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Inklings Issue 3.04
================================================================
i n k l i n g s
Newsletter for Writers on the Net
Issue 3.4 Feb.19, 1997
================================================================
<http://www.inkspot.com/inklings/issues/ink0304.html>
SCREENWRITER IN CYBERSPACE: New Plan For A New Year
by Charles Deemer
ONLINE PROMOTION TIPS FOR CHILDREN'S AUTHORS AND ILLUSTRATORS
by Susan Raab
FRESH INK - resources for writers on the net
Market Information - Subscriber Publications
COLUMN TOPICS:
CAROL HENSON: How do I start?
SUSAN GRAHAM: Can I represent my own book?
Congratulations to Gail-Elaine Tinker (GETinker1@aol.com) of
Bethlehem, PA, the 8000th subscriber to Inklings! Gail-Elaine
edits/publishes a magazine dedicated to the visual arts. "I focus
on the mid-atlantic states, but welcome writers/artists from
EVERYWHERE. I pay with 3 free issues and some ad/ barter space. I
do hire freelancers, but as a poor, unsalaried worker...I need to
be sure of what I am paying for. Therefore, I usually work to
develop a working relationship with a writer/artisan FIRST. The
magazine is unique in that it is theme driven and designed to
cover a myriad of subjects to broaden those interested in art and
handcraft. It is not an instructional journal, per se, more of an
artistic exploration magazine, with some practical aspects. I am
happy to send a sample issue (for US$4) to interested potential
subscribers/ advertisers, and I'll send a sample FREE to anyone
with SERIOUS interest in writing for me - tell them to mention
Inklings." Gail-Elaine will receive a copy of THE WRITER'S GUIDE
TO THE INTERNET by Dawn Groves as a prize. Inklings now averages
a thousand new subscribers each month, double the rate from last
year.
Thanks to Bev Walton-Porter for mentioning my website in her
Writer's Digest article (Feb/97, p26)!
Correction from the last issue: the instructions to request a
change of address for your Inklings subscription were incorrect.
Apologies for any inconvenience. The correct instructions are as
follows:
If your email address changes
-----------------------------
Send email to majordomo@samurai.com with the following commands
(without the angle brackets):
unsubscribe inklings <old email address>
subscribe inklings <new email address>
More admin info available from the Inkings website at:
http://www.inkspot.com/~ohi/ink/inklings.html
This issue sponsored in part by:
================================================================
* The Reporters Network * http://www.reporters.net
Free E-mail services for reporters and freelance writers, online
media directory, bulletin boards and journalism resource pages.
News and Announcements- majordomo@reporters.net (subscribe news)
================================================================
* Samurai Consulting * http://www.samurai.com
Services include internet consulting, WWW page design, electro-
nic newsletters, mailing lists, FTP sites, system maintenance,
training. Email: Bryan Fullerton <bryanf@samurai.com>
================================================================
ISSN 1205-6413. Copyright 1995-1997 Debbie Ridpath Ohi. See end
of issue for more info, and for details on how to subscribe and
unsubscribe. Send comments to editor@inklings.com (please use a
meaningful subject header!). For information on how you can
become an Inklings sponsor, send e-mail to editor@inklings.com
with "RATE CARD" in the subject header. No attachments, please.
================================================================
FRESH INK
=========
NEW INKLINGS COLUMN: ASK THE SCREENWRITER
-----------------------------------------
Charles Deemer is an award-winning playwright, screenwriter,
editor, and webmaster of The Screenwriters & Playwrights Home
Page. His screenplay RUBY'S TUNE is currently optioned. Send
questions to cdeemer@teleport.com with "inklings question" in the
subject header. Selected questions will be answered in future
issues of Inklings.
URL: http://www.teleport.com/~cdeemer/scrwriter.html
Reporters Network introduces free e-mail service
------------------------------------------------
Offers members free e-mail addresses under the REPORTERS.NET
domain name. You can have your mail automatically forwarded to
your current local address. Optional POP3 mailboxes available for
monthly fee. Membership to The Reporters Network is free - visit
the site for more info.
E-mail: bob.sablatura@reporters.net (Bob Sablatura)
http://www.reporters.net
Children's Writing Resource Centre
----------------------------------
Now includes an "Ask The Author" section. An excellent site for
aspiring children's authors.
http://www.mindspring.com/~cbi/
The Writer's Almanac
--------------------
Info from the radio show by Garrison Keillor.
http://almanac.mpr.org/
Writers' BBS/Inkspot Forums
---------------------------
Brian Rickman has expanded and improved the writers' forums
with new topic areas and an "advanced forum user" entrance. I
tend to hang out in the general chatroom between my online
work sessions...hope to see some of you there!
Message Forums: http://host.writersbbs.com/BBS/
Chatroom: http://host.writersbbs.com/new_chat/new_chat.cgi
Writers On The Net
------------------
On-line classes and tutoring with published writers in fiction,
poetry, non-fiction, genre, and screenwriting. One of the online
tutors is Inklings columnist Judith Bowen.
http://www.writers.com or email writers@writers.com
CyBarrister Page
----------------
Prepared by the attorneys of Satterlee Stephens Burke & Burke
LLP. Excellent source of information concerning the legal aspects
(including copyright) of online publishing.
http://www.ssbb.com/cybarr.html
Kay Vandergrift's Children's Author and Illustrator Page
--------------------------------------------------------
Not specifically related to writing, but so well-done that I
had to mention it here.
http://www.scils.rutgers.edu/special/kay/author.html
Write On Newsletter
-------------------
Site includes excerpts from newsletter (which is available for a
subscription fee), useful links and resources for writers.
http://www.duban.com/writeon/writeon.htm
================================================================
MARKET INFORMATION
==================
Please note: Inklings does its best to print only accurate market
info. However, it cannot be held responsible for lost postage,
time, etc. that you may incur due to inaccuracies. Do not send
submissions by email before inquiring first. You should get
current, detailed guidelines before submitting. Include SASE for
snailmail replies. More market info at:
http://www.inkspot.com/~ohi/inkspot/marketinfo.html.
SPECIAL THANKS TO THE FOLLOWING MARKET SOURCES:
SCAVENGER'S NEWSLETTER
Monthly market info letter for sf/f/h/m writers & artists.
More info at: http://users.aol.com/Lemarchand/scavenger.html
THE GILA QUEEN'S GUIDE TO MARKETS
POB 97, Newton, NJ 07860-0097 Email:K.Ptacek@genie.com
http://www.teleport.com/~alecwest/gila.htm
CHILDREN'S WRITERS MARKET LIST (magazines only)
Available by e-mail or snailmail. Email mshauers@midusa.net.
==-----------------------------------------------------==
"FNASR" = First North American Serial Rights, "SASE" =
self-addressed, stamped envelope, "simsubs" = simultaneous
submissions, "mss" = manuscript, "RT" = response time, "GL" =
guidelines, "wds" = words.
***If you are a paying market and would like your guidelines
included in a future issue of Inklings, please fill out the form
at: http://www.inkspot.com/~ohi/inkspot/mktpayform.html
PAYING MARKETS:
Recreating History
------------------
Willow Polson (Editor), Recreating History, P. O. Box 4277, Santa
Clara, CA 95056. Historical skills magazine designed to inspire
living history enthusiasts of all time periods, and those
thinking about getting started. "We provide how-to articles,
information, and resources to help you meet your goals of
complete historical accuracy. The primary focus of editorial
content is the various arts, crafts, and skills related to
costuming and camp outfitting, but is by no means limited to this
scope." Seeking credible, authoritative articles with references.
Query first. Payment varies. Various departments, see full
guidelines at website. (Confirmed Jan.21/97)
Email: willow@recreating-history.com
GL: http://www.recreating-history.com/guidelines.html
Sports Illustrated For Kids
---------------------------
SPORTS ILLUSTRATED FOR KIDS, Time & Life Building, Rockefeller
Center, New York, NY 10020: Erin Egan, Associate Editor.
This sports magazine is aimed at children 8-13. They use
nonfiction of 100-1500 words. Pays $75-$1000 on acceptance for
ALL rights. Beginning 2/97, they will have a 16 page bimonthly
section, Girls and Sports Extra--and want writers. (from the
Childrens Writers Market List).
URL:http://pathfinder.com/@@tSFORSOnmwMAQMG4/SIFK/index.html
Contortions
-----------
Contortions: Poems of Extraordinary Dislocation, The Anthology.
Editor, Brandon W. Totman, 3492 L.K. Wood Blvd A, Arcata CA
95521. Appears every October. Dark, surreal, fantastic, alien,
archetypal, hypnotic, scientific, symbolic, horrific, poetry &
prose poems that in some way relate to the subtitle. Specifically
seeking poetry that transcends genre; poems that make use of the
above elements in such a way that all lines of crossover, as well
as terms of definement, are lost in the process. Originality is
critical, as is freshness of imagery. No genre specific poetry.
Will consider previously published poetry. Interested in seeing
poems which have been nominated for a Rhysling, SPWAO Kelly,
SPGA. Also interested in seeing translations. Pays 20¢/line plus
1 copy of anthology for either FNASR or One- time reprint rights.
Time between acceptance and publication is up to one year. When
submitting previously published materials, please make sure to
include information as to where and when each poem first
appeared. Response time is generally 1-4 days for E-mail subs,
2-6 weeks by snail-mail. Sample copy of #1 (28 pages,
saddle-stapled, professionally printed) is $4.00 postpaid. The
1997 Contortions Anthology will be 100 pgs, digest-sized,
perfectbound, professionally printed with interior art and glossy
two-color cover. (Info rec'd Feb.7/97)
Email: Polarexped@aol.com
HorrorNet
---------
Matt Schwartz, HorrorNet, 15 Sheridan Square, Apt. 2D, New York,
NY 10014. Seeking horror, originals only. FICTION: up to 5,000
wds, short-shorts also okay. Pays 1c/wd (or more depending on
writing credits), $10 minimum. Also 1 contrib. copy if the
magazine or anthology ever makes it to print. RT: "no returned
submissions, sorry. But I will give you a response within 4 weeks
of getting a submission." No poetry. Simsubs okay if noted. Can
submit by email or snailmail. Buys 3 months exclusive electronic
rights, 3 months nonexclusive electronic rights and one
additional nonexclusive hard reprint in the event of an anthology
from the Best of HorrorNet.(Source: Scavenger's Newsletter,
Feb/97, confirmed Feb.7/97)
Email: Mspinner@aol.com
Amberly Greeting Card Company
-----------------------------
11150 Goldcoast Dr., Cincinnati OH USA 45249-1695. Editor/Art
Director: Dave McPeek. "What we need are humorous greeting card
verses - your funniest ideas for Birthday, Friendship, Miss
You, Get Well, Anniversary, Thank You, etc. We're highly
selective - so send only your best stuff. Keep it simple, short,
and to the point. Make it generic enough that almost anyone
can send it. Type each individual idea on a 3x5 card. Type your
name and address on the back of each card. 'Mockups' are okay
if you feel it's necessary." Pays $150/idea (inside and outside
words) on acceptance. (Source: The Gila's Queen Guide
To Markets, #83)
Futurist
--------
Geoffrey Dale Editor, Futurist, P.O. Box 197, Ferntree Gully,
Victoria 3156, Australia. Saddle stapled, A5 printed magazine, in
a full colour cover, with around 60 to 80 black and white pages
filled with science fiction short stories, both new and classics
from the turn of the Century, as well as articles, cartoons,
quotes, etc. FICTION: "hard" sf short stories (no fantasy),
1000-5000 wds. Longer works considered if they can be serialized.
Should deal "with how and where mankind will be in a few
generations, or centuries, from today. They should describe how
changes to technology or sociology will affect us." NONFICTION:
"Articles relating to the developments in our present technology
that will affect our future, along with articles of a speculative
nature on how our technology will develop, and also on what
sociological changes may affect us as a result." PAYMENT: $10
(Australian) per 1000 wds. "E-mailed submissions should be a
zipped file including all your mailing details (normal &
electronic) along with the document which we would like in and
ibm format, preferably word for windows, though other text bases
can be used." Snailmail submissions "should be on computer disks
(IBM formatwould be appreciated) along with a paper copy in case
of incompatibility with our system. All submissions accompanied
by a stamped, self addressed envelope of sufficient size and
postage will be returned in due course." (Verified Feb.2/97)
Email: diverse@onaustralia.com.au
Sterling Magazine
-----------------
Editor: Sophie Maw, Sterling Magazine P.O. Box 1344 Westhampton
Beach, NY 11978. Phone: 516 288 5460, Fax: 516 288 5360.
"Sterling is a lifestyle magazine for affluent readers, covering
such topics as luxury travel, boating, autos, technology, elegant
living, and dining. Cover stories will usually be profiles of
successful individuals. The ideal article should explore an
aspect of the person's life that is of current relevance and,
most importantly, should give the reader insight into what
motivates that individual to continue to excel in his/her field.
We are looking for articles that not only describe the
achievements of the individual but also reveal his/her humanity."
DEPARTMENTS: Power Toys (reviews of high tech or luxury "toys"),
Cinema (movie-related), Library (books, computer software),
Dining (food and wine), Stage (opera, ballet, theater), Real
Estate and Marine, The Ellerman Report (luxury and classic
autos), Technology. "Our target audience is well-educated,
wealthy (income level of $200,000 and up), 35-55 years of age,
male and female. We will consider features on any
lifestyle-related topic of interest to this readership." Buys
first serial rights and second serial reprint rights. PAYMENT:
Payment on acceptance. Typical starting rates are 15c per word
for first serial rights, 10c per word for second rights.
Negotiable. LENGTH: Features: 1500-2500 words. Departments
(reviews, news, and other related short pieces): 250-1000 words.
PHOTOS: "Please state availability of photos with
query/submission. We will negotiate payment individually. We will
accept 35 mm or larger transparencies and 5 x 7 or larger sharp
color prints. Transparencies are preferred. Captions, model
releases, and identification of subjects required. We buy one
time rights." SUBMISSION INSTRUCTIONS: "You may send queries,
resumes, and examples of your work to our email address, FAX
number, or regular mailing address." (Info rec'd Feb.4/97)
Email: sophm@aol.com
================================================================
SCREENWRITER IN CYBERSPACE: New Plan For A New Year
----------------------------------------------------------------
by Charles Deemer
<cdeemer@teleport.com>
New Year's resolutions are an American institution but usually
have to do with correcting personal bad habits such as smoking or
over-eating. But as a writer, or a budding writer, why don't you
use the occasion to articulate your writing plan for 1997?
A writing plan for a "screenwriter in cyberspace" might look
something like this:
1. Make a realistic evaluation of where you now are in your
screenwriting career.
Are you still learning the craft? Do you feel you know
the
craft well enough to market your scripts? Are you still
trying to get the courage to enter that first contest?
What you do in 1997 obviously depends on your present
skill
level. It is not easy to become your own best/worst
critic,
someone who can take distance from your own work and look
at
it with a tough critical eye - but this is a skill every
writer needs to develop early.
One way to fine-tune your critical tools is to read
screenplays, as many as you can get your hands on. And
read
critical analyses of them by others, such as those that
appear in Creative Screenwriting and other journals. Look
at
movies with a critical eye, paying special attention to
dramatic structure. (A note of caution when reading
screenplays: screenplay format changes often, so be aware
that many scripts are not formatted according to current
fashion, even if they are only a few years old.)
Become a screenplay critic and turn that critical eye
inward.
2. Improve your craft.
Apply the insights you learn as a screenplay critic
inward,
to your own work. There are many formal ways to improve
the
craft of screenwriting:
- by taking online and offline classes
- by reading screenplays and studying their videos
- by reading books about screenwriting
- by networking with other writers and forming workshops
- by surfing the net and finding websites like this one
that
focus on screenwriting
Informally, you can improve your craft by applying that
new
critical eye to your work and asking yourself, page by
page,
why is this scene here? Remember, above all else, that
screenwriting is a craft of extraordinary economy, a
focused
visual method of storytelling.
3. Improve your marketing skills.
Many of us, I think, would much rather write than market
our
work. Marketing, however, is at least half the battle in
establishing a screenwriting career - and this is true
both
before and after you have your work represented by an
agent.
Here are some practical things you can do to improve your
marketing skills:
- Learn how others market their work.
- Become familiar with online marketing resources, such
as
agents lists and producers lists.
- Enter screenwriting contests, being careful to choose
among
the growing number of them. The most highly regarded
contests
are also the most competitive.
- Learn the advertising agency's art of brevity and apply
it
to your own query letters.
- Set aside a day a week when you use your normal writing
time
to practice marketing chores.
Don't be in too big a hurry to enter the marketplace.
Make
sure your craft is good before you write agents and
producers
and probably it is a good idea to enter a few contests,
testing the waters, before you begin marketing -
although, at
the same time, rejection in a contest does not mean you
are
not ready to market. Contests, however, are a relatively
painless way to enter the commercial world of
screenwriting.
Don't be discouraged by rejection. It comes with the
territory. As long as you are your own best/worst critic,
as
long as you continue to study and improve your craft, as
long
as you enjoy writing, you will continue to grow - and
then,
it's just a matter of time before success comes your way.
4. Make a writing schedule.
No matter how busy you are, no matter what obligations
you
have, set aside time to write on a regular basis. Give
this
the highest priority.
Writers are people who write: it is that simple.
5. Set some specific goals.
Decide today that you will enter a script in the 1997
Nicholls
contest. And/or another contest (such as the Columbus
Screenplay Discovery Awards). Or that you will send a
script
to such-and-such a production company, who produced a
movie
you really admire. Or that you will send out 100 query
letters to agents.
Set specific goals for the year - and meet them. This
will
help keep your writing in focus and give you the sense
that
you actually are not writing in the dark, a feeling that
is
all too easy to get.
6. Have fun.
If you don't enjoy writing, quit. There are many, many
better
ways to make a living.
This, then, is a possible Plan for 1997. I hope I've given you
some food for thought and that you already are revising what is
here into a plan more suitable to your needs.
The important thing is to take control of your writing career, to
get your energy into focus and to make sure your various efforts
(both in writing, studying and marketing) are all pulling in the
same direction.
I have a feeling this is going to be a very good year for me. I
hope it is a good year for you as well.
==--------------------------------------------==
Charles Deemer is an award-winning playwright, a screenwriter,
editor, webmaster of The Screenwriters & Playwrights Home Page,
and author of the book Secrets of the Webmaster: A Guide to Web
Page Design. The article above was reprinted with permission from
his column "The Screenwriter in Cyberspace", which appears
monthly at The Hollywood Network
(http://www.hollywoodnetwork.com).
The Screenwriters & Playwrights Home Page:
http://www.teleport.com/~cdeemer/scrwriter.html
Copyright (c) 1997 Charles Deemer. All rights reserved.
================================================================
ONLINE PROMOTION TIPS FOR CHILDREN'S AUTHORS AND ILLUSTRATORS
----------------------------------------------------------------
by Susan Raab
<sraab@raabassociates.com>
The Internet is ideal for niche marketing and for providing
children's authors and illustrators with a place to showcase
their body of work in full-color with text and art. The
following are some tips for being proactive on-line:
-Use topical keywords to browse through Web sites that tie-in
with the subject of your book to see if there are promotional
possibilities.
-Look for associations that may be willing to list your book in
bibliographic listings. Also check association online event
listings to see if there are places your books can be shown.
-Participate in chat groups of children's authors and
illustrators, teachers, librarians, and others who share an
interest in children's books. This will keep you informed about
the market and provide opportunities to establish on-line
business relationships.
-Check to see if your books are registered with Amazon.com. If
not, talk with your publisher about having your books added to
the Amazon.com catalog.
-Use Yahoo to search for children's bookstore sites. E-mail
stores if you are traveling to their area to see if you can do an
author visit, or can come in to autograph books for them to
promote.
-Check for special interest stores and sites that may have a
topical interest in selling your books.
-Consider putting up your own Web site to serve as a showcase for
your books. Keep in mind that building, maintaining and promoting
a site can be time-consuming.
==----------------------------------------------==
Susan Raab is principal of Raab Associates, an agency
specializing in marketing and promoting children's and parenting
books and children's products. She writes the "To Market" column
for the Society of Children's Book Writers and Illustrators'
publication the Bulletin, and has spoken at national and regional
conferences, including the ABA, PPA, SCBWI and The Author's
Guild. She can be reached via Raab Associates' Web site at
http://www.raabassociates.com.
[Editor's Note: Also check out Susan's book, AN AUTHOR'S GUIDE TO
CHILDREN'S BOOK PROMOTION (Raab Assocates, 1996), an excellent
resource for children's writers. See her website for ordering
information.]
Copyright (c) 1997 Susan Raab. All rights reserved.
================================================================
Ask The Experts
---------------
*** Please put "inklings question" in the subject header. ***
Judith Bowen (ROMANCE WRITER) jbowen@max-net.com
David Bredeen (POET) drpoetry@ktc.com
Charles Deemer (SCREENWRITER) cdeemer@teleport.com
Susan Graham (AGENT) slgraham@atl.mindspring.com
Paula Guran (HORROR WRITER) DarkEcho@aol.com
Carol Henson (BOOK DOCTOR) UBKX12C@Prodigy.com
Ken Jenks (ELECTRONIC PUBLISHER) MindsEye@tale.com
Bob Sablatura (JOURNALIST) bob.sablatura@reporters.net
Michelle Sagara (SF/FANTASY WRITER) Michelle.Sagara@sff.net
Lee Wardlaw (CHILDREN'S BOOK WRITER) Katknip2@aol.com
Marcia Yudkin (FREELANCE WRITER) send to editor@inklings.com
Sharon Zukowski (MYSTERY/SPY WRITER) 76372.2252@CompuServe.COM
Columnists may be unable to reply privately to every message, but
will answer selected questions in future issues of Inklings.
================================================================
ASK THE BOOK DOCTOR
----------------------------------------------------------------
by Carol Henson
<UBKX12C@Prodigy.com>
How do I start?
---------------
Q: My organization, an aid and relief group, has asked me to
develop and edit a book about our work. I have never worked on a
book-length project before. Where do I begin? Any suggestions?
A. One of the first things you should do is get a pen and notepad
and make a list of objectives, things you definitely WANT to
include in your book. That will help you create a format. Ask
your group to give you ideas, maybe even hand out a Q & A sheet
for others to fill in with room for comments. Next, get to the
library or bookstore and see what other books are out there like
the one you're interested in creating. Other organizations have
put books together and if you look them over carefully, you
should be able to come up with ideas of your own. Get some copies
of Writer's Digest and books about writing nonfiction. Let all
the info sink in and take lots of notes. Trust yourself to come
up with something practical and unique. You can do it.
==-----------------------------------------------------==
Carol Henson is a Book Doctor/editor/author and is happy to
respond to your questions about Book Doctors, editing, writing,
etc. Her web page is located at:
http://pages.prodigy.com/books/bookdoc.htm.
Copyright (c) 1997 Carol Henson. All rights reserved.
================================================================
ASK THE AGENT
----------------------------------------------------------------
by Susan Graham
<slgraham@mindspring.com>
Can I represent my own book?
----------------------------
Q: My friend has written a book and would like to market it
herself. However, she's been told by an editor that she needs to
get a license to be a literary agent. Is this true?
A: No license is needed to be a literary agent. Either the editor
didn't know, or didn't want to encourage the author to represent
herself.
There are professional organizations, however. The best, oldest,
and most well-known is the AAR (Association of Authors
Representatives). There are four requirements: 1) in business for
two years minimum as a literary agent, 2) sell at least 10 books
in the last 18 months before application (foreign sales can be
included), 3) have two AAR sponsors, and 4) abide by the
guidelines, which include no reading fees, among other things.
"Literary agent" is not an easy job, and editors can tell when
you're faking it. I suggest querying agents. If your friend wants
to be a literary agent, that's different. Tell her it takes a lot
of time, money, and effort.
==-----------------------------------------------------==
Susan L. Graham owns Graham Literary Agency, Inc. She represents
genre fiction as well as commercial fiction and nonfiction. Her
unique Website (http://GrahamLiteraryAgency.com) helps to promote
her authors and the agency.
Copyright (c) 1997, Graham Literary Agency, Inc. All rights
reserved.
================================================================
SUBSCRIBER BOOKS
================
If you have a book coming out in 1997, send the info (BRIEF,
please, no press releases) to editor@inklings.com with "inklings
book promo" in the subject header. *Subscribers only, please*. I
will print a few each issue. If this is your first sale, please
let me know so I can highlight it!
***Feeney, Kathy. PANDAS FOR KIDS (NorthWord Press, Inc.,
April/97)
Fuqua, C.S., DEATH IN SERVICE and DEADLINES (Books in Motion,
Jan/97). The first two audio novels in the DEADLINES series.
***Pfitsch, Patricia Curtis. KEEPER OF THE LIGHT (Simon &
Schuster, Oct/97). More info from pfitsch@mwt.net.
***first book sale!
================================================================
EDITOR: Debbie Ridpath Ohi (editor@inklings.com)
COPY EDITOR: Cathy Rutland (cathyr@rom.on.ca)
Subscribers are welcome to recirculate or reprint Inklings for
nonprofit use as long as the appropriate credit is given and the
ENTIRE text of the newsletter is included (including credits and
information at the end of each issue). Others should contact me
at editor@inklings.com. All articles copyrighted by their
authors.
Inklings is a free biweekly newsletter for writers on the net.
Back issues/info: http://www.inkspot.com/~ohi/ink/inklings.html
Inklings is part of INKSPOT, a web resource for writers:
http://www.inkspot.com/~ohi/inkspot.
To subscribe & unsubscribe: Send e-mail to majordomo@samurai.com
with "subscribe inklings" in the message body. To unsubscribe,
use "unsubscribe inklings". Find out more information with "info
inklings". E-MAIL: editor@inklings.com. SNAILMAIL: Inklings, 55
McCaul St., Box 123, Toronto, ON Canada M5T 2W7 (for packages,
contact me first).
================================================================
