Copy Link
Add to Bookmark
Report
Fascination Issue 216
=======================================================================
______ _ __ _ __
/ ____/___ ___________(_)___ ____ _/ /_(_)___ ____ / /
/ /_ / __ '/ ___/ ___/ / __ \/ __ '/ __/ / __ \/ __ \/ /
/ __/ / /_/ (__ ) /__ / / / / /_/ / /_/ / /_/ / / / /_/
/_/ \__,_/____/\___/_/_/ /_/\__,_/\__/_/\____/_/ /_(_)
T h e U n o f f i c i a l
C i r q u e d u S o l e i l N e w s l e t t e r
------------------------------------------------------------
http://www.CirqueFascination.com
------------------------------------------------------------
=======================================================================
VOLUME 23, NUMBER 1 January 2023 ISSUE #216
=======================================================================
Welcome to the latest edition of Fascination, the Unofficial Cirque
du Soleil Newsletter.
* * * DISCOVER THE EXTRAORDINARY * * *
"We are all born from the sun. We reach beyond. Beyond the expected.
Beyond the infinite. Beyond, beyond. Cirque du Soleil is renewing its
commitment to take audiences beyond expectations, to the outer limits
of imagination, color, and to feel the deepest emotions. A commitment
to the extraordinary we made four decades ago and continue to uphold
to this day. The experience of a Cirque du Soleil show goes beyond the
expected and transcends languages, countries, and cultures. Why should
we bend to boundaries when we can challenge ourselves to disrupt
what's rational, practical, or expected? Beyond is where our future
lies. For those who've just now been introduced to Cirque du Soleil:
welcome to the show, we are thrilled that you're finally joining us!
As our fans know well, we are so much more than just a troupe of
acrobats. We travel the world to do outrageous things, subversive
things, wildly artistic things. Things other people haven't. And when
we are ready to set sail towards tomorrow, we leave everywhere better
than we found it. Where others can only imagine a better world, we
bring it forth for all to see. Our creative spirit pushes us further,
beyond, so our people can radiate brightly all over the globe. It
takes a lot of moxie to reinvent creativity, and it takes the outlook
of many different voices to do so. At Cirque du Soleil, we're firm
believers that our strength resides in the natural diversity,
equality, and inclusivity we've nurtured over the course of our long
history. As a superhuman family, it is our responsibility to those
within our community and surrounding it to be daring and spearhead the
era of change that's upon us. Endless optimists that we are, we take
pride in celebrating this diversity and lead by example."
Cirque du Soleil's got a new vibe... learn all about their new brand
campaign within!
* * * SPOTLIGHT ON CORTEO * * *
If you've had the good fortune of seeing Corteo live, then you know
just how moving and awe-inspiring this spectacle truly is. For that
reason, the editorial team of Cirque du Soleil's official blog decided
to do some digging through the vault to see if they could uncover
anything about Corteo that never saw the light of day in celebration
of this magnificent show. And they did...
For example, those with a keen eye may recognize a familiar maze-like
pattern painted on the Corteo stage floor. This is a reference to the
same pattern found on the floor of the Chartres Cathedral, located in
Chartres, France. Tidbits of background information like this are what
made our find feel like an archaeological dig. What was even more
interesting was the wealth of personal anecdotes directed at the
performers, the staff, and the audience at large, explaining the
vision, motivation, and goal for what was to become Corteo. The
following is the very first paragraph ever produced regarding Corteo
for Cirque du Soleil's team all the way back in 2004, which would
eventually become the sensational, colorful, and emotional show that
we have come to know and love: "We start from the idea that acrobats
are to humans what angels are to gods. From that idea, we divide the
space between the ground and the air, and then we invent a middle
point which we will call the space of dreams. The artists on the
ground will be looking up towards the mystery, the unknown, the depths
of the sky, of the heavens. The artists will dance the three eternal
questions: Where do we come from? Where are we going? What's for
dinner tonight?" It's incredibly fulfilling to see the end result of
all the hard work that goes into these monumental performances.
Sitting in the seats next to our fans on premiere night and watching
the fruits of our labor alongside you is an indescribable feeling.
Having the opportunity to read through Cirque du Soleil's history and
understanding how these shows started out is almost unbelievable. We
hope you'll embark on that journey for yourselves and learn a little
something about Cirque du Soleil's history, it's a remarkable one to
say the least.
See more posts from the Blog in our FEATURES section this month.
* * * MYSTERE VOTED INTO "THE HALL OF FAME" * * *
There are multiple Cirque du Soleil productions in Las Vegas, which
leads novices with limited time during their stay to struggle with the
issue of which one to start with. Cirque audience veterans know the
answer: begin with la première, Mystère. When Mystère debuted at
Treasure Island 30 years ago, the Vegas entertainment landscape was
vastly different. Variety shows existed, but nothing like the omnibus
of acrobats, dancers, comics, costumes and pageantry presented as a
fantasy circus. Mystère celebrated its 13,000th performance in August
["O" just celebrated its 10,000th show on January 11th!] with a
special show and will observe its 30th anniversary this year. There
are cast and crew members still with the Strip's original Cirque
production three decades after its debut, as well as a 2,000-pound
snail named Alice. Daredevils fly through air with the greatest of
ease via trapeze, teeterboard and Chinese poles. Avant-garde clowns
match wits with puppet counterparts. Seventy performers from two dozen
countries wear 10,000 pieces of costume during a show, while makeup
designs evolved from groundbreaking to influential. Mystère satisfies
appetites for both traditional circus fare and state-of-the-art
spectacle, allowing children of all ages to escape into a dimension of
delightful distractions and twisted whimsy. It's what the world needs
right now.
The Las Vegas Magazine voted Mystère into their Hall of Fame for 2023.
They also recently took in all 6 Cirque shows in Las Vegas in quick
succession. Read "Watching All Six Las Vegas Cirque Shows in Five
Nights" in our FEATURES section this month!
So, shall we get into it?
/----------------------------------------------------\
| |
| Join us on the web at: |
| < www.cirquefascination.com > |
| |
| Realy Simple Syndication (RSS) Feed (News Only): |
| < http://www.cirquefascination.com/?feed=rss2 > |
| |
\----------------------------------------------------/
- Ricky "Richasi" Russo
===========
CONTENTS
===========
o) Cirque Buzz -- News, Rumours & Sightings
* La Presse -- General News & Highlights
o) Itinéraire -- Tour/Show Information
* BigTop Shows -- Under the Grand Chapiteau
* Arena Shows -- In Stadium-like venues
* Resident Shows -- Performed en Le Théâtre
o) Fascination! Features
* "REVIEW: Dawn Porter's 'Cirque du Soleil: Without a Net''
By: Paul LeBarr - Virginia (USA)
* "Watching ALL Six Las Vegas Cirque Shows in Five Nights"
By: Geoff Carter, The Las Vegas Weekly
* "LIFE IS A CIRCUS: Posts from the Cirque du Soleil Blog"
By: Cirque's Artists, Editors, and More...
* "Cirque du Soleil Soars Into 2023"
By: Editorial Staff, The Boss Magazine
o) Copyright & Disclaimer
=======================================================================
CIRQUE BUZZ -- NEWS, RUMOURS & SIGHTINGS
=======================================================================
***************************************************************
LA PRESSE -- General News & Highlights
***************************************************************
----------------------------------------------------------
Porter's "Without a Net" is Gravity-Defying Cinéma Vérité
{Nov.14.2022}
----------------------------------------------------------
A departure from Cirque du Soleil's previous theatrical features
(2012's Worlds Away and the 2000 3D IMAX short Journey of a Man), Dawn
Porter's Cirque du Soleil: Without a Net breaks the third wall with a
more intimate portrait of the company as it emerges from a 400-plus-
day-long COVID pause and aims to restart its elaborate show O in Las
Vegas. While theater companies adapted to COVID by offering
performances for patrons on Zoom, that was never an option for an
organization that prides itself on large-scale spectacles with
countless moving parts. The flaw of Worlds Away and Journey of a Man,
despite their use of 3D, is that they fail to capture the scope and
scale of Cirque du Soleil. Porter, instead, keeps her camera at eye
level, gazing in wonder at how a world-class team of acrobats,
dancers, artistic swimmers, choreographers, coaches, divers,
production managers, and trainers can pull it off with such short
notice.
Filing for bankruptcy, CEO Daniel Lamarre and his HR team make the
decision to furlough most of the company while large-scale live events
remain on hold, creating pressures for international artists whose
visas forbid them from seeking employment outside of the company that
has sponsored them. Cirque Du Soleil is an international effort with
casting directors tracking talented dancers, gymnasts, and performers
from all over the world.
Porter focuses on a handful of performers who provide us with intimate
access to their lives. These subjects include Amber, a trapeze artist
who is frank about her own struggles. She has just divorced her
husband, who was also her "catcher" in a gravity-defying stunt that
takes place aboard a ship elevated a hundred feet above the stage.
When performing and spending that much time together, it is natural
that relationships form, although they are one part of the story.
Others have seemingly happy marriages including Emma, an acrobat. Her
husband Jeffrey works on the technical team and is a diver in the
large pool of water that the show resolves around.
At its core, Without a Net is a backstage look with unfettered access
as the Cirque du Soleil organization allows Porter to follow the story
wherever it goes. The film pulls back the curtain and exposes the
illusions and, quite interestingly, the backup plans if things go
wrong. Sitting high above the theater in a control booth is Joe, the
stage manager, who has a binder full of scenarios to switch to in the
event that something goes wrong, someone is injured, or there is a
mechanical malfunction on stage.
If nothing else, the film is a fascinating chronicle of performers
returning a bit rusty from the long, unplanned break, practicing their
stunts most of the time in full masks as COVID protocols slowly start
to relax. It is unknown if the Cirque du Soleil would ever allow it,
but all of the hard work, preparation, and technical expertise that
goes into creating the show would make for a compelling TV series.
Multiple productions are always happening across the world at any
given time, all of them managed from the head office in Montreal.
Porter's film offers a compelling glimpse behind the scenes, going
home with some of the performers while only really getting very close
with Amber, a lifelong acrobat who is frank about her injuries both
physical and emotional. Other participants the film chronicles include
Rob, a dancer who came to his practice through hip hop, and Bill, a
synchronized swimmer who, as a male, wasn't permitted to join the
women-only U.S. Olympic team.
While Cirque du Soleil: Without a Net is the latest character study
from Porter (Gideon's Amy, John Lewis: Good Trouble, The Way I See It)
is most compelling when it remains in cinéma vérité mode, watching the
cast and crew's preparations to fly and walk on water.
Cinematographers Chris Hilleke and Bryant Fisher capture the action
above and below the water at a distance, while creating intimate
portraits of the performers at home in suburban Las Vegas.
Cirque du Soleil: Without a Net world premiered at DOC NYC 2022.
Grade: B
{ SOURCE: The Film Stage }
----------------------------------------------------------
JOYÀ Celebrates its 8th Anniversary!
{Dec.06.2022}
----------------------------------------------------------
With over 2,430 shows and approximately 1,135,500 visitors since 2014,
Cirque du Soleil JOYÀ celebrates another year as the only Cirque du
Soleil resident show in Mexico marking eight years as the place where
families and friends come together to smile, laugh and share
unforgettable moments.
Cirque du Soleil JOYÀ celebrated its 8th anniversary as Latin
America's first resident Cirque du Soleil show, the first show of its
kind at a resort and the only Cirque du Soleil show to include an
immersive culinary experience. JOYÀ marks the beginning of a strong
collaboration between Grupo Vidanta, the leading developer of resorts
and tourism infrastructure in Mexico and Latin America, and Cirque du
Soleil.
JOYÀ is an homage to Mexico, a creative conquest, a celebration of
nature, and a tribute to the power of friendship and family. Over the
seasons, Cirque du Soleil assembled for this show, a team of the best
acrobats, aerialists, actors, jugglers, dancers, singers, and
technicians from different parts of the world, including Mongolia,
Ukraine, France, Spain, England, Japan, Argentina, Cuba, Brazil,
China, Colombia, USA, of course, Mexico.
"JOYÀ is a must see show in the Riviera Maya; through this eight-year
partnership between Grupo Vidanta and Cirque du Soleil, over 1,135,500
guests experienced an entirely new category of immersive entertainment
in Mexico," said Iván Chávez, Executive Vice President of Grupo
Vidanta. "We are extremely proud to work with the hundreds of
performers, artisans, designers, chefs, waiters and crew who come
together to make JOYÀ possible, and to have the opportunity to share
this extraordinary experience with people from around the world."
As a place where anything is possible, JOYÀ is the only dining
experience of any Cirque du Soleil production worldwide, presenting an
exquisite three-course dinner that tempts every sense with culinary
wonders as spectacular as the theater, music, and performances. "The
JOYÀ dinner experience should be as enjoyable and surprising as the
show itself," said Alexis Bostelmann, Executive Chef at Vidanta.
To celebrate eight years of being a fantastic, genre-blending show,
here is a journey through JOYÀ numbers and fun facts over the years:
o) 300+ collaborators of over 20 nationalities on and off stage to
make the show happen
o) 18 months taken to build the theatre
o) 6 months to build the set
o) More than 360,000 dinners. Servers must prepare for the second
show in the dark!
o) The multi-sensory dining offers regular, vegetarian and vegan
menu options along with gluten-free food. And the menu card is
edible!
o) Each night, around 200 bottles of champagne and 1,428 canapes
are served
o) 100 costumes were hand-crafted in 15,000 hours!
o) It takes 5 months to create the masks worn by Zelig's Masters;
the masks have 10,000 beads and jewels, each glued by hand
o) 35 full-time theatrical technicians
o) 33 full-time performers, who rehearse 4 times per week
o) The artists use more than 110 colors for their makeup and apply
it in 30 steps.
o) 6 wardrobe staff take care of the artists' wardrobe
o) Lyrics are in an invented language that refers to the world's
cultural diversity.
o) There are hidden symbols with references to Frida Kahlo and
Diego Rivera, allusions to the stories of Octavio Paz and Carlos
Fuentes, and hints at the work of Guillermo del Toro.
... and many more secrets and references to discover! It takes more
than one visit to spot them all.
JOYÀ reminds audiences that everyone has important stories to tell,
and somewhere inside, there is a curious child who wants to play and a
spark of imagination waiting to ignite. If anyone has experienced
JOYÀ, there is an opportunity to relive the journey as new elements
and surprises are constantly added.
{SOURCE: Yahoo Finance }
----------------------------------------------------------
"Discover the Extraordinary" CDS' New Brand Campaign
{Dec.14.2022}
----------------------------------------------------------
Cirque du Soleil Entertainment Group ("Cirque du Soleil"), a world-
leading producer of high-quality live entertainment, launched its new
brand campaign Discover the Extraordinary. A year after the relaunch
of its shows worldwide, Cirque du Soleil is today renewing its
commitment to take audiences beyond expectations, to the outer limits
of the imagination, and to feel the deepest emotions. Four decades
later, this commitment to always go further in creating the
extraordinary fuels its daily mission.
With this positioning, Cirque du Soleil reinforces that its shows go
beyond the expected and transcend languages, countries, and cultures.
The company has always been more than a circus; it defies the rules of
convention and is an emotion generator. It creates the most daring
reality.
For the first time in several years, the company wanted to create
brand awareness and mark its post- pandemic evolution with a unique
and touching message that targets new and younger audiences while
helping longtime fans rediscover Cirque du Soleil.
"As we all know, the Cirque du Soleil experience goes beyond the
expected, and as a follow-up to "Intermission is Over" and "The Sun
Rises" campaigns, "Discover the Extraordinary" infuses renewed energy
into our brand message to help our fans and new audiences discover the
extraordinary that we create every day," stated Nickole Tara, Chief
Growth Officer at Cirque du Soleil Entertainment Group.
In partnership with Sid Lee, this co-creation will once again
challenge the limits of the imagination and possibilities. The
campaign will live on print, social, and TV until December 31st, 2022,
everywhere in North America.
SEE VIDEO HERE:
https://youtu.be/5daha79ZUCI
Credentials:
CLIENT (Cirque du Soleil)
Chief Growth Officer: Nickole Tara
Head of Branded Content: Christopher Bower
Senior Creative Producer: Yuri Berger
Global Head of PR, Public Affairs & CSR: Caroline Couillard
Manager Social Media: Fabienne Daigle
AGENCY (SID LEE)
Global Executive Creative Director: Kristian Manchester
Creative Director: Bradley Getty
Associate Creative Director: Philippe Cossette
Art Director: Audrey-Claude Roy and Mathieu McSween
Copywriter (EN/FR): Micheal Juretic, Shan Denicourt,
Sandrine Leblanc
VP, Head of Strategy: Élisabeth Jamot
Strategist: Sophie Gibeault, Carla Mavaddat
Head of Client Partnerships, USA: Melissa Spano
Group Account Director: Justine Trudeau, Claire Pouly
Account Team: Chloé Brossard, Eric-Alexandre Simard
Executive Producer: Marie-Christine Toupin
Executive producer: Marie-Soleil Patry
Production Coordinator: Joannie Tellier
Post-Production Producer: Camille Thibault Giguère
Post-Production Coordinator: Geneviève Dattoli
PRODUCTION (SID LEE)
Executive producer: Mathieu Leduc
Director: Kristian Manchester
Director of Photography: Derek Branscombe 2nd Unit /
Alex Miglierina
Costumes: Flavie Lechat
Service Production: HPLA
EP: Ryan Hahn
Producer: Chanel Urban
POSTPRODUCTION (SID LEE / MATHEMATIC / OUTPOST)
Offline Editor: Vincent Ruel Côté, Xavier Lévesque, Eloi Arsenault
Assistant Editor: Hugo Beaupré, Sonia Nadon, Elena Demai
Motion Designer: Mathieu McSween, David Leclerc, Noah Dauphinais,
Alex Deakin
Visual Effects: Mathematic Studio
VFX Supervisor: Thomas Nautin (Mathematic)
Color grading: Beatrice Tremblay (Outpost)
Online Editor: Dominique Belletête (Outpost)
SOUND & MUSIC (CULT NATION STUDIO)
Producer: Sean Sable
Composer: Mat Laf & Oclair
Mix & Sound Design: Théo Porcet
MEDIA (STRIKE, BTA)
President: Shari Okin
Director, Arts and Entertainment: Kyle Young
Vice President Digital: Marc Vasquez
{ SOURCE: Cirque du Soleil }
----------------------------------------------------------
Q&A: Flying high with 'Twas the Night Before'"
{Dec.16.2022}
----------------------------------------------------------
Meet Suren and Karyna, the real-life married couple soaring above
audiences around the country in 'Twas the Night Before by Cirque du
Soleil. The daring couple performs in the "Duo Straps" portion of the
winter spectacle now playing nightly at the Fox Theatre. Here's what
they had to say about their high-flying performances before they soar
over Motown:
Q. Can you tell me about a bit about your act, the duo straps?
Suren: We're snowflakes, the prettiest ones. We have a fun act because
when you speak about snowflakes, it's so often falling from the sky.
But we add a little bit of dynamic energy to our act. Snowflakes are
soft, but at the same time very powerful.
Karyna: We start with a snowstorm and we make it look like the actual
storm happens on stage. We move super-fast and we pull each other,
it's really beautiful. We have snow falling at the same time but
because we move fast and spin, the snow gets into like a tornado. Then
after the snow slows down, we become more like a softer snow angel.
Suren: It's a little bit romantic. But we're don't play a couple on
stage. We're snow-flakes.
Q. You've been performing for over a decade together, but do you still
get scared?
Karyna: You know, being scared for real keeps us alive. It's quite
interesting to do what we do and have no fear.
Suren: All artists get scared and get nervous a little bit, it's a
good thing. With age, you just learn how to control it more and more.
If you come on stage too afraid of nothing, it can be dangerous, you
lose control.
Q. Is there anything the audience doesn't notice or see while you're
performing these stunts?
Suren: They don't see pain, definitely. In circus school, we are
taught that if your art does not look easy, you cannot bring it on
stage. This is our main goal to make it look easy. We've found after
performances that people will say, "I can do it too!"
Karyna: Our goal is to make it look as effortless as possible so that
people feel like they can jump on stage and do it.
Q. There must be a lot of communication between you two for your
safety as you're performing. How are you communicating in the
middle of an act?
Suren: It's a secret language. It's a mix of a look or the lips
moving. It's in the way I pick her up.
Karyna: What we do we've done thousands of times. So if something goes
wrong, then we can tell by looking at each other. Sometimes if
something goes wrong, he would press my hand twice and that means to
pay attention. We become more aware of what's happening.
Q. Which act is your favorite to watch?
Karyna: The quick answer is the Diabolo.
Suren: My favorite is the reindeer riding around and doing a lot of
crazy twists. But each act is very nice and fun. Each act is also very
different. Each act brings different emotions during the show. So when
you're watching, you're just following the story.
Q. Is it difficult working through the holidays?
Suren: Sometimes you see people outside having a party, but the
audience brings a lot of energy, so it feels like we become part of
the party. We're going to have our time after the show.
Karyna: Yeah, while everybody goes back to work, we're going to have
our holidays.
Q. What's the best part about performing in 'Twas the Night Before?
Karyna: The show is really magical. They always say that when you are
an adult you stop believing in the Christmas spirit and magic because
we're so busy, we change. I feel like this show really brings the
magic back.
Suren: And it feels like you can start a new tradition with Cirque du
Soleil.
{ SOURCE: Click on Detroit }
----------------------------------------------------------
CDS rebounds after pandemic, bankruptcy protection
{Dec.21.2022}
----------------------------------------------------------
Now that the Cirque du Soleil has rebounded from its near-death
experience during the pandemic, Duncan Fisher can wax philosophical
about the wild roller-coaster ride the Montreal-based circus company
went through over the past few years.
The vice-president of operations and general manager of the touring
show division of the Cirque du Soleil paraphrased Charles Dickens,
saying it was both the best of times and the worst of times.
"It was the worst, then it developed into the best time of my business
career," Fisher said in a Teams interview Wednesday.
"As we went into COVID, that was the worst. We had to shut down all
the shows. We had to release 95-per-cent or more of all our employees
that we had at Cirque. You know the whole bankruptcy story. We were
negotiating with suppliers and partners during the whole bankruptcy
process. That six months of shutting things down, all those
proceedings, that was just miserable. It was the worst thing you could
imagine. There was nothing good then.
Article content
"But then after the bankruptcy was done and the new owners got all
their legal stuff taken care of and were able to assume (control) of
the company, which happened right around November/December of 2020,
one of the most exciting calls I've done in my life was just before
Christmas of 2020," Fisher said.
"When we closed down, I had about 1,500 people in my division that we
let go. I went from 1,500 people to six. And we weren't able to
communicate with everybody throughout the bankruptcy process. But once
we got the ownership stuff taken care of and knew at that point that
we were able to come back, we sent an email out to all the employees
that we had let go, 1,500 of them, and said we wanted to have a call
just before Christmas to update everybody as to where we were at.
"I really had no idea," Fisher said. "I thought maybe a few hundred
people would join the call. 1,400 out of the 1,500 joined the call on
video basically to hear me say, 'Guys, we're done, I don't know when,
I don't know which show, but now I know we're coming back.' And that's
one of the best calls I've been able to do in my whole life."
While in bankruptcy protection, there was a drawn-out legal battle for
control of the Montreal-based company. In the end, the previous owners
U.S. equity firm TPG Capital, China's Fosun International and the
Caisse de dépôt et placement du Québec lost control. The company was
taken over by a group representing the creditors, led by Toronto-based
Catalyst Capital Group.
Two years later, the Cirque is indeed back. When everything ground to
a halt in the spring of 2020 with the arrival of COVID, the circus had
to shutter 44 shows, many that were already on, others that were set
to be presented shortly. At the time, they laid off about 95 per cent
of their 4,000 employees. Now, the Cirque has 38 operational shows and
employs around 3,600 people worldwide.
The touring show Corteo was set to have its première at the Bell
Centre Wednesday and will run there until Jan. 1. Earlier this year,
the Cirque returned to the Big Top at the Old Port with a revival of
its 2007 show Kooza, and it went on to become the outfit's biggest hit
ever in Montreal, selling 270,000 tickets. Echo, the first original
new production from the Cirque since the pandemic, will have its world
première under the Big Top here in April 2023.
There are currently six permanent Cirque du Soleil shows running in
Las Vegas, the same number as prior to the pandemic. There are also
eight touring shows on the road at the moment, three in North America,
one in South America, two in Europe, one in the Middle East and one in
Asia. In addition, there are Cirque productions everywhere from the
Walt Disney World Resort in Orlando, Fla. (Drawn to Life) to Riviera
Maya in Mexico (Joyà).
"As far as our Big Top shows go, we have been incredibly surprised and
pleased that the demand across the world is still there for our Big
Top shows," Fisher said. "Here in Montreal, Kooza did the most tickets
ever for a Cirque show. In London, when we opened with (Ovo), we broke
the record there. In Madrid, we're currently going to break the record
there (with Luzia). We've been able to come back with the Big Top
shows without missing a beat."
{ SOURCE: The Montreal Gazette }
----------------------------------------------------------
Cirque's CGO on Company's 'Extraordinary' campaign
{Dec.21.2022}
----------------------------------------------------------
Hot on the heels of a post-pandemic rebound, Cirque du Soleil's
'Discover the extraordinary' introduces the iconic circus troupe to
new generations of fans.
Rather than spotlighting a specific show, Cirque du Soleil, the
world's largest circus producer, is pulling the curtain back on a new
trick in 2023 with 'Discover the extraordinary.'
'Discover the extraordinary,' which went live in December, marks
Cirque du Soleil's first-ever brand-centric campaign and a legacy of
nearly 40 years. The spot, developed by Canadian creative agency Sid
Lee, takes real Cirque du Soleil crewmembers from the stage and to the
outdoors. It is currently running on ABC's Good Morning America, Hulu
Originals, in Times Square, on the New York Times' website and other
platforms.
The campaign comes after a significant low point induced by the
pandemic, during which Cirque du Soleil shut down its 38 global shows
and its employee base of 5,000 dwindled to 50.
Come 2022, however, Cirque had made a comeback of acrobatic
proportions, having re-hired 3,000 employees amid its return to the
stage and debuted several new shows, including its first holiday-
themed show, 'Twas the Night Before, as well as Mad Apple, a New York-
inspired variety act.
In tandem with the campaign rollout, Cirque also forged a partnership
with Legends Global Partnerships in December to facilitate more long-
term growth in the coming years.
"We're going out to market and telling a new story," says Nickole
Tara, chief growth officer at Cirque du Soleil. "We've launched social
media channels that we've never had before and we're building new
assets for the next generation of fan."
THE CIRCUS' DIGITAL DEBUT
To meet young fans where they're at, Cirque du Soleil has a number of
digital initiatives in store for 2023, the first being a new show
called Echo, which has a notable digital slant and premieres in
Montreal in April.
Cirque also plans to enter the metaverse in June of 2023 via global
gaming platform Roblox. There, the platform's estimated 55 million
daily users can buy some of Cirque's famous costumes for their
avatars. "The metaverse is a circus the notion of it is so wild and
otherworldly," adds Tara. "We're world-makers at our core. We've been
making worlds for 40 years, so of course it's in our prowess."
More than anything, Tara says, this new era for Cirque is centered
around bringing together all walks of life. "The circus is a shared
experience amongst family members. We know people are coming to our
shows in groups, so we hope to cater to this youthful, cultural
element
There's something in a Cirque show for everyone the
ladies, the men, the gays, the straights everyone has an element of
them in the show."
----------------------------------------------------------
CDS and Air Canada Have Renewed Their Collaboration
{Dec.27.2022}
----------------------------------------------------------
Air Canada and Cirque du Soleil announced the renewal of their
exclusive partnership that will see Air Canada continue as the
official airline for Big Top and Arena shows in Canada, the U.S.,
Europe and Australia through December 2024. The two globally renowned,
Quebec-based companies will celebrate bringing Canadian creativity and
talent to the world at tonight's Montreal premiere of Corteo by Cirque
du Soleil at the Bell Centre.
"Air Canada and Cirque du Soleil are two iconic Quebec organizations
that each deliver best in class experiences to customers globally in
travel and entertainment, respectively. We are delighted to continue
our partnership with Cirque du Soleil as we share the same values and
importance of celebrating Canadian innovation and creativity with
people at home and world-wide." said Lucie Guillemette, Executive Vice
President and Chief Commercial Officer at Air Canada.
Since January 2020, Air Canada has been the official airline flying
Cirque du Soleil's employees and artists to shows in many destinations
around the world. The partnership renewal allows Air Canada to
continue being a champion of Canadian and global talent in the sky and
on the world's stage. As a global airline, Air Canada flies to six
continents and close to 200 destinations, including several of Cirque
du Soleil's 2023 tours in Vancouver, Calgary, Toronto, Montreal, Los
Angeles, Denver, and London, to name a few.
More than 125 million spectators have experienced a Cirque du Soleil
Big Top or Arena show since 1984 as its wonderous productions remain
enduring and relevant in culture, internationally.
"We are thrilled to team up with a world-renowned brand such as Air
Canada as our official airline for our touring shows. With our shared
values and Canadian roots, we will continue to entertain the world to
make it better for all, through the power of creativity and meaningful
experiences," added Nickole Tara, Chief Growth Officer at Cirque du
Soleil Entertainment Group.
The multi-year agreement includes brand inclusion in Cirque du
Soleil's communications campaigns, on-site visibility and promotional
privileges, in addition to a robust hospitality package across all
territories.
ince it launched the new Aeroplan loyalty program in November 2020,
Air Canada continues to expand its members' benefits and received the
2022 Frequent Traveler People's Award for Best Earning and Redemption
Ability. Starting January 2023, Aeroplan Members can redeem their
points for prepaid cards on the Aeroplan eStore?in denominations of
$50, $100 and $200?that can be used to purchase Cirque du Soleil
tickets or to enhance their experience?at shows anywhere around the
world, from KOOZA,?KURIOS Cabinet of Curiosities, LUZIA, CORTEO,
CRYSTAL, "O" and many more.
{ SOURCE: Breaking Travel News }
----------------------------------------------------------
Cinedigm Now Exclusive AVOD Distributor For CDS In US
{Dec.27.2022}
----------------------------------------------------------
Cinedigm announced today that it has signed an exclusive agreement
with Cirque du Soleil to bring nearly 30 hours of live show
performances, documentaries, and acrobatic content to AVOD, FAST and
TVOD platforms across the US. Beginning March 2023, Cinedigm will
feature blocks of Cirque du Soleil content on its flagship streaming
service Cineverse along with Dove Channel, Docurama, and AsianCrush,
in addition to releasing select content to its third-party platform
partners. Cirque du Soleil plans on expanding its content offering by
adding new series and show-based programs throughout 2023.
Cirque du Soleil's content library features several full-length Cirque
du Soleil show performances such as KURIOS Cabinet of Curiosities,
VOLTA, LUZIA, AMALUNA, and KOOZA. Documentaries in the content deal,
offering insider looks regarding some of the company's most iconic
shows, range from Mystère The Mystère of Mystère, Luzia The Story
of an Encounter to Alegría A Wind of Change and Crystal Gliding
Higher. The content package also includes a variety of Cirque du
Soleil Masterclasses, 60-minute and Best Of acrobatic specials.
Cirque du Soleil recently launched its new brand campaign Discover the
Extraordinary. A year after the relaunch of its shows worldwide,
Cirque du Soleil is renewing its commitment to take audiences beyond
expectations, to the outer limits of the imagination, and to feel the
deepest emotions. Four decades later, this commitment to always go
further in creating the extraordinary fuels its daily mission.
Said Cinedigm Yolanda Macias/Chief Content Officer, "This partnership
with Cirque du Soleil is a benchmark moment for Cinedigm as the word
'unique' simply does not do justice for the brand of entertainment and
innovation this group of immensely talented performers brings to the
stage." She added, "Our enthusiast viewers who have seen these shows
will enjoy watching them again, and people who are new to the Cirque
du Soleil creative universe will find themselves completely engrossed
while consuming these amazing world-class events."
"We are excited to partner with Cinedigm to continue expanding our
entertainment offering beyond our staged productions,'" said Sebastien
Ouimet, Head of Filmed and Immersive Entertainment for Cirque du
Soleil. This partnership allows us to provide our fans with exclusive
access to the front-row seats and behind-the-scenes of Cirque du
Soleil's most iconic productions, directly from home."
WHAT IS AVOD, FAST, and TVOD?
SVOD is Subscription Video On Demand. SVOD is similar to traditional
TV packages, allowing users to consume as much content as they desire
at a flat rate per month. Major services include Netflix, Amazon Prime
Video, Disney+, and Hulu.
TVOD is Transactional Video On Demand. TVOD is the opposite of
subscription video, where consumers purchase content on a pay-per-view
basis. There are two sub-categories, known as electronic sell-through
(EST), where you pay once to gain permanent access to a piece of
content; and download to rent (DTR), where customers access a piece of
content for a limited time for a smaller fee. TVOD services tend to
offer more recent releases, providing rights holders with higher
revenues and giving consumers timely access to new content. Examples
of TVOD services include: Apple's iTunes, Amazon Video Store, etc.
AVOD is Advertising-based Video On Demand. Unlike SVOD and TVOD
services, AVOD is free to consumers. However, much like broadcast
television, consumers need to sit through advertisements. You can see
AVOD in action when watching YouTube and with ad-tier services on
Netflix, Hulu, and the like, where ad revenue is used to offset
production and hosting costs.
FAST stands for Free Ad-supported Streaming TV. The service includes
streaming linear TV programs without paying for any subscription. It
is an extended version of traditional TV that is streamed over
internet-connected devices. FAST offers the closest experience to old-
school cable television. Much like the cable menus of yore, viewers
are served ad-supported channels that each run scheduled programming
in real time.
ABOUT CINEDIGM
For over 20 years, Cinedigm (NASDAQ: CIDM) has led the digital
transformation of the entertainment industry. Today, Cinedigm
entertains consumers around the globe by providing premium feature
film and television series, enthusiast streaming channels and
technology services to the world's largest media, retail, and
technology companies. Cinedigm continues its legacy as an innovator
through its adoption of next-generation technologies, such as
artificial intelligence and machine learning, across its proprietary,
highly scalable Matchpoint® technology platform. For more information,
visit cinedigm.com.
{ SOURCE: PR Newswire }
----------------------------------------------------------
Cirque Staffer Connects to Judaism Around the World
{Jan.11.2023}
----------------------------------------------------------
Veronica Nijensohn is 5,361 miles from Buenos Aires, but little
reminders bridge the distance.
She scrolls through photos of her niece. Nijensohn, 33, messages
family members on her iPhone. Engagements with fellow landsmen spur
memories of Argentina.
Nijensohn is a stage manager for Cirque du Soleil Entertainment Group.
She and 116 other artists, engineers and Cirque staffers treated
Pittsburghers to five shows in four days last week.
Though the Jan. 5-8 stay was brief, Nijensohn told the Chronicle she
used her time wisely. She visited Randyland and the National Aviary,
learned about Pittsburgh and documented her stay with beautiful
photographs.
Before becoming a stage manager with the acrobatic company, Nijensohn
studied photography. Her photos, which she edits with Snapseed and
posts on Instagram, document sites worldwide. The images capture
snowfalls, street scenes and reflections cast by skyscrapers. Unlike
the perfectly prepared movements of Cirque's dancers, Nijensohn's
photos detail beautiful blips or unexpected views.
"I keep my eyes open when I'm walking, and I see stuff," she said.
Nijensohn deflected praise for her photographic ability and continued,
"I just pay attention. Things are there, you just need to see them."
Since officially joining Cirque in April 2022, Nijensohn has seen the
world. She's visited Saudi Arabia, Qatar, Poland and numerous
countries spanning east and west. The next several months will be
spent between the United States and Canada.
One of the gifts of globetrotting is its ability to further bonds with
relatives in Argentina, she explained.
"Part of my family is very religious I have two cousins who are very
religious so I'm really close to that," she said. "Sometimes it's
hard to connect to Judaism, but I try."
During a European tour, she stopped in Auschwitz. Over Rosh Hashanah,
she found a synagogue in Vienna. On Yom Kippur, she attended services
in Manchester. Weeks ago, she was in Montreal when a random person
gave her a menorah.
Nijensohn celebrated Chanukah by bringing the menorah back to her
hotel. Terrified of triggering the smoke alarm, however, she ignited
the flames in her bathroom, she said with a laugh.
Touring the world with Cirque is demanding, and there isn't much time
off, but there are opportunities to create meaningful Jewish
experiences, she noted. "Every time I do something closer to Judaism,
I feel closer to my family, even if I'm far away from them."
Whether speaking with fellow synagogue-goers or random menorah-gifters
in the street, it's fun interacting with other landsmen, Nijensohn
said: "It's good to meet other people that basically have the same
beliefs as you."
There are obvious differences between Jewish communities and
individuals everywhere, but being able to see so much is "really
good," she said. "It's very enriching. It really helps me grow as a
person."
Nijensohn told the Chronicle that she's the only Jewish staffer
touring with Cirque and that interacting with colleagues from numerous
cultures and nationalities is a treat.
"I'm a stage manager. I always compare it to an orchestra director,
where everyone knows what they need to do, but you organize it so it
synchronizes and goes well together," she said. "There's a lot of
scheduling, a lot of taking care of the artists, but it's basically a
mixture between the artistic and the technical side of the show."
Nijensohn works with every Cirque staffer, but said her team consists
of three other stage managers, including a general stage manager, a
coach who oversees the acrobatic elements of the show and an artistic
director, who serves as Cirque's artistic head: "It's not just me,
it's a team effort."
The commonality, among both her team and the larger staff, is that
virtually no one is a native English speaker Nijensohn's first
language is Spanish; her second language is French; then she speaks
English and because almost everybody is conversing in a non-native
tongue, nobody is judging your grammar, she added.
Cirque is now in New England. At the end of January, it will head to
Norfolk, Virginia, before venturing to Texas, Oklahoma, Washington,
Oregon and then New Jersey and Ohio in June.
Nijensohn is eager to continue traveling. She encouraged people to see
the show and said that those interested in pursuing similar career
paths should reach out about shadowing staffers.
"Never stop studying," she said. "Try to make connections."
Traveling the world is a pleasure, and as a Jewish person an amazing
way to contribute to people everywhere, she said. "I think art is a
different way to light the world. You can light the candles, but also
every time you go to a show, you go to a museum, you take a picture,
it's a different way of lighting the world. It's not only on Chanukah,
you can do it all year."
{ SOURCE: Pittsburgh Jewish Chronicle }
----------------------------------------------------------
Feel the Energy of NYC in Las Vegas at 'Mad Apple'
{Jan.13.2023}
----------------------------------------------------------
If you love live music, Cirque du Soleil, next-level dance
choreography, outrageous comedy and the idea of combining acrobatics
with basketball, then Mad Apple is the best new live production to
catch in Las Vegas, providing you have no fear of a stand-up guy with
no filter possibly sitting in your lap.
Comedian Harrison Greenbaum has a good eye for people who look like
potential audience participants, so there's no worries that he'll
bypass clear body language or expressions of terror if he steps
offstage to find someone with whom he can get up close and personal.
For the most part, he transgresses boundaries with verbal barbs and
risque roasting of guests in the front rows, wearing a suit like a
classic comic from the Johnny Carson era of The Tonight Show.
He's thoroughly modern, though, and any targets of his humor find
themselves laughing too hard to be offended. Greenbaum's sets combine
with high-energy dance segments and musicians weaving through the
venue to create cohesive threads that tie the acts together. Set in
the winding alleys of New York-New York's promenade district, Mad
Apple is like no previous Cirque du Soleil production.
For one thing, it's designed for mature audiences. Minors must be
accompanied by an adult unless they are under 16, in which case they
can't attend. This leaves Greenbaum room to free associate without
having to self-censor, and he takes full advantage.
For another, there's no theme other than New York's all-encompassing
energy interpreted by a slamming five-piece band, five exuberant
dancers and six singers, one of whom is music director Xharlie Black.
Vocalists may break into song from anywhere in the venue at the
conclusion of breathtaking acts that include hoop diving, hand
balancing, aerial pole maneuvering and hair hanging.
That's right, cast member Danila Bim spins at breakneck speeds while
hanging from her hair. Sympathy for her scalp is quickly overcome by
suspense as she becomes a blur of oscillation. The dancers become
blurs of motion at times as well, exhibiting skills and stamina that
bring the adjective "superhuman" to mind.
They dance like they have the most coveted gigs on the Strip, a notion
flame-haired stepper Lizzie McConachie expresses in a meet-the-cast
video. "When they first told me the concept of the show and what was
in it, the music and the styles, it was just like my perfect dream
show to watch," she says. "I just so wanted to be in it, so it's a no-
brainer."
It's also a no-brainer for musicians who get to represent Manhattan
with a passage from Gershwin's Rhapsody in Blue, and a chance for
drummer Bruce Briggz to get wicked while getting out from behind his
kit. Meanwhile, the Wheel of Death puts a new spin on a daredevil
tradition, and the Acro-Dunkers do things with basketballs the Harlem
Globetrotters never dreamed of. Arrive early to be part of Mad Apple's
pre-show bar scene; then settle in for an evening of entertainment
with an urban edge.
{ SOURCE: Las Vegas Magazine }
=======================================================================
ITINÉRAIRE -- TOUR/SHOW INFORMATION
=======================================================================
o) BIGTOP - Under the Grand Chapiteau
{Alegria INAL, Koozå, Kurios, Luzia, Bazzar}
o) ARENA - In Stadium-like venues
{Crystal, Corteo, Messi10, OVO}
o) RESIDENT - Performed en Le Théâtre
{Mystère, "O", LOVE, MJ ONE, JOYA, X: The Land of Fantasy,
and Mad Apple}
NOTE:
.) While we make every effort to provide complete and accurate
touring dates and locations available, the information in
this section is subject to change without notice. As such,
the Fascination! Newsletter does not accept responsibility
for the accuracy of these listings.
For current, up-to-the-moment information on Cirque's whereabouts,
please visit Cirque's website: < http://www.cirquedusoleil.com/ >.
------------------------------------
BIGTOP - Under the Grand Chapiteau
------------------------------------
Alegría-In a New Light:
Seoul, KR -- October 20, 2022 to January 1, 2023
Tokyo, JP -- February 8, 2023 to June 4, 2023
Osaka, JP -- July 14, 2023 to October 10, 2023
Koozå:
Houston, TX -- January 25, 2023 to March 5, 2023
Toronto, ON -- April 7, 2023 to June 18, 2023
Denver, CO -- July 5, 2023 to August 13, 2023
Calgary, AB -- August 25, 2023 to October 8, 2023
Vancouver, BC -- October 21, 2023 to December 31, 2023
Kurios:
London, UK -- January 13, 2023 to March 5, 2023
Rome, IT -- Mar 22, 2023 to Apr 29, 2023
Milan, IT -- May 10, 2023 to June 25, 2023
Luzia:
Madrid, ES -- November 5, 2022 to January 22, 2023
Seville, ES -- February 3, 2023 to March 19, 2023
Vienna, AT -- April 12, 2023 to May 14, 2023
Frankfurt, DE -- June 13, 2023 to July 16, 2023
Bazzar:
Santiago, CL -- January 19, 2023 to February 19, 2023
Bogota, CO -- March 29, 2023 to April 9, 2023
ECHO:
Montreal, QC -- April 20, 2023 to August 20, 2023
Washington, DC -- September 6, 2023 to October 22, 2023
------------------------------------
ARENA - In Stadium-Like Venues
------------------------------------
CRYSTAL - A BREAKTHROUGH ICE EXPERIENCE:
Lisbon, PT -- Dec 22, 2022 to Jan 1, 2023
Pamplona, ES -- Jan 4, 2023 to Jan 8, 2023
Barcelona, ES -- Jan 12, 2023 to Jan 22, 2023
Lausanne, CH -- Jan 25, 2023 to Jan 29, 2023
Brussels, BE -- Feb 9, 2023 to Feb 12, 2023
Antwerp, BE -- Feb 17, 2023 to Feb 19, 2023
Stuttgart, DE -- Feb 22, 2023 to Feb 26, 2023
Espoo, FI -- Mar 16, 2023 to Mar 19, 2023
Oslo, NO -- Mar 23, 2023 to Mar 26, 2023
Hamburg, DE -- Mar 30, 2023 to Apr 2, 2023
Christchurch, NZ -- Jun 16, 2023 to Jun 18, 2023
Auckland, NZ -- Jul 4, 2023 to Jul 8, 2023
Brisbane, AU -- Jul 21, 2023 to Jul 23, 2023
Sydney, AU -- Aug 3, 2023 to Aug 6, 2023
Melbourne, AU -- Aug 17, 2023 to Aug 20, 2023
Adelaide, AU -- Aug 31, 2023 to Sep 3, 2023
Perth, AU -- Sep 15, 2023 to Sep 17, 2023
CORTEO:
Pittsburgh, PA -- Jan 5, 2023 to Jan 8, 2023
Worcester, MA -- Jan 12, 2023 to Jan 15, 2023
Manchester, NH -- Jan 19, 2023 to Jan 22, 2023
Norfolk, VA -- Jan 26, 2023 to Jan 29, 2023
Austin, TX -- Feb 2, 2023 to Feb 5, 2023
Oklahoma City, OK -- Feb 9, 2023 to Feb 12, 2023
Seattle, WA -- Mar 2, 2023 to Mar 5, 2023
Portland, OR -- Mar 9, 2023 to Mar 12, 2023
Los Angeles, CA -- Mar 23, 2023 to Apr 30, 2023
Frisco, TX -- May 17, 2023 to May 21, 2023
Kansas City, MO -- May 25, 2023 to May 28, 2023
Hoffman Estates, IL -- Jun 1, 2023 to Jun 4, 2023
Boston, MA -- Jun 8, 2023 to Jun 11, 2023
Newark, NJ -- Jun 15, 2023 to Jun 18, 2023
Columbus, OH -- Jun 22, 2023 to Jun 25, 2023
Ottawa, ON -- Jun 28, 2023 to Jul 2, 2023
Sacramento, CA -- Aug 3, 2023 to Aug 6, 2023
San Jose, CA -- Aug 9, 2023 to Aug 13, 2023
Oakland, CA -- Aug 17, 2023 to Aug 20, 2023
San Francisco, CA -- Aug 23, 2023 to Aug 27, 2023
Palm Springs, CA -- Aug 31, 2023 to Sep 3, 2023
San Diego, CA -- Sep 6, 2023 to Sep 10, 2023
MESSI10:
Buenos Aires, AR -- Oct 5, 2023 to Oct 28, 2023
OVO:
Dubai, UAE -- Jan 11, 2023 to Jan 18, 2023
Cairo, EG -- TBA
Gdansk, PL -- Apr 21, 2023 to Apr 23, 2023
Gliwice, PL -- Apr 28, 2023 to Apr 30, 2023
Prague, CZ -- May 3, 2023 to May 7, 2023
Malmo, SE -- May 11, 2023 to May 14, 2023
Stockholm, SE -- May 18, 2023 to May 21, 2023
Gothenburg, SE -- May 25, 2023 to May 28, 2023
Tallinn, EE -- Jun 1, 2023 to Jun 4, 2023
Vilnius, LT -- Jun 8, 2023 to Jun 11, 2023
Riga, LV -- Jun 15, 2023 to Jun 18, 2023
Berlin, DE -- Oct 5, 2023 to Oct 8, 2023
---------------------------------
RESIDENT - en Le Théâtre
---------------------------------
Mystère:
Location: Treasure Island, Las Vegas (USA)
Performs: Friday through Tuesday, Dark: Wednesday/Thursday
Variable Nightly - 7:00pm and 9:30pm
2023 Dark Days:
o) January 6 thru 17, 2023
o) February 12, 2023
o) March 10, 2023
o) May 12 thru 16, 2023
o) July 21, 2023
o) September 8 thru 12, 2023
o) November 10, 2023
"O":
Location: Bellagio, Las Vegas (USA)
Performs: Wednesday through Friday, Dark Monday/Tuesday
Two Shows Nightly - 7:00pm and 9:30pm
2023 Dark Days:
o) February 12, 2023
o) April 12-16, 2023
o) June 18, 2023
o) August 16-20, 2023
o) October 22, 2023
o) November 29-30, 2023
o) December 1-3, 2023
o) December 6-10, 2023
KA:
Location: MGM Grand, Las Vegas (USA)
Performs: Saturday through Wednesday, Dark Thursday/Friday
Two Shows Nightly - 7:00pm and 9:30pm
2023 Dark Days:
o) January 28 - 31, 2023
o) February 1 - 8, 2023
o) February 12, 19, 2023
o) March 29, 2023
o) May 6 - 10, 2023
o) June 14, 2023
o) August 16, 2023
o) October 21 - 25, 2023
o) November 18, 2023
o) December 13, 2023
LOVE:
Location: Mirage, Las Vegas (USA)
Performs: Tuesday through Saturday, Dark: Sunday/Monday
Two Shows Nightly - 7:00pm and 9:30pm
Age Requirements:
- Children under 5 not permitted.
2023 Dark Days:
o) January 3-7, 2023
o) March 21, 2023
o) May 2-6, 2023
o) July 4 & 11, 2023
o) September 5-9, 2023
o) September 12-16, 2023
o) November 18, 2023
o) December 25, 2023
MICHAEL JACKSON ONE:
Location: Mandalay Bay, Las Vegas (USA)
Performs: Thursday through Monday - Dark: Tuesday/Wednesday
Two Shows Nightly - 7:00pm and 9:30pm
2023 Dark Days:
o) January 12 23, 2023
o) February 12, 2023
o) April 3, 2023
o) May 18 22, 2023
o) June 5, 2023
o) August 10 - 14, 2023
o) October 16, 2023
JOYÀ:
Location: Riviera Maya, Mexico
Performs: Tuesday through Saturday, Dark: Sunday/Monday
DRAWN TO LIFE:
Location: Walt Disney World Resort, Orlando, Florida (USA)
Performs: Tuesday through Saturday, Dark: Sunday/Monday
Two Shows Nightly - 5:30pm and 8:00pm
MAD APPLE:
Location: New York-New York, Las Vegas (USA)
Performs: Friday through Tuesday, Dark: Wednesday/Thursday
Two Shows Nightly - 7:00pm and 9:30pm
Age Requirements:
- Children under 16 not permitted.
- Children under 18 must be accompanied by an adult
2023 Dark Days:
o) February 10 - 14, 2023
o) April 17 - 18, 2023
o) June 9 - 13, 2023
o) August 21 22, 2023
o) October 27 31, 2023
o) November 3 7, 2023
o) December 18 19, 2023
=======================================================================
FASCINATION! FEATURES
=======================================================================
o) "REVIEW: Dawn Porter's 'Cirque du Soleil: Without a Net'
By: Paul LeBarr - Virginia (USA)
o) "Watching ALL Six Las Vegas Cirque Shows in Five Nights"
By: Geoff Carter, The Las Vegas Weekly
o) "LIFE IS A CIRCUS: Posts from the Cirque du Soleil Blog
By: Artists, Editors, and More...
o) "Cirque du Soleil Soars Into 2023"
By: Editorial Staff, The Boss Magazine
----------------------------------------------------------
"REVIEW: Dawn Porter's 'Cirque du Soleil: Without a Net'
By: Paul LeBarr - Virginia (USA)
----------------------------------------------------------
CIRQUE DU SOLEIL: WITHOUT A NET tells the story of when the world shut
down, its greatest Circus went into freefall. Within 48 hours Cirque
du Soleil closed all its 44 shows; within a week it let 95% of its
workforce go. The show seemed over for the billion-dollar brand. Now,
more than a year later, a group of world-class artists, athletes and
crew at "O", Cirque's flagship production, face uncertainty as they
prepare to bring their show back to life. With unprecedented access,
this film documents their extraordinary journey as they attempt a
return to stage after one of the world's greatest crises.
DOCNYC is an annual documentary film festival in New York City that
has become the country's largest documentary film festival with over
300 films and events and 250 special guests. DOCNYC seeks to guide
audiences, industry, and press toward inspiring work, including
discovering new talent and highlighting the year's top documentary
films.
One of this year's offerings was Dawn Porter's Cirque Du Soleil:
Without a Net that was presented live on November 14th at the
festival and available for streaming through November 29 th. Without a
Net tells the story of how the world's greatest Circus went into free-
fall when the world shut down, closing all 44 of its shows within 48
hours and letting 95% of its workforce go. The show seemed over for
the billion-dollar brand. But more than a year later, as CEO Daniel
LeMarre has miraculously brought a new Cirque Du Soleil to life,
Producer and Director Dawn Porter documents a group of world-class
artists, athletes, artistic swimmers, and crew at "O", Cirque's
flagship production, as they face uncertainty preparing to bring their
show back to life. With unprecedented access, this film documents
their extraordinary journey as they attempt a return to stage after
one of the world's greatest crises. Porter keeps her camera at eye
level, gazing in wonder at how a world-class team of acrobats,
dancers, artistic swimmers, choreographers, coaches, divers,
production managers, and trainers can pull it off with such short
notice.
Specifically, Porter focuses on a handful of Cirque's performers. We
are able to see first-hand how they got to Cirque and watch as they
retrain their minds and bodies after more than a long year of idle
uncertain waiting. We also see the tech and artistic crews rebuilding,
sewing, and revamping as quickly as possible to meet the 8-week
reopening deadline.
At its core, "Without a Net" is a backstage look with unfettered
access as the Cirque du Soleil organization allows Porter to follow
the story wherever it goes. The film pulls back the curtain and
exposes the illusions and, quite interestingly, the backup plans if
things go wrong. Sitting high above the theater in a control booth is
Joe, the stage manager, who has a binder full of scenarios to switch
to in the event that something goes wrong, someone is injured, or
there is a mechanical malfunction on stage. Each show is an intricate
dance of trust since one slight human or machine error could spell
disaster for the artists.
The cinematography is breathtaking, from underwater shots of the
artistic swimmers to areal views of acrobatic acts. Ultimately, the
film reminds us of the power and importance of live performance. It's
an undeniably visceral viewing experience.
Some poignant quotes reflected the emotionally moving personal
experiences and the confessions of Cirque performers across the globe
during the lockdown: "it physically pained us not to be onstage."
"It's really difficult to live without purpose." What is humanity
without creation?" "What is an artist without the ability to access
their craft?"
Porter's documentary brilliantly juxtaposes the herculean efforts
needed to bring Cirque du Soleil back to life, relaunch its beloved
highest-grossing production "O", alongside the emotional and physical
experiences of the performers as they return from a 400-day hiatus.
----------------------------------------------------------
"Watching ALL Six Las Vegas Cirque Shows in Five Nights"
By: Geoff Carter, The Las Vegas Weekly
----------------------------------------------------------
The first Cirque du Soleil show I ever saw was Mystère. This was back
in springtime 1994, only a few months after the show opened at
Treasure Island. Back then, I knew next to nothing about Cirque du
Soleil, except that it hailed from Montreal and that it eschewed
archetypal circus stuff like animal acts and compact cars crammed full
of greasepaint clowns. My ingrained notion of "circus" was so
conventional, so Americanformed by Circus Circus, one childhood visit
to Ringling Bros. and Walt Disney's Dumbothat I couldn't imagine
anything outside of it.
All of that changed in one night. Though I've seen Mystère many times
since then, moments from that first show are still fresh in my memory.
I remember the hand balancers, performing their feats of immense
strength, balance and grace while perched atop a half-dome. I remember
the musical flourishes that accompanied the bungee performers
suspended from the ceiling. (I could probably hum much of Mystère's
original 1990s score for you, even now.) I remember Bebe François
originally played by the late, great Francois Dupuis gleefully
interrupting the show while searching the crowd for his "mama."
But above all else, I remember tearing up, more than once. I wept
happily for Mystère, because cheering, applauding, laughing and
gasping didn't feel like sufficient currency for what I was given that
night. I didn't know that I still had a childlike wonderment locked up
inside me until Cirque du Soleil found that vault and drilled it open.
RJ Owens, who inherited the Bebe François role, says finding that
wonder inside audiences is pretty much a mandate among Cirque
performers.
"This may be your 3000th performance, but this is an audience's first
time seeing the show, and if you don't feel like they feel, think of
something that you need to put yourself in that place or think of
another career," he says. "We are creating a memory for the audience
that's going to last an absolute lifetime. There'll be some things
they don't likenobody can like everythingbut in every Cirque show
that I've seen, I can pinpoint specific moments that just filled me
with such wonder and awe.
[Even] I'm filled with a sense of awe and
wonder, every time I go out onstage."
Many years later, while stuck at home during the pandemic shutdown, I
thought about that first Cirque show. I missed lots of things from
before COVID, from indie rock gigs to fancy restaurants, but when I
imagined being out in the world, I'd always go first to Mystère,
becauseand I know this sounds dumbit could never happen in my home.
I could imagine Ty Segall playing a set in my backyard, or José Andrés
whipping up his Bazaar Meat gazpacho in my dinky kitchen, but Cirque
went far beyond any considerations of space, cast and equipment. Owens
was right; I had to be there to feel it.
That was likely the first time I'd wondered if I could see all the Las
Vegas-based Cirque productions in one week. During those desolate,
formless COVID weeks, I had learned that I could easily binge entire
seasons of television over the course of a few days. Would it be that
much more of a challenge to attend a Cirque show over several
consecutive evenings?
It was purely a rhetorical question at the time. All the Vegas Cirque
shows were closed, one of them permanently, as it turned out (New
York-New York's Zumanity, which, regrettably, I never saw), and Cirque
du Soleil itself filed for bankruptcy protection in June 2020. (To be
fair, nearly every entertainment company was driven to the brink by
COVID, save for Netflix.) Dejectedly, I wondered if the Cirque du
Soleil shows I'd seen over the yearsMystère, O and the now-defunct
Zarkanawould be all the Cirque I'd ever get.
Cirque thought otherwise. "There was never a doubt that we would come
back; it was just a matter of when," says Eric Grilly, president of
Cirque du Soleil's Resident and Affiliate shows divisions, via email.
"We are inherently risk takers. With strong partners and the vast
playground of the Las Vegas Strip, we're able to explore the bounds of
our creativity."
Cirque's full return to that playground, cemented with the reopening
of KÀ in November 2021 and the May 2022 debut of Mad Apple in the
former Zumanity theater at New York-New York in May, heartened me as
few comebacks ever have. Cirque du Soleil is arguably the sturdiest
pillar of Vegas entertainment. It's one of our best-known cultural
attributes, alongside Elvis and electricity. And as anyone who has
watched a lot of streaming TV can tell you, six 90-minute shows make
for a proper "season." Once again, I realized, Cirque could be binged
and this time, I would do it.
I set a few rules for myself at the outset. I would see only Cirque du
Soleil-branded shows, skipping those owned by the company but without
the Cirque name on them, such as Blue Man Group. I had to see all
their productions in six days. (I did it in five.) And even though
already I'd seen three of the shows (I checked out Mad Apple in
previews), I would proceed like Bebe François, approaching every show
as if it were the first time. I'd put away the notebook, quash my
natural skepticism and lean right into the wonder and awe.
NIGHT 1: KÀ
-----------
KÀ came first. The MGM Grand show, which takes place inside a
breathtakingly colossal theater whose wings are lined with catwalks
and steampunk-like metal scaffolding, had the strongest story of the
six shows I attended during my binge. (Granted, all the Vegas Cirque
shows have narrative throughlines save for Mad Apple, which I'll talk
about momentarily.) It's possible, and even easy, to watch these shows
without giving much consideration to who's who and who wants what,
simply drinking in the spectacle.
But KÀ is different. It has obvious heroes and villains, all of whom
go through dynamic, often dangerous physical trials. Throughout KÀ, we
see our young protagonists faced with one hardship after the next
ambushes, shipwrecks and many, many battles, each one unique. The
table-like main stage, a technological marvel that can tilt and rotate
in pretty much any direction, can be made to be anythinga barge
lazily drifting downriver, or a sheer cliff face where rappelling
soldiers fight each other to the death. At one point, archers fire
arrows from the wings, which through mechanical magic "stick" in the
cliff face; they become grips that a character uses to climb the wall.
I was slack-jawed for most of KÀ, oftentimes too impressed even to
applaud the individual performers. Like all Cirque shows, KÀ contains
a vast array of specialty performersaerialists, acrobats, martial
artists, clowns. But the way they're employed in KÀ feels less
theatrical and more cinematic. It's one thing to have a "Wheel of
Death" act in your show, but quite another to have two of them, one in
front of another, being moved in opposite directions like clockwork.
Many bits of KÀ reminded me of recent action movies I've seen, like
Mad Max: Fury Road and Shang-Chi. It didn't occur to me until I left
the theater that this 2005 show might have partially inspired the
action in those movies, not the other way around.
KÀ presented me with a giftwatching skilled, conditioned entertainers
doing their jobs while distraction erupts all around them. And I watch
the performers watching other performers, making sure they're safe and
priming themselves to step in if something goes wrong with an act or a
set piece.
Mystère's Owens says audiences barely see the half of it. "What you
don't see is the people backstage, off-stage, upstage, downstage,
above us, behind us and to the side of us who are also watching out,"
he says. "We are one giant, lovely dysfunctional family, and family
should always be watching out for each other. It's safe to say that if
you're of the mindset that you only look out for yourself onstage,
you're not gonna last long in a Cirque show. We rely on each other so
much."
NIGHT 2: MICHAEL JACKSON ONE & MAD APPLE
----------------------------------------
My second night was a south-Strip double-header of Michael Jackson One
at Mandalay Bay, followed by Mad Apple at New York-New York.
Originally, my whole week was supposed to be like that: Two shows
nightly, in the order the shows made their debut. Meaning, I would
have attended Mystère (December 1993) and O (October 1998) on Night 1,
KÀ (February 2005) and The Beatles Love (June 2006) on night 2 and
Michael Jackson One (June 2013) and Mad Apple on night 3. I had doubts
about being able to get from KÀ to Love in time for curtain, so I
rescheduled them for individual nights, and in so doing, upset the
three-night plan.
But a three-night Cirque binge is entirely possible, and I recommend
trying it, because there are unexpected advantages to seeing Cirque
shows back-to-back. For example, after seeing One and Mad Apple on the
same night, I realized how many of Cirque's special-sauce performers
the truly unexpected actsaren't acrobats, aerialists or clowns.
Take One. As you'd expect of a show celebrating one of the greatest
performers in history, a man whose singing was inseparable from his
dancing, One employs multiple forms of performance, many of which
you'd never see in a traditional circus. Dancers faithfully reproduce
nearly every move for which Jackson was known, from the Moonwalk to
the "Smooth Criminal" lean. A powerhouse live singer appears during
multiple songs, sometimes harmonizing with Jackson's recorded tracks,
sometimes performing a duet. She floats over the audience seated in a
crescent moona beautiful touch.
(A disclaimer: Michael Jackson One made me feel uncomfortable for
reasons unrelated to Cirque. While its interpretation of Jackson's
career, both onstage and off, is nothing short of lyricaland no one
can deny the immortal appeal of his greatest songsmy appreciation of
the show is qualified by the ugly controversy surrounding Jackson's
life, and that's all I'll say about it. But if any of that stuff
weighed heavily on the young fans seated around me, they didn't show
it. They sang along with every number, and some even cried loudly
during a late-show surprise that made clever use of digital
projection.)
Mad Apple is something else again. This New York-themed production is
as close as Cirque comes to a straight variety show. The acts are
introduced one at a time, the live band is central to the action and a
stand-up comic works the crowd between setups. The performers include
singers, dancers, sign-spinners, magicians and a woman who executes a
graceful aerial routine while hanging from her hair. One fast-paced
sequence has a team of street ballers launching into running jumps
from a trampoline and nailing perfect dunks before landing.
"Shows come together in different ways, [with] inspiration from many
places," Grilly says. "Our casting team is constantly scouring the
Earth for the best of the best to join our shows. Our stages provide a
life after competition for athletes, and a space for creative
expression that competing generally does not allow."
Another unusual thing about Mad Apple is that the show tells you what
it is, generally a Cirque no-no. And while the production doesn't
exactly poke fun at itself, there's an irreverence to the proceedings
that tells the audience that this is a party above all else. (The
onstage bars, which stay open until the very moment the show begins,
reinforce that message.)
As a result, Mad Apple is a good show for first-timers who've formed
an opinion of Cirque du Soleil without ever experiencing it. That
said, it's not the Cirque show I recommend to most first timers. That
would be the following night's show.
NIGHT 3: MYSTÈRE
----------------
"If I ever hear anybody say, 'we're coming to Vegas, and we've never
seen a Cirque show,' I always tell them to see Mystère," RJ Owens
says. "I'm adamant about this, [because] it is a show that still
embraces the original concept of Cirque du Soleil. It embraces the
performer; it is all about human existence and the human condition
onstage. It's not about the set, or the lights, or the sound. All
those things are just part of this beautiful show.
"People will often say to me, 'Oh, you're the star of the show.' I'm
like, 'No, I'm not; Mystère is the star of the show.'
It is where
you see beauty and grace and grit and determination and hearts and
strength and power, beautifully crafted into a visual spectacle that
will fill you with a sense of wonder and awe that you haven't had in
years."
What he said. Nearly 30 years after I first saw Mystère, it still
affects me. The taiko drummers descending from the ceiling, the
teeterboard jumpers and, yes, Bebe Françoisit all feels new to me,
because it seems new to the performers, too. They act as if they
stepped onstage without knowing exactly why they had done it, without
knowing they were capable of making art with their bodies until they'd
begun doing it.
As a singular personality, Mystère is guileless, wide-eyed, constantly
elated. It's easy to believe in, because it's aimed squarely at the
part of us that wants to believe in a world of miracles. If you want
to know if you still possess that quality, Mystère will root it out
for you.
NIGHT 4: O
----------
I first saw O only a few years ago, in late 2019. I came out of the
show in a state of loopy astonishment, which, at the time, I
attributed to the monster scale of the production. Everything about O
is a wow: its cast is massive, its theater feels as large as the
Bellagio itself, and its stage, dominated by a giant pool that can
become a flat, dry platform in a matter of seconds, must be seen to be
believed. But on my second viewing, I understood that what had
impressed me so wasn't the size of the stage, but how O fills every
inch of that stage with activity.
You're never quite sure what to look at. Look too closely at the
performers on swimming carousel horses and you might miss the woman
playing a rolling cello, or the grumpy man trying to read a newspaper
while engulfed in flames. (One of my favorite blink-and-you'll-miss-it
moments is both a behind-the-scenes look and a great joke: At one
point the platform rises out of the water with several of the show's
safety divers trapped on it, flapping like beached fish.) It's stage
magic in its broadest form; O is expert at diverting your attention
while it sets up a new act. More than once I was startled by the
seemingly sudden appearance of performers and equipment. Where did
that come from?
That said, there are acts in O that ask you to narrow your focus. To
me, the clowns Leonid and Valery have the most lovely and poignant
story arc in the show, or in any of the Vegas Cirque shows for that
matter. Adrift on a floating shack, they go through the whole lost-at-
sea schtick; they fight the elements, they plug up leaks, they try
fruitlessly to get a good night's sleep.
Finally, out of boredom, they teach each other to dance, and in so
doing reveal their genuine affection for one another. It's a wordless,
heart-rending moment that you can read from the back of the house,
through a masterful combination of performance and staging.
NIGHT 5: THE BEATLES LOVE
-------------------------
Fittingly, The Beatles Lovewhich, despite the sale of its host
resort, will continue at the Mirage at least through the end of 2023
was the final stop of what amounted to nothing less than a magical
mystery tour. Love was the show I was most curious about before I
began my Cirque binge, and it didn't disappoint.
I was already a fan of its soundtracka mashup-inspired medley of
Beatles hits, deconstructed, remixed and re-contextualized by George
and Giles Martinand it's employed to perfection in a
multidisciplinary spectacular that pulls out pretty much every trick
in the book. The show features aerial acts, dance routines, roller
skaters, projection screens and a moment of
hmm, let's call it
audience envelopment, whose particulars I won't spoil. It gave me
first-time Mystère feeling again.
But throughout Love, a thought was turning in the back of my head:
What was I taking away from this five-night headstand? Had I learned
anything from doing this all-at-once approach, as opposed to seeing
the shows over a period of weeks or even months? As Love's final
performer left the stage, I began to put it all together.
The first thing I knew was that I could do it again. I wanted to do it
again, to see everything I'd missed the first or second time. Sure, I
could watch all of Game of Thrones again and maybe pick up a new
character moment or spot an interesting background element that had
slipped past me on first viewing. But those beats are stuck on a
track; it'll never change. Cirque du Soleil's brand of entertainment
is built on things not being where you expect them to be or doing what
you expect them to do. I could watch O or KÀ a hundred times and never
see the same show, since acts are modified and performers are swapped
in and out. Even the audience has it in its power to subtly change
what's happening onstage.
Also, I understood that the common thread uniting all the shows isn't
their stories or structure, or even the circus acts themselves. The
common element, as RJ Owens says, is wonder and awe. There's no hard
and fast template for Cirque shows, other than bringing the audience
to that place where it can let go of preconceptions and cynicism and
simply be overwhelmed.
"Our shows provide people with a 90-minute escape into another world,"
Grilly says. "Especially coming out of the pandemic, there's such a
need and demand for live experiences and human connection."
And the binge confirmed what I already suspected: Vegas needs Cirque
du Soleil. Putting aside how Cirque transformed the way people look at
Las Vegas, the company is, at its most basic level, an industrial-
strength employerthe mind boggles at the number of sound and lighting
technicians, safety personnel, physical therapists, trainers and more
needed to produce just one Love-sized effort, let alone six of them.
It's not a workforce, so much as a population.
And that population has changed the rest of the city, toothe parts
tourists never see. Over the years, I've lost count of how many
charitable events, community stage productions and even gallery shows
have benefited from having this international crew living and working
in our Valley. The camaraderie that binds these performers and
technicians on the job doesn't end when the curtain drops; they take
it out into the world, and make good things happen with it.
"Over the last two years, things have changed so much, but I have to
say that the one constant, probably the only reason why we're still
surviving, is the people," Owens says. "It is the technicians; it is
the artists; it is the ushers; it is the PR people; it is the company
itself. Cirque is made up of an extraordinary group of people who are
so passionate about their respective duties that they can't not put
out something of exceptional quality. I don't think it's in our DNA to
put out something that is not going to make you have the feels."
----------------------------------------------------------
"LIFE IS A CIRCUS: Posts from the Cirque du Soleil Blog
By: Artists, Editors, and More...
----------------------------------------------------------
From life outside the bigtop to peeks behind the curtain, Cirque du
Soleil has started a blog to allow fans to get up close and personal
with their fascinating talent as well as a look at the know-how that
goes into giving a Cirque show its spark the kinds of things you
might not get to see from beyond the stage. Here are a few of the more
recent posts that we found interesting to share!
# # #
MAKE SOME NOISE FOR ECHO
BY: MAXIM POTVIN (Blog Editor)
Have you heard the news? Cirque du Soleil is turning its head to the
skies. They're launching ECHO, the first original post-pandemic Big
Top show, for spring 2023! As the twentieth creation under the Big
Top, this show marks an important milestone in Cirque du Soleil's
history, and they've decided to venture into a brand-new territory.
WE ECHO EACH OTHER, HISTORY, AND LIFE -- ECHO has gone through quite
the journey during its conception. From a seedling of an idea to fully
realized product, the show has undergone transformations on many
levels. Die-hard Cirque fans already know, but ECHO is not the
original name of this new show; formerly known as Under the Same Sky,
we wanted the title to reflect the new post-pandemic world we now
inhabit. ECHO's retitling reverberates multiple inspirations and
encapsulates them in a single term. The word is bold, easy to
describe, easy to say and has a clear connection to the storyline of
the show. We echo each other, history, and life. Even better, as we
travel around the world, this title won't need translation to be
understood by everybody. As our team grew, new creative minds were
brought on board during the process to push the ideas we had even
further. Even before stopping the rehearsals and creation in 2020, we
decided to bring in Mukhtar to the project as the show director to
support the work done by Es Devlin. Directing acrobats and staging a
Cirque du Soleil show requires a lot of experience in this specific
domain. On top of being an artist on The Beatles LOVE for many years,
Mukhtar directed Messi 10 and many other Cirque du Soleil projects.
A BRAND-NEW LOOK -- This time around, the creative team behind this
new production chose to walk down an unfamiliar and more grounded path
in terms of esthetics and scenography. Usually unfolding in more
whimsy universes, the seriousness of the story called for a fresh new
look. This includes never-before-seen materials making their way on
stage and mind-bending technologies to create humongous and
transforming decor elements.
A STORY ABOUT OUR HOME -- ECHO is a story about evolution and the
symbiotic unions our future depends on. Poetry, stagecraft, daring
acrobatics and technologies come together in an exploration of the
precious balance between humans and animals in the world we share. As
they navigate the phases of evolution, our main female protagonist
Future and our characters learn that their actions have the power to
shape the world. Inspired to collaborate, they come together to
rebuild our planet piece by piece, creating the world we all want to
live in. Fueled by the power of invention, the hope of the youth and
the importance of empathy, ECHO invites the audience to step in a
universe of color, wonder and infinite possibilities.
LEAVING OUR MARK -- Environment, sustainability and keeping our home
planet hospitable for future generations has been a priority for the
Cirque family for a long time. Our goal to do better bred new types of
innovations in many aspects of our work. Cumulating over 35 years of
touring experience, our impact on the planet was something we quickly
aimed to reduce, it is at the heart of our development and
innovations. For many years, we have had an internal program in place,
created to reduce the impact of our activities and to aid in the fight
against climate change. For instance, on tour, we try to make use of
the host city's power supply system rather than using generators and
we changed the color of our Big Top to reduce our greenhouse gas
emissions. To top it all off, we launched programs to enhance our
products sustainability, increase our costume life cycles and work
with more responsible suppliers.
ECHO will be presented in Montreal for its world premiere from April
20th until August 20th, 2023. We're then headed to Washington, DC from
September 6th to October 22nd, 2023!
* * * * *
WIVES CHELLY AND DANI RUBINO'S INCREDIBLE PATHS TO CIRQUE DU SOLEIL
BY: CHELLY & DANI RUBINO (Acrobat - KÀ & Scuba Diver/Rigger - "O")
We are a married couple who work for Cirque Du Soleil. We are beyond
grateful to be a part of the Cirque world and the incredible community
that comes with it.
Cirque is a place where your individuality, art, and passion are
always supported. We strive to help one another become better at our
craft every day. We also find that being a part of the LGBTQIA+
community is truly embraced and celebrated.
We are Chelley and Dani.
We work at two different resident shows in Las Vegas; Chelley is an
acrobat for KÀ at MGM and Dani is a rigger and a scuba diver for O at
the Bellagio. We have three beautiful dogs and have enjoyed many
adventures taking them with us to the mountains, to the beach and
skating around the neighborhood. On our time off, we love to rock
climb, hike, camp, eat lots of food, and play both board and video
games (we're just big kids, after all).
Chelley has been a gymnast her entire life and grew up at her family-
owned gymnastics facility with her four siblings. Chel and her family
moved around quite often as they navigated through trials and
tribulations. She always found a home in every city: training at a
gymnastics club.
Gymnastics is what ultimately led Chel to her current career. At only
18, she landed her first stunt show at Legoland, California. She then
travelled to Japan on a 13-month contract, where she took on the role
of Helen in the stunt show Waterworld. She learned about the culture
and language, tried new foods, watched the cherry blossoms bloom, and
climbed Mount Fuji.
Once she came back to the States, she immediately started working at
Disneyland, where she took part in the Pixar Parade, flying high on
the bar as the float moved through California Adventure.
When Chel turned 21, she was offered her first show in Las Vegas, Le
Rêve-The Dream at the Wynn. She performed partner acts, choreography,
physical acting, wire work, flights out of the water and into the air,
and was one of the first women to perform the solo cage act.
After four wonderful years, she shifted towards something new and
mysterious... a magic act!
She performed for three years working with magician Criss Angel in
Cirque du Soleil's Mindfreak Live. She learned to execute magic tricks
while incorporating the discipline she trained in. She loved her time
there and learned a tremendous amount.
A wonderful opportunity arose once again when she was offered an
acrobat position on KÀ. This is her current occupation, where she gets
to perform stage fights, falls into air bags, swing up in the air,
spin on a hoop, rappel from the ceiling, and interact with the
audience as part of the house troupe.
She loves being at KÀ.
Just like her partner, Dani is passionate about everything she does.
She sustains many hobbies, loves to learn new things and pushes
herself to master each new skill she endeavors to learn. She describes
herself as both intellectually and physically driven. Her background
in education and athleticism has made her stronger in her current
career.
Dani attended Whittier College where she majored in psychology and
played for the women's soccer team. She learned to balance the two,
training many hours all while staying focused on her studies. She even
made sure to bring her beloved dog Vixey on campus with her, whom she
fed pizza crusts and peanut butter to while studying.
Her upbringing was underpinned by her dedication and strong work
ethic. Although she is a very versatile athlete, soccer was her main
focus at the time. She joined her first team at age five and played
competitively throughout high school, club, and college. Her passion
led her to seize a unique opportunity to travel overseas, train in the
Philippines and play with their national women's team.
After graduation, she knew she wasn't done with sports and was ready
to try something new. She discovered and, of course, fell in love with
sport climbing and bouldering. She travelled a lot to different states
and countries to climb and made a lot of friends who encouraged her in
her training. However, she deeply missed the team spirit and
camaraderie that came with playing soccer. She was determined to find
something where she could use her skills as an athlete while
developing new ones. That's how she discovered rugby, immediately
loved learning about the sport, and set out to reach her new goals.
She was invited to a handful of Olympic rugby training camps,
including Next Olympic Hopeful at the Colorado Springs Olympic
Training Center and incubator camps at Chula Vista Olympic Training
Center, where she trained as a hopeful for the 2020 Olympics. During
her training, she continued to enjoy rock climbing and hiking with her
pup, and even met her wife-to-be, Chelley. Shortly after, she was
offered the chance to work as a rigger with Cirque. Without
hesitation, she took the opportunity of a lifetime to work for the
famous company.
Dani loves rigging and scuba diving. She leverages every experience
and puts everything into her work every day. Her sharp mind helps her
make sure every artist and apparatus are safely set before going on
stage from high in the grid and down underwater. She uses her strong
physique to help send swinging trapeze artist flying in the air and
quick thinking to adjust to the correct timing.
She loves what she does and is always willing to add another feather
to her cap.
We are happy to be walking, together, down the same career path
working for Cirque. We have the privilege to do what we love, support
each other, and honor our successes. We made a habit out of calling
each other before our first show of the night to wish each other a
good show and then talk about our days at the end of the night. We
also like to train in our backyard, learning new tricks just for fun!
We came to realize that Cirque isn't just a job: it's also a
lifestyle. It's given us both the opportunity to fully dive into our
uniqueness, explore our creativity and accept ourselves and each other
to the fullest.
* * * * *
WHAT DOES A GUINNESS WORLD RECORD HOLDER DO ON HIS DAY OFF?
BY: EDEN BAHAR (Musician - KOOZA)
I've been a touring musician for the past 10 years and I am currently
the drummer on KOOZA. As we make our way around the world, we usually
get 2 days off per week. I'm very fortunate. I get to spend my free
time, more often than not, in a new city or even in a different
country, making my weekends all the more riveting.
1. I give a call to my parents back home -- During my work week, which
is about 5 or 6 days long, I don't have enough time for a proper and
meaningful conversation with my parents. Because of time zones and
schedule conflicts between my parents and me, it can get tricky to
find an overlapping hour. But we always make it work! That's why I use
my days off to catch up with my parents and we talk about everything
that happened to us that week.
2. I try out vegan restaurants -- As a touring musician, I love
discovering new vegan restaurants and try out local food good eats
are the best way to be welcomed to a new place and meet new people.
3. I paradiddle -- I bet you've just raised an eyebrow, am I wrong?
It's one of the best-known forms of rudimental drumming. I love this
exercise and I try to do it even on my days off to keep my hands
agile, feet on rhythm, and most importantly my mind in good shape.
4. I work on my computer -- I love working on my computer and allow
myself some time for content creation, website updates, to compose new
music and do many other things. Since I don't have a traditional
office job, it does not feel like work to me!
5. I read -- I love reading, especially on workdays, because it calms
me down. When I don't have enough time during the week, I try to
squeeze in a chapter or two during my weekend.
6. I sleep in -- A busy schedule means I can't enjoy many lazy
mornings in bed. It's very important for me to relax my body and get
ready for a new (and just as busy!) week.
7. I go out with friends or colleagues -- I love having a good glass
of whiskey on a day off. Drinks are so much more enjoyable when
surrounded by people you love but going out in a new city is a
surefire way of making new connections.
8. I play ping-pong -- Ping-pong is probably my favorite sport, thanks
to my dad! I have played table tennis for years now, everybody is
always willing to play a round when offered to, and we're all in for a
good laugh during our sets.
9. I go to museums -- I'm an art lover through and through. When I
have a day off and there's an interesting exhibition close by, I would
most likely go see it and spend a few hours there. It's always
inspiring me to see other people's artwork and creativity displays.
* * * * *
RECREATE THIS CIRQUE DU SOLEIL ARTIST'S FAVORITE POST-SHOW MEAL
BY: WENTO XIAN (Hoop Diver - JOYÀ)
My name is Wentao Xian. I'm a Cirque entertainer that gets to travel
around the world. I was first part of VOLTA and I now perform in JOYÀ
in Riviera Maya, Mexico! During my traveling for work, the favourite
thing I love to do is cooking, especially cooking my own hometown's
food.
I'm always far away from my country, but my hometown's flavors are
ingrained so deep inside my soul. Therefore, I must cook something for
myself all the time to satisfy my cravings!
I love to cook all kinds of Chinese food. But the cuisine I cook is
most often Sichuan food. Also known as Chuan Cai in Chinese, is known
internationally for being spicy and flavorful. Yet, the recipes are
always very nutritious. The mix of flavors like hot, sweet, sour,
salty, and tongue-numbing as well as various cooking methods are the
pride and joy of many home cooks across the province.
My friends and I always enjoy the simplest form of Sichuan food the
hot pot! It's so easy to prepare and it always turns out so delicious.
A heat source keeps the pot of soup stock simmering during the meal. A
variety of Chinese produces and ingredients are served beside the pot
for everyone to put into the peppery hot broth. And then, that's it!
We also enjoy munching on some dumplings whenever we can. Of course,
we like to make them from scratch. Cooking together is a great way of
catching up and get to know one another while doing something we love.
Dumplings are very easy to throw together, and after a few times
making some, you too will be a pro. Simply follow my recipe and don't
hesitate to experiment with your own favorite ingredients!
Pro tip: These pretty traditional and amazing Chinese meals are best
enjoyed with friends.
Wentao Xian's Chinese Dumplings Recipe:
How to make the filling:
Gather some baby bok choys or a napa cabbage and ground pork.
Wash the veggies thoroughly.
Wring out the veggies to get as much the water out of them as
possible.
Chop the vegetables as finely as you can.
Mix in a large bowl with your ground meat.
Add some Chinese seasonings, like Shaoxing wine, sesame oil, soy
sauce, or white pepper. Let your imagination run wild!
Now mix well with a wooden spoon or your hands.
How to prepare the wrappers:
You can buy premade dumpling wrappers at any Asian grocery store. You
should look out for the round white ones.
First, you'll need to add some of your filling to the wrapper. Pick up
only a little bit at a time. You'll want to keep your hands as clean
as possible to handle the wrappers, so if you're skilled with
chopsticks, it's the right tool for this job.
There are several ways to do the wrapping step, but the easiest way
for first timers is to pinch the wrapper in half at a point in the
middle. Then fold the skins over twice on each side, working your way
to the outer corners. Still doubtful on how to do it? That's something
a quick YouTube tutorial can help you figure out.
How to cook the dumplings:
Bring a large pot of water to a boil and throw in the dumplings. If
they were not previously frozen, add cold water a few times during the
cooking process. They're usually done when they float to the top and
start to look transparent.
You can also pan fry the dumplings for a crispy skin!
Enjoy!
----------------------------------------------------------
"Cirque du Soleil Soars Into 2023"
By: Editorial Staff, The Boss Magazine
----------------------------------------------------------
In 2023, Cirque du Soleil will continue to uplift audiences worldwide.
And who knows? Maybe the performers will inspire guests to break
boundaries, scale new heights, and attain personal goals in the New
Year.
Breathless with anticipation, the world welcomed 2023 with fireworks,
popping corks, and resolutions to have more fun and excitement in the
new year. And Cirque du Soleil stands ready at attention to help
fulfill that vow and glide into your heart.
Cirque du Soleil's world-class performance artists, often touted as
the premier Las Vegas performers, delight in providing inspiration to
thousands of fans young and old, newbies and devotees every year.
These exuberant dancers, acrobats, musicians, and artists are pure
creativity in motion. They effortlessly shimmer across the stage,
through the air, and even under the water. Their brilliantly colored
costumes celebrate the joy of movement and self-expression.
In 2023, Cirque du Soleil will continue to uplift audiences worldwide.
And who knows? Maybe the performers will inspire guests to break
boundaries, scale new heights, and attain personal goals in the New
Year.
CURTAIN UP: LAS VEGAS SHOWS TAKE CENTER STAGE
---------------------------------------------
Few metropolises on the planet glitter as brightly as Las Vegas. And
Sin City has traditionally hosted swoon-worthy performance venues that
have historically showcased mind-blowing artists and groups. Today,
Cirque du Soleil steps into that tradition and steps it up with six
wildly popular Las Vegas shows. Each breathtaking performance offers
Cirque du Soleil's trademark blend of high artistry, eclectic
costumes, and stunning special effects and music
Love Me Do: Cirque du Soleil Spins The Beatles --- Longtime fans of
classic rock kings The Beatles, and new generations yet to discover
the Fab Four, will go ga-ga over The Beatles: Love by Cirque du
Soleil. This sensory-rich "Magical Mystery Tour" takes place at The
Mirage Hotel and Casino's theater-in-the-round. Cirque du Soleil's
iconic Mop Tops soundtrack, winner of three Grammy Awards, sets a
sonic state of mind for an epic adventure to "Strawberry Fields" and
an "Octopus's Garden" that's been viewed by more than 10 million
guests so far. In echoes of the psychedelic 1960s, the audience is
treated to mind-bending Sgt. Pepper imagery embellished by today's
cutting-edge technology. Multicolored bubbles and electric jellyfish
meander across the stage to Beatles' music. Airborne roller skaters
and aerial acrobats effortlessly slide through this 21st-century ode
to The Beatles' timeless tunes.
Cirque du Soleil Takes a Bite Out of the Mad Apple --- If New York
City is so nice they named it twice, the New York, New York Hotel and
Casino in Vegas just may have scored a triple by hosting Cirque du
Soleil's Mad Apple. This high-powered dive into the Big Apple's
eclectic nightlife begins with cocktails served at the classic stage
bar. A preperformance magic show primes fans for the main event. And
what an event it is! All the grit, gumption, spectacle, and special
sauce of the city that never sleeps without any of the hassle. As the
house band rolls out NYC-inspired classics, street performers,
acrobats, musicians, and underground stars capture New York City's
earthy vibe. Laughs and gasps abound from the comic quips to the
acrobatic flips. Take note: Because of comedy themes and adult
language, children under 16 will not be permitted to attend Mad Apple.
Attendees 16 to 18 can attend the performance when accompanied by an
adult.
Kà at MGM Grand --- Enter a world of mystery and warcraft at the MGM
Grand's 360-degree stage, where the sweeping story of Kà manifests in
an epic saga of a twin girl and boy on a treacherous trek to uncover
their mutual destiny. Each character's story unfolds separately,
involving life, love, and Kà, the essence that melds human lives.
However, each twin is also touched by war's battlefields. While some
of Kà's legendary battles take place on land, others are fought in
spellbinding suspension aloft over rapt fans' heads. Mighty warriors
wield their finely tuned martial arts and acrobatic skills as
pyrotechnics, interactive video, and puppetry prance through this
multimedia production. Because this spine-tingling spectacle features
loud noises and darkness, children younger than 3 may not attend Kà
performances.
Cirque du Soleil Rocks With You at Michael Jackson: One --- "Don't
Stop 'Til You Get Enough" of the King of Pop's electrifying show,
hosted by the Mandalay Bay Resort and Casino. Michael Jackson: One is
the fantastical tale of four young misfit travelers transformed by the
supernatural touch of the chart-topper. While defeating "Smooth
Criminals" who "Wanna Be Starting Something" to Jackson's most beloved
hits, fans are treated to visual brilliance, stunning lighting
effects, and pulsing surround sound. Acrobatic feats, along with MJ's
impossibly slick dance moves, provide infectious energy. It's a
"Thriller" show for sure. Note: Children under 5 will not be allowed
to attend the Michael Jackson: One show. Guests from 5 to 18 must be
accompanied by an adult.
Mystère at Treasure Island --- Feats of strength. Daring derring-do.
Agile acrobatics. Mystère, Cirque du Soleil's longest-lived
production, is where the magic began. Weaving the bewitchment at
Treasure Island, this celebrated all-ages multimedia show explores
comedy and laughter as thunderous taiko drums provide a powerful
backdrop for dance, acrobatics, and plenty of classic gags. Guests of
all ages enjoy never-fail comedic snippets that always leave the
audience in stitches. Mystère is fun for children of all ages. If
younger than 1, children must stay on a parent's or guardian's lap
throughout the show. Every child over 1 must have a ticket even if
seated on an adult's lap. Finally, some children may be scared by the
show's loud noises and moments of darkness.
O at Bellagio Hotel and Casino --- The mesmerizing O dives deep into
water's twin roles: a fluid aquatic playground and a battleground that
seems to defy the laws of physics. World-class acrobats, skilled high
divers, and elegant synchronized swimmers create a distinctive type of
live theater. Operatic characters and street performers are equally at
home in the wet and wild environment of O. Audiences will be
enthralled by a highly charged fire-and-water conflict, a timeless
aerial duet, and a meeting with a ghost ship. Note: Children 5 and up
are allowed to attend all O performances. Some children may be scared
by loud noises and periods of darkness.
BLUE MAN GROUP CAPTIVATES LUXOR AUDIENCES
-----------------------------------------
Feeling blue and looking for fun and imaginative things to do in Las
Vegas to pep you up? Imagine a trio of quirky azure-hued gentlemen,
each with a supercharged imagination that knows no bounds. Now, give
them the resources to unleash their wildly creative visions and turn
them into reality. Meet Blue Man Group, the uber-popular headliners at
Las Vegas' Luxor Hotel and Casino.
Each one-of-a-kind show takes place in Blue Man Group's custom-
designed theater. A spacious stage and sophisticated lighting system
set the tone for each performance. Think you've seen every type of
drum there is? Think again. This fabled display features smoke drums
synced to the music, and an astonishing drum phoenix's expanding
percussive wings add an explosive element.
Blue Man Group amazes without using musical lyrics or spoken words.
Instead, these highly unconventional characters infuse each
performance with comedy, music, and next-level nonverbal
communication. To date, Blue Man Group has delighted more than 35
million guests of different cultures, languages, and worldviews.
Scoring tickets to popular Las Vegas shows can be a challenge.
However, tickets may unexpectedly pop up shortly before a scheduled
performance. Looking for shows in Vegas tonight? Cirque du Soleil fans
will be pleased to learn that last minute tickets in Las Vegas are
often available.
"DRAWN TO LIFE" BRINGS TIMELESS ANIMATION TO NEW GENERATIONS
------------------------------------------------------------
"When you wish upon a star
" Countless scores of children (and
adults) have grown up with classic Disney animated characters. While
these whimsically crafted avatars thrive in movies and memorabilia,
they really come to life on the Disney Springs (formerly Downtown
Disney) stage in a collaboration for the ages with Cirque du Soleil.
Cirque du Soleil and Disney Animation have mixed their collective
creative juices to present the whimsical Drawn to Life. Inspired by
original Walt Disney Animation Studios stories, this eclectic show
presents the story of Julie, an inquisitive young lady who finds
several unfinished drawings by her late animator father.
The Cirque du Soleil-Disney experience kicks it up a notch when Julie
is captivated by a magical pencil. Not your everyday writing
instrument, the pencil becomes Julie's transport around a supersize
animation table. As she travels, colorful Disney characters help Julie
relive her favorite childhood Disney memories and gain insights into
her future.
To bring this engaging story to life, Cirque du Soleil employs
innovative set design and newly generated Disney animation. Cirque du
Soleil's trademark bold costumes set the stage for the characters'
stunning choreography and dizzying acrobatics. A Disney-inspired
original score serves as a fitting backdrop for the fast-paced action.
This Disney Springs show is fast becoming a "must see" destination for
Disney World-bound families.
2023 SHOWS COMBINE CREATIVITY AND ARTISTIC BRILLIANCE
-----------------------------------------------------
As the Cirque du Soleil 2023 lineup takes shape, the troupe's beloved
Las Vegas shows and Disney Springs performances continue to draw
appreciative audiences. Inquiring about last minute tickets in Las
Vegas could bring a windfall of open seats to shows with scarce
available space.
Rest assured, even with all this pageantry on display, Cirque du
Soleil isn't resting on its laurels. The Montreal-based creative team
is constantly brainstorming new, otherworldly enchantments. Nearly 400
talented craftspeople and creative specialists use diverse resources
and harness the power of their imaginations to bring each new show to
life. In the process, they'll transform their dreams into electric
stage experiences that will engage and inspire their audiences. And
the fans will always be their focus.
=======================================================================
COPYRIGHT AND DISCLAIMER
=======================================================================
Fascination! Newsletter
Volume 23, Number 1 (Issue #216) January 2023
"Fascination! Newsletter" is a concept by Ricky Russo. Copyright (C)
2001-2023 Ricky Russo, published by Vortex/RGR Productions, a
subsidiary of Communicore Enterprises. No portion of this newsletter
can be reproduced, published in any form or forum, quoted or
translated without the consent of the "Fascination! Newsletter." By
sending us correspondence, you give us permission (unless otherwise
noted) to use the submission as we see fit, without remuneration. All
submissions become the property of the "Fascination! Newsletter."
"Fascination! Newsletter" is not affiliated in any way with Cirque du
Soleil. Cirque du Soleil and all its creations are Copyright (C) and
are registered trademarks (TM) of Cirque du Soleil, Inc., All Rights
Reserved. No copyright infringement intended.
{ Jan.13.2023 }
=======================================================================
