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Inklings Issue 3.08

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================================================================ 

i n k l i n g s

Newsletter for Writers on the Net

Issue 3.8 Apr. 16, 1997
================================================================
<http://www.inkspot.com/inklings/issues/ink0308.html>

* Over 9000 subscribers! *

This issue features columns about markets for romance short
fiction (by Judith Bowen and Diana Fox), book packaging and
alliteration in children's books (Lee Wardlaw), filing taxes for
freelance work and getting payment for magazine articles (Marcia
Yudkin), and an article by Stephanie Spikell on clear writing.

This issue sponsored in part by:
================================================================
$269 "LAPTOP COMPUTER" for Writers. The AlphaSmart Model 20 is
a smart keyboard with 4-line LCD display. Stores 64 pages text,
downloads via PC/Mac keyboard cable, 150+ hrs on 2-AA batteries
** AlphaSmart ** 1-888-276-2780 x20 http://www.alphasmart.com
================================================================
* ON SPEC Magazine * http://www.greenwoods.com/onspec/
The premiere Canadian Quarterly of Speculative Writing, where
readers can find the best in Canadian SF, Fantasy, Horror and
Magic Realism. E-mail: onspec@earthling.net
================================================================
THE WRITER'S SOFTWARE COMPANION: multimedia software by Writer's
Digest's Nancy Kress. Uses advanced learning tech. and total
immersion to bypass years of trial-and-error, dramatically
accelerating a writer's progress. http://www.novalearn.com
================================================================
* Samurai Consulting * http://www.samurai.com
Services include internet consulting, WWW page design, electro-
nic newsletters, mailing lists, FTP sites, system maintenance,
training. Email: Bryan Fullerton <bryanf@samurai.com>
================================================================
ISSN 1205-6413. Copyright 1995-1997 Debbie Ridpath Ohi. For more
info about Inklings (how to subscribe/unsubscribe, change your
address, submit material, copyright, etc.) send any email message
to infoinklings@inkspot.com. For info on how you can become an
Inklings sponsor, send any email to ratecard@inkspot.com. No
attachments, please. Send comments to editor@inkspot.com (please
use a meaningful subject header!).
================================================================
| CONTENTS THIS ISSUE: |
| From The Editor's Desk |
| Fresh Ink and Market Information |
| Ask The Romance Writer |
| Ask The Children's Book Author |
| Ask The Freelance Writer |
| Clear Writing - Easier Than You Think |
| Subscriber Publications |
================================================================

FROM THE EDITOR'S DESK:
=======================
Congratulations to Lsf97@aol.com, the *9000th Inklings
subscriber* (please send me email to claim your
still-to-be-determined-but-sure-to-be-wonderful prize :-))

Inkspot has officially changed servers! Its new URL is:

http://www.inkspot.com/

Inklings (which is part of Inkspot) also has a new URL:

http://www.inkspot.com/inklings/

You can search back issues of Inklings at:

http://www.inkspot.com/inklings/search.html

If you notice the old URLs in directories and writing-related
websites, please do let the maintainers they should update their
links...thanks!


FRESH INK
=========

John Labovitz's Ezine List
--------------------------
Well-organized, comprehensive list of ezines.
http://www.meer.net/~johnl/e-zine-list/

Your Weekly Kiss
----------------
New website for romance readers and writers.
http://www.mindspring.com/~driordan/kiss/
Special section for romance authors:
http://www.mindspring.com/~driordan/kiss/oppor.htm

The Online Communicator
-----------------------
Site contains writing links and info including screenwriting,
multimedia writing, audio, film.
http://www.communicator.com/

Ink magazine
------------
Spring issue of ezine for writers now online.
http://www.hellskitchen.com/ink.htm

Freelance Writer's Internet FAQ
-------------------------------
Created by freelancer Anne Martinez.
http://ourworld.compuserve.com/homepages/MARTINEZ/FAQ.htm

Inkwell Writers' Connection
---------------------------
Based on a writers' BBS. Includes useful links, message forum,
author showcases.
http://www.geocities.com/SoHo/6207/

Author Web Guide
----------------
Maintained by Susan Raab. Results of survey conducted of
children's author/illustrator websites. Hints on how to use one's
website as an effective marketing tool.
http://www.raabassociates.com/webguide.htm

IRC Undernet #Writers Website
-----------------------------
Includes info about the IRC, free writers' newsletter, email
listservs for different genres, contests, links.
http://www.getset.com/writers/

Bricolage
---------
Bricolage, one of the first websites for writers, now has a
new URL:
http://bricolage.bel-epa.com/

Writers' Block Magazine
-----------------------
Monthly zine. Only catch: you have to be fluent in Dutch. :)
http://www.writersblock.net

Free sample overseas market newsletter
-------------------------------------
A few issues back, Michael Sedge wrote an article for Inklings
about selling one's work overseas. As a result of the
overwhelming positive response from Inklings subscribers, he has
begun a newsletter called MARKETS ABROAD which provides insight
into foreign markets. To get your free sample issue, send any
email (it doesn't matter what is in the body of your message) to
sedgesample@inkspot.com. For other info, write Michael Sedge at
pp10013@cybernet.it.

================================================================

MARKET INFORMATION
==================
Please note: Inklings does its best to print only accurate market
info. However, it cannot be held responsible for lost postage,
time, etc. that you may incur due to inaccuracies. Do not send
submissions by email before inquiring first. You should get
current, detailed guidelines before submitting. Include SASE for
snailmail replies. More market info at:
http://www.inkspot.com/market/.

SPECIAL THANKS TO THE FOLLOWING MARKET SOURCES:

SCAVENGER'S NEWSLETTER
Monthly market info letter for sf/f/h/m writers & artists.
More info at: http://users.aol.com/Lemarchand/scavenger.html
THE GILA QUEEN'S GUIDE TO MARKETS
POB 97, Newton, NJ 07860-0097 Email:K.Ptacek@genie.com
http://www.pacifier.com/~alecwest/gila/
CHILDREN'S WRITERS MARKET LIST (magazines only)
Available by e-mail or snailmail. Email mshauers@hotmail.com.

==-----------------------------------------------------==

"FNASR" = First North American Serial Rights, "SASE" =
self-addressed, stamped envelope, "simsubs" = simultaneous
submissions, "mss" = manuscript, "RT" = response time, "GL" =
guidelines, "wds" = words.

***If you are a *paying* market and would like your guidelines
included in a future issue of Inklings, please fill out the form
at: http://www.inkspot.com/market/mktpayform.html

PAYING MARKETS:

What's Love?
------------
2593 North 140 West, Sunset UT 84015. Editor: Donna S. Clark.
Monthly. Magazine "of romance fiction, novelettes, and love
poetry. We feature 2-6 love stories every month. We do not print
essays or how-to articles. All stories must end with closure; no
coy, guess-at-what-you-will, or '90s relationships with vague
arrangements love stories." SHORT STORIES: "All stories must have
a specific couple, a plot which brings the couple together,
creates tension, and provides darn good reading! Issues, popular
plot devices (i.e. 'Who's The Boss?'), teen, adult, and senior
citizens hero/heroines are welcome. All subs must contain a
romance bio (200 wds or less), genre, category, and wd count,
numbered pages, address, and phone # of the author." LENGTH:
1500-5000 wds. PAYMENT: 1/2 year's sub, copies, or $10
(subscribers). NOVELETTES: "Most novelette subs are very long
short stories. WL want mini-romance novels. We only publish 3
times a year so we want quality stories. Be creative and avoid
violating taboos: coy endings, raunchy love scenes, and
witchcraft. If you're not sure what we want, ask for a catalog
and get a copy!" LENGTH: 8000-20,000 wds. PAYMENT: $50. POETRY:
pays in copies. RT: 4-6 wks. (Source: The Gila Queen's Guide To
Markets)

Silver Kris
-----------
Arthur Hullett - Editor, MPH Magazines (S) Pte. Ltd., 12 Tagore
Drive, Singapore 787621. Tel. 65 453-8200. Fax. 65 457 0313.
Email. silkris@pacific.net.sg. Without a doubt one of the best
editors in the business, Arthur Hullett uses lots of articles in
the monthly inflight magazine of Singapore Airlines. A recent
issue carried sixteen features (1200-2000 words) and several
short pieces (500 words). There were also two photo essays (500
words and 10 images). Topics cover travel, nature, science,
business, interviews, culture, history, and the arts. Payment is
based on Singapore dollars, but checks are issued in currency of
choice: S$1,000 for four pages; S$1,250 for six pages; S$1,500
for eight pages. (Source: Markets Abroad, for free sample issue
send email to sedgesample@inkspot.com)

Shiver
------
T.L. Craigen, Editor c/o Shiver Publications, POB 178, Surrey, BC
Canada V3T 4W8. Interactive sf/f/h, Fiction 10,000 wds max. Also
accepts short-shorts, between 3500-7,000k is idea. Pays 1c/wd for
the first 5,000 wds, 1/2c each wd after that. Poetry: publishes
one poem per issue. Pays $2.50 minimum. "Shiver is an interactive
magazine. We not only buy the stories, we buy the characters.
Although *we* only have the right to continue on with your
characters in Shiver Magazine, *you* still have all other rights
to them. We are opening up a world for writers to create. We want
well-written, character driven pieces for our horror, fantasy and
SF worlds." Character sheets for Shiver's existing characters are
available. Specify which genres you are most interested in and
"we'll stuff the envelope as full as your postage will allow".
Sample $4.50 Cdn, $5 American. Specify #1, #2, or #3. (Source:
Scavenger's Newsletter, Apr/97)

Anthology: Noirotica 3
----------------------
Thomas Roche, P.O. Box 410686, San Francisco CA 94141-0686.
Currently reading for a third anthology of erotic crime-noir
stories to be published by Masquerade Books. Stories should be
between 2,000 and 5,000 words (please query first for longer or
shorter works) and should explore the erotic (ie, sexual)
mystique of the crime/noir/detective genre. "By 'noir' I do not
just mean stories involving a crime. I mean specifically 1) the
type of crime fiction currently being reprinted by the Black
Lizard imprint, or by the pulp presses and magazines of the 50s
and 60s, and 2) the film genre ("film noir") which has similar
themes and sensibilities. A meager few recent examples of films
with related but modernized themes include Hard Boiled, Pulp
Fiction, and Deep Cover. The classics include The Maltese Falcon
and The Big Sleep (and about a zillion others). Additionally,
stories must include some form of eroticism. Ideally the
eroticism would grow from the danger and intrigue of the crime
plot, or at least from the scenery of noir." PAYMENT: $50 flat
per story. This payment covers publication of the story ONLY IN
THIS ANTHOLOGY in the US and UK; any money from subsequent sales
of the anthology -- meaning translations, book club editions, etc
-- will be split between the authors and the editor, based on the
number of stories in the book. "Please, no real people as
characters, and everybody in a sexual situation needs to be 18+.
Please don't include rape as part of the eroticism unless you
have some really good point to make that can't be made some other
way." Send stories in hard copy only, double spaced, with SASE,
by September 1, 1997. Please include SASE and short bio. (Source:
DarkEcho newsletter, http://www.darkecho.com/news.html)

Futurist
--------
Geoffrey Dale, The Editor, Futurist, P.O. Box 197, Ferntree
Gully, Victoria, 3156, Australia. Australian science fiction
magazine. "We are a small concern, interested in supporting both
science fiction, and science fiction writers. Futurist is
primarily a saddle stapled, A5 printed magazine, in a full colour
cover, with around 80 black and white pages filled with science
fiction short stories, both new and classics from the turn of the
Century, as well as articles, cartoons, quotes, etc. We have a
web page up an running , it contains at least one full story, and
article, and details on most other things. It is currently
marketed in some specialist bookshops in Australia, and is
available by subscription, but I am hoping to expand the areas in
which it can be found." Writers advised to read back issues
before submitting. "We are looking for science fiction short
stories of 1000 to 5000 words, though longer stories may be
considered if they can be serialised. The stories should be what
can be described as "hard science fiction" (ie.no fantasy)
Dealing with how and where mankind will be in a few generation,
or centuries, from today. They should describe how changes to
technology or sociology will affect us. We are also looking for
Articles relating to the developments in our present technology
that will affect our future, along with articles of a speculative
nature on how our technology will develop, and also on what
sociological changes may affect us as a result. Photographs or
illustrations (original) relating to the articles or that can be
used for covers will also be considered Payment is $10 per
thousand words. Artwork prices vary according to use." (Info
rec'd via email Apr.1/97 and via web)
http://www.travlink.com.au/diverse/futa04.htm
Email: diverse@onaustralia.com.au

================================================================

Ask The Experts
---------------
*** Please put "inklings question" in the subject header. ***
Judith Bowen (ROMANCE WRITER) jbowen@max-net.com
David Breeden (POET) drpoetry@ktc.com
Charles Deemer (SCREENWRITER) cdeemer@teleport.com
Susan Graham (AGENT) slgraham@atl.mindspring.com
Paula Guran (HORROR WRITER) DarkEcho@aol.com
Carol Henson (BOOK DOCTOR) UBKX12C@Prodigy.com
Ken Jenks (ELECTRONIC PUBLISHER) MindsEye@tale.com
Bob Sablatura (JOURNALIST) bob.sablatura@reporters.net
Michelle Sagara (SF/FANTASY WRITER) Michelle.Sagara@sff.net
Lee Wardlaw (CHILDREN'S BOOK WRITER) Katknip2@aol.com
Marcia Yudkin (FREELANCE WRITER) send to yudkin@inkspot.com
Sharon Zukowski (MYSTERY/SPY WRITER) 76372.2252@CompuServe.COM

Columnists may be unable to reply privately to every message, but
will answer selected questions in future issues of Inklings.
================================================================

ASK THE ROMANCE WRITER with guest columnist Diana Fox
----------------------------------------------------------------
by Judith Bowen
<jbowen@max-net.com>

Q: Are there any markets for romance short fiction?
---------------------------------------------------

A: (Note from Judith Bowen: There sure are! I'm going to let
author Diana Fox answer this one for me. Diana has had lots of
experience with newspaper columns, magazine articles and short
stories. She's also published three romance novels, with her
fourth coming out soon.)

There is a big market for romance short stories if you're willing
to write specifically for *a* particular publisher. This means
studying the romance stories they publish.

Diana can be e-mailed at dfox@mail.grady.public.lib.ga.us
Her webpage is: http://members.tripod.com/~Scriptese/


A few sample magazines:

WOMAN'S WORLD magazine, The Woman's Weekly, 270 Sylvan Avenue,
Englewood Cliggs, NJ 07632, Brooke Comer, Editor. 1800 words,
$1000 pay, found at check-out stands everywhere.

STAR Magazine, 660 White Plains Road, Tarrytown, NY 10591.
1,200 words, $100-400. Sold at check-out displays.

MINI ROMANCES, a new magazine wanting 1,500-2,500 word romances.
For more information write MiniRomanc@aol.com

Other magazines are: FAMILY CIRLCE, WOMAN'S WEEKLY, GOOD
HOUSEKEEPING, REDBOOK. Don't forget confession magazines: TRUE
EXPERIENCE, MODERN ROMANCES, INTIMACY/BLACK ROMANCE, SECRETS,
TRUE CONFESSION, TRUE LOVE, TRUE ROMANCE, TRUE STORY. It's
important to analyze confession magazines carefully; each has its
own style, type heroine, etc. The story titles and front page
headlines are *very* deceiving as to their content. These are
romances with a lesson.

The list of foreign markets for romance fiction is too long to
publish here. To learn more, contact WRITER'S DIGEST (513-
531-222 or e-mail at "writersdig@aol.com) and ask about their
International Writer's Market.

In the back of each issue of THE WRITER (magazine), is a list of
"This Month's Special Market Lists." March="Little, Literary and
College Magazines"; May="Confession and Romance" and "Inflight"
magazines that carry fiction; June="Women's" magazines;
October=General-Interest magazines.

Look at your story setting and character career. If you have a
rural setting, look for farm magazines for example. Search the
current WRITER'S MARKET for these eclectic magazines.

There are many more romance short story markets. With detective
work at the library or online, and your favorite book store, you
can uncover many romance markets.

==-----------------------------------------------------==

Judith Bowen is an award-winning romance author who currently
teaches classes on writing popular fiction in Vancouver, Canada,
and on-line with Writers on the Net <www.writers.com>. The
first
book in her "Men of Glory" series, THE RANCHER'S RUNAWAY BRIDE,
Harlequin Superromance #739, is a May, 1997, release.

Copyright (c) 1997 Judith Bowen. All rights reserved.
===============================================================

ASK THE CHILDREN'S BOOK AUTHOR
----------------------------------------------------------------
by Lee Wardlaw
<Katknip2@aol.com>

Book packagers
--------------
Q: I have a question about book packagers. I know they
used to be kind of a fly-by-night part of the industry, but that
in the past decade or so they've gotten quite respectable. Is it
possible for an author to approach a packager directly? Would
that be beneficial, or is a packager just another middleman?


A: Here's how most packagers work: They come up with an idea for
a series, or a line of single title books, and sell the idea to a
publisher. It is then the packager's job to put out a call for
manuscripts or authors. The packagers take care of all the
contract details, edit and copyedit the manuscripts, then turn
everything over to the publishing house for final publication,
distribution, marketing, etc.

There are two advantages, in my opinion, to dealing with
packagers: They are almost always looking for writers to work on
new or existing series (such as Goosebumps, Barf-o-rama, Sweet
Valley Twins, Hardy Boys, etc.), and they are often very open to
working with unpublished authors. This is great, especially if
you're hoping to tuck a few book credits under your belt.

The disadvantages, however, are many: Some packagers offer flat
fees with no royalties; those who pay royalties often take a
substantial cut (standard royalty for a paperback novel is 6-8%;
packagers offer 1-3% and keep the rest for themselves); the
copyright is almost always in the name of the packager, not the
author (although sometimes you can arrange to share the
copyright); authors who write for exisiting series are often not
allowed to have their names on the book jacket; some packagers
heavily edit the author's work; deadlines, especially for series
books, are very short (you may only have six weeks to write a
200-page novel).

I've talked with several authors who've worked with packagers.
Some have loved the experience - - others would never work with
them again. It probably depends on the packager, the series or
line of books you're writing for, and what you want to gain from
the experience.


Alliteration in children's books
--------------------------------
Q: I have heard that alliteration in children's book titles or
in the text is a real faux pas in the publishing world. What is
your take on this?

A: Picky publishers plainly prefer to pass on or prohibit
painfully perky parables - - meaning, they are wary of
alliterative manuscripts because the stories are usually cutesy,
forced, and/or mediocre. Deborah Shine, editor at Checkerboard
Press, says: "So much of what I receive is boring. I get a
million manuscripts about Archie Armadillo, Bobby Bear, or
Charlie the Cat. If a text [or title] starts out that way, I
don't read beyond the first paragraph. If all an author can think
of is alliteration . . . he should think again. It indicates
something lacking in the imagination." Enough said!

==-----------------------------------------------------==
Lee Wardlaw is the award-winning author of 17 books for children,
ranging from picture books to young adult novels. Recent titles
include 101 WAYS TO BUG YOUR PARENTS (middle grade novel, Dial),
THE GHOUL BROTHERS (first chapter book, Troll), and PUNIA AND
THE KING OF SHARKS (picture book, Dial). Lee's web page is at
http://www.inkspot.com/author/lee/

Copyright (c) 1997 Lee Wardlaw. All rights reserved.
================================================================

ASK THE FREELANCE WRITER
----------------------------------------------------------------
by Marcia Yudkin
<yudkin@inkspot.com>

Filing taxes for freelance work
-------------------------------
Q: How do you file taxes for freelance work? For example, I
earned income from two freelance projects (video scripts), one
paid from NJ, the other from a company in NY. Do I have to file
taxes for both states? In general, if freelancers earn income
from different states (like a magazine in Iowa, one in Montana)
do they have to file a state return for each state?

A: Although I am not an accountant or a lawyer, my understanding
from more than 16 years of receiving checks from dozens of states
is that freelance writers do not need to worry about filing state
tax returns in the states from which they earn their freelance
income. You do have to declare this income for your own federal
and state tax income returns, generally by filing a so-called
"Schedule C." Most guidebooks on federal income taxes explain
how to file a Schedule C for your business -- taxwise your
writing is a small business so long as you pursue writing in a
businesslike manner.

Getting payment for a magazine article
--------------------------------------
I wrote an article for a magazine which appeared in this month's
issue (my first sale!) Unfortunately, I have not yet received my
payment. Their writer's guidelines don't state when payment will
be made, so I am assuming it is on publication. How do I
politely ask for my money? Also, is it common practise for them
to include a complimentary copy of the magazine?

A: Politeness isn't the issue. Assuming that you know how much
they should be paying you, simply mail an invoice to the editor
who purchased your article, detailing the name of the article,
the issue in which it appeared, the amount due, the address to
which payment should be sent and your Social Security or tax ID
number. Often that does the trick. If that still doesn't work,
wait three weeks and follow up with a phone call to the editor.
If you'd like a copy of the magazine, and it's not readily
available elsewhere, just write or call the editor or editorial
department for one. Almost always they'll send one along. And
congratulations on your first sale!

==-----------------------------------------------------==
Marcia Yudkin is a freelance writer who has published hundreds of
magazine articles ranging from the New York Times to
Cosmopolitan, and is author of eight non-fiction books. You can
get e-mailed copies of Marcia Yudkin's Freelance Writing FAQ by
sending e-mail (it doesn't matter what is contained in the
e-mail) to: FL@yudkin.com. Free samples of her audiotapes for
writers are available online at
http://www.realvoices.com/ss/audioselection.htm

Copyright (c) 1997 Marcia Yudkin. All rights reserved.

=================================================================
=====

CLEAR WRITING - EASIER THAN YOU THINK
----------------------------------------------------------------
by Stefanie Spikell
<Steftekrtr@aol.com>

Public Relations writers have to have a lot of "sell" in them.
When writing for a business - or even when trying to sell your
own service - it is sometimes hard to know how to write a good
brochure or a good ad for the yellow pages. It's really much
easier than you might think.

If you follow the KISS philosophy - Keep It Simply Simple - then
your public relations writing will improve one hundred-fold.
The KISS philosophy means that the fewer words you use, the
better. So many of us write so much more than necessary.

Try this: State the point in one sentence. Repeat it a
different way in a second sentence. Then tell your readers what
you told them. Here are two examples:

"XYZ writing service provides top-notch business writing. XYZ
guarantees clearly-written, readable materials targeted to the
specified audience. XYZ gives you the best service for the
audience you want to reach."

"Our product XYZ gives you quick relief from QRS. XYZ relieves
QRS in two ways - through BBB and CCC. XYZ is the best product
to relieve all your QRS problems."

It's really as simple as that. Try it...Pick your subject, state
your point, repeat your point, tell the readers what you told
them. It really works and will convince your clients of your
writing savvy.

==-----------------------------------------------==
Stefanie Spikell runs a technical writing service for authors
and businesses. The article above is reprinted with permission
from her Ask The Editor column.
URL: http://members.aol.com/Steftekrtr/index.html

Copyright (c) 1997 Stefanie Spikell. All rights reserved.
================================================================

SUBSCRIBER BOOKS
================
If you have a new book coming out in 1997, send the info (BRIEF,
please, no press releases) to editor@inklings.com with "inklings
book promo" in the subject header. *Subscribers only, please*. I
will print a few each issue. If this is your first sale, please
let me know so I can highlight it!

Dugger, Elizabeth L., ADVENTURE GUIDE TO VERMONT (Hunter
Publishing, May 97) E-mail:BethPoet@aol.com
Fletcher, Amelia. THROUGH MANY BRIDGES. (Factor Press, Aug/97)
Short humor and inspiration collect'n. kenboh@gulftel.com
Hudson, David. REWIRED. (Macmillan, May 1997). Overview of
current cyberissues. Email: dwh@berlin.snafu.de
Lubar, David. THE PSYCHOZONE: Kidzilla and Other Tales (Tor,
April 1997), horror and humor for kids. dlubar@aol.com.
Perry, Phyllis. GUIDE TO MATH MATERIALS. Teacher ideas Press/
Libraries Unlimited. lu-books@lu.com.
Schmalfeldt, Bob. GHASTLY FEAST. (Working Writers Press)
Horror tales. http://www.stellarnet.com/BobSchmalfeldt
Toyer, Kathryn. LEARN MICROSOFT'S FRONTPAGE97 (Word Ware
Publishing, April 97), Nonfict.
http://www.flash.net/~tokat

================================================================

EDITOR: Debbie Ridpath Ohi (editor@inkspot.com)
COPY EDITOR: Cathy Rutland (copyeditor@inkspot.com)

Inklings is a free biweekly newsletter for writers on the net.
Subscribers are welcome to recirculate or reprint Inklings for
nonprofit use as long as the appropriate credit is given and the
ENTIRE text of the newsletter is included (including credits and
information at the end of each issue). Others should contact me
at editor@inklings.com. All articles copyrighted by their
authors.

Back issues and other information available at:
http://www.inkspot.com/inklings/
Inklings is part of INKSPOT, a web resource for writers:
http://www.inkspot.com/

Administration & contact info
-----------------------------
To subscribe & unsubscribe: Send e-mail to majordomo@samurai.com
with "subscribe inklings" in the message body. To unsubscribe,
use "unsubscribe inklings". Find out more information with "info
inklings". E-MAIL: editor@inkspot.com. SNAILMAIL: Inklings, 55
McCaul St., Box 123, Toronto, ON Canada M5T 2W7 (for packages,
contact me first).

Autoresponder info (send any email to the following addresses)
------------------
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addresses, submit material.
ratecard@inkspot.com - How to become an Inklings sponsor.

================================================================

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