering info) at:
http://www.inkspot.com/admin/giveaway.html
If you wish to contact Inkspot to volunteer a writing-related
giveaway book or product, please send email to editor@inkspot.com
with "book for giveaway" in the subject header.
Freelancing Writing column
--------------------------
by Bev Walton-Porter. Part of Suite101.com. Weekly articles
related to freelance writing, online discussions.
http://www.suite101.com/topics/page.cfm/1639
The Novel Workshop
------------------
Moderated critique group and mailing list. Contests, chats,
critiques. For more info, see URL or write XLTX22F@Prodigy.com.
http://pages.prodigy.com/novelshop/index.htm
Children's Writing Resource Center
----------------------------------
Lots of useful info here for those interested in writing for
children.
http://www.write4kids.com/
Exploring English
-----------------
Anatomy of the English language.
http://www.dsoe.com/explore/english/
The Book of Zines/E-Zine and Zine Resource Center
-------------------------------------------------
Includes how to start your own zine, interviews with zine
editors, recommended zines & 100+ links to zine and e-zine
resources.
http://www.zinebook.com
Word Play
---------
"Sites that feature fun with words." I spent way too much
time following links from this site. :-)
http://www.wolinskyweb.com/word.htm
Synergy Online
--------------
Moderated fantasy/sf critique group.
http://www.synergy-online.org/
Michigan State University Writing Center
----------------------------------------
Organized list of links, good jump-off site.
http://pilot.msu.edu/user/writing/Lowtech/webstuff.html
Inscriptions
------------
Weekly ezine for professional writers. Includes job
opportunities, contests, markets, message boards and humor for
writers.
http://members.aol.com/maidenfate/Inscriptions.html
Got a Fresh Ink suggestion? Please send to freshink@inkspot.com.
================================================================
DAILY COOL WORDS, COOL FACTS: Every day, The Learning Kingdom
brings you fascinating facts about language and the world. What
is the opposite of "utopia"? Why don't spiders stick to their
own webs? http://www.Cool-Word.com/ http://www.Cool-Fact.com/
================================================================
Advertise in this space for as little as $50/issue.
Write to sales@inkspot.com for details.
================================================================
MARKET INFORMATION
==================
Please get current, detailed guidelines before submitting to
publications if possible. Don't submit to email addresses unless
specifically stated. Include a SASE for surface mail replies.
More market info at: http://www.inkspot.com/market/.
==-----------------------------------------------------==
"FNASR" = First North American Serial Rights, "SASE" =
self-addressed, stamped envelope, "simsubs" = simultaneous
submissions, "mss" = manuscript, "RT" = response time, "GL" =
guidelines, "wds" = words, "cc" = contributor's copy,
"IWGL" = Inkspot Writer's Guideline Library.
Markets Editor: Sal Towse (ST).
MOJO WIRE
---------
MoJo Wire. 731 Market Street, Suite 600, San Francisco, CA 94103. Editor:
Eric Umansky. The on-line offering of Mother Jones, covering issues in
depth that the magazine can only touch on. Circ: 600K pp viewed/mo.
NEEDS: Short (less than a thousand wds), timely pieces. Story ideas
should engage issues that are in the news, or better yet, should be
news. And we love quirky takes. PAY: On publication. $.30/wd. Purchases
all rights. Writers get royalties for reprints. RT: "It varies. From
minutes to weeks." (ST)
URL: http://www.motherjones.com/news_wire/
GL: http://bsd.mojones.com/info/
E-mail: mojowire@motherjones.com
OUT OF THE SHADOWS AND INTO THE NIGHT
-------------------------------------
Pamela Keesey, 3024 14th Avenue South, Minneapolis, MN 55407.
Edited by Pamela Keesey & Rick R. Reed. An anthology of horror
published by The Design Image Group, Inc. Horror, dark fiction.
One-time publication rights. Upon publication, all rights revert
back to author. Original vs. reprints: "Although we would prefer
all new material (since the theme of the book is new monsters),
we will consider exceptional reprints as long as the author
informs us up front and clarifies that he/she has exclusive
rights to the story." FICTION between 3,000-10,000 wds.
Exceptional longer or shorter pieces will be considered. PAYMENT:
6.5 cents/wd, half on acceptance, half on publication. This
payment is not an advance; royalties will be paid in addition to
the initial payment. DEADLINE: All stories must be received by
Nov.30/98. Tentative publication date: Spring/99. In the
tradition of The Twilight Zone, Night Gallery, and The Outer
Limits, this anthology will focus on weird tales of the modern
age. "The new millennium calls for a new monster. Dispense with
old-fashioned monsters, bogies and ghouls (that means no ghosts,
vampires, werewolves, witches or anything anyone has ever heard
of before). What we're looking for is a new kind of nightmare,
a new commodity with frightening features, a convergence of
terror and the mundane." Email submission preferred (please do
not send stories as attachments; cut and paste into the body of
your email); snailmail (PC or Microsoft Word disks if possible)
submissions are also acceptable. The editors take no
responsibility for lost/misdirected submissions. (Ed.note: Read
contract carefully if you get one; some writers have complained
about an author-hostile clause). (Source: Scavenger's Newsletter)
Email: HorrorAnth@aol.com
AU JUICE
--------
au Juice, the journal of eatin', drinkin' & screwin' round. Box
9068, Berkeley, CA 94709-1436. (510) 548-0697. No FAX number.
Editor: Fred Dodsworth. Audience: National. Adventurous, "more
fun than bucks." Circ: 50K. Quarterly. PAY: 30 days after
publication. $0.10/wd. First print and electronic rights for the
au Juice website only. NEEDS: Thoroughly researched, well written
stories on: historic, exotic, unusual or ethnic foods; brews,
booze, wines, cordials and flavored liqueurs; coffee, tea, hot
peppers and trend foods; pipes, cigars and exotic potions;
interviews with noteworthy folks about eating and drinking;
interviews with noteworthy chefs, brewers, distillers, etc.;
overviews of new eating and drinking trends; exotic lives and
locales; book reviews of food and beverage and music reviews of
any kind. No reprints. Query. RT: "slow." SAMPLE: $5. TIPS: We
love passion and scholarship, be thorough, be entertaining. (ST)
GL: available via e-mail
E-mail: aujuice@aol.com
WRITER ON LINE
--------------
Writer On Line. Novation, 190 Mt. Vernon Ave., Rochester, NY
14620. Publisher: Terry Boothman. Monthly electronic magazine for
writers. PAYMENT: Pays $50 for original articles of 800-1800
words in length, $20 for reprint rights. "Longer articles may be
accepted as per our request or a good argument by the writer. We
may offer promotional opportunities in lieu of payment in some
circumstances." Pays on publication. First-time electronic rights
only. Retains rights to republish (archive) all submitted
articles on an indefinite basis (including reprints). Up to six
articles are purchased each month. SUBMISSIONS: Writers may send
email queries or proposed articles by email attachment. "We do
not guarantee a response, but strive to reply within one month.
All replies will be by email." CONTENT: "Articles must address
the craft, marketing, or publishing of writing, and should offer
concrete practical advice if possible. Writers are advised to
read current and archived Writer On Line articles to obtain a
sense of style and content." TOPICS: "Articles should center on
the craft, publishing, or marketing of writing: novel, short
story, poem, biography, history, stageplay or television script,
screenplay, essay, technical writing, business writing,
journalism, new media writing, and so on. We are interested in
the varieties of professional communication as well as all genres
of fiction." (Info rec'd Oct.5/98)
URL: http://www.novalearn.com/wol
Email: manager@novalearn.com (queries)
THE GOBLIN MARKET
-----------------
Raechel Henderson, Editor. Electronic fantasy chapbook scheduled
to appear in Jan/99. First worldwide electronic rights, no
reprints. FICTION: max 5,000 wds. "Shorter is better...I will
most likely accept one 5,000 wd story." Pays 3c/wd. Looking for
fantasy. "I want to see High Fantasy, Dark Fantasy, Sword and
Sorcery and any combination thereof. No Modern Fantasy. Stories
set in non-Western European settings eagerly sought." Mss format:
single spaced, double spaced between paragraphs. Indicate a break
in the scene with a row of #'s. Indicate italics _like this_ or
*like this*. Do not put italics or any kind of emphasis in ALL
CAPS. Don't submit anything with gratuitous sex or violence or
gore for gore's sake. Also, no child abuse. POETRY: "No hard and
fast line limits, but poems over 60 lines would have to be
exceptional to be considered." Pays $15/poem. Poetry must fall
within the fantasy genre. Max. 5 poems/submission. "Any form of
poetry is fine, traditional or free verse. In fact, if you want
to experiment with the tricky old poetic structures, feel free to
go ahead. Likewise, both narrative and lyric poetry are fine.
Remember though, that to me, structure is less important than
soul. If your poem doesn't make me see, or feel, or believe
something, it won't matter how pretty the words are, or how
perfect the meter and rhyme." Reading for issue starting Oct.1
until issue fills up or until Dec.25/98, "whichever comes first."
Submit stories via email to address at bottom. Put submission in
the body of the text, no attachments. Other tips: "SF and pure
horror will not be accepted for this anthology." (Source:
Scavenger's Newsletter, http://www.cza.com/scav/index.html)
Email: goblinmarket@eggplant-productions.com
Poetry submissions: gmpoetry@eggplant-productions.com
URL: http://www.eggplant-productions.com/goblin/
Please send market updates and news to towse@inkspot.com.
=================================================================
Ask The Experts
---------------
*** Please put "inklings question" in the subject header. ***
Judith Bowen (ROMANCE WRITER) JudithBowen@poboxes.com
David Breeden (POET) drpoetry@ktc.com
Charles Deemer (SCREENWRITER) cdeemer@teleport.com
Mark Fowler (LAWYER) askthelawyer@inkspot.com
Susan Graham (AGENT) slgraham@mindspring.com
Carol Henson (BOOK DOCTOR) bookdoc@Prodigy.net
Ken Jenks (ELECTRONIC PUBLISHER) MindsEye@tale.com
Michelle Sagara (SF/FANTASY WRITER) Michelle.Sagara@sff.net
Lee Wardlaw (CHILDREN'S BOOK WRITER) lwardlaw@gte.net
Marcia Yudkin (FREELANCE WRITER) send to yudkin@inkspot.com
Columnists may be unable to reply privately to every message,
but will answer selected questions in future issues of Inklings.
Please keep your question BRIEF and send it to *one* columnist.
================================================================
ASK THE BOOK DOCTOR
----------------------------------------------------------------
by Carol Henson <bookdoc@prodigy.net>
How can the Internet help?
--------------------------
Q: Can the Internet help when it's time to start submitting my
manuscript to publishers or agents?
Yes. Researching the publishing world has gotten a lot easier
thanks to the Internet. I can't stress enough how important it is
for every writer to do research before submission. Some writers
try to take the easy way out, using a more of use a shotgun
approach to manuscript submission, rather than spending real time
to get the right information about a potential market beforehand.
Your chances for success are far better if you do your homework.
The Internet has made this a lot easier. One of the best places
to start your market research is at Bookwire
(http://www.bookwire.com). This site is designed to help you keep
in touch with the publishing world and the more you know about
the big world of book publishing, the better. Once you've logged
onto this site, the first place to go is Publisher's Weekly. You
can look at the bestseller lists and see which books have been
sold and which publishers have bought them. By keeping up with
the bestseller lists, a writer can stay current with the latest
market trends. This will help you see the connection between the
type of book you're writing and the type of publisher in the mood
to buy it.
Publisher's Weekly has several sub-sections to check out. In The
News, People, and New Ventures, are excellent for finding out the
names and correct spelling of editors newly hired, promoted, or
moved. You'll also find discussion groups and even a poetry
section. Bookwire also offers a link to Literary Marketplace
(LMP). LMP, the ultimate reference book about the publishing
world, is currently offering a free 30 day trial of their online
material, but even if you don't sign up, it is still a great
place to verify the spelling of an agent's or publishing house
editor's name and current address. This information is crucial to
getting your manuscript into the hands of the right person. The
Association of Author's Representatives is another Bookwire link
that lists agents who have qualified for membership in the
association. These agents have met certain quality working
standards and the site even tells you just what those standards
are.
You'll also find loads of information for mystery writers at the
Mystery Writers of America site and Authorlink gives you the
latest news and marketing information about its community of
editors, literary agents and writers. All of this information is
available via the Internet if you start your market research at
Bookwire. Of course, Inklings, the newsletter you're reading
right now, is great for keeping every writer motivated and up to
date on current writing trends plus it's delivered to your
mailbox every month. In the past, a writer might have
concentrated on finding a literary agent to represent them first,
letting the agent look for an appropriate publishing house. Now
there's the option of approaching publishers directly. But there
is a catch: most publishing house editors won't accept
unsolicited or unagented manuscripts. The good news, however, is
that they will almost always accept a single page letter
addressed directly to them. This gives a writer a chance to
approach a house with a one page query letter. One page only!
That means more work for the writer, honing a catchy query letter
down to one compact page, but in today's publishing climate, it
can be well worth the effort. Once you get an editor's attention,
it is relatively easy to snag an agent to handle contract matters
which is not such a bad idea for those of us not as comfortable
with all the ins and outs of writer's rights. It really is
important for every writer interested in submitting a manuscript
to do lots research ahead of time. Use the Internet to find
current names and addresses and to keep up with the changing
scene in the publishing world. Don't forget the public library,
too. The Internet comes in handy, but nothing replaces a few
hours spent at your local library.
==-----------------------------------------------------==
Carol Henson is a Book Doctor/editor/author and is happy to
respond to your questions about Book Doctors, editing, writing,
etc. Her web page is located at:
http://pages.prodigy.com/books/bookdoc.htm.
Copyright (c) 1998 Carol Henson.
================================================================
INDUSTRY INSIDER: WRITING FOR THE TRADE JOURNAL MARKET
----------------------------------------------------------------
by Jody Lannen Brady <jlbrady@erols.com>
I'm going to make what will at first seem a fool-hardy
suggestion: Try writing for a market that probably won't offer
you any money.
The market I'm talking about is the trade journal market. Getting
paid to write for this market isn't automatic--but it is
possible. While some of the larger, technical magazines pay good
money for writers capable of covering field developments, many
new trade magazines and small newsletters depend on non-paid
submissions provided by companies in the trade. These articles
are obviously more "infomercial" than objective reporting, but
they're current and they're gratis; it's not difficult to
understand why they fill the pages of journals who have more
advertising staff than editorial staff.
Here's where the opportunity lies: businesses who provide these
articles get to spread word about their companies without paying
hefty advertising fees--but many businesses don't have a writer
on staff. You might write an article for a growing catering
company that wants to let event planners know about new services,
for example. Or a corporate profile of a sucessful CEO looking to
get good publicity for her company by sharing career tips. I
started writing articles for trade journals in the special events
industry when a directory editor wanted to circulate his
company's name. The editor recognized the value of articles with
his company's name and phone number in the byline, and was
willing to pay me decent wages to write articles for submission.
How to Get Started
------------------
You can approach businesses with the suggestion that you write
articles for periodicals in their trade. There are quite a few
options to suggest: editing company-generated articles and
handling the submissions process; ghost-writing articles for an
executive who wants to keep the byline in-house; writing articles
for a set fee (by the hour or by the word); and writing on
speculation (you get paid a higher rate, but only if the article
is accepted).
Obviously, the best bet for a writer is to write with your own
byline and to convince a business to pay you up front--regardless
of submission outcomes. But if you don't have published clips to
show around and you don't have experience in the field you're
writing about, you should consider writing on spec in order to
build your clip file.
The second way that trade journal writing can pay off is by
impressing the publication you've written for--for no pay--and
convincing them that you're worth paying. A magazine that has
paid me to write several feature articles, ran my first three
pieces without pay (it was their "strict policy"). Once they had
published me a few times, I was prepared to burn my bridges: I
told the managing editor that I was only interested in writing
non-subsidized articles in the future and that the magazine would
need to pay me. To my surprise, the editor agreed. To date, I've
written two of the magazine's cover articles for decent pay and
three smaller articles.
If asking for pay after unpaid publication doesn't work out,
you're still ahead of the game. Copy the clips you've collected
from the periodical and use them to sell yourself to a paying
market--either another trade journal or, better yet, a consumer
publication covering the same field. It helps when you can tell
a publication that you "write frequently" about their field, and
you have the clips to prove it.
What to write
-------------
Think about trade journal material as anything that interests
you, anything that you hear something about, and/or anything that
you have experience in--from embroidery to insurance to hotels to
special events to security to health food stores to elementary
education to records management to Midwest farming....Once you
start looking, you'll be hard-pressed to find a field that
doesn't have a newsletter or magazine covering it.
What do you write for these trade periodicals? How-to's, advice
from experienced professionals, trade news, trends in the field,
profiles, new products, and technical developments. Some trade
periodicals are also interested in interviews, humor, opinion
essays and historical/nostalgic/anniversary pieces. If you're
not certain what's expected, your best bet is to study the
articles in a sample copy. Looking at a number of periodicals in
one field will also help you get a feeling for the range of
topics covered.
Market research
----------------
If you don't already have a copy, Writer's Market (Writer Digest
Books) is available in most libraries and it's a great place to
start. Look for journals in the field(s) you're interested in;
check to see if any of the publications offer writers' guidelines
and/or free sample copies. You'll find that many of the
periodicals are produced by large publishing companies who may
be able to send you guidelines for as many as twenty trade
journals in one fell swoop.
When you're at the library, you'll want to look for the Business
Publication Advertising Source (Standard Rate and Data Service),
which is organized by professions and includes addresses and
contacts for thousands of trade periodicals.
The other way to research the market is to ask businesses in the
trade about publications about which they're aware.
The trade articles that I write are interesting to research and
write; while they're not my ideal writing assignments, I'm happy
to be paid to exercise my writing muscles. And I've been able to
make double use of the information I gather writing for trade
journals; twice now, I've turned the same material into articles
for mainstream publications. My next step is to recycle some of
this stuff into my fiction!
Other Resources:
----------------
Getting Started via the Internet: Running a "trade journal"
search on just about any search engine will yield a wealth of
information about potential markets. Some of the best sites
include:
Yahoo--Journals in dozens of industries, from "agriculture" to
"utilities".
http://www.yahoo.com/business_and_economy/magazines/trade_magazines
Handilinks--Search over 60 trade journals.
http://www.ahandyguide.com/cat1/m/m588.htm
==---------------------------------------------==
Jody Lannen Brady is a free-lance writer with recent/forthcoming
publications in the Washington Post, NY Daily News, Washington
Golf Monthly, Recreation News, Choices for Living, Family Fun,
Virginia Magazine, Campers Monthly and others. She writes
frequently for publications covering the events industry and was
Contributing Editor of BIG E, little e: the Planning Directory
for Events of All Sizes.
Copyright (c) 1998 Jody Lannen Brady
================================================================
W R I T E R S ' C L A S S I F I E D S
=================================================================
WORGAN: idea organizer. Win95 shareware with name generation and
submission tracking. http://knowledge.bizhosting.com/
=================================================================
The Writer's Nook - free online workshop and resource for writers.
http://www.twnn.com (also thewritersnook.com and writersnook.com)
=================================================================
Writer On Line membership contest. 14 grand prizes including
cash, books, and software. No writing involved. All contest
entrants receive unique software download.
http://www.novalearn.com/writers/contest/
=================================================================
CLASSIFIED RATES: US$20/line/issue. Min. 2 lines, max. 5 lines,
where a line = 65 characters including spaces and punctuation.
Pay for a 5-issue run and get an extra issue free. All contracts
must be prepaid. Write to classifieds@inkspot.com.
=================================================================
EDITOR: Debbie Ridpath Ohi <editor@inkspot.com>
ASSISTANT EDITORS RESEARCH/EDITORIAL ASSISTANTS
Fox, Chris Donner Tina Kennedy, Shane Stacks
SYSTEM ADMINISTRATOR WEB ADMINISTRATORS
Bryan Fullerton Tony King, Bianca Thomas
BUSINESS MANAGER Jeff Ridpath
COPY EDITORS/ Gail Heinsohn <intrepidrider@taconic.net>
PROOFREADERS: Cathy Rutland <copyeditor@inkspot.com>
SALES & ADVERTISING: sales@inkspot.com
CONTRIBUTING EDITORS:
Moira Allen, Judith Bowen, David Breeden, Charles Deemer, Mark
Fowler, Susan Graham, Carol Henson, Ken Jenks, Tina Kennedy,
Michelle Sagara, Sal Towse, Lee Wardlaw, Marcia Yudkin
Full masthead info at http://www.inkspot.com/admin/contact.html
Thanks to Samurai Consulting for hosting the Inklings mailing
list. More info: http://www.samurai.com or bryanf@samurai.com
=================================================================
Inklings is a free biweekly newsletter for writers.
Subscribers are welcome to recirculate or reprint Inklings for
nonprofit use as long as the appropriate credit is given and the
ENTIRE text of the newsletter is included (including credits and
information at the end of each issue). Others should contact me
at editor@inkspot.com. All articles copyrighted by their
authors.
Back issues and other information available at:
http://www.inkspot.com/inklings/
Inklings is part of INKSPOT, a web resource for writers:
http://www.inkspot.com/
Autoresponder info (send any email to the following addresses)
------------------
info@inkspot.com - Info about Inkspot and Inklings
adminfaq@inkspot.com - How to subscribe, unsubscribe, etc.
guidelines@inkspot.com - Writers' guidelines, payment info.
SNAILMAIL: 55 McCaul St., Box 123, Toronto, ON Canada M5T 2W7
(preferred) or Inkspot, POB 1325, North Tonawanda, NY, USA
14120-9325. For packages, please contact me first.
================================================================
To unsubscribe from Inklings, email majordomo@samurai.com with
"unsubscribe inklings <your email address>" in the message body.
================================================================
