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Inklings Issue 1.04
=================================================================
i n k l i n g s
Newsletter for Writers on the Net
Issue 1.4 Thursday, November 9, 1995
=================================================================
<http://www.inkspot.com/inklings/issues/ink0104.html>
In This Issue
-------------
Feature Articles:
----------------
STEPHANIE KWOK AND THE MISC.WRITING HOME PAGE
PROFILE: MOLLY-ANN LEIKIN, SONGWRITER AND SONGWRITING
CONSULTANT
READERS' INTEREST IN CD-ROM MARKET
Regular Columns:
----------------
FRESH INK What's new for writers, best of the Web
MARKET Market information
SUBSCRIBER PROFILE Holly Ambrose, CD-ROM research analyst
ASK THE BOOK DOCTOR Carol Henson answers reader's questions
WORKSHOP Writer's Galleries on The Web
MAIL BAG Writer's Poll: Overcoming writer's block
Inklings now has a majordomo setup. To subscribe, just send
e-mail to majordomo@samurai.com with "subscribe inklings" (to
unsubscribe, use "unsubscribe inklings") in the message body.
To find out more information about back issues, reprinting,
etc.,
put "info inklings" in the message body.
I waited for over a month while my old Internet Service
Provider
struggled to get the setup working. I finally gave up and
tried
elsewhere. Bryan Fullerton at Samurai Consulting got
everything
running in a few hours, as well as adding a few extra
features to make administration even easier for me. Many
thanks
to Bryan and Samurai Consulting for their help and support of
this mailing list. You can check out Samurai Consulting's web
page at http://www.samurai.com/, or e-mail Bryan Fullerton at
bryanf@samurai.com. Their services include internet
consulting,
WWW page design, mailing lists, FTP sites, system
maintenance,
and training.
FRESH INK
=========
Editor and Publisher Classified Advertising
-------------------------------------------
Editor and Publisher is an excellent online publication
providing valuable news and resources to the publishing
community. Its Classifieds section is packed with
opportunities for editors and writers (especially
journalists).
E & P Classifieds
http://www.mediainfo.com/edpub/ep/classi.htm
Editor and Publisher main page
http://www.mediainfo.com/edpub/
Victory's Motivational Newsletter For Writers
---------------------------------------------
Need a gentle nudge to get your creative juices flowing?
"This newsletter covers pick-me-ups, specific powerful
mental tools to motivate yourself, a vision of life in a
state of high motivation, and an introduction to a better
life for everyone."
To subscribe, send e-mail to victory@ix.netcom.com with
"subscribe motivation" in the header. To unsubscribe, put
"unsubscribe motivation". Issues come out every 3 weeks.
MO SCRIBBLES: Children's writer newsletter
------------------------------------------
MO SCRIBBLES is a regional newsletter for writers who
write
for a children's and/or young adult audience. It is
published quarterly by the Missouri Chapter of the
Society
of Children's Book Writers and Illustrators (SCBWI). They
are always looking for original articles devoted
specifically about the business of writing for children.
Either craft of writing or marketing articles are
welcome.
It is recommended that articles for the newsletter be no
longer than 500 words due to space considerations.
Please send submissions to the following address: Carolyn
Cohn, Missouri Regional Advisor-SCBWI, 14831 Phelps,
Bridgeton, Missouri USA 63044. E-mail contacts:
l.launer1@genie.geis.com (L.J. Launer)
t.duncan8@genie.geis.com (Tamara Duncan)
Writer's Internet Exchange (mailing list)
-----------------------------------------
Requests for information or subscriptions should be
emailed
to jkent@camcat.com. This mailing list was developed
for the purpose of helping writers share their work,
offer
and receive criticism, and pass along useful and timely
information on the craft.
MARKET INFO
===========
SEEKING EXPERIENCED CHILDREN'S AUTHORS
--------------------------------------
Grosset & Dunlap (Lara Bergen, Senior editor) is looking
for
experienced writers to add to their fiction and
nonfiction
titles to their popular ALL ABOARD READING, easy to read
series.
Send a self-addressed, stamped enveloped (SASE) for
guidelines
to:
Grosset & Dunlap
200 Madison Avenue
New York, NY 10016
RIVERBEND SEEKS SF/FANTASY
--------------------------
RiverBend Press a new publisher hoping to publish between
2-6 books a year. They are currently looking for
completed
science fiction and fantasy novels, 55,000-200,000 words.
No electronic submissions. Send SASE for guidelines,
reports in 3 months or less, payment negotiable and based
on contract.
Lynn Jennyc, Science Fiction Editor
or Gwen Gades, Fantasy Editor
RiverBend Press
Box 75064
Cambrian PO
Calgary, AB
Canada T2K 6J8
FEATURES WRITER SOUGHT BY ENTERTAINMENT NEWS SYNDICATE
------------------------------------------------------
Engaging writer with light-hearted style sought by
entertainment news syndicate serving 2,700 publications
in
North America. Based in the scenic splendor of the
Adirondacks. Qualified applicants should have a 4 year
degree in Journalism/Communication or equivalent
experience.
Send resume and samples to:
TV Data Technologies
Attn: Human Resources
Northway Plaza
Queensbury, NY 12804 or
e-mail:hr@tvdata.com.
No phone calls please.
ARTICLES FOR TEENS NEEDED
-------------------------
What! A Magazine is looking for professional journalism
of
interest to teenagers. The publication is distributed
through high schools in Canada six times a year. No
simultaneous submissions or second rights. Articles
should
run 700-2,000 words. Payment negotiable. Pays 45 days
after
acceptance. Reports in 4 weeks. Send SASE for guidelines.
Stuart Slayen, editor
What! A Magazine
108-93 Lombard Ave.
Winnipeg, MB
Canada R3B 3B1
Internet writers needed
-----------------------
Net-savvy writers needed for Point, the leading online
guide
to the World Wide Web. http://www.pointcom.com Write Web
reviews with accuracy and wit. Must mix freewheeling
genius; with utter dependability. Three years
professional
writing experience required. Classic ground-floor
opportunity.
Resume and samples to: Ryan Holznagel editor, c/o
Imacvean@teleport.com.
MURDEROUS INTENT: a magazine of mystery and suspense
----------------------------------------------------
Murderous Intent is a hardcopy magazine sold in many
Barnes
& Noble stores as well as other speciality mystery book
stores throughout the US, or by subscription. Seeks
fiction
and non-fiction; send SASE for detailed writer's
guidelines
or see web address below.
PAYMENT: Fiction or nonfiction, payment for First North
American Serial rights is $10 plus two free copies per
story or article, on acceptance. The author will be
expected to sign a contract stating that the work is
original and that he or she is the author. Fillers:
$2--$5.
E-mail contact: madison@teleport.com Snailmail: Madison
Publishing Company,P.O. Box 5947, Vancouver, WA
98668-5947
Murderous Intent, A Magazine of Mystery & Suspense
http://www.teleport.com/~madison
SUBSCRIBER PROFILE: HOLLY AMBROSE, CD-ROM RESEARCH ANALYST
================================================================
Holly Ambrose (dokea@aol.com) works for SIRS (Social Issues
Resources Series), based in Boca Raton, Fla. The company mainly
reprints articles and packages them on CDs and in thick
notebooks for libraries. Holly's job is to proofread the
articles that go on the Discoverer CD, which is SIRS' children's
product. She also helps write summaries for the articles which
appear on the CD, as well as being in charge of the Discoverer
timeline feature in which she writes short bits on
major/interesting news each month.
For those interested in breaking into the CD-ROM market, Holly
advises reading an excellent article on the subject in the June
1995 issue of Writer's Digest magazine (but see other article
in this issue on CD-ROM market).
Do you have any tips for writers hoping to break into the CD-ROM
market?
-----------------------------------------------------------------
-------
"You have to know the computer! We have trained people who
weren't very proficient, and we were kind of slowed down as a
result. Being computer literate is a must--even if you don't
know specific programs a company wants you to know. I would say
a person who knows how to do anything would show that company
they were at least comfortable with computers and could move
around on them; they would be quicker learners than those who
didn't know much about computers.
The other thing would be to know who the product (CD) is for,
and keep that in mind in the production. We have a children's
product, for example, and try to aim for low reading levels,
clear language and colorful graphics. Well, I guess colorful
graphics is a must in any CD!
There are some multi-media writing courses offered at colleges
and universities, as well as online groups that meet to talk
about this type of writing (America Online has a multi-media
writers' chat every Sunday at 11 p.m. EST). These would be more
sources of information and experience."
READERS' INTEREST IN CD-ROM MARKET
==================================
Many of you expressed interest in the CD-ROM market in your
surveys. Be assured that I'm trying to find out more
information about this topic. As Holly Ambrose mentioned
(see this issue's SUBSCRIBER PROFILE), there is an article
about this market in the June 1995 issue of Writer's Digest
("Writing for the Littlest Screen", pages 36-39).
I have written to each of the interactive game companies
listed in the article and will post writer's guidelines in
Inklings when I receive them. However, so far I have only
heard from two: LucasArts Entertainment Co. and Humongous
Entertainment.
Robert Roden at LucasArts wrote: "Unfortunately, for legal
reasons LucasArts does not accept outside submissions of
creative materials in any form. LucasArts did not seek to
be listed in Writer's Digest Magazine, and as of this
moment we do not know how LucasArts came to be listed
there. We have contacted Writer's Digest, however, and at a
minimum hope to have a correction included in the next
issue."
Zibby Wilder at Humongous Entertainment wrote: "I received
your letter requesting the writer's guidelines from
Humongous Entertainment. Unfortunately I can not provide
these as we don't really have any. We're a very small
company so most of our writing is done in-house or by
freelancers with whom we've had previous relationships
with. The best I can suggest if someone is interested in
writing for is is to send a letter and resume and this will
definitely get routed to the correct person."
Humongous Entertainment produces CD-ROMs for children. All
of their titles are interactive adventures that help
develop children's reasoning and decision-making skills as
well as helping to build self-esteem. They also co-publish
a line of products with Random House called Junior Field Trips
"that are more encyclopedic in content but just as much fun!".
Zibby says, "My advice for people trying to break into
CD-ROM writing is to be new and different in your writing...
let your personality show through. Also, more importantly,
stay current with the technology. Learn how to program in
HTML and try to be the first to learn what's next in
technology writing. Who knows what will follow Hot Java?"
Send queries to:
Humongous Entertainment
13110 NE 177th Place
Woodinville, WA 98072-9965
STEPHANIE KWOK AND THE MISC.WRITING HOME PAGE
================================================================
Misc.writing is a UseNet Newsgroup that provides a forum for
discussion of writing in all its forms -- scholarly, technical,
journalistic, artistic and mere day-to-day communication. It is
a venue for professional writers, would-be professionals and all
those who write to communicate. Stephanie Kwok is maintainer of
the misc.writing web site, a rich resource of useful information
for new and experienced writers. The site includes an e-mail
directory, writers' mailing lists, misc.writing posting
guidelines, charter, index of useful files, and FAQ, among other
resources.
How would you describe the misc.writing newsgroup?
--------------------------------------------------
"While the misc.writing newsgroup has often been described as a
'virtual cocktail party' for writers, I would suggest that the
group is more akin to a 'potluck' dinner party. Naturally, it
is a place to mingle with others who write either for business
or pleasure, or both. It provides a chance to 'talk shop', to
share advice and experiences. However, the meat of the
discussions is not restricted to arguments about style and
editors and character development. Quite the opposite. In fact,
many threads stray far off the course of writing topics, even to
the point of simply goofing around. But that is all part of
what draws so many writers to this group, the variety of its
discussions, and the potential for fun.
Some people complain when they read the newsgroup that there
aren't any threads of interest to them or that meet their needs.
This is where the analogy of the potluck dinner comes into
play. You can't complain about the food if you show up to a
potluck dinner empty-handed; but if you bring to the table a
favourite dish or two, then the chances are greater that you
will have a good meal. Such is the case in the misc.writing
newsgroup. Those people who are dissatisfied with the topics
being discussed must *participate* to get something out of it.
As with so many other things in life, 'you get back what you put
in.'"
Do you have any advice for "net newbies" who are thinking of
posting to misc.writing? What is/isn't allowed?
-----------------------------------------------------------------
------
"For people who are new to the Internet in general, I recommend
picking up one of the many "Internet handbooks" from the
bookstore. These books often contain information about
newsgroup etiquette, as well as the purpose of each newsgroup.
In addition, many books offer glossaries that take the mystery
out of the Internet jargon that can be so confusing to the
uninitated.
For those who are new to the misc.writing group in particular, I
suggest reading the group for about a month before posting. Why
wait a month? Simply because many newsgroups have volunteers who
post information about the group (such as the FAQ, charter, and
posting guidelines) on a regular basis, like every two weeks, or
the beginning of every month. In misc.writing, Erin
Barrett-Hamner posts information for newcomers every Monday, and
I post the URL of the Misc.Writing Home Page every couple of
weeks or so. Reading any group for about a month also gives one
time to assess the kinds of topics and people that comprise the
group.
The Posting Guidelines for misc.writing cover what is/isn't
allowed quite well. All that I would like to add is this
advice: a newcomer should think twice and read twice before
hitting the "Post" button. While it is gratifying to imagine
how thousands of people might read one's words, it can be quite
humiliating to be flamed publicly for a careless or hasty
remark, or for posting to the inappropriate group."
How did you get involved in misc.writing?
----------------------------------------
"Shortly after taking my first tentative steps on the Internet, I
learned from one of those thick Internet guidebooks of a
newsgroup called misc.writing. The book simply described the
group as: "Discussion of writing in all its forms."
I wasn't sure what, if anything, I would gain from reading such
a newsgroup. But as I had only recently taken the career path of
"writer", I was eager to absorb information about writing
anywhere I found it. Using books, I had researched the art of
writing, the how-to of writing, and the business of writing, yet
I still had many unanswered questions.
It was for this reason that I gave the group a try. I was not
disappointed. What I discovered was a network of fellow writers
with whom I could ask questions, share thoughts, commiserate
over rejections and celebrate triumphs. The newsgroup
complemented, in a more personal way, the information about
writing that I had acquired from other sources.
After a month of reading and learning from the group, I decided
it was time to start participating. I also volunteered to set
up a web site so that other members of the misc.writing
community could enjoy access the group's references via the WWW.
The web site started out as a simple home page, but has
blossomed over the past year into a collection of several pages
that include an "email book", mailing lists, links to other
sites, recommended reading and more.
Now and then someone posts a message to the group declaring
their discontent with the topics under discussion. Some say the
group is too general, some say it is too specific. These folks
would do well to realize that the group cannot possibly be all
things to all people all the time. Those whose expectations are
too high or whose level of participation too low are bound to be
disappointed. I hope newcomers to misc.writing will keep these
words in mind as they judge the group's usefulness for
themselves.
For me, the misc.writing newsgroup is a forum where writers can
continue the fine Internet tradition of sharing information.
Through our participation in the group's discussions we
recognize and reinforce the value of an individual's
contribution to the community."
* * *
With a degree in mechanical engineering and her own computer
applications development business, Stephanie Kwok had not
planned on a writing career. With the encouragement and support
of her husband, however, she decided to pursue her dream of
being a writer.
"Today, I have two novel-length 'works-in-progress' on my desk
and in my head; both are fiction intended for a women's
audience. For more immediate awards, I write freelance
nonfiction articles for the Canadian market, specifically small
business and computer magazines, as well as parenting and
women's magazines. And for sheer enjoyment of experimentation, I
dabble in children's fiction and poetry."
Stephanie Kwok can be reached at sdkwok@wimsey.com.
misc.writing home page
http://www.wimsey.com/~sdkwok/mwrit.html
PROFILE: MOLLY-ANN LEIKIN, SONGWRITER AND SONGWRITING CONSULTANT
================================================================
Molly-Ann Leikin (songmd@earthlink.net) is the author of "How To
Write
A Hit Song" and "How To Make A Good Song A Hit Song". As a
songwriting consultant in Los Angeles, she helps songwriters
polish
and market their material in private sessions by e-mail, phone,
fax,
and in person. Her clients have a Grammy nomination, an Emmy, and
in
the past nineteen months, 64 of them have made deals.
As a hit songwriter, Molly has one platinum and two gold records,
an
Emmy nomination, and an ASCAP award. She's written themes and
songs
for thirty-two t.v. shows and movies, including "Eight Is
Enough",
and "Violet" which won an Oscar. She was a staffwriter for
several
Los Angeles music publishers for eight years, taught songwriting
at
UCLA, and "makes a world-class sour cream, cinnamon, raisin
coffee
cake, nuts optional".
In your opinion, how can the Internet help writers, especially
songwriters?
-----------------------------------------------------------------
Networking. If you don't live in a large, music center, now you
have
the whole world to meet, pitch to and interact with on the
Internet.
Many of my clients tell me they're collaborating with someone
just
because he/she lives a few blocks away. Bad reason! You should
be
collaborating with someone because he/she is the absolutely best
partner for you. That's why I created the Songwriter's
Collaboration
Network (http://www.earthlink.net/~songmd/). It's for composers
and
lyricists who are looking for writing partners, and singers who
are
looking for hit songs.
What other advantages does the Internet offer songwriters?
----------------------------------------------------------
I've had e mail from hundreds of people I didn't know before the
Internet - yourself included. Nice to have new friends. Good
for
the creative spirit. I've been invited to speak at songwriting
conferences all over the world, I've been interviewed by radio
stations as far away as Tasmania and Moscow. And I have new
clients
in places with more consecutive consonants than I could ever
imagine.
This has also been a boon for my chiropractor, who sees me twice
a
week now because I spend too much time answering e mail!
Are there any potential problems songwriters should be aware of?
----------------------------------------------------------------
Some songwriters choose to "hang" their CD's in cyberspace, but I
think that's a lawsuit waiting to happen. There's been a lot of
talk
about copyright laws and cyberspace, but the last I heard, it was
still undefined. Until it's settled, since there are so many
unscrupulous characters out there, who'd rip off anybody, I'd be
very
concerned about "hanging" a CD. I get a hundred requests a day
to
download songs, and I can't possibly do it. So while "hanging"
and CD
is good for the ego, I just don't think professional songwriters
do
business that way. Someday they might, but right now, we still
send
our publishers and A & R people DATS or audio cassettes.
What advice can you give hopeful writers/songwriters?
-----------------------------------------------------
Learn your craft before you attempt to market what you write. A
lot
of highly-schooled professionals in other fields contact me, -
especially doctors - saying they want to be songwriters. Some of
them actually have raw talent, but it definitely needs buffing
and
honing. But 99% of these professionals from other fields feel
their
songs are finished - as is. They understood that they had to go
to
medical, dental and law school for years and years, but the idea
of
going to songwriting school never crosses their minds. However,
the
best songwriters, with the most lasting careers, have all
dedicated
themselves to learning the craft of songwriting. You should too.
Too many writers rush into the studio to record a song when they
should be spending time rewriting and polishing it first. I'd
suggest you put your songs away for a week when you think they're
finished, and come back to them with fresh ears. Then, if you
find
some problem areas, you can fix them before you spend $1000. on a
demo. After that, you won't want to rewrite anything and you'll
be
sending around substandard material. With all the great songs out
there, give yourself a real chance to compete by writing polished
songs - not just something that came to you during half time at a
Laker game.
* * *
If you are interested in setting up a private consultation with
Molly
to polish and market your songs and you quote this article, she
would
be happy to offer you a $50 discount on one session, as long as
your
package plus payment in full reaches her office within 30 days of
your e-mail request for an appointment.
Molly-Ann Leikin can be reached via e-mail at
songmd@earthlink.net. Her inspirational article, "Pretty
Persistent In Pink", can be found at
http://www.interlog.com/~ohi/www/misc/pink.html.
Songwriter's Collaboration Network
http:///www.earthlink.net/~songmd/
ASK THE BOOK DOCTOR
===================
Carol Henson is a Book Doctor/editor/author cruising the 'net on
a regular basis and would be happy to respond to your questions
about Book Doctors, editing, writing, etc.
Send your questions to Carol Henson at UBKX12C@Prodigy.com with
the subject header: "Book doctor question". Carol will answer
selected questions in future issues.
Copyright Confusion
-------------------
I was wondering if there would be a conflict [such as
copyright] between ezines on the WWW and other
publications. I have sent out a few short stories and
tired of waiting for a reply, I got them published in
various WWW sites. Did I make a mistake? - DT
Dear DT:
I'm no real expert on copyright law, but I DO know that if you
don't give away or sell your rights to a piece you've written,
you retain the rights to that piece. I can't see why that would
be different on the Web. Often a writer will sell first serial
rights, meaning he/she has given permission to publish the piece
ONCE. That way, a writer can re- sell the piece to another
publisher. Of course, a new publisher should be told the piece
has been published before. Confused? Hope not. Thanks for the
question.
Markets for SF/Fantasy
----------------------
I am an amateur writer with a *lot* of two to three page
stories on my hands, mostly sci-fi/fantasy work. I am
having a hard time finding anyone who looks at this kind
of
work. If necessary, I am able to expand some of my work
quite a bit. Do you know of any markets for amateur
sci-fi/fantasy writers (it would be nice if they paid a
bit..I *am* a struggling college student, after all:) ).
- LB
Dear LB:
There are several sci-fi magazines out there looking for good,
short stories. Make sure your stuff is edited to perfection and
matches what the magazines are looking for. You should be able
to edit yourself, most good writers can once they let a piece
"rest" or "cool off" for awhile. You'll only know what a
magazine is really looking for by READING the magazine for
yourself. A lot of beginning writers (myself included!) have
tried to get around these requirements and then wonder why they
can't sell their stories.
If you can lengthen your stories into book form, great. Check
out Writer's Digest Magazine for suggestions on getting
published! Thanks for the question. Hope this helps. I also
hope you can make some money with your writing, but that
shouldn't be your only motivation... right? (g)
WORKSHOP: WRITERS' GALLERIES ON THE WEB
========================================
There are many "writer's galleries" springing up on the web these
days. Although most of these sites are non-paying, they give new
writers a chance to display their work in public. There are far
too
many to list here, but I've collected a list of some of them at:
http://www.interlog.com/~ohi/inkspot/gallery.html
The following are just a few of the sites currently showcasing
the work of emerging authors:
Circuit Traces
http://vanbc.wimsey.com/~chrish/
or contact Chris Hunt at chrish@wimsey.com
Internet Inkslingers
http://www.uncg.edu/~agcowan/writers.html
or contact Andrew Cowan at agcowan@turing.uncg.edu
Interbang
http://www.azc.com/client/bertye/
or contact Heather Hoffman at hhoffman@ucla.edu
Poetry and Literature Page
http://www.hooked.net/users/jalsop/
or contact Jaimes Alsop at jalsop@hooked.net
You might also want to try submitting to the literary magazines
on the web. Yahoo has an excellent list:
http://www.yahoo.com/Entertainment/Magazines/Literary/
POLL RESULTS: OVERCOMING WRITER'S BLOCK
=======================================
"How can I get over my writer's block??"
Many thanks to all those who participated in the poll. The
compiled results are listed at:
http://www.interlog.com/~ohi/ink/poll1results.html.
Suggested cures included exercising, drinking orange juice,
listening to music, lots of coffee, a long drive in rush hour
traffic, screaming, changing your brain wave states using
binaural signals, journal writing, people-watching,
stream-of-consciousness thinking, reading, making realistic
goals, talking with your wittiest and most eccentric friend,
visiting bookshops, smoking, drinking, keeping an "idea" box,
taking a walk, reworking old and unpublished writing, only
writing about what interests you, taking short breaks, avoiding
"full spectrum" fluorescent light, eating ice cream cones, doing
household chores, eating junk food, meditating, trying different
genres, joining a writer's group, reading Kenneth Atchity's _A
Writer's Time_, go outdoors, do crafts, bicycling, camping,
dancing naked on the moon with your ex-lover and his dog.
The most often quoted piece of advice was to write
ANYTHING...grocery lists, brainstorming, freewriting, journals,
letters, whatever. And if that didn't work, get AWAY from the
keyboard and do something totally unrelated to writing.
NEXT POLL: WRITERS' REFERENCE BOOKS
===================================
Question:
--------
What reference books do you find the most useful?
(e.g. dictionaries (please specify which one), writing guides,
etc.)
The most popular will be listed in the next issue (just in time
for Christmas shopping!)
Please send your answer to morgaine@utcc.utoronto.ca with
"writers poll #2" in the subject header.
=======================================================
Subscribers are welcome to recirculate or reprint Inklings for
nonprofit use as long as the appropriate credit is given and the
ENTIRE text of the newsletter is included (including credits and
information at the end of each issue). Other cases should
contact me at morgaine@utcc.utoronto.ca or ohi@interlog.com. All
articles copyrighted by their authors.
Inklings is a free newsletter for writers on the net and is
published every 2-3 weeks. For more info, please e-mail:
morgaine@utcc.utoronto.ca or see
http://www.interlog.com/~ohi/ink/inklings.html
WWW-VL: Writer's Resources on the Web:
http://www.interlog.com/~ohi/www/writesource.html
INKSPOT: Resources for Children's Writers:
http://www.interlog.com/~ohi/inkspot/
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=======================================================
