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Fascination Issue 087 expanded
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T h e U n o f f i c i a l
C i r q u e d u S o l e i l N e w s l e t t e r
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E X P A N D E D I S S U E
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=======================================================================
VOLUME 11, NUMBER 4 April 2011 ISSUE #87e
=======================================================================
Welcome to the latest edition of Fascination, the Unofficial Cirque
du Soleil Newsletter.
This month we continue our exclusive interview with Cirque du Soleil
Composer Benoit Jutras. Last month, he talked about writing new music
for Mystère, as well as his other Cirque shows. In the second half
of our exclusive interview, Mr. Jutras talks about his projects outside
of Cirque, the recordings made of his shows, and what the future might
hold.
For those interested in CirqueCon 2011 in Hollywood there's been
Another update - the team has secured accommodations near the
Kodak Theater where IRIS will play! Be sure to check out the update
for information on how to join CirqueCon 2011 in Hollywood.
Otherwise, lets get started!
Join us on the web at:
< www.cirquefascination.com >
Realy Simple Syndication (RSS) Feed (News Only):
< http://www.cirquefascination.com/?feed=rss2 >
- Ricky "Richasi" Russo
===========
CONTENTS
===========
o) Cirque Buzz -- News, Rumours & Sightings
o) Itinéraire -- Tour/Show Information
* Arena Shows -- In Stadium-like venues
* BigTop Shows -- Under the Grand Chapiteau
* Resident Shows -- Performed en Le Théâtre
* Venue Shows -- Venue & Seasonal Productions
o) Outreach -- Updates from Cirque's Social Widgets
* Club Cirque -- This Month at CirqueClub
* Networking -- Cirque on Facebook, YouTube & Flickr
o) Compartments -- A Peek Behind the Curtain
* Historia -- Cirque du Soleil's History
o) Fascination! Features
* INTERVIEW /// "Benoit Jutras: Making Time Stop" (Part 2)
By: Keith Johnson - Seattle, Washington (USA)
* CirqueCon 2011 Update #4: "We Have a Hotel!"
By: CirqueCon 2011 Team
o) Subscription Information
o) Copyright & Disclaimer
=======================================================================
CIRQUE BUZZ -- NEWS, RUMOURS & SIGHTINGS
=======================================================================
MJ Expanding to 17 New Cities!
{Mar.09.2011}
-------------------------------------------------
Michael Jackson THE IMMORTAL World Tour Expanding to 17 New
Cities, Adding Dates As Anticipation Grows
Longtime Michael Jackson Collaborator Greg Phillinganes, Top
Musical Designer Kevin Antunes Joining Creative Team
Exclusive Pre-Sale Starts March 9 and General Onsale Begins
March 12
With anticipation growing for the launch of Michael Jackson The
Immortal World Tour, Cirque du Soleil announced today it is
adding 17 new cities to its tour in advance of its World
Premiere October 2 in Montreal. In addition, new dates are being
added to the existing schedule or extra seats released in more
than 25 cities across North America.
Cirque du Soleil also announced that Greg Phillinganes, one of
Michael Jacksons key creative collaborators on some of his most
memorable tours and albums, has joined the Michael Jackson THE
IMMORTAL World Tour creative team as music director, providing
an unparalleled depth of knowledge of Michaels music and the
live Michael Jackson experience. Phillinganes was music director
for Michaels Bad and Dangerous tours and worked on such iconic
albums as Off The Wall, Thriller, Bad, Dangerous, Invincible,
and the latest release Michael.
Kevin Antunes, one of the industrys top musical designers, will
join creative team as musical designer and will also team with
Phillinganes to work on the score for this landmark production.
Antunes has worked directly for Madonna, Justin Timberlake and
*NSYNC, and has performed with artists such as Janet Jackson,
Timbaland, Britney Spears, Aerosmith, Mary J Blige, Alicia Keys,
Taylor Swift, Snoop Dogg and Christina Aguilera, among others.
ABOUT THE SHOW
A riveting fusion of visuals, dance, music and fantasy that
immerses audiences in Michaels creative world and literally
turns his signature moves upside down, Michael Jackson The
Immortal World Tour unfolds Michael Jacksons artistry before
the eyes of the audience. Aimed at lifelong fans as well as
those experiencing Michaels creative genius for the first time,
the show captures the essence, soul and inspiration of the King
of Pop, celebrating a legacy that continues to transcend
generations.
The Immortal World Tour takes place in a fantastical realm where
we discover Michaels inspirational Giving Treea wellspring of
creativity that illuminates for the audience Michaels
thoughtful inner world, offering new paths to express his love
for music, dance, fairy tale and magic, and the fragile beauty
of nature.
The underpinnings of The Immortal World Tour are Michael
Jacksons powerful, inspirational music and lyricsthe driving
force behind the showbrought to life with extraordinary power
and breathless intensity. Through unforgettable performances
Michael Jackson The Immortal World Tour underscores Michaels
global messages of love, peace and unity.
CREATIVE TEAM
Guy Laliberté Creative Guide
Chantal Tremblay Director of Creation
Jamie King Writer and Director
Kevin Antunes Musical Designer
Greg Phillinganes Music Director
Mark Fisher Set Designer
Michael Curry Props and Scenic Designer
Zaldy Goco Costume Designer
Germain Guillemot Acrobatic Performance Designer
Scott Osgood Rigging and Acrobatic Equipment Designer
Olivier Goulet Projection Designer
Martin Labrecque Lighting Designer
François Desjardins Sound Designer
{SOURCE: Cirque du Soleil}
Cirque Evacuates Artists from Japan
{Mar.16.2011}
-------------------------------------------------
According to Pat Donnelly of the Montreal Gazette, Cirque du
Soleil is evacuating about 300 artists and staff members from
its shows currently in Japan (ZED and Kooza). They are being
sent to Macau after Tokyo Disneyland was temporarily shut down.
# # #
The Cirques show ZED is permanently based at Tokyo Disneyland.
Kooza is a touring show that was visiting the Fuji Dome in
Tokyo. Another permanent show is installed at the Venetian Hotel
in Macau.
The ZED and Kooza teams will benefit from the support of their
Macau colleagues and will be able to pursue their training at
the Macau training centre, Cirque corporate PR manager Chantal
Côté said in a statement Tuesday.
No official date for screening has been set.
The evacuations began Monday and are progressing according to
the availability of commercial flights, Côté said.
{SOURCE: Montreal Gazette}
Quidam: Its Old-School Cirque [EXPANDED]
{Mar.16.2011}
-------------------------------------------------
Cirque du Soleil's "Quidam" first swung into the big top back in
1996.
One of the most critically acclaimed of the extravaganzas from
the French Canadian circus juggernaut, "Quidam" embodied the
best that the troupe has to offer. It was a marriage of eye-
popping acrobatics and metaphorically rich art that both
celebrated the poetry of the body and harnessed the power of the
mind.
Haunted by Magritte-inspired headless men in bowlers, bursting
with ennui and spinning around the wistful mystery of a lost
little girl, "Quidam" suggested the existential nature of life
as the millennium approached. It was beautiful, but it was dark,
even a little disturbing, a surreal dream that tiptoed at the
edge of the void and thus spoke perfectly to the mood of the
'90s.
And since its debut, the blockbuster has been seen by almost 10
million people worldwide.
"It's a (Franco) Dragone show, the old-school Cirque, the real
deal," says hand-balancer Olga Pikhienko. "It's an intricate
world, where the more you watch it, the more you see."
Now the critical darling is back, but it's not at all as you may
remember it. This time around, Cirque has ditched its trademark
blue and yellow big top in favor of playing the arena circuit,
from HP Pavilion to the Cow Palace. It's a milestone in the life
of the troupe, which started out as a ragtag band of street
performers in 1984 and is now one of the most powerful global
entertainment brands around.
In addition to cutting the tent, they have also toned down the
troubling subtext about anonymity in modern society. It's a
Cirque classic being reinvented: "Quidam" light, if you will.
The spunky heroine at the heart of the adventure, Zoe, is no
longer envisioned as a little girl. She's now a young woman,
which makes the central journey less perilous. They even changed
the logo so that it's a tad less unsettling.
"It's not the headless guy with the bowler and the umbrella
anymore," says Cirque spokeswoman Jessica LeBeouf. "The show is
less dark now and the ending is more positive, upbeat, even
joyful."
That's good news for lovers of happy endings, but some bemoan
the candy-coating of the show's original aesthetic. They also
worry that banishing the big top will also mean a loss in
intimacy, the purity of human scale that once gave Cirque its
sense of authenticity and hearkened back to the humble roots of
the group.
"There's some irony here, too," says Patty Gallagher, professor
of theater at UC Santa Cruz, where she specializes in the art of
clowning. "Cirque describes 'Quidam' as about 'a nameless
passer-by alone in a crowd in a society that has become too
impersonal.' I'm not sure how this show will reach out to
audience members. It might, instead, leave them feeling alone in
a crowd in a society that has become too impersonal."
Pikhienko freely admits that the arena is a whole different
animal than the big top: "You have to play it bigger. Under the
big top you can look out into the audiences and see the faces
but in the arena you can just barely make out the rows."
But Cirque officials maintain that there is no venue they can't
conquer. Given that they have stormed Vegas with a vengeance,
staged shows underwater ("O"), dabbled in the X-rated genre
("Zumanity") and ventured into realm of pop music (first the
Beatles with "Love" and now the Michael Jackson tribute "The
Immortal"), they may well have a point.
"Cirque fans are very scared of the loss of the romance of the
chapiteau, and it is very different for the artist and for the
audience, but we try to make it as intimate as possible. For
example, we do not sell all the seats; if they are seats with a
bad view, we do not sell them," LeBeouf says. "What was
important to us was to give the shows a second life and we have
made the arena our own and found our groove."
For the record, many of the high-flying acts are the same as
they were before. The derring-do of the German Wheel, where a
muscular lad does death-defying tricks on a giant hamster wheel,
the whimsy of the diabolo, or Chinese yo-yo, and the sensual
grace of the aerial contortionist, who twists and writhes her
lithe body around a swatch of red silk, are sure to be jaw-
dropping no matter the milieu. And some of the artists, like
Pikhienko, are even from the original production.
"The technical virtuosity is all there," LeBeouf says. "It's a
very strong show. It's also very human. I like to be amazed by
what I see onstage, but I love to be touched by it, and this is
a very touching show."
"'Quidam' will always have a special place in my heart,"
Pikhienko agrees.
On the upside, the logistics of traveling with the big top are
so complicated and expensive that there are many places where
Cirque has been unable to go, until now. In a rough economy,
that's a big edge.
"This way we can bring the show to cities where the big top
cannot afford to go -- smaller cities or places such as Istanbul
where it is not practical to bring the tent. Everybody has got
an arena."
To be sure, what makes Cirque the reigning champ of the nouvelle
circus movement is its relentless quest to break new ground and
reinvent a winning formula. Perhaps storming the arena circuit
will become another feather in the troupe's cap.
Still, some circus aficionados are beginning to fear that Cirque
has become a victim of its own success, trading originality and
charm for colossal profits. They worry that Cirque has lost some
of its spark.
"I like circuses that are about intimacy. I appreciate being
close to the sweat, the sinew and human yearning. It's why, in
the last few years, I've come to prefer the work of newer groups
like Sweet Can and 7 Fingers of the Hand. They trade in the same
circus techniques and virtuosic feats of athleticism, but they
focus on story as much as spectacle," Gallagher says.
"Cirque remains brilliantly creative, of course, but something
is lost amid the money and the epic scale of spectacle. The
virtuosity of the body remains, but the virtuosity of spirit
gets lost."
{SOURCE: Mercury News}
LV Weekly Reviews Believe... Again. [EXPANDED]
{Mar.17.2011}
-------------------------------------------------
Steve Friess of the Las Vegas Weekly tried, he really really
tried, to enjoy watching Criss Angel BELEIVE again last week,
but just couldnt bring himself to to do. From his review:
# # #
I tried. Really, I did. I tried to put everything I knew about
Criss Angel aside as I sat down in his Luxor theater last
weekend. Criss Angel Believe has changed dramatically since I
saw it in early 2010, and Mike Weatherford, in his Review-
Journal re-review in November, upgraded Cirque du Soleils first
headliner vehicle to a B. Gone was the borderline-racist plot
that required dreadful acting by Angel and most of the
outlandish and distracting Cirque costumes and imagery; this was
now a wall-to-wall, straight-up Angel magic show.
So I decided it was time to give it another shot, and thats
when the trying began.
As I waited for the show to begin, I tried to forget what I knew
about Angel. I tried not to consider his mid-2008 boast on Larry
King Live that the soon-to-open show would redefine magic. (It
didnt.) I tried not to factor in that he had physically
threatened journalists asking him about his efforts to unduly
influence the Miss USA pageant on his girlfriends behalf. Or
that he had allowed a vicious gay slur to become a part of his
act. Or that he absurdly lied on CNN that his show was the
Strips best-seller.
It was a tall order, but Ive changed my view on many shows and
performers for the better, including reversing earlier negative
opinions of Danny Gans, Celine Dions ...A New Day and Cirques
Zumanity. I was ready. Tabula rasa, Criss.
Then Believe started and I realized my view was, in fact,
hopelessly tainted. Angel does all the same old trickshes in
the box, then hes not, then someone else is in the box, then
birds appearso my enjoyment hinged solely on the stars
likeability in a way that may be unique to magicians.
Unfortunately, knowing Angel impacted how I digested his work
for the same reasons that the styles of elegant Lance Burton,
goofy Mac King, earnest Nathan Burton and wry David Copperfield
always win me over. My issues with Penn & Teller, too, come out
of the fact that Penn Jillette always seems like such a too-
cool-for-school jerk. Each act toils in essentially the same
craft; its the delivery and personality that makes you willing
to be entertained with tricks youve seen a thousand times.
In Angels case, his self-aggrandizement is ceaseless throughout
the show, and that didnt help me forget why I find him so
irksome. We are expected to be impressed by his résumé before we
get a chance to be impressed by his act, and I wasnt. Its sad,
really, that he still pretends a fan in the crowd brought a long
sheet that says We Love You Criss or some such nonsense on it.
After more than two years, its notable that his so-called
Loyalsone of whom was so rabid he once sent me gay-bashing
texts for criticizing his herodont actually bring such banners
anymore. Angel invoked Houdini and Siegfried & Roy at least
three times each and at least twice shilled for the goodies
available for purchase later. No other A-list talent on the
Strip ever does the latter because its so undignified.
By the time Angel pointed out the two Make-A-Wish kids lying in
hospital beds in the audienceno doubt a thrill for those
valiant, deserving fansit just felt like another example of
Angel acknowledging his own greatness and generosity. It was
probably quite genuine, but theres just so little about this
guy that feels real.
So heres the best I can do: Yes, the show is better and more
coherent. Just axing the Cirquish scene where rabbit dancers eat
human limbs was an improvement.
But is it good? No, not really. You can only adore Believe if
(a) you love Angel or (b) youre unaware of what else is already
available in the genre on the Strip. Unfortunately, (a) I dont
and (b) Im not.
{SOURCE: Las Vegas Weekly}
A Life on the Road [EXPANDED]
{Mar.28.2011}
-------------------------------------------------
The Houston Chronicle took a moment to speak with Daniel
Lamarre, CEO of Cirque du Soleil, about traveling the world,
upping the morale, and keeping the pulse of Cirques many
creations.
# # #
Cirque du Soleil CEO Daniel Lamarre travels the world making
sure the various Cirque productions are shipshape and company
morale remains as high as a trapeze. He joined the organization
in 2001 as its chief of new ventures and became CEO three years
later. (Cirque founder Guy Laliberte remains the organizations
head honcho on the artistic side.) In Houston last week visiting
with Ovo artists and staff, Lamarre took time to talk about his
unique job and the Cirque empires projects and plans.
Q: So you wanted to join the circus all your life and finally
got the chance 10 years ago?
No, I played hockey when I was young not professionally -
began my career in journalism, then public relations, then
entertainment management. (He was CEO of TVA Group, Quebec's
biggest private TV network.) I was attracted to Cirque because
my dream was to work internationally. Not many Canadian
companies have that global reach in the entertainment world. I
joined also because I felt this was a brand that was ready to
explode globally, that the timing was right, and that's been a
primary goal of mine. Ten years ago, we had three permanent and
four touring shows. Today, we have 10 permanent shows and nine
touring - and by the end of this year, there will be 22.
Q: How much time do you spend traveling?
I spend 50 percent of my time traveling around the world,
looking in on our various productions, and the other half at
home (Montreal.)
Q: Since each production has a large staff that maintains it,
what do you do in your visits?
My goal is to make sure that morale and spirit are good. And
that if anything's going off track in any way, we correct it. I
cannot stay in my office in Montreal and understand what's going
on with our shows. If I want to know, I have to go there,
experience what is happening. For instance, with Ovo in Houston,
I see the popularity of the show here and the extent of the
Houston market. In fact, this visit convinces me that this city
can become even more of a major market for our company.
Q: If you had to recommend one of the company's productions to
someone who had never seen a Cirque du Soleil show, which one
would it be?
That's a little like asking a parent to choose a favorite child.
But I think I'd have to say, O (one of the permanent Las Vegas
shows), which is in a league of its own among our shows and has
had a unique success.
Q: What projects of the past 10 years do you see as milestones?
I think expanding to do the Beatles Love show (also in Las
Vegas), a show built around their music, has been important.
That our brand name is so popular that they would contact us
about creating a show around their music. And to follow that
with Viva Elvis and now with Michael Jackson Immortal, which
will premiere in Montreal later this year. That such iconic
brands in the music world choose to team with us and create
shows around them shows the credibility we've established in the
entertainment world.
Q: Your company plays close to the vest with figures, but can
you give some idea of the financial scale encompassed by the
Cirque du Soleil entertainment empire?
I'll just say that overall revenue for Cirque du Soleil last
year was around $800 million. And touching wood, for this year,
we're hoping to reach or exceed $1 billion.
Q: What's your favorite form of entertainment apart from Cirque
du Soleil?
I'm very intrigued by 3-D movies. We're developing a project
with James Cameron that will involve 3-D technology, which is
going to be an important new ingredient for us in the future. I
can't give the name or details because it's not fully thought
out yet, but that production should premiere in 2014.
{SOURCE: The Houston Chronicle}
Discover Zarkana!
{Mar.29.2011}
-------------------------------------------------
Cirque du Soleil invites you to Zarkana, a beautifully bizarre
journey premiering exclusively at Radio City Music Hall. This
epic spectacle takes audiences into a fantastical and
suspenseful world where highly-acrobatic feats are heightened by
original live music and interactive multimedia elements. Zarkana
transforms the grandest stage in the world into a world of
unreality as only Cirque du Soleil could imagine.
Check out the newest commercial for the show!
< http://www.youtube.com/watch?v=cOpW1qXUpV8 >
And discover the world of Zarkana here:
< http://www.cirquedusoleil.com/zarkana >
Zarkana opens June 9th.
{SOURCE: Cirque du Soleil}
=======================================================================
ITINÉRAIRE -- TOUR/SHOW INFORMATION
=======================================================================
o) BIGTOP - Under the Grand Chapiteau
{Corteo, Koozå, OVO, Totem & Varekai}
o) ARENA - In Stadium-like venues
{Saltimbanco, Alegría, Quidam, Dralion
& Michael Jackson THE IMMORTAL World Tour}
o) RESIDENT - Performed en Le Théâtre
{Mystère, "O", La Nouba, Zumanity, KÀ, LOVE,
ZAIA, ZED, Believe & VIVA Elvis}
o) VENUE - Venue & Seasonal productions
{Iris & Zarkana}
NOTE:
.) While we make every effort to provide complete and accurate
touring dates and locations available, the information in
this section is subject to change without notice. As such,
the Fascination! Newsletter does not accept responsibility
for the accuracy of these listings.
.) Dates so marked (*) are not official until released by Cirque
du Soleil.
For current, up-to-the-moment information on Cirque's whereabouts,
please visit our website: < http://www.CirqueFascination.com/ >.
------------------------------------
BIGTOP - Under the Grand Chapiteau
------------------------------------
Online at: < http://www.cirquefascination.com/?page_id=39 >
Corteo:
Vienna, AT -- Feb 10, 2011 to Mar 20, 2011
Madrid, ES -- Apr 2, 2011 to May 22, 2011
Valencia, ES -- Jun 16, 2011 to Jul 10, 2011
Alicante, ES -- Jul 28, 2011 to Aug 28, 2011
Sevilla, ES -- Sep 8, 2011 to Oct 9, 2011
Paris, FR -- Nov 11, 2011 to TBA
Koozå:
Tokyo, JPN -- Feb 2, 2011 to July 18, 2011
Osaka, JPN -- Aug 4, 2011 to Oct 10, 2011
Nagoya, JPN -- Nov 23, 2011 to Jan 22, 2012
Fukuoka, JPN -- Feb 9, 2012 to Apr 1, 2012
Sendai, JPN -- Apr 19, 2012 to Jun 3, 2012
Ovo:
Houston, TX -- Mar 10, 2011 to Apr 10, 2011
Cincinnati, OH -- Apr 21, 2011 to May 8, 2011
Minneapolis, MN -- May 26, 2011 to Jun 12, 2011
Chicago, IL -- Jun 30, 2011 to Jul 31, 2011
Seattle, WA -- Nov 17, 2011 to Dec 22, 2011
Totem:
Charlotte, NC -- Mar 3, 2011 to Mar 27, 2011
Baltimore, MD -- Apr 7, 2011 to Apr 24, 2011
Pittsburgh, PA -- May 12, 2011 to May 29, 2011
Montreal, QC -- Jun 16, 2011 to Jul 17, 2011
Toronto, ON -- Aug 11, 2011 to Sep 4, 2011
San Francisco, CA -- Oct 21, 2011 to Dec 18, 2011
London, UK -- Jan 6, 2010 to Jan 29, 2012
San Jose, CA -- Mar 1, 2012 to TBA
Varekai:
Taipei, TW -- Jan 20, 2011 to Mar 6, 2011
Seoul, SKR -- Apr 6, 2011 to May 29, 2011
Manila, PH -- Jun 22, 2011 to Jul 10, 2011
São Paulo, BR -- TBA
------------------------------------
ARENA - In Stadium-Like Venues
------------------------------------
Online at: < http://www.cirquefascination.com/?page_id=1831 >
Saltimbanco:
Asia-Pacific
------------
Perth, AU -- Apr 21, 2011 to May 8, 2011
Adelaide, AU -- May 12, 2011 to May 22, 2011
Melbourne, AU -- May 25, 2011 to Jun 3, 2011
Hobart, AU -- Jun 15, 2011 to Jun 19, 2011
Brisbane, AU -- Jul 8, 2011 to Jul 15, 2011
Newcastle, AU -- Jul 20, 2011 to Jul 24, 2011
Sydney, AU -- Jul 27, 2011 to Aug 5, 2011
Wollongong, AU -- Aug 17, 2011 to Aug 21, 2011
Auckland, NZ -- Aug 25, 2011 to TBA
Russian Tour
------------
Ekaterinburg, RU -- Oct 15, 2011 to TBA
Kazan, RU -- Oct 26, 2011 to TBA
Moscow, RU -- Nov 2, 2011 to TBA
St. Petersburg, RU -- Nov 16, 2011 to TBA
Alegría:
North American Tour
-------------------
Charlotesville, VA -- Mar 30, 2011 to Apr 3, 2011
Atlantic City, NJ -- Apr 7, 2011 to Apr 10, 2011
Greensboro, NC -- Apr 13, 2011 to Apr 17, 2011
Biloxi, MS -- Apr 20, 2011 to Apr 24, 2011
Southaver, MS -- Apr 27, 2011 to May 1, 2011
Roanoke, VA -- May 4, 2011 to May 8, 2011
Columbia, SC -- May 11, 2011 to May 15, 2011
Toledo, OH - May 18, 2011 to May 22, 2011
Louisville, KY -- Jun 9, 2011 to Jun 12, 2011
Nashville, TN -- Jun 15, 2011 to Jun 19, 2011
Tampa, FL -- Jun 22, 2011 to Jun 26, 2011
Jacksonville, FL -- Jun 29, 2011 to Jul 3, 2011
Raleigh, NC -- Jul 6, 2011 to Jul 10, 2011
Florence, SC -- Jul 13, 2011 to TBA
Sunrise, FL -- Jul 20, 2011 to Jul 31, 2011
Charlotte, NC -- Aug 3, 2011 to Aug 7, 2011
Estero, FL -- Aug 10, 2011 to Aug 14, 2011
European Tour
-------------
Oberhausen, DE -- Sep 7, 2011 to Sep 11, 2011
Leipzig, DE -- Sep 14, 2011 to Sep 18, 2011
Stuttgart, DE -- Sep 21, 2011 to Sep 25, 2011
Munich, DE -- Sep 28, 2011 to Oct 2, 2011
Salzburg, AT -- Oct 5, 2011 to Oct 9, 2011
Berlin, DE -- Oct 12, 2011 to Oct 16, 2011
Bremen, DE -- Oct 19, 2011 to Oct 23, 2011
cologne, DE -- Oct 26, 2011 to Oct 30, 2011
Frankfurt, DE -- Nov 2, 2011 to Nov 6, 2011
Mannheim, DE -- Nov 9, 2011 to Nov 13, 2011
Quidam:
San Diego, CA -- Mar 30, 2011 to Apr 3, 2011
San Francisco, CA -- Apr 6, 2011 to Apr 17, 2011
Long Beach, CA -- Apr 20, 2011 to Apr 24, 2011
Ontario, CA -- Apr 27, 2011 to May 1, 2011
Reno, NV -- May 4, 2011 to May 8, 2011
Sacramento, CA -- May 11, 2011 to May 15, 2011
London, ON -- Jun 2, 2011 to Jun 5, 2011
Hamilton, ON -- Jun 8, 2011 to Jun 12, 2011
Wilkes-Barre, PA -- Jun 15, 2011 to Jun 19, 2011
Ottawa, ON -- Jun 22, 2011 to Jun 30, 2011
St. John's, NL -- Jul 6, 2011 to Jul 10, 2011
Saint John, NB -- Jul 13, 2011 to Jul 17, 2011
Halifax, NS -- Jul 20, 2011 to Jul 24, 2011
Providence, RI -- Jul 27, 2011 to Jul 31, 2011
Hershey, PA -- Aug 18, 2011 to TBA
Baltimore, MD -- Aug 31, 2011 to TBA
Amherst, MA -- Sep 7, 2011 to TBA
State College, PA -- Sep 14, 2011 to TBA
Fort Wayne, IN -- Sep 21, 2011 to TBA
Hartford, CT -- Sep 28, 2011 to TBA
Reading, PA -- Oct 5, 2011 to TBA
Pittsburgh, PA -- Oct 12, 2011 to TBA
Milwaukee, WI -- Oct 19, 2011 to TBA
Washington, DC -- Nov 16, 2011 to TBA
Fayetteville, NC -- Nov 23, 2011 to TBA
Greenville, SC -- Nov 30, 2011 to TBA
Hampton, VA -- Dec 7, 2011 to TBA
Worcester, MA -- Dec 14, 2011 to TBA
Toronto, ON -- Dec 20, 2011 to TBA
Dralion:
Des Moines, IA -- Mar 30, 2011 to Apr 3, 2011
Fargo, ND -- Apr 5, 2011 to Apr 7, 2011
Sioux City, IA -- Apr 9, 201 to Apr 10, 2011
Council Bluffs, IA -- Apr 13, 2011 to Apr 17, 2011
Moline, IL -- Apr 19, 2011 to Apr 20, 2011
Peoria, IL -- Apr 22, 2011 to Apr 24, 2011
Madison, WI -- Apr 26, 2011 to Apr 27, 2011
Green Bay, WI -- Apr 29, 2011 to May 1, 2011
Rockford, IL -- May 4, 2011 to May 8, 2011
Kansas City, MO -- May 11, 2011 to May 15, 2011
Abbotsford, BC -- Jun 2, 2011 to Jun 5, 2011
Eugene, OR -- Jun 8, 2011 to Jun 12, 2011
Portland, OR -- Jun 15, 2011 to Jun 19, 2011
Victoria, BC -- Jun 22, 2011 to Jun 26, 2011
Penticon, BC -- Jun 29, 2011 to Jul 3, 2011
Edmonton, AB -- Jul 6, 2011 to Jul 10, 2011
Saskatoon, SK -- Jul 13, 2011 to Jul 17, 2011
Winnipeg, MB -- Jul 20, 2011 to Jul 24, 2011
Frisco, TX -- Jul 27, 2011 to Jul 31, 2011
Indianapolis, IN -- Aug 3, 2011 to Aug 7, 2011
Atlanta, GA -- Aug 25, 2011 to TBA
Albany, NY -- Sep 7, 2011 to TBA
Syracuse, NY -- Sep 14, 2011 to TBA
Binghampton, NY -- Sep 20, 2011 to TBA
Glens Falls, NY -- Sep 24, 2011 to TBA
Portland, ME -- Sep 28, 2011 to TBA
Cypress, TX -- Nov 17, 2011 to TBA
Beaumont, TX -- Nov 23, 2011 to TBA
Springfield, IL -- Nov 30, 2011 to TBA
Richmond, VA -- Dec 7, 2011 to TBA
Montreal, QC -- Dec 19, 2011 to TBA
Michael Jackson THE IMMORTAL World Tour:
Montreal, QC -- Oct 2, 2011 & Oct 3, 2011
Ottawa, ON -- Oct 7, 2011 to Oct 8, 2011
Hamilton, ON -- Oct 12 & Oct 13, 2011
Detroit, MI -- Oct 15, 2011
London, ON -- Oct 18, 2011
Toronto, ON -- Oct 21, 2011 to Oct 23, 2011
Winnipeg, MB -- Oct 26, 2011
Saskatoon, SK -- Oct 29, 2011
Edmonton, AB -- Nov 1 & Nov 2, 2011
Vancouver, BC -- Nov 4, 2011 to Nov 6, 2011
Seattle, WA -- Nov 9 & Nov 10, 2011
Spokane, WA -- Nov 12, 2011
Portland, OR -- Nov 18, 2011
Salt Lake City, UT -- Nov 29, 2011
Las Vegas, NV -- Dec 3, 2011 to Dec 27, 2011
Phoenix, AZ -- Dec 30, 2011
Boise, ID -- Jan 3, 2012
Denver, CO -- Jan 6 & Jan 7, 2012
Sacramento, CA -- Jan 10 & Jan 11, 2012
San Jose, CA -- Jan 13, 2012
Oakland, CA -- Jan 18, 2012
San Diego, CA -- Jan 21, 2012
Anaheim, CA -- Jan 24, 2012
Los Angeles, CA -- Jan 27 & Jan 28, 2012
St. Louis, MO -- Feb 7, 2012
Houston, TX -- Feb 10 & Feb 11, 2012
New Orleans, LA -- Feb 15, 2012
Tulsa, OK -- Feb 18, 2012
Kansas City, MO -- Feb 21, 2012
Indianapolis, IN -- Feb 24, 2012
Miami, FL -- Mar 2, 2012
Milwaukee, WI -- Mar 16, 2012
Montreal -- Mar 20, 2012 to Mar 22, 2012
Quebec City, QC -- Mar 24 & Mar 25, 2012
Minneapolis, MN -- Mar 27, 2012
Newark, NJ -- Mar 30, 2012
New York City, NY -- Apr 3, 2012 to Apr 5, 2012
Uniondale, NY -- Apr 7, 2012
Philadelphia, PA -- Apr 10 & Apr 11, 2012
Pittsburg, PA -- Apr 13 & Apr 14, 2012
State College, PA -- Apr 24, 2012
Worcester, MA -- May 16, 2012
Dayton, OH -- Jun 6, 2012
Columbus, OH -- Jun 9, 2012
Atlanta, GA -- Jun 29, 2012
Montreal, QC -- Jul 6 & Jul 7, 2012
Washington, DC -- Jul 13, 2012
Cleveland, OH -- Jul 17, 2012
---------------------------------
RESIDENT - en Le Théâtre
---------------------------------
NOTE: (*) Prices are in United States Dollars (USD) unless otherwise
noted.
(*) Ticket prices exclude the 10% Live Entertainment Tax, the
$7.50 per-ticket processing fee, and sales tax where
applicable.
Online at: < http://www.cirquefascination.com/?page_id=40 >
Mystère:
Location: Treasure Island, Las Vegas (USA)
Performs: Saturday through Wednesday, Dark: Thursday/Friday
Two shows Nightly - 7:00pm & 9:30pm
2011 Ticket Prices (adult) / (child 5-12):
o Category 1: $109.00 / $54.50
o Category 2: $99.00 / $49.50
o Category 3: $79.00 / $39.50
o Category 4: $69.00 / $34.50
o Category 5: $60.00 / $30.00 (Limited View)
2011 Dark Dates:
o January 5-19
o February 6
o March 2
o May 8-11
o July 6
o September 3-7
o November 2
2011 Added Performances:
o July 14th
o December 30th
"O":
Location: Bellagio, Las Vegas (USA)
Performs: Wednesday through Sunday, Dark: Monday/Tuesday
Two shows Nightly - 7:30pm and 10:00pm
2011 Ticket Prices:
o Orchestra: $150.00
o Loggia: $130.00
o Balcony: $99.00
o Limited View: $93.50
2011 Dark Dates:
o February 6-9
o April 13-17
o June 12
o August 10-14
o October 9
o December 5-18
La Nouba:
Location: Walt Disney World, Orlando (USA)
Performs: Tuesday through Saturday, Dark: Sunday/Monday
Two shows Nightly - 6:00pm and 9:00pm
2011 Ticket Prices (adults) / (child 3-9):
o Category 0: $120.00 / $97.00
o Category 1: $105.00 / $85.00
o Category 2: $85.00 / $69.00
o Category 3: $69.00 / $56.00
o Category 4: $55.00 / $45.00
2011 Dark Dates:
o January 18-22
o March 22
o May 17-28
o July 26
o September 20-24
o November 22
Zumanity:
Location: New York-New York, Las Vegas (USA)
Performs: Friday through Tuesday
Dark: Wednesday & Thursday
Two Shows Nightly - 7:30pm and 10:00pm
2011 Ticket Prices (18+ Only!):
o Duo Sofas: $129.00
o Orchestra Seats: $105.00
o Upper Orchestra Seats: $79.00
o Balcony Seats: $69.00
o Cabaret Stools: $69.00
2011 Dark Dates:
o February 6, 15
o April 15-19
o June 21
o August 26-30
o Septembre 2-6
o October 17-18
o December 16-20
2011 Added Performances:
o November 23rd
o December 31st
KÀ:
Location: MGM Grand, Las Vegas (USA)
Performs: Tuesday through Saturday, Dark Sunday/Monday
Two Shows Nightly - 7:00pm and 9:30pm
2011 Ticket Prices (adult) / (child 5-12):
o Category 1: $150.00 / $75.00
o Category 2: $130.00 / $65.00
o Category 3: $99.00 / $49.50
o Category 4: $69.00 / $34.50
2011 Dark Dates:
o January 18-29
o April 5
o May 31 - June 4
o July 12
o August 30 - September 7
o November 15-16
2011 Added Performances:
o January 16
o May 29
o November 27
o December 26
o December 31
LOVE:
Location: Mirage, Las Vegas (USA)
Performs: Thursday through Monday, Dark: Tuesday/Wednesday
Two Shows Nightly - 7:00pm and 9:30pm
2011 Ticket Prices:
o Lower Orchestra: $150.00
o Upper Orchestra: $130.00
o Lower Balcony: $99.00
o Middle Balcony: $93.50
2011 Dark Dates:
o February 7-8
o April 7-11
o May 16
o June 6
o August 4-8
o October 3
o December 1-12
2011 Added Performances:
o May 18th
o December 28th
o December 31st
ZAIA:
Location: Venetian, Macao (China)
Performs: Every Day, Dark: Wednesday
One to Two Shows Daily - Times Vary
2011 Ticket Prices (adult) / (child 2-11):
o VIP Seating: MOP$ 1288 / MOP$ 1288
o Reserve A: MOP$ 788 / MOP$ 394
o Reserve B: MOP$ 588 / MOP$ 294
o Reserve C: MOP$ 388 / MOP$ 194
ZED:
Location: Tokyo Disneyland, Tokyo (Japan)
Performs: Varies
One to Two Shows Daily - Showtimes vary
2011 Ticket Prices (Non-Peek / Peek Time):
o Category 1 ("Premium"): ¥15,000 / ¥16,000
o Category 2 ("Stage-Side"): ¥12,500 / ¥13,500
o Category 2 ("Center"): ¥12,500 / ¥13,500
o Category 3 ("Wide View"): ¥9,500 / ¥10,500
o Category 4 ("Value"): ¥7,500 / ¥8,500
BELIEVE:
Location: Luxor, Las Vegas (USA)
Performs: Friday through Tuesday, Dark: Wednesday/Thursday
Two Shows Nightly - 7:00pm and 10:00pm
NOTE: Children under the age of 12 must be accompanied by
an adult. Children under the age of five are not permitted
into the theater.
2011 Ticket Prices (all):
o Category 1: $160.00
o Category 2: $130.00
o Category 3: $109.00
o Category 4: $89.00
o Category 5: $59.00
2011 Dark Dates:
o January 11-15
o March 1-5
o June 7-14
o September 6-10
o December 6-17
VIVA ELVIS:
Location: Aria, Las Vegas (USA)
Performs: Tuesday through Saturday, Dark: Sunday/Monday
Two Shows Nightly - 7:00pm and 9:30pm
2011 Ticket Prices
o Category 1: $175.00
o Category 2: $150.00
o Category 3: $125.00
o Category 4: $99.00
2011 Dark Dates:
o January 18-19
o March 15-19
o May 10-11
o July 5-16
o September 13-14
o November 8-12
2011 Added Performances:
o May 29th
o November 27th
o December 26, 31
--------------------------------------
VENUE - Venue & Seasonal Productions
--------------------------------------
Online at: < http://www.cirquefascination.com/?page_id=251 >
IRIS:
Location ///
Kodak Theatre
Hollywood, CA (USA)
Performances ///
Opens July 22, 2011
Ticket Prices ///
Previews:
Category 0 = $203.00
Category 1 = $100.50
Category 2 = $78.00
Category 3 = $59.25
Category 4 = $33.00
Weekday Matinee:
Category 0: $253.00
Category 1: $123.00
Category 2: $93.00
Category 3: $68.00
Category 4: $43.00
Saturday Matinee:
Category 0: $253.00
Category 1: $133.00
Category 2: $103.00
Category 3: $78.00
Category 4: $43.00
ZARKANA:
Location ///
New York, NY -- Jun 9, 2011 to Sep 4, 2011
Moscow, RU -- Feb 2, 2012 to Apr 26, 2012
Performances ///
2011 Dark Dates:
o June 13-15, 20-22, 27-28
o July 4, 11, 18, 25
o August 1, 8, 15, 22, 29
Ticket Prices ///
Previews:
Category 1 = $250.00
Category 2 = $120.00
Category 3 = $70.00
Category 4 = $47.00
Fri Eve, Sat Mat, Sat Eve, Sun Mat:
Category 1: $300.00
Category 2: $130.00
Category 3: $75.00
Category 4: $52.00
Tues Eve, Wed Mat, Wed Eve, Thurs Eve,
Fri Mat, Sun Eve:
Category 1: $250.00
Category 2: $130.00
Category 3: $75.00
Category 4: $52.00
=======================================================================
OUTREACH - UPDATES FROM CIRQUE'S SOCIAL WIDGETS
=======================================================================
o) Club Cirque -- This Month at CirqueClub
o) Networking -- Cirque on Facebook, Youtube & Twitter
---------------------------------------
CLUB CIRQUE: This Month at CirqueClub
---------------------------------------
THE ART OF RICHARD MACDONALD AT THE
CIRQUE DU SOLEIL HEADQUARTERS
{Mar.03}
As part of partnership with Richard MacDonald, master of figurative
sculpture, Cirque du Soleil Headquarters is hosting an exhibit of
over 30 bronze sculptures along with serigraphs featuring circus and
performance artists (until April 29th).
Did you know?
The first Richard MacDonald gallery launched in 2008 in the O
Theatre lobby at Bellagio, Las Vegas was born out of a friendship
between Cirque du Soleil Founder Guy Laliberté and the artist.
Last year, two additional galleries were opened one at City Center
and another at Bellagio.
For more information about the artist, visit the official website of
Richard MacDonald! < http://www.theartofrichardmacdonald.com >
Read the original article here:
< http://www.cirquedusoleil.com/en/cirque-club/news/2011/2011-03-01-
richard-macdonald.aspx >
SAFEWALLS MAKES ITS SECOND STOP IN HOUSTON
{Mar.09}
Each month, SAFEWALLS is pairing up with three cutting-edge artists to
create original art posters inspired by a Cirque du Soleil show.
The first stop on SAFEWALLS global itinerary, this past February, was
London. The London-based artists Jon Burgerman, Sweet Toof and Glenn
Anderson had created alternative poster designs for the Cirque du
Soleil show TOTEM. Now, in the month of March, Safewalls makes its
second stop in Houston, the largest city in the American state of
Texas.
The Cirque de Soleil show selected for Houstons trio of artists is
OVO, created and directed by Brazilian dancer/choreographer Deborah
Colker. With a musical backdrop inspired by Brazilian styles, OVO
explores insects and their ecosystem, a visually charged subject that
afforded fantastic creative possibilities to our three chosen artists
Shag, El Mac and and Jason Limon!
CIRQUE DU SOLEIL-INSPIRED IMMERSIVE 3D EXPERIENCES
{Mar.14}
Cirque du Soleil, James Cameron (Titanic, Avatar), and Andrew Adamson
(Shrek, Chronicles of Narnia), in association with Reel FX
Entertainment, announced a partnership designed to develop and produce
immersive theatrical 3D projects inspired by the unique creative
universe of Cirque du Soleil.
Initiated by Cirque du Soleil, the new 3D motion picture experiences
will combine the creative visions of Cameron and Adamson to capture
and expand the live production experience to an art form beyond the
imagination.
The partnership brings together the best creative minds in 3D
technology, creative storytelling and live performance.
The first project to stem from this partnership is currently in
production stay tuned to Cirque Club to learn more as developments
occur!
Read the original article here:
< http://www.cirquedusoleil.com/en/cirque-club/news/2011/2011-03-14-
cirquedusoleil-in-3d.aspx >
CIRQUE DU SOLEIL AT THE 2011 ROSE PARADE
{Mar.21}
Cirque du Soleil participated in the 2011 Rose Parade in an effort to
promote its arrival in Los Angeles with a new resident production,
performing exclusively at Kodak Theatre, called IRIS.
See a video excerpt of the television broadcast featuring the Cirque
du Soleil float and catch a glimpse of a few performers to expect in
the show in full costume!
View video:
< http://www.cirquedusoleil.com/en/cirque-club/news/2011/2011-03-21-
IRIS-rose-parade/video.aspx >
Read the original article here:
< http://www.cirquedusoleil.com/en/cirque-club/news/2011/2011-03-21-
IRIS-rose-parade.aspx >
---------------------------------------------------
NETWORKING: Cirque on Facebook, YouTube & Twitter
---------------------------------------------------
---[ "O" ]---
{Mar.22}
Check out this great article about how we keep our artists
healthy, happy and at the top of their game!
LINK /// < http://www.youtube.com/watch?
v=-T4uQ-CYgiA&feature=player_embedded >
{Mar.19}
On your marks...get set....
LINK /// < http://www.facebook.com/photo.php?fbid=
10150136572089417&set=a.98604589416.79108.
26000574416&ref=nf >
{Mar.19}
Some fabulous "O" artists with Mayor Goodman at "Run Away
with Cirque du Soleil" this morning at The Springs Preserve!
LINK /// < http://www.facebook.com/photo.php?fbid=
10150136571324417&set=a.98604589416.79108.
26000574416&ref=nf >
---[ ALEGRIA ]---
{Mar.26}
What is Alegria, it's meaning? Meet Michael G Smith, Senior
Artistic Director.
LINK /// < http://vimeo.com/20626846 >
{Mar.24}
Elodie Dufau, artists Power Track and character, doing her
makeup before opening night in Knoxville
LINK /// < http://www.knoxville.com/videos/detail/
cirque-du-soleil-makeup-application/ >
{Mar.16}
Opening in Charleston tomorrow night @ North Charleston
Coliseum! In this article, Micah Naruo talks about his
passion, his act in the show: Fire-Knfe Dance
# # #
Native Hawaiian Micah Naruo loves playing with fire; he
is a fire-knife dancer and a featured performer in Cirque
du Soleils Alegría, which opened in Charleston March 17.
For the uninitiated, the fire-knife is a three-foot long
staff capped on one end by a flaming ball of cloth and by
a fiery 13-inch metal blade on the other. Originally
utilized as a weapon in Samoan culture, fire was added
more than 50 years ago.
Fire is one of the elements of our world, he says. Maybe
Im something of a pyro, but its always interesting. I want
the audience to feel its power. Feel the youthfulness and
the energy. See the beauty, the images we create, and see
fire as spiritual, not just something dangerous.
Fire represents a cleansing of negativity or impurities in
the kingdom of Alegría. Spinning, throwing; dancers even
balance the fire-knife on their heels. Do they get burned?
Everyday.
Micah has trained for 13 years and he does it without water
or fire retardant skin creams. Everyday my hair gets singed
shorter and shorter, he cheerfully admits. Everyday we put
fire on our heels and let the audience see us burn ourselves.
Its mind over matter and I respect the fire.
The phrase feel the burn suddenly takes on a whole new
meaning.
Micah is recognizable by his intricate tattoos symbols
representing his passion for the fire-knife. They represent
artistry, family, providence and protection.
---[ CIRQUE DU SOLEIL ]---
{Mar.23}
Did you know that 3 million litres of rainwater were collected
at the Cirque du Soleil Studio in Montreal in 2010 to supply
sanitation facilities & to maintain & water gardens?
LINK /// < http://bit.ly/eUssg7 >
{Mar.19}
This morning was the 10th Annual Run Away with Cirque du Soleil
5K in Las Vegas. This year's event had more than 1,200 runners
and raised money and awareness for the need for clean water
through the ONE Drop Foundation, created by Cirque du Soleil
founder Guy Laliberté.
FOTO [9] /// < http://www.facebook.com/album.php?
aid=346407&id=31527171928 >
{Mar.01}
As of today, the music of TOTEM - Cirque du Soleil is now
available on CD or though digital download in all fine stores
and all digital outlets (including iTunes) or on the Cirque du
Soleil online boutique!
LINK /// < http://bit.ly/eDDG7e >
---[ DRALION ]---
{Mar.29}
Acrobats defy gravity in Cirque du Soleil's 'Dralion' | The Des
Moines Register
LINK /// < http://www.desmoinesregister.com/article/20110329/
LIFE/103290340/Acrobats-defy-gravity-in-
Cirque-du-Soleil-s-Dralion- >
{Mar.23}
More behind the scenes images from Dralion in San Antonio! We
open tonight at the AT&T Center
LINK /// < http://www.kens5.com/great-day-sa/Backstage-sneak-
peak-at-Cirque-du-Solei-118441134.html >
{Mar.22}
Cirque du Soleil brings Dralion to S.A.
LINK /// < http://www.laprensasa.com/326_Entertainment/
1026667_Cirque-du-Soleil-brings-Dralion-to-S-A.html >
{Mar.12}
Watch Bettie Cross & Jason Wheeler behind the scenes at the
Cedar Park Center in Austin. Performances will run until March
20th.
LINK /// < http://weareaustin.com/austinlive-story?nxd_id=128686 >
{Mar.10}
Dralion opens tonight at the Cedar Park Center in Austin, Texas.
LINK /// < http://www.austin360.com/arts/juggler-brings-unusual-
skills-to-dralion-show-1309075.html >
---[ IRIS ]---
{Mar.31}
The word iris refers to the adjustable openingor diaphragm
that controls the amount of light that passes through a camera
lens. Are you someone that likes to be behind the camera or
in front?
{Mar.28}
Did you know that there will be 200 costumes in IRIS?
---[ KÀ ]---
{Mar.25}
KÀ artist Brien McCrea wanted to do something to let our
Japanese artists at KÀ, and cast and crew at ZED and KOOZA, know
that they are in our thoughts and hearts as Japan continues to
recover. The Senzaburu--one thousand origami cranes strung
together--is an honored tradition in Japanese culture
representing a wish for healing and prosperity. Cast and crew
worked together folding colorful cranes, talking, laughing, and
helping each other. We sent the photo below to ZED and KOOZA to
let them know we are thinking of them.
LINK /// < http://www.facebook.com/photo.php?fbid=
10150190843356929&set=a.176667951928.146847.
31527171928&ref=nf >
{Mar.24}
On March 23, 2011 we performed our 3,000th show! Here are a few
pics from the celebration!
FOTO [8] /// < http://www.facebook.com/photo.php?fbid=
10150190843356929&set=a.176667951928.146847.
31527171928&ref=nf >
{Mar.23}
Please join us in congratulating our cast and crew in advance of
tonight's 3,000th performance! Many of the people who make KÀ so
amazing have been with the show since it opened, and our Musical
Director, Richard Oberacker, is one of them. Please enjoy this
interview and short performance from "Morning Blend" in Las
Vegas! (We thought it would be nice to see some of our martial
artists faces today!)
LINK /// < http://www.vegasmorningblend.com/videos/118270634.html >
---[ MJ THE IMMORTAL ]---
{Mar.30}
Did you know? Director and choreographer Jamie King has helped
create some of the hottest touring shows ever for superstars
including Madonna, Rihanna, Celine Dion, Britney Spears and
Pink.
{Mar.23}
Musical Designer and keyboardist Kevin Antunes has worked with
everyone from Justin Timberlake to Janet Jackson. And now, fresh
from Madonnas Sticky & Sweet world tour, Kevin has joined
forces with Cirque du Soleil
Watch the video!
LINK /// < http://bit.ly/dJz7G0 >
{Mar.18}
THE IMMORTAL World Tour starts with Michael Jacksons music,
says Writer and Director Jamie King. Learn more about the
creative process, and how the show is taking shape!
LINK /// < http://bit.ly/fNHtVe >
{Mar.09}
Meet keyboard artist Greg Phillinganes who worked with Michael
Jackson on the Off The Wall and Thriller albums. He was the
music director for the Bad and Dangerous World Tours... And now
hes the Musical Director of THE IMMORTAL World Tour by Cirque
du Soleil.
LINK /// < http://bit.ly/glHf4Q >
---[ OVO ]---
{Mar.31}
Great contest just for you - "Spend the day under the blue-and-
yellow Big Top with Cirque du Soleil in CHICAGO"
LINK /// < http://timeoutchicago.com/sites/default/files/
marketing/cirqueday.html >
{Mar.24}
You didn't get the chance to see the performance of Tony
Frébourg at KHOU-TV on March 22? Here it is for you!
LINK /// < http://www.khou.com/great-day/gdh_032211_seg7-
118436874.html >
{Mar.24}
OVO - Cirque du Soleil show in Houston by Joe Sioufi
LINK /// < http://www.examiner.com/cultural-events-in-
houston/ovo-cirque-du-soleil-show-houston-by-joe-
sioufi >
{Mar.23}
Read this inspiring article about life at Cirque du Soleil when
you travel with your family!
LINK /// < http://blogs.chron.com/momhouston/2011/03/
parents_who_join_the_circus_at_1.html >
{Mar.11}
Complete review available in today's Houston Chronicle
LINK /// < http://www.29-95.com/art/story/cirque-du-soleils-ovo >
{Mar.04}
Cirque du Soleil Raises the Big Top
LINK /// < http://blogs.houstonpress.com/artattack/2011/03/
cirque_du_soleil_raises_the_bi.php >
---[ QUIDAM ]---
{Mar.30}
Quidam in San Diego, CA
FOTO [19] /// < http://www.facebook.com/album.php?fbid=
10150145885232046&id=35752277045&aid=285963 >
{Mar.30}
Quidam in San Jose, CA
FOTO [23] /// < http://www.facebook.com/album.php?fbid=
10150119452762046&id=35752277045&aid=284661 >
{Mar.29}
Quidam's San Jose rehearsals and Premiere night at HP Pavilion
in pictures...
LINK /// < http://photos.sfstation.com/Art/Cirque-du-Soleil-
Quidam/16374409_zXzgh#1231301319_JDwvM >
LINK /// < http://metroactive.smugmug.com/Events/Quidam-
Rehearsal-at-HP/16385811_w7kRE#1233011532_mdee8 >
{Mar.06}
Quidam cute couples in the Vancouver Sun
LINK /// < http://www.vancouversun.com/entertainment/Romance+
inevitable+welcome+circus/4387456/story.html >
---[ SALTIMBANCO ]---
{Mar.31}
Workshops with local organization Zip Zap Circus! The kids were
amazing...
LINK /// < http://www.iol.co.za/tonight/what-s-on/western-cape/
learning-the-ropes-1.1049065 >
{Mar.27}
Review in Cape Town!
LINK /// < http://www.facebook.com/photo.php?fbid=
10150170069757959&set=a.121288542958.129859.
41245692958&ref=nf >
{Mar.24}
Troupe comes full Cirque - Entertainment - NZ Herald News
LINK /// < http://www.nzherald.co.nz/entertainment/news/
article.cfm?c_id=1501119&objectid=10714474 >
{Mar.11}
Great review in this morning paper in Joburg!!
LINK /// < http://www.timeslive.co.za/lifestyle/
article961374.ece/Circus-of-astonishment >
{Mar.03}
Some cool shots of the rehearsals...
LINK /// < http://istanbul2010.blog.lemonde.fr/2011/03/02/
cirque-du-soleil-le-spectacle-saltimbanco-a-istanbul/ >
---[ TOTEM ]---
{Mar.22}
Characters from Cirque du Soleil TOTEM invaded The Maryland
Science Center in Baltimore to bring a taste of its evolution
themed show which will be premiering on April 7 under the blue-
and-yellow Grand Chapiteau at the Westport Waterfront!!
FOTO [8] /// < http://www.facebook.com/album.php?fbid=
200175636669801&id=111798252174207&aid=50017 >
{Mar.16}
TOTEM's Rings Trio act artist, Alya Titarenko, talks about the
story behind the performance.
LINK /// < http://www.wsoctv.com/video/27201321/index.html >
{Mar.15}
'Totem' performer at home in the air - CharlotteObserver.com
LINK /// < http://www.charlotteobserver.com/2011/03/12/
2133441/totem-performer-at-home-in-the.html >
{Mar.15}
Totem's Nikita Moiseev is Circus Boy
LINK /// < http://www.charlotteobserver.com/420/
index.html?media_id=71060801 >
{Mar.09}
TOTEM - Cirque du Soleil
LINK /// < http://www2.independenttribune.com/news/
03-03-2011_totem/ >
---[ THE BEATLES LOVE ]---
{Mar.23}
Ever wanted an up-close look at LOVE? Check out this virtual
tour and see backstage and more!
VIDEO [3:19] /// < http://www.facebook.com/video/video.php?
v=10100364371917639&oid=14653468665&comments >
---[ VIVA ELVIS ]---
{Mar.14}
Ever wonder what goes on before the show? Enjoy this time lapse
video of preset (along with some good music).
VIDEO [2:29] /// < http://www.facebook.com/video/video.php?
v=629510693598&oid=167136344108&comments >
---[ ZARKANA ]---
{Mar.31}
Fun Fact: Mandragora, a plant-like character in Zarkana, will
come to life by extending its arms out like scissors nearly
100 feet across the proscenium.
{Mar.29}
Fun Fact: 15,000 square feet of hand-painted ceramic tile, later
gilded with gold leaf, cover the walls of the Zarkana stage in a
patchwork pattern.
{Mar.23}
In Montreal, Zarkana rehearsals were held in different locations
because no single space could accommodate the shows large-scale
set. Recently the full set was moved to an arena in Florida
where rehearsals will be held prior to our arrival at Radio City
Music Hall.
{Mar.22}
Zarkana Rehearsals
FOTO [5] /// < http://www.facebook.com/video/video.php?
v=629510693598&oid=167136344108&comments >
---[ ZED ]---
{Mar.28}
A wonderful gift from the KÀ artists and crews.
LINK /// < http://www.facebook.com/album.php?
aid=146847&id=31527171928 >
{Mar.03}
Hello ZED fans! Did you know that in Japan, we celebrate March
3rd as the girls day?? We display these dolls called "Hina
dolls" on this day, if you have a girl in the family. To
celebrate this day, ZED team has also displayed this "Hina
dolls" in our staff green room. Every artists and staff loved
just watching it!
LINK /// < http://www.facebook.com/photo.php?fbid=
10150194847656164&set=a.10150144377101164.
342824.41326571163&ref=nf >
---[ ZUMANITY ]---
{Mar.29}
Cast members from Zumanity visited the Vegas.com and MGM Resort
International Call Centers last week.
FOTO [29] /// < http://www.facebook.com/album.php?
fbid=10150126995898847&id=13931088846&aid=298931 >
{Mar.04}
Valentine's Day Meet & Greet @ Zu!
FOTO [4] /// <http://www.facebook.com/album.php?
fbid=10150112398893847&id=13931088846&aid=293477 >
=======================================================================
COMPARTMENTS -- A PEEK BEHIND THE CURTAIN
=======================================================================
------------------------------------
HISTORIA: Cirque du Soleil History
------------------------------------
* Apr.01.2003 -- "Varekai: Cirque du Soleil" Book Published
* Apr.01.2008 - Koozå opened Hartford, CT
* Apr.01.2010 - Varekai opened Munich, DE
* Apr.02.1998 -- Alegría opened Barcelona
* Apr.02.2002 -- Name of "Cirque 2002" Announced - Varekai
* Apr.02.2003 -- BRAVO announced Cirque Variety Series ("Solstrom")
* Apr.02.2009 - Saltimbanco Arena opened Mobile, AL
* Apr.04.2001 -- Dralion opened in New York
* Apr.04.2006 -- M.A.C. became Official Cosmetic Supplier
* Apr.04.2006 -- Cirque inked 3-year TV deal in UK
* Apr.05.1996 -- Saltimbanco opened in Amsterdam (again)
* Apr.05.2001 -- Quidam opened in Antwerp
* Apr.05.2005 -- Name of "Cirque 2005" Announced - Corteo
* Apr.06.2000 -- Dralion opened in San Jose, California
* Apr.06.2006 -- «O» selected "Favorite Production Show" by "Whats
On, The Las Vegas Guide"
* Apr.06.2006 -- Cirque outsourced IT Department to CGI Group
* Apr.07.2009 - Name of Cirque2009 Announced OVO
* Apr.07.2010 - Saltimbanco Arena opened Bremen, DE
* Apr.07.2010 - Alegría Arena opened Cleveland, OH
* Apr.08.1988 -- Le Cirque Réinventé opened San Francisco
* Apr.08.1998 -- Quidam opened New York City
* Apr.08.2005 -- Saltimbanco opened Paris
* Apr.08.2010 - Name of Cirque2010 Announced TOTEM
* Apr.09.2004 -- Varekai opened Pittsburg
* Apr.09.2009 - Quidam opened Sheffield, UK (Temporarily Arena)
* Apr.09.2009 - Saltimbanco Arena opened Nashville, TN
* Apr.09.2010 - Koozå opened Portland, OR
* Apr.09.2010 - OVO opened New York City
* Apr.10.2007 -- Cirque announced Saltimbanco Arena Tour
* Apr.10.2008 - Saltimbanco Arena opened Des Moines, IA
* Apr.10.2009 - Dralion opened Melbourne, Australia
* Apr.11.1991 -- Nouvelle Expérience opened New York City
* Apr.11.2003 -- Dralion opened Baltimore
* Apr.11.2006 -- "The Spark" Book Published
* Apr.11.2007 -- Name of "Cirque 2007" Announced - Koozå
* Apr.13.1989 -- Le Cirque Réinventé opened Miami, Florida
* Apr.14.2010 - Saltimbanco Arena opened Valencia, ES
* Apr.15.2008 -- APM Music Launches New Film Trailer
Library with Cirque du Soleil Composers
* Apr.15.2008 - Saltimbanco Arena opened Moline, IL
* Apr.15.2009 - Saltimbanco Arena opened Huntsville, AL
* Apr.16.2003 -- SOLSTROM began filming in Montréal
* Apr.16.2009 - Quidam opened Glasgow, Scotland (Temporarily Arena)
* Apr.16.2009 - Koozå opened New York City
* Apr.17.2008 - Name of Cirque Luxor Announced
Criss Angel: BELIEVE
* Apr.18.2002 -- Dralion opened San Diego
* Apr.18.2003 -- Saltimbanco opened Geneva
* Apr.18.2006 -- Ground is broken on Tokyo Permanent Production
* Apr.18.2009 - «O» Celebrated 5,000th Performance [7:30pm]
* Apr.19.2006 -- Cirque announced "LOVE" at The Mirage
* Apr.19.2007 -- Varekai opened Melbourne, Australia
* Apr.19.2007 -- Koozå Premired in Montréal
* Apr.20.2001 -- Saltimbanco 2000 opened Nagoya, Japan
* Apr.20.2005 -- Alegría opened Nagoya, Japan
* Apr.20.2008 - DELIRIUMs final curtain call [London, UK]
* Apr.20.2008 - Quidam opened Lisbon, Portugal
* Apr.21.1994 -- Alegría premiered in Montréal
* Apr.21.2005 -- Corteo premiered in Montréal
* Apr.21.2010 - Saltimbanco Arena opened Santiago, ES
* Apr.21.2010 - Corteo opened Sendai, Japan
* Apr.22.1999 -- Dralion premiered in Montréal
* Apr.22.2003 -- Cirque announced "Zumanity" at NY-NY
* Apr.22.2009 - Saltimbanco Arena opened North Charleston, SC
* Apr.23.1992 -- Saltimbanco Premiered in Montréal
* Apr.23.1996 -- Quidam premiered in Montréal
* Apr.23.2005 -- La Nouba celebrated 3000th performance
[Saturday, 9:00pm]
* Apr.23.2008 - Dralion opened Fukuoka, Japan
* Apr.23.2008 - Saltimbanco Arena opened Cedar Rapids, IA
* Apr.23.2009 - OVO premiered in Montréal
* Apr.23.2010 - Quidam opened Porto Alegre
* Apr.24.1997 -- Quidam opened Santa Monica
* Apr.24.2002 -- Varekai premiered in Montréal
* Apr.24.2003 -- Alegría opened Austin
* Apr.24.2003 -- Varekai opened New York City
* Apr.24.2007 -- Name of "WinterTale" Released Wintuk
* Apr.24.2008 - Corteo opened Seattle, Washington
* Apr.24.2009 - After 15 years, Alegrías Big Top Tour Ends
* Apr.26.2002 -- Saltimbanco opened Barcelona
* Apr.26.2008 -- Artisans de I'maginarie: The World of Cirque du
Soleil is staged in Omotesando Hills, Tokyo
* Apr.27.2000 -- Mystère celebrated 3000th Performance
[Thursday, 10:30pm]
* Apr.27.2006 -- Alegría opened Rome
* Apr.27.2006 -- Corteo opened New York
* Apr.28.2010 - Saltimbanco Arena opened San Sebastian
* Apr.29.1997 -- Quidam opened in Santa Monica (again)
* Apr.29.2004 -- Varekai opened Phoenix
* Apr.29.2004 -- Saltimbanco opened Milan
* Apr.29.2009 - Cirque announces new shows in NYC
* Apr.29.2009 - Saltimbanco Arena opened Lakeland, FL
* Apr.29.2010 - Alegría arena opened Highland Heights
* Apr.29.2010 - Banana Shpeel opened New York City
* Apr.30.1999 -- Alegría: Le Film premiered in Québec
* Apr.30.2003 -- Alegría celebrated 3000th Performance [8:00pm/Austin]
=======================================================================
FASCINATION! FEATURES
=======================================================================
-------------------------------------------------------
INTERVIEW /// "Benoit Jutras: Making Time Stop" Part 2
By: Keith Johnson - Seattle, Washington (USA)
-------------------------------------------------------
Last month, in the first part of our interview with Cirque musical
composer Benoit Jutras he talked about writing new music for Mystère,
as well as his other Cirque shows. In the second half of our
exclusive interview, Mr. Jutras talks about his projects outside of
Cirque, the recordings made of his shows, and what the future might
hold.
# # #
Mr. Jutras next show project would be his 8th collaboration with
Franco Dragone, the show Le Rêve at the Wynn Las Vegas
(www.wynnlasvegas.com/shows/le-reve). Mr. Jutras has been the only
creator that has stayed with the show through its evolving
incarnations, ensuring that the only musical voice you hear is his.
In fact, as we were talking that late January morning, Mr. Jutras was,
working on Le Rêve. Im calling from my room at the Wynn, Ive got
my studio here and were writing two new pieces. Its always a
continuing project; it just never stops, never ever.
Neither does his creative collaborations with Dragone, which is fine
with Mr. Jutras. I have a meeting with Franco a little later
[today]. [He] just called me this morning; hes in town and wants to
talk about another project.
Through the years theyve developed a working relationship that suits
them both. The fact that weve been working together for so long
means that we dont need to talk that much. Theres a trust between
us thats nice. Its actually really rare that Franco will tell me,
Id like you to go there, Id like you to do that. He trusts me.
Its probably quite well known that Franco can sometimes be a hard man
to work with because he has quite a big temper. But its like second
nature working with him. For each project we worked nearly a year, so
[thats] eight years of my life where [weve worked] really really
close. Franco changes his mind a lot. Of all the directors Ive
worked with that is maybe the biggest challenge of working with
Franco. But at the same time he never asks for any specific thing so
I feel completely free, I feel like I can do nearly whatever I want.
His most recent project is another water-based show, The House of
Dancing Water(.com) at the Wynn Macao(.com). How is this shows music
different from Le Rêve? The House of Dancing Water is definitely a
story-driven show, so in that sense its more of a movie soundtrack
than any other show. [There are] themes that [recur], themes that are
associated with characters. Its still show music, its different
than if I was to do music for a movie, but its still closer to that
than anything Ive done before. And its probably the most orchestral
of the shows Ive done. Not as much as Journey of Man but
definitely the most for a show.
In composing music for the Chinese market, were there certain Chinese
elements he tried to make sure were included in the music? Yes, but
at the same time not too much. I didnt want to [go that direction]
and I made that clear from the beginning. Im not a Chinese composer;
Im a North American composer. I didnt want to make a Chinese score
because that would just be faking it, there would be an essence to it
that I would miss, it would sound like it but the essence wouldnt be
there. So it was clear from the beginning that it wouldnt be a
Chinese soundtrack. But at the same time erhu is one of my favorite
instruments and I knew that there would be an erhu player in the show.
And there are certain sonorities that I really like. I really like
the pipa [Ed. A four-stringed instrument sometimes called the Chinese
lute] so I put a lot of pipa in the show. I tried to put [Chinese
influences] here and there, but I did it the same way as I would put
[Chinese] inspiration in [any other show].
Finding the Link
In encouraging news for fans of Mr. Jutras music, he informed us that
Dragone Productions (www.dragone.be) had just signed with EMI
music(.com), with plans to release both Le Rêve and The House of
Dancing Water on CD worldwide! I actually finished the [House of
Dancing Water] CD a week ago. But because of the Chinese process of
censoring and all that it can take up to two months once the CD is
finished to get final approval from the Chinese government. Its not
going to be out before April.
Fans have also wondered whether the more recent music composed for Le
Rêve (including the ballroom dancing numbers) would find their way to
a re-vamped soundtrack for the show. Yes, weve been talking about
that, at some point there should be, I think it would be nice and
respectful to have another soundtrack.
But there is one sad piece of news on the soundtrack CD front,
concerning Mr. Jutras score for the Six Flags(.com) parks Glow in
the Park Parade. There was supposed to be [a CD]. The CD is done,
but just as we were going to distribute it Six Flags got themselves
into really big financial trouble. So they decided to hold it and I
dont think theyre going to release it now. Which is sad because it
was a fun little project, its really different.
Though his website mentions the possibility of two compilation CDs
(which were supposed to come out in 2009), Mr. Jutras informed us that
that was in error, but not completely. Ive been asked to do a
compilation which I will probably do this year. I just started
looking at that about a month ago after I finished The House of
Dancing Water. We thought that maybe now would be a nice time.
What songs might populate it? It changes; often the latest project
becomes the most interesting to me because I havent heard it over and
over. I suppose there are a few pieces that I prefer. If were
talking about a CD, [some] pieces make more sense on CD than others,
its the way [a song] sounds by itself. Like I said René has more of
a song approach. Usually when he writes he writes a bunch of songs
before the project and [then] adapts them to the show.
I write specifically for the acts but often the songs dont stand up
as well outside of the show. [For example] if Im talking about
Quidam the banquine music is not even on the CD, there was never any
talk to put it on the CD. Yet for me the Banquine act is one of the
tightest and nicest music/act [combinations] that I did because I feel
there is a union, a link that is strong. (We did remind him that the
banquine music did make it into the soundtrack for the Journey of
Man film (since the act does appear there). He was unaware, however,
of the musics appearance as a bonus track on the Canadian expanded
edition of the Quidam Soundtrack (2002, BMG Canada 91493).)
How would he define Benoit Jutras music? Its really funny. When
I left university in 87 I started working with Cirque, and Cirque-
related projects were the main things I did. And when [Im asked] to
do music people have often said thats what they have in mind. Im
not sure actually, I will definitely think about it. I should be able
to answer that, this is something I should have thought of. Its a
big question, its an important question, but I have a hard time
[coming up with an answer].
All of his show CDs to date have taken care to include the creation
musicians, which Mr. Jutras considers, very important, enormously
important. For me its really important that with every CD I produce
that I use the musicians from the show. Even for The House of Dancing
Water, [which] was quite complicated. We couldnt do the CD while I
was in Macao because I had to come back to Montréal for personal
reasons. But I didnt want to use other musicians. Luckily they
agreed to come to Montréal during their break to be in the studio.
But if not I would have flown back to Macao to record them.
I feel its respectful to the musicians that helped create the show,
because they give a bit of themselves in [the creation of] the show.
Even though, like I said, Im really hands-on in my scores - Im
writing quite detailed arrangements most of the time - so its not
like theyre rewriting a major part of the show. But at the same time
they always bring something in the way they play that makes it what it
is. And because they play that certain way you [go in] that
direction. So its quite important, they add a really important
contribution.
Another vital part of the mix is producing partner and engineer Rob
Heaney who has been involved in all of Mr. Jutras CDs from Mystère
onward. Hes a genius, I respect him so much. We worked together
for the first time on the Mystère Live CD, and later on the Quidam CD.
I wasnt producing those CDs but I had contact with him and we started
to connect. After the last sessions for the Quidam album I asked if
he wanted to try and create a producing team with me. At first he
said no, it took him a year to say yes. And since 97 I havent
produced anything without him. We have a definite connection. Im
not that well versed in sound and studio producing, and hes amazing
at driving musicians, particularly rhythm sections. My part is more
the details of the arrangements. The two of us together are more
complete than by ourselves.
Making Sense of the Future
In addition to upcoming CD releases (and that possible future
collaboration with Franco Dragone), there are other exciting plans on
the horizon. Im in negotiations to do a musical. [Its] a big-
scale Broadway musical-type show. It would be really nice [to do].
Its a project that Ive had in mind for a long time and Warner
Brothers seems quite interested, so well see. Im flying to San
Francisco in a month to have meetings for that. I would love to have
a musical either on the West End or on Broadway.
At [one] point it seemed [like it was going] to be difficult because
of rights that were owned by two different groups, and negotiations
for musicals [can] stretch for years and years. But finally
everything came together. They asked me to keep it a bit of a secret;
Im not allowed to speak too much about it.
His website also mentions a project called S-Trip S-Trip is a
small personal multimedia project Ive been working on for a while now
that I should finish this year. Its going to be quite underground, a
production with a live band and one dancer, an erotic project. Im
working with a friend of mine whos doing video production, and were
working with a dancer. Technically it should be done this year, but
there are always new projects arriving that push personal projects to
the side. But hopefully Im going to have the time to finish that
one.
What music does he himself enjoy? When Im composing, when Im on a
project I nearly never listen to music. I finished The House of
Dancing Water two and a half months ago and then went right to working
on the CD, so I didnt listen to a lot of music. My personal tastes
in music are often more edgy than when Im writing. I love Ray
LaMontagne, I love Arcade Fire, I love Radiohead, that type of music.
Im also trying to listen to a bit of classical. At one point in my
life I was listening only to classical music, [later] I became a bit
less serious.
We also were interested in how he commits his compositions to written
form. Its a synthesizer with a computer. I have a degree in music,
and when I started in 87 it was by [sitting at a] piano and writing
by hand. But its been so long I dont know if I can even write music
by hand anymore. If I [have to] write in more detail, if theres a
string quartet part or something like that, then I would pick up the
pen and paper. But you dont write the same way with pen and paper
[as you do] with computers. But I would say that 90-95% of the time
its simply with my synthesizer and computer.
Its that time spent sitting at a keyboard and composing that provides
him his greatest satisfaction. [I love] that moment where, at some
point after the first hour or two hours where you struggle to find a
way to get in contact, at some point you just get lost in the process
of composing where time stops. Without being too corny, its where
everything actually makes sense. Its exactly like making love, the
same type of energy, where suddenly you feel connected to the universe
and everything makes sense. So for me its the creation, when Im
sitting at the keyboard and composing. Thats definitely what brings
me the most pleasure.
And, as our interview was drawing to a close, we asked him for words
of inspiration to aspiring artists. To persevere no matter what.
And to follow your passion if the passion is there anyway.
Everything after that comes naturally. Even if its hard - I remember
until I was 27 I had a hard time eating three meals a day. But there
was one thing for sure, when I was sitting at my piano I was happy and
there was no way I would do anything else.
# # #
My sincere thanks go to: Mr. Jutras for so graciously spending time
with us, Chantal Côte, Corporate PR Manager, And my wife LouAnna for
putting up with my sometimes obsessive hobby.
Another great interview with Mr. Jutras can be found at
< http://www.soundtrack.net/features/article/?id=154 >
-------------------------------------------------------
CIRQUECON 2011 UPDATE #4 "We Have a Hotel!"
By: CirqueCon 2011 Team
-------------------------------------------------------
Greetings, Passionates!
MEMBERSHIPS AND TICKET SALES - As of today we have 43 members (on 28
memberships). More will be coming as time progresses and our
marketing efforts take shape - we were waiting until we had our ticket
and hotel offers in place before spreading the word. And just days
after we announced our ticket deal we've sold 26 tickets, almost 60%
of our membership, great work!
WE HAVE A HOTEL!!
Highland Gardens Hotel
7047 Franklin Avenue
Hollywood, CA 90028
1-800-404-5472 toll-free
323-850-1712 fax
323-850-0536 local
www.highlandgardenshotel.com
When it comes to hotels, you have consistently told us you want to be
close to Cirque (and each other). This year we wanted a hotel close
to the Kodak Theatre that also provided a pleasant environment for us
to gather as fellow Passionates at a reasonable rate. During a
reconnaissance trip in December of 2009 we were delighted to find our
"official" hotel for this year, a historic family-run facility that,
while not as geographically close to the Kodak Theatre as some other
hotels in the area, offered us the best mix of room types, a pleasant
atmosphere, and specially-negotiated rates (including an exclusive
upgrade offer)! Located at the corner of North Sycamore Avenue and
Franklin Avenue in Hollywood, the hotel is just a five-minute walk
from the Hollywood & Highland complex and the Kodak (IRIS) Theatre.
COME STAY WITH US!
THE ROOMS HAVE:
* Two queen beds
* A mini-refrigerator & microwave in every room!
* 100% smoke-free! (Pool allows smoking.)
* In-room wireless internet access ($4.00/hour or $10.00/day)
* Air conditioning, TV with cable
THE HOTEL HAS:
* Olympic-size outdoor pool and cabana area (perfect for our
Meet & Greet!)
* Free continental breakfast each morning (7-10am) featuring
muffins, English muffins, bagels, toast, coffee, tea, hot
chocolate & an array of juices
* 2 lobby kiosks for internet access ($1.00/10 min)
* Underground gated parking (40 spaces) and parking all around
the Hotel
* Affiliation with nearby LA Fitness ($5.00/day)
WANT TO SEE MORE? Check out < http://highlandgardenshotel.com >. And
check out this special map that shows walking distance from the hotel
to the Kodak Theatre (thanks to Mapquest). < http://mapq.st/gY5VQM >
We looked at several other hotels during our reconnaissance trip,
including several on Orchid Avenue, but the Highland Gardens was one
of only two we found that could accommodate the number of hotel rooms
we estimated (the other was the very close and beautiful but oh-so-
expensive Renaissance Hollywood). We were enchanted by the pool
and cabana area, and the staff were very receptive to our interest.
We think you'll love it!
OK, HOW MUCH? We were able to negotiate a *special rate* plus an
additional *special upgrade* for a limited number of rooms just for
CirqueCon 2011: Hollywood! attendees.
These rates are good for any days between Monday, November 28, 2011
and Sunday, December 10, 2011 (CirqueCon is Dec 1-4). As an added
bonus, subject to availability, anyone booking a Standard Double Room
will be upgraded to an Executive Suite with 2 queen beds *and a full
kitchen* for no additional charge. Check It - More room and a full
kitchen for NO MORE MONEY for those that act quickly!
Rates are based on single or double occupancy except as noted below,
an additional 3rd or 4th person will be an additional charge of
$10.00/night per person. There are no room charges for those ages 12
or under. Taxes are an additional 14%.
From Monday, November 28 through Sunday, December 10, 2011:
--Standard Double Room with 2 queen beds (hotel has 20 qty.)
$119.00/night ($135.66 w/tax)
--Executive Suite with 2 queen beds with full kitchen (hotel has 20
qty.) - $119.00/night ($135.66 w/tax) (Note: Subject to availability
anyone reserving a Standard Double Room gets upgraded to an Executive
Suite with full kitchen for NO ADDITIONAL CHARGE!)
--One Bedroom Deluxe Suite with 1 queen bed, sofa bed and full kitchen
(hotel has 25 qty.) - $139/night ($158.46 w/tax)
--Two Bedroom Deluxe Suite with 1 queen bed in each bedroom, sofa bed
and full kitchen (hotel has 4 qty.) - $240/night for up to four people
($273.60 w/tax), persons 5-6 are an additional $10.00/night
--Three Bedroom Deluxe Suite with 1 queen bed in each bedroom, sofa
bed and full kitchen (hotel has 2 qty.) - $340/night for up to six
people ($387.60 w/tax), persons 7-8 are an additional $10.00/night
SPECIAL NOTE - Unlike our other Events, where we have had hotels set
aside a certain number of rooms specifically for our usage available
up to our hotel deadline, we were unable to do that with the Highland
Gardens. This means that the hotel will offer these rates to us until
they sell out, whenever that is. It is possible the hotel will sell
out before our hotel deadline of Nov 30. So we urge our members to
make their reservations NOW! It really is first-come first-served.
When they're gone, they're gone - and they may be gone before our
deadline!
OTHER HOTEL NOTES:
* Check-in time is 3pm; check-out time is 11:30am. Late check-
out is available, as is complimentary luggage storage.
* You can cancel at any time up to 48 hours prior to arrival
with no penalties.
* Dogs less than 25 lbs. are allowed for a charge of
$25.00/night. Cats in kennels are OK (no charge), no exotic
pets please.
* In-room wireless Internet access is $4.00/hour or $10.00/day.
* Nearby LA Fitness center is $5.00 per day.
HOW TO GET ROOMS: Just follow these simple steps!
* DO YOU HAVE YOUR MEMBERSHIP YET? (Its only $20.00.) If not, see
our page on "Get a Membership." Note you need to be a Member to book
at our special rate.
* CONTACT THE HIGHLAND GARDENS HOTEL at 1-800-404-5472 (24 hours/day).
They accept Visa, MasterCard and American Express. Be sure to tell
them you are in the "CirqueCon" group!
* DEADLINE: Midnight Pacific Time on Wednesday, November 30, 2011 is
the last day for reservations, subject to room availability. Any
CirqueCon reservations not confirmed with a credit card by that date
WILL BE CANCELLED!
* SEND AN EMAIL TO US AT hollywood@cirquecon.com, advising us of your
reservation. We will need your name, the name of those staying with
you, how long you are staying, and what type of room you have
reserved.
Then you're all set. That's all there is to it! (Except airfares and
stuff like that.) Get ready for another wonderful Cirque-ey vacation!
Our next "major" item will be Group Meal information, but that may be
some time coming. We'll next work on getting out word about CirqueCon
so we can welcome more new Passionates to the fold.
In the meantime,
Live Passionately!
Keith, Lucy and Ricky
Your CirqueCon '11: Hollywood! Team
www.cirquecon.com
Hollywood@cirquecon.com
=======================================================================
SUBSCRIPTION INFORMATION
=======================================================================
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COPYRIGHT AND DISCLAIMER
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Fascination! Newsletter
Volume 11, Number 4 (Issue #87) - April 2011
"Fascination! Newsletter" is a concept by Ricky Russo. Copyright (c)
2001-2011 Ricky Russo, published by Vortex/RGR Productions, a
subsidiary of Communicore Enterprises. No portion of this newsletter
can be reproduced, published in any form or forum, quoted or
translated without the consent of the "Fascination!
Newsletter." By sending us correspondence, you give us permission
(unless otherwise noted) to use the submission as we see fit, without
remuneration. All submissions become the property of the "Fascination!
Newsletter." "Fascination! Newsletter" is not affiliated in any way
with Cirque du Soleil. Cirque du Soleil and all its creations are
Copyright (c) and are registered trademarks (TM) of Cirque du Soleil,
Inc., and Créations Méandres, Inc. All Rights Reserved. No copyright
infringement intended.
{ Apr.07.2011 }
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