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T h e U n o f f i c i a l
C i r q u e d u S o l e i l N e w s l e t t e r
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http://www.CirqueFascination.com
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VOLUME 20, NUMBER 3 March 2020 ISSUE #194
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Welcome to the latest edition of Fascination, the Unofficial Cirque
du Soleil Newsletter. There've been quite a few developments since
we last spoke, so let's get to it...
* * * CORONAVIRUS PROMPTING CLOSINGS * * *
Coronavirus, or COVID-19, has been the number one topic of discussion
globally since the virus was first identified in Wuhan, China back in
January, and rightfully so. Cases of COVID-19 are being reported in a
growing number of countries internationally, and there seems no end in
sight. Naturally, the spread of COVID-19 has caused a number of
entertainment venues to close, and Cirque du Soleil is not immune to
these. Back in January, Cirque du Soleil announced it would suspend
all performances of "The Land of Fantasy" in Hangzhou until further
notice, to comply with requests from Chinese officials attempting to
get a handle on the spread of the disease. The Hong Kong leg of
Amaluna's tour ended up being canceled; the final performances in
Sacramento, CA instead. But now the COVID-19 pandemic is causing
closures and tour cancellations all over: Kooza's performances in
Lyon, France have been canceled. Totem's tour in Italy is also off for
now. Kooza has announced changes to its tour and Paramour announced
restrictions to performances. Even One Night for One Drop, scheduled
for March 24th, has been postponed. There will be more. Ticket holders
are urged to stay up to date with Cirque du Soleil's social media
presences for the show they intend to see for potential postponement
announcements:
- Cirque: http://www.facebook.com/CirqueduSoleil
- Alegria: https://www.facebook.com/Alegria/
- AXEL: https://www.facebook.com/CirqueduSoleilAXEL/
- Bazzar: https://www.facebook.com/CirqueduSoleilBAZZAR/
- Corteo: https://www.facebook.com/Corteo
- Crystal: https://www.facebook.com/CrystalbyCirqueduSoleil/
- Drawn to Life: https://www.facebook.com/drawntolifeshow/
- JOYÀ: http://www.facebook.com/JOYA
- KÀ: http://www.facebook.com/KA
- Kooza: http://www.facebook.com/kooza
- KURIOS: https://www.facebook.com/kuriosbycirquedusoleil
- LOVE: http://www.facebook.com/TheBeatlesLOVE
- Luzia: https://www.facebook.com/LUZIAbyCirqueduSoleil/
- Messi10: https://www.facebook.com/MessiCirque/
- MJ ONE: http://www.facebook.com/MJONE
- Mystère: http://www.facebook.com/Mystere
- "O": http://www.facebook.com/Ocirque
- OVO: http://www.facebook.com/OVOCirque
- Paramour Das Musical: https://www.facebook.com/paramourdasmusical/
- Totem: http://www.facebook.com/TotemCirque
- Under the Same Sky: https://www.facebook.com/CirqueUnderTheSameSky/
- VOLTA: https://www.facebook.com/VOLTA/
- Zumanity: http://www.facebook.com/Zumanity
Currently, Cirque du Soleil is still planning to premiere Under the
Same Sky in Montreal. "We are closely monitoring the rapidly evolving
outbreak of coronavirus disease 2019 (CODIV-19/COVID-19) and will
continue to work with global health officials, authorities and partners
to determine what actions may be needed in the coming days or weeks," a
spokesperson said. Rest-assured, they said, that every ticket holder
would be contacted as soon as possible if the situation changed.
* * * R.U.N IS DONE, TROUBLE IN THE SKY? * * *
R.U.N by Cirque du Soleil at Luxor Hotel and Casino permanently closed
on March 8, 2020. Cirque's announcement says it all...
"We remain proud of the extraordinary talents that collaborated to
make this one-of-a-kind live show happen, but ultimately it did not
find an audience that could support it. Many avenues of creative
options were explored to enhance the existing show, but the resources
and time needed to make these changes proved to be obstacles too big
to overcome. Creative risk is a part of everything we do at Cirque du
Soleil. R.U.N was intended to push the boundaries of not only live
entertainment, but of Cirque du Soleils own DNA, creating a unique
form of entertainment that unfortunately did not receive the intended
response. Were grateful to those of you who saw and supported R.U.N
and remain committed to bringing you ground-breaking live
entertainment."
R.U.N was in trouble from the very beginning. As the future of R.U.N
began to grow dim, Vital Vegas reported that Cirque called in a new
director to overhaul the show (but that new director had left the
project quickly), and that buzz from insiders suggested TPG Capital,
the majority owner of Cirque du Soleil, had run out of patience and
refused to invest any further in the show's concept. Thus, the show's
fate was sealed. It's been said the show had been losing about $1.6
million a month.
There are more reactions regarding R.U.N's closing and what might
replace the show within.
But it seems R.U.N isn't Cirque's only problem.
According to Brendan Kelly of the Montreal Gazette, there are also
serious creative problems plaguing "Under the Same Sky", Cirque du
Soleil's latest touring show set to have its world premiere under the
big top in the Old Port of Montreal on April 23rd. He reported that
"Executives at Cirque du Soleil were not pleased after a preview
performance at Cirque headquarters in St-Michel [recently]. This led
to animated discussions between the executives and the shows high-
profile writer/director/production designer Es Devlin, who was not
happy with the criticism. Cirque reps insist the London, England-based
artist is still part of the show, but her role is now described as
providing conceptual support.
[On February 12th, Cirque du Soleil opened its studio to the media for
a little sneak peek of Under the Sky (https://www.facebook.com/
CirqueduSoleil/posts/10159656419397501). Later, Montreal Canadiens
Hockey fans were treated to a little peek into the new show
(https://twitter.com/CanadiensMTL/status/1233933144757280768), and on
March 4th, photographer Benoit Z. Leroux was on scene as Cirque du
Soleil raised Under the Same Sky's Big Top in the Old Port of Montreal
(https://www.facebook.com/BenoitZLeroux/photos/?tab=album
&album_id=3226154820729441) - yes, that's Luzia's big top.]
Cirque du Soleil president and CEO Daniel Lamarre said Devlin who
has worked with Beyoncé, U2, Adele and Kanye West will be given full
credit for her work on the show. But he confirmed the Cirque has
brought in a new director, Mukhtar O.S. Mukhtar, who has worked on
previous Cirque shows, notably Messi 10, a show inspired by the life
of football superstar Lionel Messi. He will begin work on Under the
Same Sky in the coming days. Devlin is home resting in England, but
will return to the show, according to Cirque officials."
Wow, just what is going on?! We hope "Drawn to Life" will manage to
assuage our concerns when it premieres later this month. And speaking
of...
* * * DISNEY SHARES SNEAK PEEK OF "DRAWN TO LIFE" * * *
The Disney Blog went behind-the-scenes look at Drawn to Life by
Cirque du Soleil & Disney, sharing a little more about the story of
the show and the special cast of characters who bring the magic to
life. At its core, Drawn to Life is the story of the love between a
father and a daughter. Delightful, mesmerizing movements of Cirque du
Soleil acrobatic mastery pair with the magic of Disney animation to
accentuate the story.
Our main character is Julie, a courageous and determined young girl.
Her father, Tom, was a Disney animator who raised his daughter and
surrounded her with Disney animated characters who helped her grow and
played important roles in her life. When Julie finds an unfinished
animation piece and a letter from her late father, her imagination is
awakened, and she embarks on an inspiring journey into the whimsical
world of animation. Along the way, she meets characters like Mr.
Pencil (her fathers favorite pencil), who help guide her. Julie also
encounters Miss Hésitation, the storys villain, who reflects Julies
own doubts and fears as an artist.
Throughout her adventure, Julie is reunited with Disney characters
from her childhood, giving her the encouragement she needs to animate
with her own unique artistic voice.
o) Here's a couple of acts from the show - The Inner World of
Animation and Aerial Pencil:
https://youtu.be/_CRtQZuhIBc
o) Check out the new poster and images here:
http://www.cirquefascination.com/?p=13548
o) Here's a few images (courtesy of WDWNT) showing the new Cirque
du Soleil logo has been installed, and more!
http://www.cirquefascination.com/?p=13570
And you'll find a little more coverage from Theme Park Insider within.
Don't forget, "DRAWN TO LIFE" has it's preview premiere beginning
March 24th!
* * * LAST, BUT NOT LEAST... * * *
o) After 8 years, 3 continents, 19 countries, 47 cities, 2,548 shows,
and over 5.1 million spectators - the final trip to the island of
Amaluna has ocurred. The company shared the shows final bow (March
1st), with their most heartfelt thanks and so much love from the
entire cast and crew: http://www.cirquefascination.com/?p=13554
More? Keep reading!
/----------------------------------------------------\
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| < www.cirquefascination.com > |
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- Ricky "Richasi" Russo
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CONTENTS
===========
o) Cirque Buzz -- News, Rumours & Sightings
* La Presse -- General News & Highlights
* Q&A -- Quick Chats & Press Interviews
o) Itinéraire -- Tour/Show Information
* BigTop Shows -- Under the Grand Chapiteau
* Arena Shows -- In Stadium-like venues
* Resident Shows -- Performed en Le Théâtre
o) Outreach -- Updates from Cirque's Social Widgets
* Webseries -- Official Online Featurettes
* Videos -- Official Peeks & Noted Fan Finds
o) Fascination! Features
* "D.U.N: Cirque Pulls the Plug on R.U.N at Luxor"
Articles about R.U.N's Closing in the Press
o) Copyright & Disclaimer
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CIRQUE BUZZ -- NEWS, RUMOURS & SIGHTINGS
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LA PRESSE -- General News & Highlights
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Guy Laliberté Sells Remaining 10% of Cirque du Soleil
{Feb.17.2020}
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The Caisse de dépôt et placement du Québec announced [it has]
increased its share in the Cirque du Soleil to 20 percent after buying
the 10-per-cent stake still held by Cirque founder Guy Laliberté,
adding that he will remain involved in the creative process of the
enterprise and retain economic interests in the entertainment
company.
In a statement, Caisse chairman Charles Emond said, The Caisse
intends to continue to support the Cirque in its development projects
that have for decades showcased the creativity and expertise of
Quebecers.
Groupe Cirque du Soleil president Daniel Lamarre said the transaction
announced today is excellent news because it will allow an important
Quebec investment to be continued. Groupe Cirque du Soleil employs
4,900 people 1,500 of them at the companys head office in Montreal
and produces about 50 shows annually that tour the world.
We are happy to strengthen our presence among shareholders of Cirque
du Soleil, an iconic entertainment brand with worldwide renown,
Caisse Chief Executive Charles Émond said in a statement. [We intend]
to continue backing Cirque du Soleil in its development projects that
have showcased Quebeckers creativity and expertise for several
decades.
In June of last year, The Globe and Mail and La Presse reported that
Cirque was laying the groundwork for a possible initial public
offering as early as 2020 as the storied entertainment company pushes
ahead with a global expansion strategy. The company was preparing
documentation just to have that option but there is no current plan to
proceed with an IPO and no updated timeline, a well-placed source told
The Globe Monday.
{ SOURCE: Globe and Mail, The Globe, La Presse }
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OSHA Opens Investigation into Accident in Cirques LOVE
{Feb.18.2020}
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The Nevada Occupational Safety and Health Administration is back in a
Cirque du Soleil theater for the second time this year, investigating
February 16ths accident at The Beatles Love at The Mirage. Nevada
OSHA spokeswoman Teri Williams confirmed Tuesday the safety
enforcement agency has opened an investigation into the incident
during which a Cirque performer fell during the shows closing number.
Reportedly, the performer, whose name is being withheld, fell some 20
feet to the stage and suffered injuries to his arm and back, along
with internal injuries. He was treated on site, hospitalized and is
expected to return to the show.
The agency also reviewed the accident in O at Bellagio on Jan. 5,
when an artist fell from the shows Russian swing apparatus, finding
no violations. The company was not called in to investigate the
accident at R.U.N at Luxor, when a motorcycle artist was injured in
the shows preview opening and was treated on site.
Williams said that Cirque reported the incident to OSHA, as is
required any time a member of the company is hospitalized after being
injured on the job. In such instances, the agency assigns a certified
health and safety official (CSHO) to begin an inquiry into the event.
The process is extensive. The official visits the work site to review
injury and illness logs, read training records, evaluate the
employers written safety and health plan, review the work area where
the incident took place, collect photos and video of the incident, and
conduct interviews with employees and company safety officials.
According to Nevada law, the process must be completed within six
months, but there is no established deadline before that six-month
requirement. After collecting its information, OSHA would either
inform Cirque there is no penalty or issue the appropriate citation to
address the violations.
Meantime, Love continues to run its normal schedule, twice daily at
7 and 9:30 p.m. (dark Sundays and Mondays). The show is due to mark
its 14th anniversary at Mirage in June.
{ SOURCE: Las Vegas Review-Journal }
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How Cirque Pushes the Limits of Human Performance
{Feb.25.2020}
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Formula 1 drivers experience eight times the force of gravity when
taking tight corners, which is roughly what astronauts feel when
making an uncontrolled reentry into Earths atmosphere. During a
catch-and-throw exercise for Cirque du Soleils production of Messi, a
new circus inspired by soccer great Lionel Messi, one of the
performers experienced 15 ga revelation made possible by a pilot
program that has Cirque performers wearing Wimu inertial sensors
during training.
Apollo and Mercury astronauts in the first days of the space program,
they were hitting 8 g, says Steve Gera, CEO of the sports innovation
consultancy Gains Group. Now we know that a Cirque performer is
potentially doubling the g-force of an astronaut who is re-entering
Earth. That is [expletive] cool, right?
Wimu is the flagship product of RealTrack Systems, a graduate company
of the Barça Innovation Huband the same wearable worn by Messi
himself and his FC Barcelona teammates. (Gera is the U.S.
representative for the Barça Innovation Hub and a columnist at
SportTechie.)
Circus acts may lack the competition of sports, but Cirques shows are
no less physically demanding. At times, they can require even more
specialized athleticism. Objective data generated from wearable
technology can help recalibrate our understanding of human
performance. Some of the other metrics that Wimu discovered during
production of Messi were a vertical speed of 6.41 meters per second
(14.3 miles per hour), angular speeds of 1,036 degrees per second
(nearly three revolutions) and g-forces of nearly 7 on rotations
around the high bar.
Can you imagine that? I was surprised when I saw all that, says
Evert Verhagen, a Cirque consultant who is an associate professor at
the VU University Medical Center in Amsterdam and chair of an
International Olympic Committee research center. I had to recount the
outcomes twice, but they are true. And they do that every day.
Verhagen, whose expertise is in injury prevention, began consulting
with Cirque six years ago in hopes of applying his knowledge of sports
to the circus. That initial plan didnt last long. I said, Yes,
lets do it. If we can do this in sports, we can certainly do that for
you guys as well, he says. Then I went to a show and was like,
This is not going to work. I knew immediately that the environment,
the context, the demands are so different from sports.
Its the plethora of artists, the plethora of tasks, the individual
roles within each show, says Verhagen, who still helped drive a 30%
reduction in injuries through more general changes related to systems
management, leadership and culture. If you have a football team,
youve got X number of players on the field. Yes, they have different
roles, but in essence, theyre all doing the same thing. Theyre all
exposed to similar risks, so its relatively easy to record what these
risks are, what the etiology of problems are so you can develop
solutions that, to a very far extent, apply to everyone.
Bryan Burnstein, who until recently was Cirques head of performance
science for 12 years, says the company has more than 110 unique
disciplines, many of which are so challenging that only a handful of
people in the world are capable of filling them. That complicates
traditional workout planning; precedent is often scarce or
nonexistent. We have unpredictable movement patterns, Burnstein
says. We have totally different scopes and ranges and thresholds than
what youre used to seeing in other sports. We also have a high level
of complexity and diversity that you dont see.
Cirque also has a long performance season, exceeding even the marathon
schedule of big league baseball. Resident shows are staged 380 to 470
times a year, and touring shows perform around 300 timeswith training
of about 12 hours per week. And while ball clubs have the luxury of
deep farm systems, Cirques specialization means theres little by way
of a minor leagues outside of maybe one or two understudies. That
intensifies the need for better physical monitoring to ensure
readiness. As a performer, you literally have to show up every single
night, Gera says. There are no off-days, theres no injury report,
theres none of that. Its you and typically one other person whos
backing you up in your specific event.
These were metrics and values that really made usas practitioners,
as scientists, as researchersreally factor in the intensity of the
training that these artists endure to meet the training demands of
their coaches on a daily basis, says RealTrack Systems sport
scientist Peter Demopoulos. The sheer preparation is mind-boggling
what these athletes, what these artists, do to prepare for the end
result of these shows.
The parallels to baseball abound. Both Cirque and MLB have long
schedules, extensive travel and remote work environmentsCirques home
base is in Montreal, and it functions in the same way that every
baseball franchise has a home venue and a training complex in either
Florida or Arizona. Shows and games, however, happen everywhere.
Pitchers rely on the same repeatable motion to master their craft, as
do many circus performers.
These similarities led Clive Brewer, who until recently was the
assistant director of high performance with the Toronto Blue Jays, to
visit Cirque du Soleil and open a dialogue with its staff. The reason
we started our relationship with Cirque is because their athletes
probably perform more than ours do, says Brewer, who in November
became the high performance director of the MLS Columbus Crew. We
think we have a lot with 162 games in the regular season. Theyre
doing 400 shows a year. The volume that they go through and the
repetition of the actions that they go through is a constant challenge
for them.
That Cirque would be using the same wearable device that Messi wears
to produce the show Messi is more coincidental than intentional. Plans
for the show were first revealed in Oct. 2018 and, a month later,
Burnstein first spoke with Gera at the Barça Sports Technology
Symposium about applying Wimu to the circus. There was this natural
thread of a new creation, and there was a common thread throughout
with the Barça family, Burnstein says.
All of this will help performance staff better understand the physical
toll of training and help convey to the audience just how remarkable
the Cirque artists are. Understanding these data points and comparing
them to other sporting disciplinesgymnastics is a close relativecan
punctuate that.
In talking to the coaches, they knew what their performers were doing
was amazing, but to see the numbers behind different landings and
different spin rates, all of a sudden that contextualized it in a way
that they hadnt before. That definitely caught their attention, Gera
says. Its not your endemic sports environment. Sports are all about
winning and losing and trying to get an edge. Cirque is something
slightly different. Its like going to the Juilliard. Theres
competition, but its all internal competition. And once people are
selected for the specific roles, then its all about working together
to give the best performance that you can possibly give.
{ SOURCE: Joe Lemire, SportTechie }
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The Illusionists Joins One Night for One Drop
{Feb.26.2020}
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The annual One Night for One Drop gala event has always been a one-off
in terms of entertainmenta unique show that helps provide safe water
to the most vulnerable communities on the planet. Last years seventh
annual event showcased a sort of all-star variety show, bringing
together Cirque du Soleil artists and creators at Bellagios O
Theater, and this years event brings the debut of The Illusionists at
Luxor.
The 2020 One Night was originally going to showcase R.U.N., Cirques
first new Las Vegas Strip resident show since 2013. It would also put
more money into the foundation, because the show was already produced
and still so new, says Jerry Nadal, foundation board member and
executive producer of One Night for One Drop.
Of course, the cost of producing a one-night-only performance of such
magnitude is significant. But [we] realized theres always a
breaking-in and retooling period for every Cirque show. When Cirque
wanted to continue working on R.U.Nand since [Cirque] bought The
Illusionists in 2019, and it has never played Vegasthat allowed us to
continue with the original concept and still spotlight something new.
The Illusionists is a touring magic production created by Simon
Painter and Tim Lawson, partners in The Works Entertainment, a company
acquired by Cirque du Soleil about a year ago. The Illusionists
premiered at the Sydney Opera House in Australia in 2012 and has
toured the world with a rotating cast of performers that has included
The Clairvoyants, a duo that recently performed at Paris Las Vegas,
and current Mirage headliner Shin Lim. The show has completed
successful recent runs on Broadway and Londons West End.
The upcoming Vegas version will be curated specifically for One
Night for One Drop, Nadal says, and surprises could include guest
appearances by other artists and entertainers. What Simon Painter has
been able to do [with this show] is really corner the global market on
magic entertainment, Nadal says. It doesnt rely on an individual
personality like a David Copperfield or a Criss Angel. Its really
about the collective and what each individuals strengths are. And
its just a fun night out with something for everybody.
And its cost-effective, since its Cirque-owned, meaning more money
from this years show will go to the foundation. But its also an
ideal showcase for a magic show that probably should be playing
nightly somewhere on the Strip, the global capital of magic. New
Circus Circus owner Phil Ruffin has said that hes in negotiations to
bring The Illusionists to the north Strip property, potentially
planting the first resident show at the family-friendly resort in
several years.
Nadal, a former Cirque executive, couldnt confirm those negotiations
and the company had not responded to an official inquiry as of press
timebut he did say The Illusionists deserves a home on the Strip.
MGM [Resorts] is the main partner for Cirque du Soleil, so I hope MGM
takes a look at it.
The show is only part of the magical experience for this years One
Night for One Drop. The event will take over the entire renovated
R.U.N Theater space, and the afterparty will be held in a huge tent in
front of Mandalay Place, the same location from two years ago. Guy
Laliberté, one of the founders of Cirque du Soleil and the One Drop
foundation, is scheduled to DJ at the party.
{ SOURCE: Las Vegas Weekly }
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4U2C Merges With Cirque Events + Experiences
{Feb.27.2020}
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Cirque du Soleil Entertainment Group announces today the merger of its
multimedia creative studio, 4U2C, with its events division, Cirque du
Soleil Events + Experiences, a move that positions it as the most
fully-integrated turnkey creative and artistic content solution
provider in bespoke, world-class live entertainment.
For nearly 20 years, Cirque du Soleil Events + Experiences has created
and produced one-of-a-kind projects for some of the worlds most
prestigious events, with clients in the public and private sectors
across the world. Its portfolio stretches from custom Cirque du Soleil
shows for corporate events for Fortune 500 companies, to cultural
attractions commissioned by tourism bureaus, to live performances on
some of the most-watched television broadcasts in history.
4U2C Creative Studio is a Montreal-based company specializing in the
creation and production of multimedia and video content. Their work in
experiential design and video imagery have been featured in music
concerts (such as KISS, Hugh Jackman, Shakira), major events
(including Victorias Secret Fashion Show) as well as interactive
installations (the Illuminart open-air museum).
The merger will allow the Group to unleash its creative energy under
the strength of one, unified company and create further opportunities
for long-term growth.
Cirque du Soleil Events + Experiences now gains major in-house
capabilities in digital content with all the creativity, emotional
connectivity and craftsmanship of Cirque du Soleil, said Yasmine
Khalil, Chief Executive Producer Cirque du Soleil Entertainment
Group. Merging 4U2C Creative Studio to Cirque du Soleil Events +
Experiences is an important milestone in our continued growth
trajectory, as we remain focused on raising the bar in the industry
with creativity and innovation.
{ SOURCE: Cirque du Soleil }
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Theme Park Insider Previewed DRAWN TO LIFE
{Mar.05.2020}
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Honoring the creativity of Disney Animation, Cirque du Soleils begins
previews later this month for an official opening on April 17. Disney
and Cirque previewed two scenes from the new show before I had the
opportunity to talk with Cirque du Soleil CEO Daniel Lamarre and Show
Director and Writer Michel Laprise about the production, including why
Cirque chose the process of creating animation as a theme for this
production and why the show chose to focus on traditional, hand-drawn
animation.
[Please note that Laprises comments include some plot spoilers for
the show.]
The two scenes we saw this morning were Inner World of Animation,
featuring rhythmic gymnasts from Japan to illustrate the process of
bringing multiple drawings to life in flipbook. We were not allowed to
record, but Disney provided us with video highlights of each scene.
We did a lot of research at the beginning and we saw something I
didnt know before, Laprise said. Animators use the mirror a lot
and today they use video cameras and they will explore their faces
and their whole body, the physicality of the character, because if you
dont feel it, you cannot draw it. And were really immediately
excited by that.
So this is why you have this act of the decomposition of a movement.
You saw Katia, one of our animators. There is supposed to be a mirror
there, but not for today. So Katia is in front of the mirror, finds
the character and then the [acrobats] compose the movement. Then you
see the final result with the animation in silhouette. So we wanted to
start the show by establishing this thing that animation like silk.
Its visceral. Its physical.
Then we saw Aerial Pencil, an aerialists tribute to the pencil test
that provides the foundation for so much character animation.
We wanted to pay homage to the Nine Old Men. So you can see a
photograph of them in a lobby. Walt with those nine individuals
created, really, character animation, Laprise said.
We wanted to create a tableau which is like diamonds of animation,
but at the raw stage when it starts just a pencil and the paper. So
we went to the Disney Animation Studios archive library. And we said,
is it possible to have just like little snippets? And they said,
This is funny. We have a new project, its not called the diamonds
its called the gems.
Walt was crazy about archiving everything, so when the animator
starts the process, he has, or she has, just a pencil and paper, and
he does what you call the pencil test. Thats what you saw. Now no one
has access to that, [but] its where the characters life is born.
After that, it gets cleaned up by an assistant, then ink and colored,
but that [process] is never seen by the audience.
So what Disneys archive library is doing is they are taking those
pieces, those seeds of animation, and they taking HD photos of each of
them, and by bringing them together and they bring them back to life,
so we said can we have that. Its amazing, all the hours that these
guys spent to bring back to life those gems, and we really honored to
be able to present that to the audience.
In each scene, the Cirque casts physical performance on stage is
echoed by media of rough sketch animation, showing the artistry of
movement in two, compatible media. Its an engaging premise, and I
cant wait to see it executed fully in the complete show.
CHECK OUT THE IMAGES AND VIDEOS THAT ACCOMPANIED THIS ARTICLE HERE:
http://www.cirquefascination.com/?p=13563
{ SOURCE: Theme Park Insider }
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R.U.N is a Flop, Montreal Show Troubled
{Mar.06.2020}
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Cirque du Soleil has had a rough start to 2020. Its latest show in Las
Vegas is set to close Sunday, marking the shortest run and highest-
profile failure for the Cirque on the Strip. R.U.N., which opened in
late October, was supposed to be performed indefinitely at the Luxor
Hotel & Casino.
There are also serious creative problems plaguing Under the Same Sky,
the Cirque show that is set to have its world premiere under the big
top in the Old Port in Montreal on April 23. Executives at Cirque du
Soleil were not pleased after a preview performance at Cirque
headquarters in St-Michel last week.
This led to animated discussions between the executives and the shows
high-profile writer/director/production designer Es Devlin, who was
not happy with the criticism. Cirque reps insist the London, England-
based artist is still part of the show, but her role is now described
as providing conceptual support. Cirque du Soleil president and CEO
Daniel Lamarre said Devlin who has worked with Beyoncé, U2, Adele
and Kanye West will be given full credit for her work on the show.
But he confirmed the Cirque has brought in a new director, Mukhtar
O.S. Mukhtar, who has worked on previous Cirque shows, notably Messi
10, a show inspired by the life of football superstar Lionel Messi. He
will begin work on Under the Same Sky in the coming days. Devlin is
home resting in England, but will return to the show, according to
Cirque officials.
In addition, the Cirque has had to close down its resident show The
Land of Fantasy in Hangzhou, China in late January as a result of
health concerns following the outbreak of the coronavirus. The
Montreal-based circus has also cancelled the Hong Kong tour for the
show Amaluna, which was supposed to be taking place in May.
Lamarre confirmed rumours that for the past six months, Cirque du
Soleil has been contemplating a public-share offering, but that is off
the table for the moment given the turbulence of financial markets, he
said.
In spite of the closing of R.U.N., the problems on Under the Same Sky,
the two cancelled shows in Asia and the scuttling of a potential share
offering, Cirque CEO Lamarre puts a brave face on the situation.
When I listen to how youre presenting the facts, I should go home
and cry, Lamarre said. But thats not the way we run the business.
The way we run the business is to fight
we have three shows
and
two of the shows are going to be tremendous successes.
Lamarre believes the two successes will be Under the Same Sky and
Drawn to Life, the latter is set to open at Walt Disney World in
Florida in April.
But Lamarre admitted there are creative problems with Under the Same
Sky only weeks before its premiere.
I think Es brought us an amazing visual signature that is going to
bring the Cirque to a different place and I was very happy with that,
Lamarre said. The adjustment we have to do is regarding the
acrobatics. Its very tough if youre not used to working with the
Cirque du Soleil to appreciate the importance that we have to keep in
the acrobatic content. Thats what we have to improve and in order to
do that were going to surround her with people that have expertise
and experience working with us.
He also admitted major creative mistakes were made with R.U.N., that
was described by the Cirque as a live-action thriller. It had no
acrobatics.
I think that it was a mistake for us to put the name Cirque du
Soleil on the marquee, Lamarre said. Because when I looked at the
research, people whod never seen a Cirque du Soleil show loved R.U.N.
and thought that it was a great show. And when you ask a fan of Cirque
du Soleil who attended the show, that fan was very disappointed
because there were no acrobatics in the show and they felt it was
almost like misrepresentation of the brand. I was very involved in the
decision to pull the trigger sooner rather than later because we
thought, looking at the research results, that we were damaging the
brand.
Lamarre said he has a new show that will be brought to the Luxor, but
wouldnt reveal more details. The budget on R.U.N. was $60 million,
but Lamarre said the biggest part of those costs were paid for by
Cirques partners. Cirques part in the budget was less than $20
million, he said.
Cirque du Soleil founder Guy Laliberté sold his majority stake in the
circus to TPG Capital in 2015 for US$1.5 billion and he sold his
remaining 10 per cent this month to the Caisse de dépot et placement
du Québec. The Caisse now owns a 20-per-cent stake.
One veteran Cirque insider said many believe the Cirque has lost its
creative direction since the departure of Laliberté.
Its just so sad, the insider said. This is the jewel of Canada and
to see it so mismanaged, it just breaks my heart. This is an
organization that is supposed to breaking creative boundaries.
{ SOURCE: Brendan Kelly, Montreal Gazette }
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One Night for One Drop Postponed!
{Mar.11.2020}
----------------------------------------------------------
One Night For One Drop has been dropped at least temporarily.
Cirque du Soleil is postponing its annual charity production because
of coronavirus outbreak concerns, the company announced internally
Tuesday. The show was to feature The Illusionist magic productions
inside for the 1,463-seat Luxor Theater. One Night Executive
Director Jerry Nadal confirmed Tuesday that the show had been at least
temporarily tabled. Discussions about if or how to proceed with the
production began in earnest late last week. The show had been
scheduled for March 27.
We have a global audience, and more than a third of those coming to
the show are out of state or are international, Nadal said in a phone
chat. As the last several days progressed, several people called to
say they were not coming, and when you are hosting a charity event you
have to respond to these issues.
Cirques resident show schedules remain unaffected. As Nadal said,
The difference with One Night is we had such a large number of
people traveling in from other countries.
Nadal said the One Drop board would reconvene in 60 days to reassess
options to return the event to the Luxor. The show also stages large
pre- and post-party events.
One Night For One Drop, which supports Cirques global clean-water
initiative, was to celebrate its eighth performance on the Strip. This
years show was the first to stage an existing production rather than
a new Cirque show created specifically for the event.
We will see after 60 days where this issue is from a global
perspective and where we stand, Nadal said. I think we have to be
prepared that it will be worse before it gets better.
{ SOURCE: Las Vegas Review-Journal }
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AEG, ASM Global and Cirque Announce Multi-Year Agreement
{Mar.11.2020}
----------------------------------------------------------
AEG, the worlds leading sports and live entertainment company, ASM
Global, the leading provider of innovative venue services, and Cirque
du Soleil Entertainment Group, the world leader in live entertainment,
jointly announced today that the three companies have entered into a
strategic multi-year agreement to bring Cirque du Soleil touring shows
to AEG and ASM Global venues worldwide.
This announcement reflects ASM Globals commitment to pushing
boundaries and thinking outside of the box when it comes to providing
new and more extensive live entertainment touring opportunities for
our clients
The global multi-venue agreement with a premier live entertainment
producer is a testament to the range, breadth and geographic reach of
AEGs and ASM Globals venues.
Cirque du Soleil Entertainment Group is truly pleased to announce
this partnership that promises extensive touring possibilities across
the world and more opportunities for current and future fans alike to
experience Cirque du Soleils one-of-a-kind productions, said Daniel
Lamarre, President and CEO, Cirque du Soleil Entertainment Group. AEG
and ASM Global have built a strong portfolio of advanced venues that
allow us to push further our artistic creativity and innovative vision
to present state-of-the-art creations that have never been seen
before. This partnership is part of our greater live entertainment
offering.
Dan Beckerman, President and CEO of AEG, added, We are excited to
partner with Cirque du Soleil to bring the very best in live family
entertainment to consumers around the world. AEGs venues are home to
many of todays most important sports, music and live entertainment
events experiences that not only draw large audiences, but also
shape popular culture. Cirque du Soleils iconic shows continue to be
in strong demand across the globe and this partnership will bring new
immersive entertainment to passionate fans of all generations.
This announcement reflects ASM Globals commitment to pushing
boundaries and thinking outside of the box when it comes to providing
new and more extensive live entertainment touring opportunities for
our clients, said Bob Newman, President and CEO of ASM Global. As
industry leaders, it is up to us to provide a new approach to meet
client goals and partnering with Cirque du Soleil showcases the
options that ASM Global can deliver. Cirque du Soleil offers a variety
of spectacular experiences that align well with our venue portfolio
and we are very excited about this special partnership.
About AEG
Headquartered in Los Angeles, California, AEG is the worlds leading
sports and live entertainment company. The company operates in the
following business segments: Facilities, which through its affiliation
with ASM Global, owns, manages or consults with more than 300
preeminent arenas, stadiums, convention centers and performing arts
venues around the world; Music through AEG Presents, which is
dedicated to all aspects of live contemporary music performances,
including producing and promoting global and regional concert tours,
music and special events and world-renowned festivals such as the
Coachella Valley Music and Arts Festival; Real Estate, which develops
world-class venues, as well as major sports and entertainment
districts like STAPLES Center and L.A. LIVE, Mercedes Platz in Berlin
and The O2 in London; Sports, as the worlds largest operator of high-
profile sporting events and sports franchises including the LA Kings,
LA Galaxy and Eisbären Berlin; and Global Partnerships, which oversees
worldwide sales and servicing of sponsorships including naming rights,
premium seating and other strategic partnerships. Through its
worldwide network of venues, portfolio of powerful sports and music
brands and its integrated entertainment districts, AEG entertains more
than 160 million guests annually. More information about AEG can be
found at www.aegworldwide.com.
About ASM Global
ASM Global is the worlds leading provider of innovative venue
services and live experiences. The company was formed by the
combination of AEG Facilities and SMG, global leaders in venue and
event strategy and management. The companys elite venue network spans
five continents, with a portfolio of more than 300 of the worlds most
prestigious arenas, stadiums, convention and exhibition centers, and
performing arts venues. From Aberdeen to Anchorage, and Sydney to
Stockholm, its venues connect people through the unique power of live
experiences. ASM Globals diverse portfolio of clients benefit from
the companys depth of resources and unparalleled experience,
expertise and creative problem-solving. Each day, the companys 61,000
passionate employees around the world deliver locally tailored
solutions and cutting-edge technologies to deliver maximum results for
venue owners and amazing experiences for guests. By consistently
looking for new ways to envision, innovate and empower the spaces and
places that bring people together, ASM Global elevates the human
spirit while delivering the highest value for all stakeholders. For
more information, please visit www.asmglobal.com.
{ SOURCE: Business Wire }
***************************************************************
Q&A -- Quick Chats & Press Interviews
***************************************************************
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A Little Chat with Kurios Sophie Guay
{Feb.17.2020}
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Cirque du Soliels Kurios Cabinet of Curiosities will head to
Melbourne in March ahead of its final Australian destinations Adelaide
and Perth. The show features a cast of 47 artists from 17 countries
including world-class gymnasts, acrobats, contortionists, hand-
puppeteers, yo-yo wizards, clowns, actors and musicians. The lead
singer for Kurios Cabinet of Curiosities is jazz singer Sophie
Guay. She shared insights of the show with Noise11 ahead of the first
Melbourne premiere.
Q. You play a major role in Kurios Cabinet of Curiosities. We see
you throughout the show.
You can see the singer most of the time. I am part of The Seeker and
there to support the acoustic number vocally. I just try to give
emotion with my voice.
Q. Tell us about your costume.
My character is called The Street Singer. In French we say Le Chanteur
de Rue. The character wears a gramophone horn on the head. This was
designed as a wink to the first wireless microphone ever invented. The
creator was thinking what would have been a wireless microphone in the
19th century. It could have been a gramophone horn on the head.
Q. Does wearing a gramophone make it difficult for you to maneuver
around the stage?
I get to climb ladders during the show. The gramophone is not heavy. I
climb up and down ladders during the show. The costumes are really
well designed for moving around.
Q. How long does it take you to prepare for each show?
It takes me about 50 minutes, almost an hour. There are a lot of steps
and it takes quite a while. Its the perfect time to focus on what is
coming and get in character. Its meditative for me.
Q. Do you have time to work on your own music?
Cirque is a lot of work but lucky for me its a just one show a day. I
go to work around 4 oclock so I have the morning for personal
projects, study and just hang out with friends and walk about a new
city and discover around. For me it really important every time I get
into a new city to find my little area that will become my routine, my
favorite café, the grocery store, anything that makes me feel like home.
Q. Do you get to see local live music when you visit each city?
Sometimes it's impossible because we are on at the same time. I only
get Monday off and most of the time nothing is happening then. In
Sydney I was lucky enough to meet some musicians and play with them.
Most of the time we are performing at the same time so it's hard to
see live music.
Q. What about recording. Are you working on your own music?
In the past year and half I got into songwriting, I took some classes
and Im now exploring. I record with my own equipment, my own
microphone and I travel with my own sound cards and everything I need
to record. To go in the studio maybe once or twice a year.
Q. Will you record your own album?
Not soon but maybe. Before it was a big no, now I am more thinking
about it. I am a live performer and I enjoy performing live. But now
after 10 years with the circus I got to discover lots of cultures and
enjoy new experiences. I feel I have a little more things to share.
Q. Who do you listen to?
I really love Melody Gardot. The music I love is quite various. It
goes from jazz to 80s pop. That was the music I was singing when I was
younger. I was in a rock band with my sister.
Q. Do you have any favourite Australian artists?
Accadacca (laughs). I love Sia. She has an amazing voice and she is an
incredible performance.
Q. What is a typical working day for you?
I get to work. I prepare, do my make-up. I have to eat at a certain
time. Too close to the show is not good. Too early is not good either
because then Im super hungry during the show. I have really long hair
so I have to braid my hair and wear a wig for the show.
Q. How many cirque du Soleil shows have you seen?
I have maybe seen 12, 14, 15. I havent seen The Beatles Love. I
went to Vegas for the first time last year but for the time I was
there I only saw Mystére and O. I need to go back and see Love.
I hear it's great.
Q. Where has this job taken you?
Ive been to the United States and Mexico, Brazil, Spain, Switzerland,
Germany, Belgium, France, Netherlands, Japan, Australia, Singapore and
a few others.
{ SOURCE: Noise11 }
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With Japanese bicycle dance artist Nao Yoshida
{Feb.18.2020}
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A sport that Nao Yoshida initially took up on a whim has landed him a
featured segment during the first act of Volta, a Cirque du Soleil
show.
Volta is about the inner journey to find ones true self and be loud
and proud about it. Yoshida, a Japanese bicycle dance artist, plays
the younger version of the shows protagonist Waz. A reality show
contestant, Waz is well-received until a discovery literally makes him
blue: he has blue feathers on his head instead of hair. That might
make him a freak to others, but his unique do eventually becomes a
source of pride.
Though he plays a child in the production, in reality, Yoshida is a
32-year-old with a wiry physique. He has been experimenting with
flatland BMX cycling for almost two decades now.
Despite not having any particular interest in sports as a kid, he and
his older twin brother Koh took an interest in the sport after seeing
a US competition on television. At 15, the two Yokohama natives found
others in their neighborhood to learn from and with.
Eventually, they werent just good. They were great. Yoshida placed
second in an All Japan tournament in 2017 and was a finalist in the
world contest the same year. The twosome eventually formed a school,
Twins BMX.
As a child, there was nothing in Yoshidas background that hinted that
his fancy flatland cycling would become his ride to fame and fortune.
He never took dance or martial arts, and he initially wanted to become
an artist like his parents.
Yoshidas mother is a fashion designer and his father is a designer
for Onkyo. Yoshida has himself designed for Japanese fashion brands
and even made props for big-budget Broadway musicals. He once tackled
new materials to make a giraffes leg for The Lion King. But his art
isnt just behind the scenes hes had a solo exhibition of his work
in New York.
He explained that joining the show has meant learning how to express
certain emotional content during a performance, something he didnt
have to do as a sports competitor.
In Volta, Yoshida performs a pas de deux with a ballet dancer. The
theatricality is surely something hell eventually take back to his
school when his time with Cirque ends.
Since Cirque called Yoshida to audition, this gig has been a two-year-
and-counting journey. With his new bride as his roadie, Yoshida
revealed that he considers his time away from Japan and his school to
be the ultimate honeymoon plan. Hes making money and memories.
Yoshida noted that BMX is now a sport that will be part of the Summer
Olympics hosted in Tokyo this year. Checking out the pros at Cirque,
then, could help audiences prepare to watch the competition for BMX
gold later this summer. All of this from a program meant to inspire
the audience to be true to their inner selves or even just get back up
on a bicycle again.
{ SOURCE: Jana Monji, AsAmNews }
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Sienna Sloane Runs Away with the Circus
{Feb.24.2020}
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The lights go out, and the audience sees nothing as Sienna Sloane
enters the darkened stage. But Sloane is not about to perform.
Instead, her performance lies in the fabrics, the wings and tails of
those about to take center stage.
At 18 years old, Sloane, tech theatre major, is one of the youngest
dressers for Cirque du Soleils production of Amaluna. The touring
show is currently in Sacramento playing under a huge tent temporarily
setup at Raley Field.
I feel like the biggest misconception is that people think my job
isnt super serious. Im just playing dress up with these performers
and they go out and do their job, says Sloane. Its really more
serious than that. I have to maintain the artistic integrity that the
costume designer, the director originally planned for, and I have to
check for the safety of the performers with their costumes.
Amaluna is a love story loosely based on Shakesperes The Tempest,
says Sloane. The Cirque Du Soleil original production debuted in 2012.
Amaluna will finish its eight-year run after its final performances
in Sacramento ending March 1.
Sloane says that a typical work day for her starts by checking a list
of the acts and seeing who shell be quick changing for that
evening. She then has about a half hour where she presets costume
pieces. Presets are the ways dressers set up costumes so they are
easier for quick changes.
Some of these pieces for the show are really heavy and difficult to
maneuver around. Im taking them from the artistic tent, which is off
of the main tent, and taking them backstage, says Sloane. There are
these giant peacock tails that are 8 feet tall, and they have this big
harness, and I have to carry those and preset them.
She also helps one of the clowns tie up the back of her dress, which
Sloane describes as a giant, embellished burlap sack.
Our unicycle girls, they have these big hoop skirts that are kind of
like cages almost, and theyre metal and theyre heavy, says Sloane,
who has to take the metal skirts off a pulley system and then take
them up a flight of stairs. Later on in the show I have to do a quick
change with them where Im actually on the stage in the dark, and Im
putting these pieces onto themits scary, but its fun.
Sloane says that she loves seeing all the symbolism in Cirque shows,
especially in the costumes.
We have costumes that represent these exotic animals, which I think
is really cool, Sloane says, describing the unicyclists dressed to
resemble exotic birds, dressed in gold from head to toe with blonde
wigs styled into mohawks and leather fringe hanging from their
sleeves.
Then theres a juggler who is half-man and half-lizard, she says,
adding that she is responsible for cleaning the airbrush machine used
to create scales for the costume.
Its really interesting with the costumes and makeup design we have
airbrush on [the lizard-man]patterns of scales that go up into hair,
onto his face and on his chest, Sloane says. He has these gloves
that come around over the shoulder, and they look like scaly lizard
horns.
When the curtains close and the audience leaves, Sloane has about two
hours of laundry and handwashing to do every night. But, she says, she
loves her job.
Sloane recalls that she found this position one day while scrolling
through a music app called TikTok.
I stumbled upon this weird video of [a performer in Amaluna] on my
for you page of him and the lizard juggler dancing along to this
Camilia Cabello song or something, Sloane says with a laugh.
Sloane then saw on the performers video caption that Cirque Du Soleil
was coming to Sacramento, so she went to the home page and applied to
be a dresser for the six-week show. However, this wasnt Sloanes
first encounter with the production. About eight years ago when she
was just 12 years old she saw Amaluna when it debuted. From what she
remembers, a lot of the show has changed, but one act has remained the
same.
Its called the balance goddess, says Sloane. Theres this woman,
and she has these giant sticks that are like whale ribs ranging from
small to about 8 feet long, and she balances them all in this very
specific way.
Sloane says the act is intense, as the audience listens to the
performers breathing as she balances theobjects. But instead of
sitting in the audience, Sloane now watches the act from a monitor
behind the stage, waiting for her next cue. And while this production
is new, this isnt Sloanes first theatrical circusshes been working
behind the scenes since she was 16 years old starting as an wardrobe
intern for Broadway Sacramento Music Circus.
I was like a feral band child in high school, so Ive worked in
performing arts before, she says. But when I was a junior in high
school, I saw this ad on T.V. for Broadway Sacramento Music Circus. I
saw the costumes and the colors and go, You know, that looks cool.
At the time she says she knew nothing about costuming and wasnt sure
if she was even going to get the internship, but she was really hoping
for the experience.
It was really cool. I was working hands-on with Broadway actors and
getting to watch them perform and rehearse, Sloane says. [I was]
working with the wardrobe supervisor and learning the ins and outs of
wardrobe.
Currently, Sloane is majoring in tech theater and is thinking about
double majoring in apparel studies. When she isnt in school or
working on a production, Sloane helps out in the City Theatre costume
shop, which, she says, differs from wardrobe.
The costume department is the conception of the costumes before and
going up to the day that the show openscreating the ideas for them,
constructing the costumes and altering them to fit the performers,
Sloane says. Then wardrobe is the department that works closer with
performers and maintaining the artistic integrity of what the costume
designer wanted, what the director wanted and working the show.
With Amaluna soon coming to an end, Sloane is hoping to work on
Cirque Du Soleils new production called Under the Same Sky, which
will debut in Montreal in April. In the future Sloane hopes to
continue her career in the theater capital of the world, New York.
In the meantime, shes enjoying her work with Cirque du Soleil. The
Amaluna cast is about 60 to 70 percent female, including an all-
female rock band, which plays during the performance. Amaluna is also
diverse in other ways, according to Sloane. The wardrobe department
alone has workers from Spain, Australia, London and Columbia.
This setting in Cirque for me is unique because Ive never really
worked in such a diverse and multicultural setting, says Sloane.
Perhaps one of the greatest benefits of this experiencebesides tying
up the backs of dresses, hours of laundry and carrying heavy props
are the new professional colleagues and friends Sloane has made.
These relationships that Im getting out of this job already, she
says, are really very meaningful to me.
{ SOURCE: Rose Vega, Sacramento City Express }
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Meet Karina Manta - Figure Skater, AXEL
{Feb.26.2020}
----------------------------------------------------------
Ice skater Karina Manta is a 23-year-old Arizona LGBTQ role model even
though she probably doesnt embrace that title to its fullest yet.
Who can blame her, she has been busy traveling the world, first as a
competitive skater for Team USA, then recently as a performer in
Cirque de Soleils AXEL. She still struggles with the word retirement
even though she walked away from the competitive world last year.
Over the phone Karinas voice is filled with such positive energy you
cant help but get caught up in the momentum. Shes honest and talks
about everything from her life as a skater to being a queer sports
star. Karina also has one of those grins you dont have to see in
order to know its there.
Even though she was born in Olympia Washington, she is earnest when
she says her hometown is Chandler Arizona. At the age of four she
moved there and a year later she went to a friends birthday party at
the Polar Ice rink where her interest in skating began.
Her mother was supportive but wanted Karina to practice rollerblading
in order to perfect her balance. She used her cul-de-sac to train for
an entire summer before her mother finally agreed to ice skating
lessons. Her love of rhinestones and Swarovski crystals was born, I
liked the sparkly dresses, she laughs.
My brothers played soccer, Karina explains. I come more from a
soccer family and I tried soccer for one season and I was pretty good,
but my parents asked me why I didnt want to keep doing it after that
season and I was like I dont like the outfits. It was all about the
fashion when I was into it with the sports.
When she started her figure skating career she was partnered with
Jonathan Thompson but has been working with Joseph Johnson since 2013.
At 16 she moved to Colorado to train but remembers what it was like
growing up in Chandler. People would tease her about ice skating in
the desert but to her, that was a perk since Arizona temperatures can
get well into the triple digits in the summer.
In 2018, while still in college, Karina came out publicly which makes
her the first Team USA female figure skater to do so. She explains
that she identifies mostly as bisexual but likes the term queer too.
Its one of those things where Ive gotten more, she pauses to find
the right words, like I think at first I was kind of touchy about it.
And I think when youre realizing these things about yourself its
hard to pick and choose. I think labels are important especially when
youre figuring out who you are and how you belong and you need words
for yourself and thats really important. But I like bi, I like queer
those are my two favorites.
Karina says she didnt know any queer women in skating until she came
out, then they started approaching her, I think it was just sort of
this invisible community that I didnt really know about. I felt
sort of lonely for a while and nervous about it just because it wasnt
something I had seen before which can be pretty scary.
Although its changing, Arizona is a conservative state, to a young
queer woman not having role models can deter you from admitting your
feelings or at least stop you from living as your authentic self. I
asked her if where she grew up had any bearing on staying in the
closet.
Its a good question because I didnt meet as far as I know, Im
sure I met lesbians but I didnt meet like any out lesbians or queer
women in any capacity until I moved to Colorado Springs, Karina said
of her experience, adding that she met one of her best friends there
who happened to have two moms. And it was like they were the first
out lesbians in a relationship that I met in my entire life. It seems
so weird now, but like I was almost 17 years old and I think the
worlds changed a lot even in the past five years which is beautiful.
In Chandler, I mean when I was in high school, I remember marriage
equality being like a huge debate topic. In my high school, I maybe
knew two I went to Hamilton High School I knew maybe like two or
three students who were out. And I dont think any of them were
women.
Cirque de Soleil embraces their performers no matter how they identify
so the only thing Karina has to worry about now is the demanding but
ultimately gratifying routines that she and Joseph must accomplish in
every performance. Although both are entertaining, the competitive
world is a little different than the one for Cirque.
She says some might think its an easier transition; itll be more
relaxed physically. But its pretty intense. And their numbers are
pretty challenging, its not like they stop skating cold turkey. They
just push themselves in different ways.
Its nice to not have the pressure, you know, when youre competing
to have maybe five chances in a year to show off what you have been
working on, and in Cirque we have maybe a minimum of more than five
shows a week. Thats a lot of fun to get to perform more often. Thats
one of the best parts of being an athlete and being a performer and an
artist. Its also an opportunity to have that moment with the crowd
and show off what youve done so its really cool that I get the
opportunity to do that every day.
Part of that cool factor is learning a completely different trick or
element as they call them, to incorporate into a performance.
Something really cool about Cirque is we have a number that is a
flight number so a lot of the paired girls are in harnesses and we get
to work in flight, she says. We have some elements where the boys
will throw us into the air, we get to fly. That is an incredible thing
to be able to do on the ice that we would have never got to try out.
As for competitive sports, Karina isnt sure if she will return once
her contract is up at Cirque. That means she will be touring with the
company for two years. Shes not counting her eggs before they hatch.
I mean we really dont know where were going to be in five years. We
kind of just take it one step at a time. And who knows? Maybe well
come back; its really too hard to say. Well say Im competitively
retired, but that just hard to say because Im 23.
AXEL will be heading to Prescott Valley, Arizona this March and
Tucson in April. For Karina, its a homecoming, but shes not the same
person she was when she left. Shes come out publicly in a historic
move and has a part in one of the most successful circus companies in
the world.
Although she probably hasnt fully realized she is an inspiration to
the LGBTQ community, shes getting there.
I got so excited to hear about your interview even, she says. Its
so nice to sort of be a part of that community in Arizona and help
grow that space. It was muted when I was younger and Im sure it was
there it just that I wasnt tuned into it yet.
Whether its at an ice rink in Chandler, or in a cul-de-sac on one of
the hottest days in July, or even the Tucson Arena, Karina is coming
home. Maybe a little different than when she left but thats not what
matters.
Arizona always feels like home, she says. I grew up there and like
I said so many people that Im close with live there. My brother lives
there. A lot of my best friends live there and it will be nice to come
back and kind of be.
{ SOURCE: Timothy Rawles, Echo Mag }
----------------------------------------------------------
Meet secretive Cirque du Soleil billionaire Guy Laliberté
{Mar.02.2020}
----------------------------------------------------------
Guy Laliberté isnt a typical circus performer.
With a mind for both business and performance, Laliberté grew his
Montreal-based circus troupe into a multibillion-dollar entertainment
empire, starting with only a $1 million arts grant, according to
Forbes. Since selling a majority stake in Cirque du Soleil in 2015,
Laliberté has spent part of his $1.2 billion fortune on a $35 million
trip to space, a sprawling network of real estate (including a private
island in French Polynesia), and propping up his new entertainment
venture that puts on high-tech shows inside giant pyramids.
A representative for Laliberté did not immediately respond to Business
Insiders request for comment on Lalibertés background, net worth,
involvement in Cirque du Soleil or Lune Rouge, or 2019 arrest.
Heres everything we know about Lalibertés rise and how he spends his
time and money.
Laliberté, 60, began his career as a stilt walker, fire eater, and
accordion player on the streets of Montreal.
Laliberté became a street performer after he dropped out of college in
1978, The New York Times reported in 2011. He was able to diversify
his performances after adding circus skills to his repertoire while
hitchhiking through Europe, according to Forbes. I grew up in this
type of very balanced world of business and creativity, Laliberté
told Forbes in 2019. My mom was very, very creative, eccentric. And
my father was a PR guy, a wheeler-dealer..
Laliberté eventually joined a circus group that put on large scale
street performances.
Laliberté also helped the troupe, then called Les Échassiers, book
performances and raise money, he told Forbes. Les Échassiers got their
big break when they were awarded a $1 million grant from the Quebec
government to produce a traveling show as a part of the celebrations
for the 450th anniversary of Canadas discovery in 1984, according to
Forbes. We had every problem starting a big top could have,
Laliberté told Forbes in 2004. The tent fell down the first day. We
had problems getting people into the shows. It was only with the
courage and arrogance of youth that we survived. The show was later
renamed Cirque du Soleil, meaning Circus of the Sun. When I need to
take time to reenergize, I go somewhere by the ocean to sit back and
watch the sunsets, Laliberté told Fortune in 2011. That is where the
idea of Soleil came from, on a beach in Hawaii, and because the Sun
is the symbol of youth and energy.
Cirque du Soleil was a near-instant hit, which Laliberté credits to
his ability to think about both art and finances at the same time.
The company made $40,000 from its Canadian tour, and used the money to
bring performances to California, Forbes reported. By 1993, Cirque was
pulling in $30 million each year. I really believe that one gift my
life have given me is this fifty-fifty creative-business brain,
Laliberté told Forbes.
Cirque du Soleil is now a massive franchise, selling the same number
of tickets each year as all of New Yorks Broadway shows combined.
Cirque is one of the most profitable and famous pieces of performance
art of the last century, Forbes Madeline Berg wrote in 2019. The
company has several versions of its touring shows, including
underwater and on ice shows and others based on Michael Jackson,
Lionel Messi, the Beatles. There are also eight permanent Cirque du
Soleil shows in Las Vegas, according to the companys website.
Lalibertés success was memorialized with a star on the Hollywood Walk
of Fame in 2010.
The star was put outside Kodak Theatre in Hollywood in 2010, just as
Cirque du Soleil launched a multi-year run of a film-inspired show
there, according to the Walk of Fame website.
Despite the playfulness of his shows, Laliberté has a reputation for
fierceness, according to The New York Times.
While interviewing the billionaire in 2011, The New York Times Jason
Zinoman noted that Laliberté has a deadpan expression during
meetings, and forceful arm waving and an almost dispassionate
voice when speaking. Philippe Decouflé, who directed a Cirque show
for Laliberté, described the CEO to Zinoman as a very nice
bulldozer.
His dedication paid off Laliberté sold a 90% stake in Cirque du
Soleil for $1.5 billion in 2015.
Laliberté held onto a 10% stake in Cirque, but sold that too last
month, The Las Vegas Review-Journal reported. Laliberté said in a
statement that he will remain involved in the company as a creative
consultant. Laliberté said the sale to San Francisco private equity
firm TPG Capital was not motivated by money, however. I really was
missing performing as an artist, Laliberté told Forbes in 2019. When
I started Cirque, I pretty much gave up performing. Its really
something that I wanted to live again. A substantial portion of that
check $100 million went to Lalibertés next venture, Forbes
reported. Launched in June 2018, Lune Rouge Entertainment puts on
high-tech shows using only laser, lights, and projectors inside giant
pyramids, according to Forbes. Lune Rouges first show, Through the
Echoes, retells the history of the Earth. Laliberté also spent some
his Cirque paycheck on art, setting up his own family office,
investing in a few startups, and expanding his sprawling network of
homes, according to Forbes.
Laliberté collects both contemporary and traditional African art.
His collection includes pieces by Ugo Rondinone, Camille Henrot, Sarah
Lucas, Giuseppe Penone, Takashi Murakami, and Jenny Holzer, according
to Artnet News. The Financial Times Gareth Harris called Lalibertés
taste in art blue chip-based and discerning but quirky in a 2015
profile.
Laliberté owns seven homes, including one on a private island in the
middle of the Pacific Ocean.
Lalibertés privately owned island, named Nukutepipi, is located in
French Polynesia near Tahiti. The billionaire spent $100 million
building various structures on the island, including an observatory,
Artnet News reported. The entire island rents for $143,581 a night,
according to Forbes. Laliberté also has a home in Hawaii and a 64-acre
estate in Ibiza, according to Forbes. The billionaire uses a private
jet, his 178-foot sailing yacht named Tiara, or his Range Rover to
travel between his homes, Forbes reported.
Laliberté was arrested for growing cannabis on his island in November.
Laliberté is a medical cannabis user, a spokesperson for his company
told Reuters in November. In a statement to Reuters, the spokesperson
also said that Laliberté categorically denies and dissociates himself
completely from any rumors implicating him in the sale or the traffic
of controlled substances. Laliberté was later released without being
charged and said he would continue to cooperate with authorities. The
disproportionate importance given to this matter, which is generally
trivialized for someone in possession of several plants of cannabis
for strictly personal use, greatly surprises me, Laliberté said in a
statement after his release, according to the Montreal Gazette. On a
different note, however, I would like to highlight that Faaas
gendarmes were very courteous, and have treated me in a professional
and respectful manner, which is a bright spot in this misadventure,
Laliberté said, according to The Gazette.
Laliberté became the first Canadian private citizen to explore space
in 2009.
The trip was designed to raise awareness about water scarcity,
according to Forbes. According to The New York Times, the trip cost
Laliberté $35 million and his perfect record of producing hit shows
Banana Shpeel, Cirques New York City-based fusion of its signature
acrobatics and Broadway-style musical theater, flopped and was forced
to cut its run short. I kept hearing there are too many songs, too
much like a Broadway show, the productions director David Shiner
told The Times in 2011. Guy wanted to do something different. But he
was in space. Laliberte had the greatest excuses in the history of
show business failure, The Times Zinoman wrote of the shows flop.
Hes also a DJ, and is slated to perform at Coachella later this year.
Laliberté dabbled in professional DJing in 2016, booking a gig that
paid $4,000 in New York, Forbes reported. However, the check he was
paid with bounced. It really brought me back to my street-performer
days, Laliberté told Forbes of the incident. Theres no way those
people were getting away with not paying me. Laliberté has since
booked more reputable gigs, including Coachella, CTV News reported.
The billionaire is scheduled to perform sets at the festival on both
April 12 and 17.
Laliberté is also an active philanthropist.
Laliberté is the founder of water conversation nonprofit One Drop
Foundation, according to Artnet News. One Drops projects have
improved living conditions for 1.6 million people across the globe by
improving their access to clean water, according to its website.
Laliberté also enjoys poker and has organized charity tournaments in
the past, according to Canadian Business.
Despite his flashy lifestyle, Laliberté is extremely private.
The CEO has a small circle of close friends and doesnt let even
longtime colleagues really get to know him, The New York Times
reported.
{ SOURCE: Business Insider }
----------------------------------------------------------
Crowdfiltering | Interview with Alexander Woo
{Mar.09.2020}
----------------------------------------------------------
Alexander Woo is a Martial Arts Specialist. While he was in Cirques
database, they asked him if he would agree to participate in a crowd
filtering experiment with members of the Club Cirque. Now that he is a
performing artist on Cirques ice show AXEL, the company asked him a
few questions about his thought on using crowd filtering as a casting
tool.
Q. Can you give us more information about your background?
I am from Boston, Massachusetts. I started studying Martial Arts in
September 2001 when I was 8 years old. I learned traditional tiger
crane martial arts from Sifu Calvin Chin, modern Wushu from Sifu Rick
Wong and later from Sifu Calvin Wang. In addition, all of my
gymnastics training was with Rusty Rogers.
Q. Why did you decide to join Cirque du Soleil?
In 2005, while on vacation in Las Vegas, I was lucky to be able to see
my first Cirque Du Soleil show KÀ. I had already been studying martial
arts and performing in competitions for 5 years. During the show, all
I could think about was someday being able to be in KA. When I
returned home I was on a mission to train harder with the hopes of
someday being part of Cirque Du Soleil. When I was around 20 years old
I decided to actively pursue CDS and began looking online on how to
apply. Finally, in 2015 I auditioned in Las Vegas. I tried my very
best, but I wasnt good enough to even get into the database. I was
devastated. I can remember just sitting and reflecting on everything.
Was I going to give up OR was I going to train even harder? A friend
of mine even said to me how badly do you want it? For the next 3
years I worked as hard as I could, and then I auditioned again in Los
Angeles in 2018. I found out a week later that I had made it on to the
database! I was ecstatic!!! The next year was a whirlwind of hopes and
disappointments until finally, I got a call from CDS saying that they
might be interested in having me be part of Axel. I couldnt sleep for
days in anticipation! When I finally got the call asking if I was
interested I could not get the words out fast enough. I now am on
another mission to work even harder than before to give CDS my
absolute best!!!
Q. Why did you decide to play along and be part of this crowd
filtering experience?
As hard as public opinion can be at times, I feel that it is always
important to see how others view you as a performer. The crowd
filtering experience was a double-edged sword it could either
discourage me or encourage me to do better. In all, honesty I have no
idea what the public perception was of me on the filter!
Q. How did you feel about being evaluated by the public?
I think feedback is a great gauge to determine how a person is as a
performer. A performer should always strive to improve. Being
evaluated by the public was super important to me. I feel like it gave
me a really good idea on how I am viewed in the eyes of people from
the outside. It was nice to see a ton of positive feedback but also
great to see some constructive criticism so that way I know what I
should still work on for improvement. I can really say I appreciate
reading the feedback from the public because it shows that tons of
people out there really want artists to do well and succeed. So, if it
means sharing some tips for improving then the crowd filtering project
is definitely important for everyone. When applying for on stage
Cirque Du Soleil jobs many people (including me) may not be fully sure
about what they should do, especially when putting together a demo
video. Should they try to do things that they think will impress
Cirque? Or should they just show their best skills? For me, I learned
that if I just show Cirque Du Soleil what I can do best then I will
have a better outcome. This crowd filtering project will be a great
way to allow people to share their skills to the public and receive
feedback that will help them improve their skills but also better
prepare themselves to apply and audition for Cirque Du Soleil.
Q. Would you be interested in having feedback from the and/or
performing artists professionals?
I welcome peoples opinions on performance. This could be very harsh
at times but listening with an open mind is important. Ultimately
improving every day and every performance should be a goal.
Q. How do you think crowd filtering can help Cirque in the future? Do
you have in mind disciplines that can be the best fit for that?
I think crowd filter gives CDS another way to gauge public opinion.
Some people like change while some dont. I think that all disciplines
can benefit from the filtering, bearing in mind that there will always
be some people that have expertise in that discipline and will be more
critical.
Q. Are you enjoying your experience at Cirque so far? How is your
experience in Axel different from what youve expected?
I absolutely love being part of CDS and it is even more exciting than
I expected.
{ SOURCE: Cirque du Soleil Casting }
=======================================================================
ITINÉRAIRE -- TOUR/SHOW INFORMATION
=======================================================================
o) BIGTOP - Under the Grand Chapiteau
{Alegria, Bazzar, Koozå, Kurios, Luzia, Totem, Volta,
and Under the Same Sky}
o) ARENA - In Stadium-like venues
{OVO, Crystal, Corteo, AXEL, Messi10}
o) RESIDENT - Performed en Le Théâtre
{Mystère, "O", Zumanity, KÀ, LOVE, MJ ONE, JOYA,
Paramour, X: The Land of Fantasy, NYSA, and Drawn
to Life}
NOTE:
.) While we make every effort to provide complete and accurate
touring dates and locations available, the information in
this section is subject to change without notice. As such,
the Fascination! Newsletter does not accept responsibility
for the accuracy of these listings.
For current, up-to-the-moment information on Cirque's whereabouts,
please visit Cirque's website: < http://www.cirquedusoleil.com/ >,
or for a more comprehensive tour listing, visit our Itinéraire
section online at: < http://www.cirquefascination.com/?page_id=6898 >.
------------------------------------
BIGTOP - Under the Grand Chapiteau
------------------------------------
Alegría-In a New Light:
Houston, TX -- Feb 29, 2020 to Apr 12, 2020
Austin, TX -- Apr 22, 2020 to May 25, 2020
Chicago, IL -- Jun 5, 2020 to Jun 28, 2020
Washington, DC -- Jul 28, 2020 to Aug 30, 2020
Vancouver, BC -- TBA
Bazzar:
New Orleans, LA -- Mar 26, 2020 to May 10, 2020
Salt Lake City, UT -- May 24 to Jul 5, 2020
Koozå:
Tel Aviv, IL -- Jun 4, 2020 to Jun 30, 2020
Zurich, CH -- Sep 4, 2020 to Sep 27, 2020
Brussels, BE -- Oct 22, 2020 to Nov 27, 2020
Kurios:
Melbourne, AU -- Mar 12, 2020 to May 10, 2020
Adelaide, AU -- May 29, 2020 to Jun 7, 2020
Perth, AU -- Jul 15, 2020 to Aug 2, 2020
Luzia:
Moscow, RU -- Mar 19, 2020 to May 17, 2020
Gran Canaria, ES -- Jul 7, 2020 to Aug 23, 2020
Valencia, ES -- Sep 11, 2020 to Sep 27, 2020
Madrid, ES -- Oct 22, 2020 to Nov 22, 2020
Barcelona, ES -- Jan 21, 2021 to Feb 21, 2021
Totem:
Munich, DE -- Feb 12, 2020 to Mar 22, 2020
Prague, CZ -- Jul 17, 2020 to Aug 2, 2020
Under the Same Sky:
Montreal, QC -- Apr 23, 2020 to Aug 16, 2020
Boston, MA -- Aug 29, 2020 to Sep 27, 2020
VOLTA:
Costa Mesa, CA -- Mar 18, 2020 - Apr 19, 2020
Denver, CO -- Apr 30, 2020 to Jun 7, 2020
Portland, OR -- Jun 18, 2020 to Aug 2, 2020
------------------------------------
ARENA - In Stadium-Like Venues
------------------------------------
OVO:
El Paso, TX -- Mar 12, 2020 to Mar 15, 2020
Edinburg, TX -- Mar 19, 2020 to Mar 22, 2020
Lafayette, LA -- Mar 25, 2020 to Mar 29, 2020
Greensboro, NC -- Apr 2, 2020 to Apr 5, 2020
Savannah, GA -- Apr 8, 2020 to Apr 12, 2020
Knoxville, TN -- Apr 15, 2020 to Apr 19, 2020
Frisco, TX -- Apr 23, 2020 to Apr 26, 2020
Fort Worth, TX -- Apr 30, 2020 to May 3, 2020
Bloomington, IL -- May 7, 2020 to May 10, 2020
Louisville, KY -- May 13, 2020 to May 17, 2020
CRYSTAL - A BREAKTHROUGH ICE EXPERIENCE:
Glasgow, UK -- Mar 11, 2020 to Mar 15, 2020
Aberdeen, UK -- Mar 19, 2020 to Mar 22, 2020
Belfast, UK -- Mar 25, 2020 to Mar 29, 2020
Manchester, UK -- Apr 1, 2020 to Apr 5, 2020
Birmingham, UK -- Apr 8, 2020 to Apr 12, 2020
Nottingham, UK -- Apr 15, 2020 to Apr 19, 2020
Amhurst, MA -- May 15, 2020 to May 17, 2020
Trenton, NJ -- May 20, 2020 to May 23, 2020
St. Catharines, ON -- May 27, 2020 to May 31, 2020
Providence, RI -- Jun 3 to Jun 7, 2020
Hartford, CT -- Jun 10 to Jun 14, 2020
Bridgeport, CT -- Jun 17 to Jun 21, 2020
Cleveland, OH -- Jun 24 to Jun 28, 2020
Ottawa, ON -- Jul 2 to Jul 5, 2020
Uniondale, NY -- Jul 8 to Jul 12, 2020
North Charleston, SC -- Jul 22 to Jul 26, 2020
Paris, FR -- Sep 1, 2020 to Sep 6, 2020
Lausanne, CH -- Sep 9, 2020 to Sep 13, 2020
Hanover, DE -- Sep 16, 2020 to Sep 20, 2020
Leipzig, DE -- Sep 23, 2020 to Sep 27, 2020
Stuttgart, DE -- Oct 7, 2020 to Oct 11, 2020
Nuremberg, DE -- Oct 14, 2020 to Oct 18, 2020
Munich, DE -- Oct 22, 2020 to Oct 25, 2020
Frankfurt, DE -- Nov 13, 2020 to Nov 21, 2020
Cologne, DE -- Nov 25, 2020 to Nov 29, 2020
Oberhausen, DE -- Dec 2, 2020 to Dec 6, 2020
Seville, ES -- Dec 25, 2020 to Jan 3, 2021
CORTEO:
Antwerp, BE -- Mar 13, 2020 to Mar 22, 2020
Montpellier, FR -- Apr 2, 2020 to Apr 5, 2020
Aix-en-Provence, FR -- Apr 8, 2020 to Apr 12, 2020
Lille, FR -- Apr 16, 2020 to Apr 19, 2020
Copenhagen, DE -- Apr 23, 2020 to Apr 26, 2020
Herning, DE -- Apr 29, 2020 to May 3, 2020
Stockholm, SE -- May 7, 2020 to May 10, 2020
Gothenburg, SE -- May 13, 2020 to May 17, 2020
Leeds, UK -- Jun 18, 2020 to Jun 21, 2020
London, UK -- Jun 24, 2020 to Jul 5, 2020
Dublin, IR -- Jul 8, 2020 to Jul 12, 2020
Palma de Mallorca, ES -- Aug 7, 2020 to Aug 16, 2020
Nice, FR -- Aug 20, 2020 to Aug 22, 2020
Vienna, AT -- Aug 26, 2020 to Aug 30, 2020
Trondheim, NO -- Sep 18, 2020 to Sep 20, 2020
Oslo, NO -- Sep 25, 2020 to Sep 27, 2020
Helsinki, FI -- Oct 1, 2020 to Oct 4, 2020
Turku, FI -- Nov 18, 2020 to Nov 22, 2020
Vilnius, LT -- Nov 26, 2020 to Nov 29, 2020
Toulouse, FR -- Dec 17, 2020 to Dec 20, 2020
Pamplona, ES -- Dec 25, 2020 to Jan 3, 2021
AXEL:
Bakersfield, CA -- Mar 12, 2020 to Mar 15, 2020
Prescott Valley, AZ -- Mar 19, 2020 to Mar 21, 2020
San Jose, CA -- Mar 24, 2020 to Mar 28, 2020
Las Vegas, NV -- Apr 3, 2020 to Apr 5, 2020
Everett, WA -- Apr 9, 2020 to Apr 12, 2020
Tucson, AZ -- Apr 17, 2020 to Apr 19, 2020
Rio Rancho, NM -- Apr 23, 2020 to Apr 26, 2020
Eugene, OR -- May 14, 2020 to May 17, 2020
Spokane, WA -- May 21, 2020 to May 24, 2020
Victoria, BC -- May 28, 2020 to May 31, 2020
Abbotsford, BC -- Jun 4, 2020 to Jun 7, 2020
Kelowna, BC -- Jun 11, 2020 to Jun 14, 2020
Kamloops, BC -- Jun 18, 2020 to Jun 21, 2020
Prince George, BC -- Jun 25, 2020 to Jun 28, 2020
Edmonton, AB -- Jul 2, 2020 to Jul 5, 2020
Saskatoon, SK -- Jul 9, 2020 to Jul 12, 2020
Lethbridge, AB -- Jul 16, 2020 to Jul 19, 2020
Regina, SK -- Jul 23, 2020 to Jul 26, 2020
Medicine Hat, AB -- Jul 30, 2020 to Aug 2, 2020
Raleigh, NC -- Aug 20, 2020 to Aug 23, 2020
Messi10:
Buenos Aires, AR -- Jun 11, 2020 to Jul 5, 2020
---------------------------------
RESIDENT - en Le Théâtre
---------------------------------
Mystère:
Location: Treasure Island, Las Vegas (USA)
Performs: Saturday through Wednesday, Dark: Thursday/Friday
Two shows Nightly - 7:00pm & 9:30pm
2020 Dark Dates:
- January 5 thru 17, 2020
- February 2, 2020
- March 11, 2020
- May 14 thru 22. 2020
- July 22, 2020
- September 17 thru 25, 2020
- November 18, 2020
"O":
Location: Bellagio, Las Vegas (USA)
Performs: 7 Days a Week
Two shows Nightly - 7:30pm and 9:30pm
Zumanity:
Location: New York-New York, Las Vegas (USA)
Performs: Friday through Tuesday, Dark Wednesday/Thursday
Two Shows Nightly - 7:00pm and 9:30pm
KÀ:
Location: MGM Grand, Las Vegas (USA)
Performs: Saturday through Wednesday, Dark Thursday/Friday
Two Shows Nightly - 7:00pm and 9:30pm
LOVE:
Location: Mirage, Las Vegas (USA)
Performs: Tuesday through Saturday, Dark: Sunday/Monday
Two Shows Nightly - 7:00pm and 9:30pm
MICHAEL JACKSON ONE:
Location: Mandalay Bay, Las Vegas (USA)
Performs: Thursday through Monday - Dark: Tuesday/Wednesday
Two Shows Nightly - 7:00pm and 9:30pm
JOYÀ:
Location: Riviera Maya, Mexico
Performs: Tuesday through Saturday, Dark: Sunday/Monday
One/Two Shows Nightly:
9:00pm (Weekdays)
7:00pm & 10:15pm (Fri, Sat & Holidays)
PARAMOUR:
Location: Stage Theater New Flora | Hamburg, Germany
Performs: One/Two Shows Nightly...
X: THE LAND OF FANTASY
Location: Hangzhou, China
DRAWN TO LIFE:
Location: Walt Disney World Resort (USA)
Performs: Tuesday through Saturday - Dark: Sunday/Monday
Two Shows Nightly - 5:30pm and 8:30pm
NOTE: Preview Shows from March 20th through April 16th
perform only 1 day a week, at 5:30pm.
=======================================================================
OUTREACH - UPDATES FROM CIRQUE's SOCIAL WIDGETS
=======================================================================
o) ALEGRIA: THE DOCUMENTARY [39m09s]
https://www.youtube.com/watch?v=T7oybmMuUqs
o) THE COMPLETE MAKING OF MESSI10 [41m06s]
https://www.youtube.com/watch?v=vEzRHMb08-o
o) TAKUMI - IN COLLABORATION WITH PANASONIC BATTERIES
- Episode 1: "Learning from Our Past"
https://www.facebook.com/watch/?v=518295562127069
- Episode 2: "Sustainability"
https://www.facebook.com/watch/?v=231506077845846
- Episode 3: "Handcraft"
https://www.facebook.com/watch/?v=2425885840997692
- Episode 4: "Reliability"
https://www.facebook.com/watch/?v=222287598926831
- Episode 5: "Innovation" {Final}
https://www.facebook.com/watch/?v=806193386556208
o) MUSIC VIDEOS
- Corteo | El Cielo Sabra -- https://www.youtube.com/watch?v=4puLDqSc708
- Mystère | Ulysse -- https://www.youtube.com/watch?v=8VIZ1iTlTH4
- Kurios | Hyponotique -- https://www.youtube.com/watch?v=7Wv2o-A_C_M
- JOYA | Naturalium -- https://www.youtube.com/watch?v=NPvesvzOhvI
- Kurios | Best Of -- https://www.youtube.com/watch?v=lLEuqXh9KIA
- Axel | Best Of -- https://www.youtube.com/watch?v=VGcGXzHQFGA
- Alegría | Mirko -- https://www.youtube.com/watch?v=t_uh30gjVcY
- Amaluna | Tempest -- https://www.youtube.com/watch?v=YenK_AQu858
- Alegría | Best Of -- https://www.youtube.com/watch?v=HGvg_H3yH18
- MESSI10 | Heart of the Ball -- https://www.youtube.com/watch?v=o5eyXyNXJUs
- KÀ | Aftermath -- https://www.youtube.com/watch?v=hkEJ8l5GVkY
o) OTHER VIDEOS
- New Official Alegría 2020 Trailer
https://www.youtube.com/watch?v=kMtWycn6YR0
- The Incredible Life of the Artists from AXEL
https://www.youtube.com/watch?v=Y8uJLfsQiyA
- A Day in the Life of an Alegría Artist
https://www.youtube.com/watch?v=5keW0aoJIW0
- A Day in the Life of an Amaluna Artist
https://www.youtube.com/watch?v=Zi4OQwNoLfs
- University Student's Life Drastically Changed
https://www.youtube.com/watch?v=x6-LyCFRzK0
- Meet the Artists of Under the Same Sky
https://www.youtube.com/watch?v=T-3OBzqHKFw
- 10 Hours of Alegria Full Album Soundtrack
https://www.youtube.com/watch?v=0deTn06M-jk
- 100 Best Female Act Performers in Cirque
https://www.youtube.com/watch?v=wOmw5wRea_w
- Introducing Panache: Cirque du Soleil's Peer Recognition Program
https://www.facebook.com/watch/?v=538811990062996
=======================================================================
FASCINATION! FEATURES
=======================================================================
------------------------------------------------------------
"D.U.N: Cirque Pulls the Plug on R.U.N at Luxor"
Articles about R.U.N's Closing in the Press
------------------------------------------------------------
R.U.N by Cirque du Soleil at Luxor Hotel and Casino permanently closed
on March 8, 2020. Cirque's announcement says it all...
"We remain proud of the extraordinary talents that collaborated to
make this one-of-a-kind live show happen, but ultimately it did not
find an audience that could support it. Many avenues of creative
options were explored to enhance the existing show, but the resources
and time needed to make these changes proved to be obstacles too big
to overcome. Creative risk is a part of everything we do at Cirque du
Soleil. R.U.N was intended to push the boundaries of not only live
entertainment, but of Cirque du Soleils own DNA, creating a unique
form of entertainment that unfortunately did not receive the intended
response. Were grateful to those of you who saw and supported R.U.N
and remain committed to bringing you ground-breaking live
entertainment."
R.U.N was in trouble from the very beginning. As the future of R.U.N
began to grow dim, Vital Vegas reported that Cirque called in a new
director to overhaul the show (but that new director had left the
project quickly), and that buzz from insiders suggested TPG Capital,
the majority owner of Cirque du Soleil, had run out of patience and
refused to invest any further in the show's concept. Thus, the show's
fate was sealed.
"CIRQUE DU SOLEIL PULLS THE PLUG"
BY: BROCK RADKE, THE LAS VEGAS SUN
Cirque du Soleil announced late Thursday that its newest resident show
in Las Vegas, the experimental action-thriller R.U.N at Luxor, will
permanently close on March 8. It opened October 24 in the 1,500-plus-
seat theater on the casino floor and has been performed twice a night
for much of the past four months.
R.U.N was the collaboration of an extraordinary group of creators,
artists and crew members; however, the production ultimately did not
find an audience that could support it and weve made the difficult
decision to close, said Eric Grilly, senior vice president of
Cirques Resident Shows Division, in the announcement. After
carefully considering multiple creative options to enhance the
production, we determined the time and resources necessary to
implement those changes proved to be too big to overcome.
The 75-minute show opened to mixed reviews and was marketed in a
completely different way than other successful Cirque productions on
the Las Vegas Strip. R.U.N is a stunt-based show inspired by
blockbuster action movies and comic-book graphic novels, and features
plenty of video projection, motorcycle jumps and pyrotechnics and even
a few four-letter words and freakshow-style shock performers. Its
linear narrative also distinguishes it from the more dream-like Cirque
shows audiences are familiar with, productions such as O and
Mystére.
R.U.N marketing materials attempted to describe its different
direction and reset expectations, stressing that circus-style
acrobatics are not part of the show and a rock-and-roll soundtrack
replaces the traditional ethereal music in the companys creations.
As the worlds leading live entertainment company, creative risks are
inherent in everything we do, said Yasmine Khalil, chief executive
producer for Cirque du Soleil, in the announcement. With R.U.N, we
pushed beyond the boundaries of our own DNA and brand to create a
unique emotional and compelling form of entertainment. Unfortunately,
the fan response was not what we had hoped for.
Since its beginnings, Cirque du Soleil has constantly provoked the
senses and emotions of audiences worldwide with its avant-garde and
visionary approach to live entertainment. We will continue to be
audacious as we seek out opportunities to create original content and
formats.
Grilly also said the company is appreciative of its partnership with
MGM Resorts International and is looking forward to many more
collaborations. Cirque runs five shows at MGM properties and one
(Mystére) at Treasure Island.
The announcement did not include information regarding what could
replace R.U.N at the Luxors largest showroom, but the upcoming One
Night for One Drop fundraising event recently shifted its programming
from a special presentation of R.U.N to the debut of The
Illusionists in the same theater on March 27. The Illusionists is a
magic-based show created by The Works Entertainment, a company that
was acquired by Cirque du Soleil last year.
If The Illusionists ends up as Luxors new resident show, it would
follow in the footsteps of the theaters previous occupant, Criss
Angel. The renowned illusionist opened his collaboration with Cirque,
Believe, in 2008 and ran for 10 years at Luxor, though Angel
eventually evolved the show into a different version called
Mindfreak. Angels latest production opened at the Planet Hollywood
Resort in December 2018.
* * *
Speaking of Criss Angel, he had quite a lot to say about R.U.N's
closing...
"CRISS ANGEL FIRES AT CIRQUE'S 'R.U.N' AS SHOW CLOSES"
BY: JOHN KATSILOMETES, LAS VEGAS REVIEW-JOURNAL
Of all the options being considered to replace R.U.N at Luxor, its
safe to say a reunion of Cirque du Soleil and Criss Angel is out.
Angel, who was in partnership with Cirque in Believe and Mindfreak
Live for more than a decade at the resort, says he forecast R.U.Ns
struggles in his former theater. R.U.N officials announced Thursday
the show would close March 8, after a 4 1/2-month residency, the
shortest ever for a Cirque show in Vegas.
Friday morning, Angel posted the Kats! column breaking the shows
imminent closing, along with his own message, on his social media
accounts: As I predicted
You cant buy creativity and you definitely
cant steal it. All the money in the world doesnt make a bad idea
good. Im sorry @runtheshow cast and crew whose amazing talent was
squandered. I wish you nothing but the very best. @cirquedusoleil get
back to basics and have @dragoneofficial your original visionary
create. My next prediction a C level magic variety show that will
suffer the same fate
The final sentence is a clear reference to The Illusionists, which
is being showcased at the March 27 One Night For One Drop water-
conservation charity show at Luxor. Cirque President and CEO Daniel
Lamarre says the company does have plans to bring the production,
which it owns through its acquisition of The Works Entertainment, to
the Strip.
The @dragoneofficial is the Twitter handle for Franco Dragones
international production company. Dragone created O at Bellagio
while he was with Cirque, and Le Reve at Wynn Las Vegas after
splitting with the company.
Cirque and MGM Resorts officials declined to comment on Angels online
activity.
Angel also posted his past Twitter exchange with the R.U.N social-
media accounts from last April. The back-and-forth was ignited when
Angel posted, Sorry, @Cirque its already been done with a kissy-
face emoji and the #CrissAngel #Mindfreak @PHVegas #immersive tags.
The post also displayed three photos of Angels show at Planet
Hollywood, Criss Angel Mindfreak, two of which showed scenes of fire
and another of Angel himself set aflame.
Angel opened Believe in October 2008, taking creative control of the
show within a couple of years. He then re-launched the production as
Mindfreak Live in June 2016, carrying that version through its
closing in October 2018.
R.U.N, constructed as a live adaptation of a graphic-novel adventure
film, opened almost a year to the day that Angel closed and ended his
partnership with Cirque.
* * *
In a recent article published by the Montreal Gazette (which you can
read up in our news section), Lamarre admitted major creative mistakes
were made with R.U.N., that was described by the Cirque as a live-
action thriller. It had no acrobatics.
I think that it was a mistake for us to put the name Cirque du
Soleil on the marquee, Lamarre said. Because when I looked at the
research, people whod never seen a Cirque du Soleil show loved R.U.N.
and thought that it was a great show. And when you ask a fan of Cirque
du Soleil who attended the show, that fan was very disappointed
because there were no acrobatics in the show and they felt it was
almost like misrepresentation of the brand. I was very involved in the
decision to pull the trigger sooner rather than later because we
thought, looking at the research results, that we were damaging the
brand.
Lamarre said he has a new show that will be brought to the Luxor, but
wouldnt reveal more details. And yet it doesn't seem as if Cirque du
Soleil is a guarantee for Luxor...
"CIRQUE DU SOLEIL NOT A GUARANTEE FOR NEXT LUXOR SHOW"
BY: JOHN KATSILOMETES, LAS VEGAS REVIEW-JOURNAL
As reported Thursday, February 27th, R.U.N is closing March 8 at
Luxor after a 4 1/2-month residency, the shortest run of any Cirque du
Soleil show ever in Las Vegas. Stunning. But what have we learned from
the companys dalliance with graphic-novel storytelling?
In no particular order:
The next show moving into Luxor theater might not be Cirque. I can
impart confidently that it is not a certainty that Cirque will move a
new show into a theater it has effectively occupied for more than 11
years. All options are being evaluated, including another
collaboration with Cirque, a non-Cirque production, or even a
headlining series. Headliners did perform in the room between the
closing of Hairspray in June 2006 and Criss Angels opening of
Believe in October 2008. Liza Minnelli, Earth Wind & Fire and
Lindsey Buckingham were among the rotation of stars to play the venue.
A focus on headliners make sense, as the room is regally appointed and
recently renovated (courtesy of R.U.N). And, MGM Resorts has had
ample headlining success at Park Theater, the companys only 1,500-
plus theater not home to a Cirque show.
Stamping Cirque on a Cirque du Soleil production isnt always the
best option. The crucial strategic decision to stamp the famous Cirque
logo onto R.U.N promotional material actually hindered the shows
prospects in Las Vegas. The idea was to tap into the Cirques
extensive brand equity. But enforcing that brand only confused ticket-
buyers, many of whom thought they would see a show closer in line with
Mystere or Ka than, say, Robert Rodriguezs Sin City.
Cirque is not infallible in Las Vegas. This is especially true of
the companys newer shows. Weve known for more than two decades
Cirques hold on Las Vegas as the Strips predominant production
company. But three of companys more recent original productions have
fallen short of box-office success. Prior to R.U.N, Viva Elvis, a
seemingly foolproof blend iconic Vegas institutions, closed in August
2012 after a 2 1/2-year run. Zarkana, also at Aria, closed in 2016
after a sluggish four-year run, as MGM Resorts turned the theater into
convention space rather than risk another production show. Michael
Jackson One, which premiered at Mandalay Bay in 2013, is the only
original Cirque show to open in the past decade still onstage.
Luxor is still dedicated to entertainment. There are no plans to
pull apart Luxors theater for convention space, restaurants or a
bingo hall. The resort remains home to Blue Man Group (a Cirque
acquisition) in its own theater; and Carrot Top, Fantasy and Terry
Bradshaws production show at Atrium Showroom. The hotels emphasis on
a wide swath of entertainment should remain unchanged. Whether it has
an appetite for such a risk as R.U.N remains to be seen.
* * *
What will replace R.U.N at Luxor? Rumors currently suggest "The
Illusionists", which was set for One Night for One Drop 2020, would
take up the mantle but as we reported recently, Circus Circus owner
Phil Ruffian thinks "The Illusionists" is coming to his hotel. Stay
tuned!
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COPYRIGHT AND DISCLAIMER
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Fascination! Newsletter
Volume 20, Number 3 (Issue #194) - March 2020
"Fascination! Newsletter" is a concept by Ricky Russo. Copyright (C)
2001-2020 Ricky Russo, published by Vortex/RGR Productions, a
subsidiary of Communicore Enterprises. No portion of this newsletter
can be reproduced, published in any form or forum, quoted or
translated without the consent of the "Fascination! Newsletter." By
sending us correspondence, you give us permission (unless otherwise
noted) to use the submission as we see fit, without remuneration. All
submissions become the property of the "Fascination! Newsletter."
"Fascination! Newsletter" is not affiliated in any way with Cirque du
Soleil. Cirque du Soleil and all its creations are Copyright (C) and
are registered trademarks (TM) of Cirque du Soleil, Inc., All Rights
Reserved. No copyright infringement intended.
{ Mar.12.2020 }
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