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TraxWeekly Issue 066
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founded march 12, 1995 _| : _____ t r a x w e e k l y # 66
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/ / / / /\ _ The Music Scene Newsletter __ __\__\/
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- | TraxWeekly Issue #66 | Release date: 08-01-96 | Subscribers: 744 | -
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/-[Introduction]------------------------------------------------------------
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Welcome to TraxWeekly #66!
Sorry for the delay in this week's newsletter. The wait was for the
second part to Blackwolf's letter to the Atlanta Committee for the Olympic
Games. =) We also have an interview with Liam the Lemming!
I finally took the time to check through the subscriber list this week
(after neglecting it for a bit). We have seven hundred and forty-four
subscribers! A sign that the music scene continues to grow...
A special ascii art feature with new art by Cruel Creator comes next
week. I wasn't able to add it to this issue because of the rush to get
it out. Until next week, later!
Gene Wie (Psibelius)
TraxWeekly Publishing
gwie@csusm.edu
/-[Contents]----------------------------------------------------------------
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Letters and Feedback
1. Letter from Raphael
2. Letter from Mental Floss
General Articles
3. Tracking as an Olympic sport, part II.........Blackwolf
4. Sound Recording...............................Cowboy
Faces in the Crowd
5. Interview with Liam the Lemming...............Kal Zakath
Group Columns
6. Explizit
Advertisement
7. Music Trackers International (MTi)
Closing
Distribution
Subscription/Contribution Information
TraxWeekly Staff Sheet
/-[Letters and Feedback]----------------------------------------------------
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--[1. Letter from Raphael]--------------------------------------------------
From markf@netpath.netFri Jul 26 14:37:52 1996
Date: Fri, 26 Jul 1996 15:52:53 -0400
From: "Mark D. Faulk" <markf@netpath.net>
To: gwie@mailhost2.csusm.edu
Subject: Traxculture from TW #82
I just wanted to let you know how hilarious the Traxculture from TW#82 was,
with the #trax people assuming Russian personalities. However, I couldn't
figure out how the conversation began. Do you happen to know?
It was kinda hard to follow which ones were the "hard-line" communists and
which ones were the reformists.
But I'll tell you what, that was HILARIOUS! :)
-Mark
aka Raphael/DiGiTaLuS
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--[2. Letter from Mental Floss]---------------------------------------------
From andrewm@io.orgSat Jul 27 00:05:14 1996
Date: Sat, 27 Jul 1996 02:35:15 -0300
From: "Andrew McCallum / Mental Floss [Kosmic]" <andrewm@io.org>
To: gwie@mailhost1.csusm.edu
Subject: Traxculture
First thing Maelcum says joining IRC after the big boom in Atlanta,
<Maelcum> i deny everything
---
[ Andrew McCallum / Mental Floss - Kosmic Free Music Foundation ]
[ Iregular home pages: http://www.io.org/~andrewm/ ]
[ Music album pages: http://www.io.org/~andrewm/greymatter ]
[ Music For Every State Of Mind ]
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/-[General Articles]--------------------------------------------------------
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--[3. Tracking as an Olympic sport, part II]-------------------[Blackwolf]--
First off, I would like to dedicate this article to the victims of the
Centennial Park Bombing this past Saturday morning. For those of you
who heard either first or second hand, my girlfriend had a curfew that
night and returned home from Centennial Park about an hour before the
explosion. She's a little shaken up, but not as much as she would have
been if she was actually there. I went back Tuesday to the park (not
in a Pepsi shirt) and paid my respects to the memorial at that tower.
I would like to thank everybody in #trax who helped me through that
night.
Now, all seriousness aside...<evil grin>
Because my last article in TraxWeekly gained so much attention of the
tracking community, it seems that I have to post some more about this
great and wonderful idea. The Atlanta Committee for the Olympic Games
(ACOG) sent me a refusal letter several days ago from acog@vaporware.com
and it went like this:
FROM: Mr. Faceless / ACOG
TO: Blackwolf / Mystique
SUBJ: Whatever
Hah. You really think that we're gonna allow a bunch of no-life
computer nerds into our wonderful Olympic Games? These games are about
triumph, spirit, and heart. The Olympic Motto is "Faster, Higher,
Stronger." I do not see how the sport that you propose fits into any
of this.
Faster: It doesn't take any skill to up the tempo of a song.
Higher: We do not allow drugs into the Olympic Games.
Stronger: Who can destroy the keyboard first? I don't want to know.
After reading through all of the attached WWW pages and the listing of
the countries involved, it is strange to me that just about everybody
on the USA "Dream Team" is either named Andy or Dan. It also doesn't
seem like enough countries want to compete. Austrailia, the
Netherlands, Finland, France, UK, USA, etc. do not make the Olympic
Games. We invited a record 197 countries to the games in Atlanta, and
there are maybe only 20 or 30 at the most countries that would even be
capable of sending an...well, athlete is a bad term, to this event.
I talked it over with my superiors, though, and they came up with some
guidelines that would have to be followed. Every tune entered would
have to have in it some form of the Coca-Cola theme, since they are the
saving grace of these Games. Also, the olympic "Ode to Joy" would have
to be present at the beginning and the end, just so you know that it's
the Olympics. The only voice samples we will allow are the ones that
say "His Excellency Juan Antonio Sammarach is great!" [Sammarach is
the unsympathetic freak that is the president of the International
Olympic Committee -BW] We don't feel that the world is ready for
something like that.
As much as I'd like to be nice to you, Mr. Wolf, I can't anymore. Your
idea sucks. Go get a life. Get off the computer. And quit bugging us
about your hairbrained ideas for the Olympics. This is the 18th
proposal you have sent us in the last four years. Izzy doesn't love
you anymore.
Mr. Faceless / ACOG
That last sentance made me cry. <sniff>
Ah well, I guess what we're saying is that we shouldn't try to go all
out with our tracking "scene". Maybe it's good to stay underground
so-to-speak, and break out of the cave gradually. It looks like
leaving our cave is inevitable, but let's not jump out into the
daylight just yet.
The only reason I wrote this article is because people kept complaining
about inconsistancies and the fact that I left out a major country that
makes the world go around in my last article. :> This series was not
meant to offend any person, place, or thing (other than Izzy), so
please don't flame me for anything. Tracking is cool, go track, be the
best that you can be, not the best that someone else (who is most
likely named Andy or Dan) is.
Someone kick me for rambling on too long on a moot topic. :>
--
Bobby "Blackwolf" Tamburrino
(bobbyt@netcom.com)
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--[4. Sound Recording]---------------------------------------------[Cowboy]--
Well, this is my very first contribution to TraxWeekly.
I hope that all that are reading will find something usefull from this
information
A topic of concern that I have been asked frequently is what is the "BEST"
method of recording that is available to the modern tracker/computer
composer. Now, before I go to deep, let me give you a little background
on who I am and what I do...
For starters, I go to NDSU and have been for the last 6 years...yeah,
there are doctors with less time in school, don't remind me...Anyhow, I
have been into mods and trackers ever since I got my first PAS 16. It
came with a really neat little player called TrackBlaster. My major at
NDSU is Mech. Eng, but I have studies in EE and CS. Not that far from my
path of influence. I was big into RF isolation and A/D D/A converters.
After I built my own speakers and sub, not a small project if you want to
do it right, I got into listening and recording mods...
Now, for the meat of the article. (YEAH!!!)
If you are going to take a piece of music and try to incorperate it into
a mod or whatever, there are some things that you need to be aware of.
AUDIO SOURCES
Lets first talk about audio sources. (MOST IMPORTANT)
The second law of thermodynamics states that you can never do better that
what you started with and there will always be losses (very condensed
summary). What is meant by this is that you cannot expect to translate
from ananlog to digital and have better output than when you started.
Unless you are looking to include a synth or EQ inbetween, but then what
you have is far from what you started with.
To minimize this loss of A/D, I recommend that you try to find the
optimal setting for the output from the audio source. This is baseline.
Now, go to the connectors and make sure that they are clean and properly
hooked up. I cannot count the number of times that some idiot fried his
equipment because he had things in the wrong holes...
For all of my recordings from tape/records, I use shielded 3-conductor
from radio shack. I find this works the best. I don't use gold
connectors, but I do wipe the connectors clean with a rag with a little
WD-40 on it. Helps stop corrosion. I also make all my own cabling.
Cheaper and I feel I get better results. Also make sure to impedence
balance your cables. R1 for you left is equal to R2 for the right and
Rground for the circuit. If cables are kept short (<3feet) this is not a
problem. Oxygen free copper is a myth. Save your money unless that is
what you believe.
If you are using FT2 or some other direct CD recorder, you are set. This
is the way to go. I know OS/2 has some built in features for this also.
If you are trying to use the audio output from the CD-ROM drive to the
sound card, don't. The inside of your computer case has more RF crap than
any other source in your home. I did tests with a scope in the 200-20K
range and found that I was picking up as much as -40db from a loop line
running through the case. If you must, then wrap a piece of foil around
your connecting wires, then insulate that from other things with extra
electrical tape or shring wrap. The other thing, is to run a cable from
the outside of your CD plug on the drive to the line-input on your card,
I am not kidding. This is better than having the cable go through the
your case.
EQ/SYNTH/MIXERS
If you are going to use an intermediate filter/synth/EQ, use one that has
active filtering instead of passive. You could even build one for less
than $25 bucks that has bass and treble controls and has bass-boost.
Check out the books at Radio Shack or look in back issues of Radio
Electronics.
SOUND CARDS
As far as sound cards are concerned, there is only one card to use for
the tracker/mod-master. GUS. From my one testing on a FLUKE scope, there
appears to be less THD from both playback AND recording with one of these
cards. S/N ratio's ranged from 72db@50Hz to 81db@8.5kHz. The AWE32 is not
far off. It scores a CLOSE second with 70db@45Hz to 79db@7kHz. These are
the worst and best for each card in the 40Hz to 18kHz ranges.
One of my classmates suggested that I put a "shell" of foil and cardboard
around my card. I saw this posted on a news group as well. I cannot
verify this, but from what I am familiar with, this could help. The
problem would be with those cards that have mem on board and are sitting
close to another card. Space would be the only consideration. I would
think this would help if multiple insulated layers could be attached and
having one of the layers grounded to the case. This might actually help
some cards out...
SAMPLE FORMATS
As far as sample formats, that depends on the sampling rate. IFF only
supports 8kHz mono. WAV is limited to 44.1kHz stereo, but most players
have a hard time getting this kind of throughput from your system. If you
keep the samples small (<2meg), your drive and sampler should not have
too many problems (skips or cracking). Avoid AU and SND. Although using
these can actually help perform special effects that you may want.
RECORDING MEDIA
Now, as far as recording media, if you don't want to distribute you mod,
I recommend just using ordinary hi-bias cassette tapes.
People have argued this with me, claiming that CrO2 is better or they
demand to use Metal tapes. If you can afford to waste money on metal
tapes, go right ahead. For a lab project, we took a series of 10 sound
wave forms recorded on hi-bias tape, CrO2, and expensive metal series
tapes from memorex. There was actually more noise on the metal tape than
on the cheap $1.50 unit. But, the metal tape did help with low freq (sub
200Hz) sounds. The CrO2 was only mariginally (+/-2db@200Hz-10kHz) better.
If you can find them cheap, go for it. If not, don't bother. The info on
the back of the tapes at stores is WAY off. You will never find an
anonalog cassette tape that has less than -5db drop off at > 16kHz or
200Hz for less than $5/60min. If you must, get reel-to-reel then.
Putting music to dat would be nice, but few cards support 48kHz and
even fewer still support digital output. Like I said, stay with tapes.
Most good sound recorders have built in effects and use software EQ/Synth
so this is moot. In case you are wondering, I use Goldwave and Cubic.
If you have any questions or comments, please feel free to email me.
Keep the flames low.
-Cowboy (Dwight Evers evers@plains.nodak.edu)
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/-[Faces in the Crowd]------------------------------------------------------
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--[5. Interview with Liam the Lemming]------------------------[Kal Zakath]--
This week, TW brings you an interview with a very accomplished musician
and one of the most popular #trax personalities -- Liam the Lemming! He's
a great guy, and was a real pleasure to interview, so i'm sure you'll enjoy
this. He's also waited far too long for me to edit this and get it into
TW, so i'll end the introduction now and leave you to read on and enjoy. ;>
(note, as usual, this is the basic IRC-log with a few important edits:
most of my lame responses are gone, extraneous / unimportant comments are
deleted, and some rearrangement has been done for clarity. nothing which
changes the meaning/interpretation of any questions or answers, only to
help you enjoy and better understand the interview)
===========================================================================
<jtown> - Kal Zakath - [Inferno/N55/CCS/TW]
<Lemm> - Liam the Lemming - [Mach One/S!P]
===========================================================================
<jtown> To start it off, why don't you tell us your real name, age, group
affils, where you live, and any other basic info you'd like to
begin with.
<Lemm> Righty-ho... my real name is Liam Hesse (and I hate it :P ), I'm
22 (ie ancient :) ) and I live in Liverpool, England...
<Lemm> I'm currently in S!P and Mach One...
<Lemm> Mach One, btw, is a new group started up recently by myself and
AmusiC. :)
<jtown> cool... tell me a bit about Mach One... how did it get started?
are there any major productions in the works?
<Lemm> Well, Mach One came about when AmusiC and I decided to shut down
Bass Productions due to lack of activity...
<Lemm> Nothing much happened after Sirrus, Siren and Darkwolf left, so we
decided to scrap the old group and start a new one. =)
<Lemm> The first project will be a musicdisk, which was originally going
to commemorate my first year on the scene but er, it's a bit slow
in happening :}
<Lemm> The interface is going to be tricky since some of the tracks are
.ITs... and support for the format is... uh... sparse. ;)
<Lemm> (There y'go. :) )
<jtown> werd, mach one sounds like a promising group... now what's s!p up
to these days?
<Lemm> I have no idea. :I As far as I'm aware, their last project was the
demo they entered at TP5. :I I'm considering quitting them, to be
honest. :I
<Lemm> (There's yer exclusive. ;) )
<jtown> eeheheheh i always get the latest scene-gossip in these
interviews. ;>
<jtown> hmmm, so what other musicians are in surprise currently? of
course, the legendary scorpik was in for a while, but he left a
while ago (as far as i know) to join pulse and absolute...
<Lemm> Scorpik left? Wow, I never heard. =I
<jtown> yep, scorpik is only in absolute (amiga) and pulse (pc) these days
<Lemm> Hmm... right... well, I know Darkwolf left S!P and Bass at the same
time, then joined Pure Resistance... now he's in Terraformer...
dunno how that happened but... :) *shrug*
<jtown> well ok then, let's move on to a new topic. ;>
<jtown> how long have you been into the demo / music scene?
<Lemm> Well, It all started off when I discovered MOD files waaaay back in
uh... 1993, I think :)
<Lemm> I had a mate who had an Amiga 500 (eeks) ...
<jtown> wewp, elite. ;>
<Lemm> And he showed me State Of The Art by Spaceballs... which TOTALLY
blew me away :)
<jtown> ehhheheh it _ruled_ when they played it (and nine fingers) on the
bigscreen at NAID!
<Lemm> Damn, I missed it :}
<Lemm> I didn't start writing mods until December 93...
<jtown> tell us about your first experiences with tracking. ;>
<Lemm> Right... I started off with ModEdit 2.00 or something... which
completely confused me... :}
<Lemm> Then I found tetraMed... And it SUCKED :P
<Lemm> The playback was crap, the emulation was hopeless... basically, I
sucked right up until I discovered Composer 669 :)
<Lemm> I played around with that for a while...
<Lemm> then I found ScreamTracker 3.01. ;)
<jtown> how long did it take before you finally came up with something
'decent' in st3? ;>
<Lemm> Hmm... I didn't really have the confidence to upload until May 95...
that was like about a year and a half after I started tracking :)
<jtown> ehehehh yep, i waited a similarly long amount of time. ;>
<jtown> well, not quite _that_ long.... ;>
<Lemm> Even so, I still think most of my stuff from back then sucked a
bit :}
<jtown> what musicians (trackers and otherwise) influenced you the most?
<Lemm> Well, Purple Motion, obviously... :)
<Lemm> Also SLL and Laxity from Kefrens, cos the tune from Guardian Dragon
was one of the first mods I ever heard :)
<Lemm> Yannis Brown was something of an influence too... I got hold of
Boing and 1234...Rock! early on :)
<Lemm> I phear competing against him in The Trackering =)
<jtown> eehhehe yep, he rules... (haven't you beat him once or twice,
though? ;>)
<Lemm> This will probably come as a big shock to a lot of ppl, but
Blackwolf influenced me quite a bit too... =)
<Lemm> Only through one song tho.. Remember "Goodbye To A Good Thing"? ;)
<Lemm> THAT'S the one that really started me off on the piano stuff :)
<jtown> was that the one that was in the epinicion disk? might've been a
remix...
<Lemm> I think he released it thru Defiance...
<Lemm> Another little secret - I almost -joined- Defiance :)
<jtown> hehehhe ;>
<Lemm> Perisoft got hold of loads of my stuff from May 95 and kept begging
me to join. :)
<Lemm> They split up a little while later tho... so I joined Bass, S!P and
moz[IC]art instead. :)
<jtown> what do you feel are your personal strengths and weaknesses as a
musician?
<Lemm> Well, since I haven't really had any formal musical training, I can
only assume that I've kinda got music in my blood, as it were :)
<jtown> werd to that... ;>
<Lemm> My dad was in the Irish showbands in the 60s... :) So I suppose
music runs in the family :)
<Lemm> As for my strengths/weaknesses...
<Lemm> One of my strengths seems to be my ability to write -catchy- music
:)
<jtown> i've noticed that. ;> it seems to me that _everyone_ (myself
included, of course ;>) seems to just plain _enjoy_ all of your
tunes...
<jtown> i've heard people say (seriously) that they've _never_ found a tune
of yours that they disliked. ;>
<Lemm> Also, I'm pretty good with chord structures (I think ;) ).
<Lemm> My weaknesses are plentiful, tho :I
<Lemm> Basehead was good enough to give me a critical breakdown of
AutoEmotive recently :)
<jtown> did he like it... overall?
<Lemm> From him I learned that my percussion isn't up to scratch, I have
to work on my choice of samples and I have a tendency toward
cheeziness :}
<Lemm> He said Wastelands was his favourite, and that really pleased me :)
<Lemm> And even if he liked -one-, I feel like I've accomplished
something. =)
<jtown> werd, it's good to get criticism on your work every so often, so
you what to improve...
<jtown> although i've come to despise that popular term 'cheesy'. ;>
<jtown> people use that word as an excuse for disliking perfectly good
pieces of music. ;>
<Lemm> Well, some of my stuff -is- cheezy ;)
<jtown> perhaps, but we all need our daily dose of cheddar. ;>
<Lemm> In that case, I've got plenty to dish out. :D
<jtown> eeheheheheh ;>
<jtown> what are your personal goals as far as music is concerned? both
within the scene, and otherwise...
<Lemm> Well, originally, I wanted to either become famous, or write music
for games...
<Lemm> But there's problems with either path...
<Lemm> With one, I suffer from -bad- nerves singing in front of others...
<Lemm> And the other, I'm not exactly brilliant at writing game music...
although I guess I'm improving :)
<Lemm> Either way, I intend to work in the computing field until either
dream comes true. ;)
<jtown> werd, that's good. ;> don't give up!
<Lemm> That's why I'm doing a Software Engineering degree. ;) (Well, that
and the free internet access from my uni account. ;D )
<jtown> hahhahahha
<jtown> what do you feel are your greatest accomplishments so far in the
scene?
<Lemm> Becoming so well established - and respected! - in one year is, in
my book, a MAJOR accomplishment. =)
<jtown> in anyone's book it is... you should be proud. ;>
<Lemm> I'm not even sure how it all happened... :)
<jtown> well, when you compose such a large quantity of high quality music,
it's not hard to get noticed...
<jtown> (and all those good placings in the trackerings help too, i'm sure)
;>
<Lemm> Nah, this was before TT ;)
<Lemm> And then, of course, there was AutoEmotive =)
<Lemm> The feedback I've received from that has truly overwhelmed me =))))
<Lemm> But... I think it all -really- started when I went to TP5...
<Lemm> The people I met suddenly started greeting me like mad on #trax :)
<jtown> ahh... tell us all a bit about the whole tp5 experience. ;>
<Lemm> Ah... TP5... :P Er, do I have to? :}
<jtown> well... if it's too traumatic for you, we can skip it. ;>
<Lemm> Nah, I'll talk :)
<jtown> good, i was hoping you'd say that. ;>
<Lemm> TP5 was okay... but only cos of the people there. :I
<Lemm> Meeting ior, Mellow-D, Siren, Khyron and, last but not least,
Necros ;) was an experience I'll never forget. =)
<jtown> organizing was not so good, i take it... ;)
<Lemm> Organizing? BLAH ;)
<Lemm> I remember one thing quite clearly tho...
<jtown> do tell.. ;>
<Lemm> For some unknown reason, as I looked around for the elusive US
crew, I kept bumping into Vivid. :)
<Lemm> I must have met up with him about 20 times before -he- pointed out
Necros to me. %)
<jtown> ;>
<Lemm> Meeting him was reeeally funny... :)
<Lemm> I went right up to him and said, "Andy! Hi! Your tune, it was uh...
number 13, wasn't it?"
<Lemm> And the look on his face was like "uh? I don't need this after 48
hours without sleep..." :)
<Lemm> -Then- I told him who I was. :)
<jtown> ;>
<Lemm> And he was like "Lemm!? Hi!!" :D
<Lemm> That was WAY cool :)
<jtown> eheheheh necros seemed like a really nice guy at NAID. ;>
<Lemm> Yeah... they all were. =)
<Lemm> I was in excellent company. =)
<jtown> how would you compare tp5 to NAID'96?
<Lemm> Heh... no comparison. That's like comparing a BBS intro to Trans
Cheddar Express. :)
<jtown> ;D
<Lemm> NAID96 was the happiest three or four days of my life. Without a
doubt. =)
<jtown> cool. ;>
<Lemm> The highlight had to be, once again, meeting the ones from TP5. :)
<Lemm> I went into the Hornet/FM/etc room and EVERYONE was like
"LEMM!!!!$@"$@"@$%@" :)
<Lemm> It knocked me FLAT, I tell you =)
<Lemm> Everything was better, really... the music, the demos... the
people =)
<jtown> werd... let's move on to some more general scene-related
questions...
<jtown> who do you feel are some of the most underrated composers in the
scene these days?
<jtown> (i won't ask about 'overrated' composers this time... yes, i learn
from my 'mistakes' ;>)
<Lemm> Hmm... hard to say... :}
<Lemm> I'd have said Radix, Rage, Elusive, Elwood... but many ppl have
been raving about them :)
<Lemm> Underrated, that is ;)
<jtown> nice picks... imho, all four of them rule. ;>
<Lemm> I think Sirrus and Darkwolf are underrated...
<Lemm> Although they'd probably both laugh at me for saying that ;)
<jtown> eeheheheh
<jtown> hmmm, time to get into some more thought-provoking questions. ;>
(if i can think of them)
<Lemm> Ooh goody ;)
<jtown> about the scene itself...
<jtown> what is it that 'draws' you to the scene? that keeps you writing
music (with no real tangible reward), coming to #trax, downloading
and dcc'ing tunes to listen to, going to parties, etc. ;>
<Lemm> The good feedback is a huge pull, obviously... ;)
<Lemm> The parties, tho... Well, I've gotten to know all these ppl on
#trax and the chance to meet them all (ie NAID) is irresistible,
quite frankly. :)
<Lemm> And since most of the ppl I know are from the USA...
<Lemm> ...I have sworn to go only to NAID from now on. :)
<jtown> and, as a complement to that question... what would you like to
see changed in the scene (if anything were possible). i.e. what, if
anything, annoys or bothers you about its current state?
<Lemm> Hmm... Many of the things I didn't like about the scene seem to be
sorting themselves out...
<Lemm> The euros don't seem to be attacking the americans as much... :)
<Lemm> And #trax isn't as full of petty bickering ;)
<Lemm> In fact, it's more or less all fun =)
<jtown> werd, that's cool then... ;>
<Lemm> I suppose the only thing that's really missing is a european
AnotherNet server. ;)
<jtown> ;> eeheheheh
<jtown> next 'deep' question...
<jtown> what have you noticed about the current trends in the music scene?
people's tastes in music changing, etc... any observations you
might have ;>
<Lemm> Trends seem to develop, IMHO...
<Lemm> At TP5, for example, the Big Thing was guitar tunes... At NAID,
lyrics came to the fore... And of course, realism in tracked music
is more predominant now than ever...
<Lemm> Which can only be a good thing. =)
<Lemm> Although, if I'm gonna do the tune with vocals that I've got
planned for NAID97 (wherever it happens ;) ), they'd probably have
to stretch the limit to 1.5Mb. ;D
<jtown> eeheheheh
<jtown> hmmm... i'm not sure if I have any more questions... ;>
<jtown> we have covered quite a bit, though, i'd say....
<Lemm> Yeah, we've covered plenty. :)
* Lemm breathes a sigh of relief ;)
<jtown> of course, i won't end the interview without giving you a chance to
say anything you want...
<jtown> (well, almost anything) ;>
<Lemm> Between getting ST3 and uploading to Hornet, I u/l'd some of my
stuff to a site in England...
<Lemm> ftp.brad.ac.uk, which deleted its /incoming/mods directories
shortly later...
<Lemm> BUT...
<Lemm> Word has come to me that some of the files I uploaded somehow
managed to get spread around... =I
<Lemm> This concerns me... :}
<Lemm> Although I guess it means I've got something in common with
Necros...
<Lemm> Now -I've- got a shady past as well. :D
<Lemm> If anyone reading this interview knows if those files are floating
around anywhere, PLEASE let me know! I'd like to hunt them down. :}
<jtown> eehehehehe
<jtown> ah, one last thing
<jtown> you're entering mc4, right?
<Lemm> Uh... Mc4? Yup. =)
<jtown> just so all your 'fans' know you're entering ;>
<jtown> veteran, i hope? ;>
<Lemm> Veteran? Obviously. :)
<Lemm> I'm applying to be a judge too. =)
<jtown> yeps, i'm a judge too. ;>
<Lemm> werd =)
<Lemm> I think we'll tie up the interview about there, huh? :)
<Lemm> It's been fun =)
<jtown> sure, any closing words? ;>
<Lemm> I'd just like to wish all the contestants of MC4 - rookies and
veterans alike - the best of luck. =)
<Lemm> And I pray they don't go all symphonic thinking that'll get a top
ten placing. ;)
<jtown> ;>
<jtown> thank you very much for this interview. ;>
<jtown> i'm sure all the tw readers will enjoy it. ;D
<Lemm> It was a pleasure. =) Thanks for holding it. =)
<Lemm> I look forward to reading it. ;D
<jtown> i look forward to editing it. (well, maybe not) ;>
<jtown> that's always a tough task. ;>
<Lemm> hehehehe :)
<jtown> anyways, see you later on #trax
<Lemm> I'm on there already :D
<Lemm> cya kal :)
<jtown> laters. ;>
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--[6. Explizit]-------------------------------------------------------------
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::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::[sYNOPTiC]::
Explizit TraxWeekly column issue #26
Hi!
Lots of groups have distro-lists these days. Often people don't know about
them, simply because every group has a different list. :( There is yet no
listserver that can spread modules for us automatically, so everybody is
trying to cope with their Eudora. ;)
In order to create a home-base for these lists, Dutch groups can have their
own list on our domain. HPP and Myztic are on it. But that's not really
what I want to talk to you about.
What I do want you to know that we have a page on our site that points out
to you the various "distro-lists" groups have. It's a list of lists,
providing you with the following information: groupname, description of the
group,listname, e-mail address (hot) and homepage URL (hot). Subscription
should be fairly easy since most groups provide on-line subscription on
their homepages, to which you can surf with a mouseclick.
Page location is http://www.explizit.org/distro-lists.html
Well, later.
Ch:ilm / Explizit
postmaster@explizit.org
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/-[Advertisements]----------------------------------------------------------
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-------------------|-------------------------------------|--------------------
mti.net mti.net mti|Music Trackers International FAQ v1.3|.net mti.net mti.net
-------------------|-------------------------------------|--------------------
contents
1: INTRODUCTION TO MUSIC TRACKERS INTERNATIONAL AND ITS AIMS.
[1 ]. What is MTI?
[2 ]. How would you publicize my or my group's music?
[3 ]. MTI's Terms
[4 ]. How do I contact MTI?
[5 ]. When is everything going to become a reality already?
[6 ]. Is there something I can do to help speed up the arrival of MTI?
[7 ]. Will there be a text version of the MTI web site for my Linux browser?
[8 ]. With MTI do I have to track a certain number of songs per month?
[9 ]. What's in it for Saurax and Daedalus?
[10]. The MTi Email Talk List
2: CURRENT MEMBERS OF THE MTI SERVICE
------------------------------------------------------------------------------
Section 1: INTRODUCTION TO MUSIC TRACKERS INTERNATIONAL AND ITS AIMS
------------------------------------------------------------------------------
1. What is MTI?
------------
Music Trackers International, or simply, MTI, is a non-profit organization
with one aim in mind: to publicize digitally tracked music far and wide,
our primary means being the Internet.
With the MTI service, you or your music tracking group can use us for
support (www. and ftp.), promotion and publicity, for free.
MTI is -NOT- a group, but a service for the scene's tracking community.
2. How would you publicize my or my group's music?
-----------------------------------------------
At the moment, MTI's main target is the Internet and its FTP (File
Transfer Protocol) and World Wide Web services.
Your music would enter the MTI database. Anyone would be able to use FTP
and/or the 'Web to locate and retreive your music, using 1 of, currently,
5 search methods:
Search by:
o LATEST 10 SONGS ADDED
o COMPOSER (A-Z)
o COMPOSER'S COUNTRY
o GROUP
o C. RAY C.'s JAVA SEARCH METHOD.
The MTI service is offered FREE to ALL trackers. There are terms, which
are covered below, that are to obeyed at all times when using the service.
3. MTI's Terms
-----------
1. Tracked music is to be done in a recognized format (ie. IT, XM, S3M,
MDL and MOD).
2. All styles of music are accepted (eg. Rock, Techno, (Luvk)pop, Opera..)
3. Without express permission from MTI, uploaded modules MAY NOT EXCEED
1 MB.
4. Present a professional attitude in regards to your music and others.
5. Upon each submission of your module to MTI, please include a completed
description file in the MDZ format (email MTI for more information).
6. MTI will not be held responsible for any illegally attained aspect of
your music (via copyright violation or unapproved use of others'
module patterns, etc.) or any other criminal act on your part.
7. While MTI will offer FTP and WWW access for your work, everyone will
have access to your material. MTI, and the members of its staff
cannot accept responsibility for any unauthorized commercial use of
your work.
8. MTI reserves the right to remove you from our database due to
disobedience of these terms or unforeseen circumstances.
9. You have to believe that you can improve, that you aren't perfect and
you must learn to accept constructive criticism.
10. Terms are subject to change, WITH notice.
4. How do I contact MTI?
---------------------
You can contact MTI via Internet E-mail;
To submit queries and suggestions, please send E-mail to:
Saurax : saurax@netafrica.com
Daedalus: bennetts@netvoyage.net
Or you can usually find either one of us on IRC..
AnotherNet Servers: neato.org, irc.phonet.com Channel: #trax
5. When is everything going to become a reality already?!
------------------------------------------------------
In the very near future, just hang in there :) ... The leased line
needs to be installed BY THE PHONE COMPANY (- Need I say more?).
6. Is there something I can do to help speed up the arrival of MTi?
----------------------------------------------------------------
Well, that depends :). A lot of time, effort and finance is going
into the MTI project. Donations of any type will be welcomed and will
definitely go to a good cause.
7. Will there be a text version of the MTI web site for my Linux browser?
--------------------------------------------------------------------------
The pages are being designed so that no matter what browser you use,
they look great -- a Microsoft Internet Explorer-enhanced version of
the pages is also being taken into consideration at this time.
8. With MTI do I have to track a certain number of songs per month?
----------------------------------------------------------------
No, nor do you have to track 'unique' songs for MTI. We will
publicize your music that is released elsewhere and/or your music
that is not released elsewhere.
9. What's in it for Saurax and Daedalus?
-------------------------------------
<Saurax> My intention is not for personal gain, but gain for MTI as a whole.
Trackers need support and hopefully MTI can give them that support.
<Daedalus> A chance to try and help the scene move into the future...
and to ensure that it's a household topic around the world... =)
10. The MTi Email Talk List
-----------------------
Feel free to join the MTI talk list, where members and supporters of
MTI share their views of MTI, tracking and the scene in general!
Simply email majordomo@www.netafrica.com with no subject (ie. leave
the subject field blank) and in the body of the message just type
subscribe mti
and you'll be able to post and receive mail in the talk list.
------------------------------------------------------------------------------
Section 2: CURRENT MEMBERS OF THE MTI SERVICE
------------------------------------------------------------------------------
MEMBER LIST AS OF 20/07/96 IS AS FOLLOWS:
Australia:
Mick Rippon rip@hunterlink.net.au [Independant]
Ozone ozone@fl.net.au [Aftermath, Heretics]
Brazil:
Feijao feijao@cdj.com.br [The MODerators]
Guizmo guizmo@cdj.com.br [The MODerators]
Marlboro rasjr@ibm.net [The MODerators]
Uterere uterere@iis.com.br [The MODerators]
Canada:
Atlantic as566@torfree.net [?]
Balrog cote05@gel.ulaval.ca [?]
DHarmony dharmony@canada.com [Carcass, Impression]
FutureAssassin woop@magi.com [?]
MikPos burrell@eagle.wbm.ca [MARTYR, Zyzzx]
Porus mlad@echo-on.net [Independant]
Zapper zapper@micro-intel.com [Force Ten]
Finland:
Galahad halogen@netppl.fi [Gemini]
Germany:
Vivid vivid@tuebingen.netsurf.de [?]
Greece:
aMUSiC amusic@beryl.kapatel.gr [Enigma, DDD, mACHoNE, Scar, OCT]
Luxembourg:
Screamager scrm@cri.lu [Radical Rhythms, Traxx]
Netherlands:
4-Ice o_4-ice_@dds.nl [Devotion, ?]
Bert bert@kosmic.org [?]
Calimero calimero@dds.nl [Devotion, ?]
Splinter splinter@globalxs.nl [Devotion, ?]
The Fury thefure@xs4all.nl [Devotion, ?]
Norway:
Nexus alex@hsr.no [?]
Poland:
PGM [TheGrid, Team #Coders]
Portugal:
Garfield pcardoso@mail.telepac.pt [?]
South Africa:
Elemental elemental@icon.co.za [Independant]
Saurax saurax@netafrica.com [Independant]
United Kingdom:
Aquafresh simon@simjohn.demon.co.uk [Independant]
Lemm cmslhes1@livjm.ac.uk [?]
Smash mah196@easynet.co.uk [io]
United States:
Basehead basehead@ice.org [?]
C. Ray C. cramerc@elwha.evergreen.edu [?]
cd cyb@inetnebr.com [GG, Grey]
Cylus cylus@together.net [Acid, Blade, Dizwar, Landslide]
Daedalus bennetts@netvoyage.net [KFMF, Landslide, Synergy]
Floss norg@cyberspace.com [Amen, KFMF, Baygle Dawg Pro-duck-shins]
Fred fred@paracom.com [Fuel, Terraformer]
gd gd@ftp.cdrom.com [Hornet, Synergy]
Inner Vision iv@callnet.com [Carcass, Ice]
jtown townsj2@rpi.edu [Inferno]
KamoPhlage undert@primenet.com [Halogen Dreams]
Khyron khyron@iglou.com [?]
Kleitus skatzman@global2000.net [Inferno]
Leviathan ac@interaccess.com [Kosmic, Renaissance]
Malakai mram@airmail.net [?]
Necros necros@fm.org [FM, Psychic Monks, dCb]
Nemesis nemesis@crl.com [?]
NightTiger NightTiger@Forum.NCDL.com [?]
OxideMan jwong@negia.net [Gemini]
Paradoks clay@fdldotnet.com [Independant]
Parity mclifton@phoenix.calpoly.edu [Gemini]
PeriSoft ew23@cornell.edu [?]
pfister pfister@connectnet.com [TS, Chip Pimps, Punc]
Pubert pubert@juno.com [THEM]
Siren alec@citcom.net [?]
Synapse crusadr@primenet.com [?]
Szalemandre szale@raven.cybercom.com [?]
Tempest tempest@cgold.com [?]
Uranium uranium@tcac.com [Independant]
------------------------------------------------------------------------------
Regards
Saurax - President | MTi : saurax@netafrica.com
Daedalus - VP | MTi : bennetts@netvoyage.net
----------------------------------------------------------------------------
/-[Closing]-----------------------------------------------------------------
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