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TraxWeekly Issue 017
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/ /_/ /______/\/ \ /______/\/ \ /_____/ // \ \ / / / \
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\____\/ \____\/ \____\/ \____\/ \____\/ \____\/WW
ps: woa, a rendered askee!
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| TraxWeekly Issue: #17 | Release date: 07-06-95 | Current subscribers: 248 |
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/----------------------------------------------------------------------------
------------------------------[ Introduction ]------------------------------/
_ _________________
/_\ \__ / (stoney askee)
____ ______ \____ ____/____________ ______
_/ \ _/ \ \ww_/ \ _/ ________/_/ _ \
__/ \/ \ \/ \/ \ / | \__ ___ ___ _______
_/ \\ \ \\ \\ | \\/ | \_ ___ __ __ ____
/___________\__\_______\________\____|______\____________\ \__\
Hello again, there are many reasons why this issue is smaller than usual,
including MC3, Canada day and Independance day weekends, and probably
because a lot of people were to lazy to write. Big thanks for psibelius
since he was the only person besides myself who submitted anything :(
Please try to write for us more often people!
As you read in psi's article on PMS, Vortex (who I am happy to report
has been banned for life from #trax) has gotten psi's page taken down.
We need alternative sites! We must not let Vortex and crew win this
fight, if you can put up the PMS page on *your* system please mail
psibelius or myself.
The system I am getting is a Pentium 90 for everyone who was wondering,
I should have it early next week. I haven't decided if I am going to
sell my 486 or just keep it and have 2 computers, which would be cool,
but I might be at risk of being a nerd? What do you think? :)
Also, I just got Desqview set up, and it's pretty neet, nice when I want
to multitask without any GUI crap.
If there is anyone reading this who has a LARGE sum of cash, please send
me some e-mail. I'd like to get a T1 into my house so I can run the
WWW page, listserv, offer TraxWeekly 24 hours a day on IRC, and do other
nifty stuff. All future TraxWeekly's would carry a dedication to you in
BIG ASCII letters. Let me know!
- Popcorn [campbell@fox.nstn.ca]
/----------------------------------------------------------------------------
-------------------------------[ Contents ]---------------------------------/
________ __________________________________________________________________
/ ____/_/ __/ \ __/ / _____/ \ __/ __/ ___/__
< \____\ \ \\ \ \\____ __/ __/_\ \ \\____ \_____ \___
\ \ \ \\ \ \ww\ \\ \\ \ \ \ \ \__
_\________\________\\___\____\ \_____\\_______\\___\____\ \_____\_______\
General Articles
The Readers Speak...........................Psibelius
TraxWeekly Voting...........................Neurosis
PMS.........................................Psibelius
Interviews
AmusiC......................................Popcorn
Group Columns
Epinicion...................................Psibelius
Closing
Distribution Sites..........................Neurosis
TraxWeekly Subscribing/FTP/WWW Info.........TraxWeekly Staff
/----------------------------------------------------------------------------
----------------------------[ General Articles ]----------------------------/
-[ The Readers Speak ]------------------------------------------------------
This week, some more mail from some devoted TraxWeekly readers who have
something to say about what we do to create this newsletter. And thanks to
everyone who has had at least ONE nice thing to say about our newsletter. =)
-psibelius [tw columnist]
----------------------------------------------------------------------------
From cwalker@rex.uokhsc.eduFri Jun 30 22:36:03 1995
Date: Fri, 30 Jun 1995 11:36:36 -0500 (CDT)
From: Connie Walker <cwalker@rex.uokhsc.edu>
To: gwie@mailhost2.csusm.edu
Subject: TraxWeekly...
It's great. You guys are doing fine. I think 90% of the people out there
love the mag, and the things I like best are the interviews, the
TraxCultures, and MOST of ALL, the articles and tracking tips. Cuz that's
what we're here for. We're here to learn the nuances of a musical format,
to make MUSIC with it. So, lest we all run to MIDI and the demo guys are
forced to live with FM or huge MIDI drivers that need Pentiums, keep up the
tracking tips. We're all improving constantly, and I know that TW is helping
me, slump or no slump :). Well, I just mailed to say you're all doing a
great job. Keep it up.
BTW, THE ASCII'S SUCK! THEY MAKE THE MAG TOO BIG! DEATH TO ASCIIS! :) ok. :)
Seriously, I like the ASCII's. They add some personality to the mag. And
while we can't do a 1 meg grphics/sound mag like Game Bytes, we can do
ascii's. :) Later. Keep up the good work. :)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From szale@cybercom.comFri Jun 30 22:36:37 1995
Date: Fri, 30 Jun 1995 13:13:21 -0400 (EDT)
From: - szalemandre - <szale@cybercom.com>
To: gwie@mailhost2.csusm.edu
Subject: changing traxweekly
please do *NOT* change traxweekly in any way shape or form! you asked if
anyone actually *reads* through traxweekly, and i do. in fact, the only
thing i *don't* read is that stupid traxculture. :) it reminds me of the
derf files we used to have here at cyberchat. someone would say
something stupid and then someone would capture it, and distribute it and
it was all great kicks, yeah right. it was just boring and stupid. ..
well, in any case..i read through all of base's article, and it helped me
a whole lot. i've never taken any music theory, and everything i do
musicly i've had to teach myself by ear. i'm sure there are six billion
others out there that do the same thing and base's article helped them
out just as much if not more than it did me. offered a better
understanding of music, and *that's* what traxweekly is for! to discuss
what this whole scene is about, the *MUSIC*! it's not about keeping the
readers happy by filling it with humor, fuck humor, they can read some
other mag for that.
when i started reading traxweekly, i thought it was the greatest thing
that has ever happened to the 'scene'. a real, informative newsletter
that deals with the music, without all the fluff and bullshit.
traxweekly i'm *sure* has helped plenty of newcomers to track better than
they thought, to feel like there's a place and a purpose to it to.
if traxweekly is changed at all from the way it is now, ie: adding more
umor shit, or filling it with tabliod crap or anything else that takes
away from the real articles, i'll be very angry, and dissapointed. and i
most certainly won't be the only one. i'm sure you've gotten a whole
shitload of mail already. :)
what i'm saying is, *IT'S PERFECT THE WAY IT IS!*
(i didn't even read the rest of 16 yet, had to send mail right away. :)
track long and prosper,
szale
"Slack: the state in which you need nothing, because you have it already."
-- J.R. "Bob" Dobbs k(no)w bob k(no)w slack
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From agrier@reed.eduMon Jul 3 10:13:31 1995
Date: Mon, 3 Jul 1995 00:18:58 -0700 (PDT)
From: "Aaron J. Grier" <agrier@reed.edu>
To: gwie@mailhost2.csusm.edu
Subject: do I enjoy TW?
I read it. I read a whole lot of what basehead wrote, though not
everything. (It would make more sense to have an included S3M or
something, as I'm not one of the instant-I-can-hear-tracker-songs-by-
seeing-them types of people. Hmm... what an idea. :) I'll have to
suggest it to him. He could say 'OK, now take a look at pattern one.'
instead of putting up little 7-bit ASCII representations of ST3.
In a lot of ways I feel like some kind of old man on the list, as I've
been into the scene since Trakblaster 1.4 was released, and I've been
writing mods since Modedit 2.00 was around. I remember when Basehead
still had his mystic@hotsun.nerc.gov account (or something like that,) and
Necros was an unknown. U4ia was still writing (and releasing) songs back
then. Heck -- I met Maelcum due to the fact that we both wrote MODs for
Starcon II. :)
And somehow I still feel like I'm "out of it" a lot. Maybe it's because
I've got a legitimate job here at Reed College and can't spend 8 hours a
day on IRC swapping songs and chatting with other musicians. Maybe it's
because even though I've written almost 40 songs, I still feel like an
unknown... who knows?
TW gives me at least some semblance of being in the scene. Thanks.
----
The Finn / VLA | "Feel the love: have a carrot!" -- Groovy Dave
Aaron J. Grier | DE CB EE 65 0D EE 3A 0C 1E D7 F5 4D 9E 02 3C C4
agrier@reed.edu | The above line contains a bunch of letters & numbers.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
From aradia@teleport.comMon Jul 3 18:58:46 1995
Date: Mon, 3 Jul 1995 16:40:49 -0700 (PDT)
From: Sean Hanson <aradia@teleport.com>
To: gwie@mailhost2.csusm.edu
Subject: TraxWeekly...
well, i'm currently reading tw16. i just finished reading the little
article you wrote about what the hell people like about tw, etc, do any
of us read it, blahblah, what do we want. obviously, i can't speak for
everyone, but...
i just got on #trax around the time tw15 got out. a couple days later, i
ftp'd tw 1-15 from cdrom. so, for just over a week now i've been reading
issues, trying to catch up. :) and yes! now i'm sorta caught up! anyway,
i have like every issue still fresh in my mind, so i thought i'd tell you
what i think about 'em. first of all, *yes* i read every single part of
every single issue, with the exception of the musicdisk reviews (yawn).
and yeppers, i even read basehead's entire article in tw15 (whew). so
now, without further ado or mindless bullshit, my Own Personal Thoughts
(tm) about traxweekly...
What's Purty Nifty:
-------------------
--interviews! i like 'em. esp with me only getting in the #trax scene
lately, it's cool ta see what some of these guys are like. obviously i
don't think you should go overboard. 1 or 2 interviews each issue is
plenty. keep your readers wanting more. :)
--group columns! yup, i do like reading up on what some of these
world-famous (hehe) groups are up to. i like seeing whether some members
have joined or dropped or been booted, what new songs have been released
by what groups, and just what in general the groups are doing. i mean,
after all, tw is about the tracking scene, so you should keep up with the
groups of the tracking scene. :)
--articles. hmmmm. well, since articles are written about such a diverse
range of topics, there are of course going to be ones i like and dislike.
hmmmm. i *LOVE* all the articles on tracking tips, esp since i'm new to
this thing. also, i am very interested about the whole copyright thing
you've been into, and i think that that is another good topic to talk
about, because it is going to be around in the tracking community,
whether we like it or not. hmmm. and just articles in general about what
the phuck is going on in the scene. :)
What makes me gag:
------------------
--lord pegasus' sammich thing. what was that all about? :) true, it was
kinda cute, but damn...i really hope that something like that doesn't
become a fixed part of the newsletter. it's cute once, after that it's an
annoyance. :)
--traxculture. hmmm. what to say about this. hmmm. when i saw the first
thing (about hadji i believe?) i thought to myself, self..? get a rope.
ahem. and there were a couple traxcultures [i believe] dedicated to
having phun at a newbie's expense, which i didn't care for in the
slightest. i'm sorry, but if i see one more thread about all the cool
warez at 127.0.0.1, i am going to throw up. c'mon, people. it was phunny
like 300 years ago, but really...let it die!! ummm....oh, i can't
remember the other one. like, the one before the telnet one, it was big
and i didn't bother reading it because after the first page it bored me
to death. the last culture i read, about the marriage....yes! i adored
that! i mean, does messing with the mind of an aol'er really have
anything to do with your culture (i'm afraid of calling it 'our' culture
still, as i'm not sure if i can consider myself a part of it :)? i don't
think so. :) but to show more of the actual culture, like how you act.
not when everyone is just being stupid (gag), but when everyone is being
weird, strange, and seemingly without their lithium. :)
--hmmm. ok, well, i think that's the only shit that makes me gag. but in
general, anything that doesn't actually relate to tracking, or the
musicians who do said tracking. :)
ok, i'm done spamming you for now. :) i think maybe i'll write a letter
to you now about my own thoughts on ripping, as if that hasn't been
overdone. (no, really, i like articles concerning ripping smps, extended
smps, et cetera as well. and of course creating smps, which i haven't
been able to successfully do yet. argh.)
[Editor's note: Hey, how come *I* never get any comments to myself, I
am the editor aren't I? It would be nice to get some feedback once
in awhile, even if it's just people jelous of my killer system =)]
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
-[ TraxWeekly Voting ]-------------------------------------------------------
The TraxWeekly song ratings have chanced *again*, and this time we think we
finally have it right! You may only vote on songs less than 3 months old.
This means that you can't vote for Purple Motion songs or the Second Reality
Soundtrack. =) Please fill out this voting form and send it to :
neurosis@unix.gcomm.com. Thanks!
----------------------------------------------------------------------------
[ Top Five Techno Songs - Please include Writer+Group if Possible ]
1._________________________
2._________________________
3._________________________
4._________________________
5._________________________
[ Top Five Demo/Chip/Synth Songs (Most music fits in this category) ]
1._________________________
2._________________________
3._________________________
4._________________________
5._________________________
[ Top Five Mainstream Songs (Piano/Soft/New Age/Pop music) ]
1._________________________
2._________________________
3._________________________
4._________________________
5._________________________
[ Top Five Amateur Songs (Amatuers are defined as beginner/non-mainstream) ]
1._________________________
2._________________________
3._________________________
4._________________________
5._________________________
Best Techno Musician = _________________________
Best Demo/Chip/Synth Musician = _________________________
Best Mainstream Musician = _________________________
Best Amateur Musician = _________________________
Best All-Around Musician = _________________________
Coolest Musician = _________________________
Most Annoying Musician = _________________________
Most Egotistical Musician = _________________________
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--[?. PMS presents: Censorship in the Music Scene]-------------------------
* Note: These are opinions ONLY - The staff of PMS claims all responsibility
for anything that is mentioned in this article, and what will be featured on
the www page. All other organizations, regardless of role, are in NO way
affiliated with or accountable for our actions. Any harassment of these
non-involved parties will result in retaliation, in the form of exposure.
PMS will not condone flaming or harassment of any non-involved party. *
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
This day in age, it's almost impossible to do anything without prompting
some sort of snide remark. Sometimes it is valid. Other times it is not.
Many times we are persecuted for bringing to light devious actions that
some may not want publicized. And that is the story that I bring you today.
How Plagiarism in the Music Scene (PMS), astride all its attempts to expose
the evils present here in your cyber-society, was almost ended due to the
actions of a selfish individual.
It has been several weeks now that PMS has been in action. We have slowly
begun collecting various bits of information on rippers, and putting them
on public display. Some of those featured include Vortex/Muzikman, Sysop
Hennes Eliveld of the Sound Board Connection, and the infamous Nitewynd.
While PMS's only course of action was to bring this knowledge out and make
the stories accessible over the world wide web, our efforts were not
appreciated in the slightest by the accused...
On July 1st, 1995, I was forced to take down the page after the president of
Immortal Software Productions mailed my system administrator, claiming that
PMS had placed "slanderous" remarks online and the content was "libel
defamation" against him and his group. He proceeded to present a front of a
confused, innocent victim. Unfortunately, liars never win. As we will show
in emails, irc conversations, and the like, Immortal Software Productions
consists of a lying, thieving band of individuals with no purpose than to
plagiarize and eliminate the throngs of the opposition and the oppressed.
The current PMS page at http://www.csusm.edu/public/guests/gwie/pms.html
will return shortly after this TraxWeekly publication. Now, we have only
the words of Popcorn, Pinion, Future Assassin, and Maelcum to base our
story on. But that will soon change. When PMS returns in a week or two,
we will have online SOLID EVIDENCE to back our opinions. Until then, we
can only hope.
Help us end the censorship of PMS. Help us end the opposition to the
people that are here to protect your rights as a musician. Support us now.
Because we need you more than ever to defend our position. And we hope you
believe us, for if all the information we have collected in our defense is
not enough, then nothing is.
One week. Maybe two. We'll be back. That's a promise.
-psibelius [tw columnist]
gwie@owl.csusm.edu
/----------------------------------------------------------------------------
-------------------------------[ Interviews ]-------------------------------/
. .
. .. ... . . . . . . . . . . . . . . . . . . . . . .
___ ___.___________ ________ . _______ / \ _______
:___| ___\__.___ _ /________\_____ | _. _\______/_ \ /______
__\ . / \ / ____/ __ ____/ |__:___. _ _ _____/ \ /_______
. | . / \/ _/ \ | /. |/ __/ (- -) /__ \WW
: | ./ \ \ . \ : / . | \ oO / \
| | \ ._________\ \ : \ . / . | O \ /
|___|____\ /. /__________\ |______\ /___._|_______/_/\__/________\/
\/ . /______| \ / .
. \/ .
=============.=================================.=============================
. . . . . . . . . . . . . . . . . . . . ... .. . .
. .
--[ Interview with AmusiC ]-------------------------------------------------
----------------------------------------------------------------------------
Popcorn . TraxWeekly Editor . [Hornet.TraxWeely.MC3]
AmusiC . Musician . [BASS Productions]
----------------------------------------------------------------------------
AM: Goodevening And Howdy..
PC: Hiya, how was the quake?
AM: Fatal to lots of people... but it got its sunny points..
PC: How so?
AM: Like a resque of an 8 year old.. It attracted the attention of All
Greece and even Europe and the US
PC: Eye haven't heard of that, what happened?
AM: There was an eight year old kid, trapped and still alive for 48 hours
under the ruins... and a whole setup took place to rescue the kid...
it was too dangerous, for the building was ready to collapse even more
on the heads of the resque team.. We all were relieved when they got
him out of the wreckage... And thats it... I got pretty shaken up...
and was first to report to all #trax'erz what was happening!... (whooaa)
PC: Sounds like the Oklahoma bombing!
AM: Duh.. never heard of the Oklahoma Bombing... then.. i was never keen with
history...
* popcorn thwacks amusic
AM: ;)
PC: So you were on IRC when the earthquake happened?
AM: Yup... 4am... and I was IrCing... (modeming is surely a desease...:)
PC: Let's see if either of us can find a log =)
AM: Duh... well I was too excited to keep a log =)
PC: <AmusiC> PHUCK!
PC: <AmusiC> WE JUST HAD AN EARTQUAKE!
PC: <AmusiC> STRONG ONE!
PC: <AmusiC> ATHENS GREECE
AM: Whoaaa... where did you find these??? =)
PC: My log of #trax is over 15 Megs
AM: well.. as i said.. i was too excited... it was a 6.2 Richter
eartquake.. and it lasted for about 15 seconds... long enough to
make you wet your pants! :)
PC: What is it like being in an earthquake? Canada is very dull... we
have no earthquakes, hurricanes, tornodos, floods, or anything :/
AM: well... at first you think its awesome... like dealing with natures
disasters and phenomena.... but then... if your life is endangered...
you start to hate it... if not... you are still excited untill you
learn that people died and properties were lost.. So.. If there are
no casualties... its pretty Tzami to be in such events =)
PC: I guess Canada is a pretty nice country to live in... hardly any
crime, a good demoscene, and no natural disasters.
AM: well.. we also have low crime rate... and we are trying to grow our
demo scene...
PC: How are you involved in the demoscene?
AM: Actually we had a demo party (compo) some months ago.. and we are going
to have a big one on October
AM: Well.. I started 1 year ago, when i first started to track..
I joined a local group, called OCT.... Nothing important... but we were
united.. and the feeling of beeing part of a group, gave me inspiration
Then I learned about Trax Weekly... I subscribed to it... and read an
add of Bass Productions... they were searching for new members... I
contacted Sirrus... (The guy who has the final word in Bass) sent him
some music.... So one month later, I Join Bass productions... and
tracked about 10 tunes since then under Bass name...
PC: I am going to do some tracking this summer. School and TraxWeekly as
well as wasting time on IRC was all that happened before summer
vacation.
AM: Then i got some local and loyal amiga users in Athens, and united them
Under one group... I'm looking forward to hearing to your mods...
PC: I don't make mods, I make .s3m's
PC: What styles of music do you like to compose?
AM: I am not addicted to a style... I make everything ... It depends
on my mood.. well... lately i tend a bit to reggae mods.. ;)... and
mellow too..
PC: Do you have any other music you listen to besides your own?
AM: Whatever the radio offers... oh.. and Mods too of course... i have
a wide varriety of music taste..
PC: What mod composers do you like?
AM: Mostly Amiga people.. like Jester/Sanity, Lizard/Spaceballs,
Mr.Man/Andromeda, Dizzy/CNCD, and yet the list might go on for
ever... lottsa people... Lately I heard Zalts tunes too.. they seem
pretty nice... and from the sole Necro's tune i heard He is pretty
Tzami Too..
PC: I have heard Dizzy but no one else :/
AM: You should then... they are masters in their Area...
PC: Where can I get some of their tuneage?
AM: Mostly on Aminet... or Amiga Demos... Also search for Jogeir
Liljedahl's work.. he is Tzami too...
PC: Alright, I heard Jogeir though, who hasn't listened to Guitar Slinger?
AM: He he... his most famous one... but he has more...
PC: I know - I have 50 tunes by him
AM: Have you made any s3m's?
PC: Yes, one of them, and I'm working on another one.
PC: You going to compose anything this summer?
AM: Sure I am... I've got to get about 5 tunes ready in July...
PC: why?
AM: I'm in 3 groups... and possibly I'll be co-operating with Enigma..
That makes a lot work for me to do...
PC: You should join KFMF, I don't think they have anyone from Greece
AM: Enigma? their Base coder is Greek (TML).. so is Dark Avenger..
PC: Eye was talking about Kosmic you fewl
AM: ah... sorry... The Lag Monster... (and the TV set nearby..;)
hm.. that would make a total of 4 groups... ;)
PC: What kind of TV do you get in Greece?
AM: the greek states TV, Private Tv Channels, (Antenna is broadcasted over
america too) Paying TV and finally Satelite TV.. (Mtv, Cnn, and some
more..)
PC: Do you have cable?
AM: noap... but who needs cable? I only watch tv when i'm IRC ing... and
of course watching the European Basketball Tournament.. ;)
PC: Eye listen to CBC Radio or a MIDI file when I'm IRCing :)
AM: I dont IRC much.. I mostly compsoe.. or play the Piano..
PC: I IRC way to much. And I had better be going, thank you very much
for the interview!
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-[ Epinicion Column]--------------------------------------------------------
___ _______ _____________ ______ ______ _______ ______ _______ ___________
| // \\ \\_____) \\_____) \\_____) \\ \\ |
: / o \ o \ \ \ \ \ \ o \ \:
// _____// / \ : / \ _____/ \ / : \.
\\_______/ _//______\\_|__//______\\_____//______\\_____//____| /:
: \\____\\ ______________________________ oT /___//|
|________________________// e p i n i c i o n \\________________|
Hello to all the new members, who will be listed in next week's column.
Roland puts another song under his belt with "Black on White" [XM].
Funky guitar, and nifty drum line (word of warning: use cubic player).
Aradia puts out "A Million Miles Away" [S3M].
Epinicion's next music disk will be featured in September, please send in
your submissions! Guests wishing to release with Epinicion are also
encouraged to donate!
Most of Epinicion's 1995 releases can be found at kosmic.wit.com in
/kosmic/epinicion. The Web page has again moved due to account problems
back to http://www.csusm.edu/public/guests/gwie/epi.html. We have a
completely BRAND NEW PAGE with new links, new graphics, and new style.
Please check it out!
To those thinking of joining Epinicion, or wanting to know more about our
philosophy: You need not be great to join Epinicion. You need only to
aspire to be great. I quote from "Synners," a novel by P. Cadigan: "We do
what we do and we do it because we can." Damn straight. If you are a
dedicated person striving to become better, then email us. And join us.
We're here for YOU, the musician. So if you think you have what it takes,
don't bother waiting. Join Epinicion NOW.
Psibelius (Gene Wie)
Epinicion Founder
gwie@owl.csusm.edu
----------------------------------------------------------------------------
-[ Distribution Sites ]-----------------------------------------------------
BBS System Name Country/State Phone Number System Operator
|---------------------|---------------|------------------|------------------|
Mindflux Australia +61-2-416-2513 Force Format
Velvet Demosite Belgium +32-3-3851594 Sleeping Dog
AltConn BBS Brazil +55-11-816-2031 Herman Fuchs
Hack / Ploddt Canada 902-625-5920 Popcorn
Beats per Minute Canada 418-660-8137 Populus
Our World Canada 416-740-4346 b0b
Cyber Web Italy +39-331-310641 ArachniD
TH Rijswijk BBS Netherlands +31-70-3401534 Raymond Dijkxhoorn
The Digital Dream New Zealand +64-7-856-1376 Black Friday
MultiMedia GS Singapore +65-252-1220 Lee Teck Chee
The Portal Sweden +46-26-196363 Coyote & Cyanid
Sound & Vision U.K. +44-181-288-8444 Rob Barth
Aethelwulf Utopia United States 309-862-4918 Quarex
Synthetic Amusement United States 410-795-8526 Sirrus
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