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SURFPUNK Technical Journal 051
Date: Mon, 8 Feb 93 18:16:21 PST
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From: surfpunk@osc.versant.com (abg-n-ahzore)
To: surfpunk@osc.versant.com (SURFPUNK Technical Journal)
Subject: [surfpunk-0051] PMC: "Postmodern Culture" & review of Snow Crash
Keywords: surfpunk, Stuart Moulthrop, Postmodern Culture, Snow Crash, Neal Stephenson
+ + Jesse Helms fears art because he still thinks it
+ can change the world; the NEA "Liberals" think
+ all art should be allowed, because, after all,
+ "It's only art!".
+ -- Hakim Bey
+ (at Komotion, san fran, 6feb93)
+++++++++++++++++++++++++++++++++++++++++++++++++++++
"Michael J. Current" <IAMICHAEL@delphi.com> on FutureCulture
recommends this essay:
Stuart Moulthrop, "Deuteronomy Comix." A review
of Neal Stephenson's _Snow Crash_. REVIEW-1 193
It's part of the Jan93 issue of the e-journal "Postmodern Culture" (PMC).
Below I'm including the CONTENTS from this issue.
It's available for anonymous ftp from "ncsuvm.cc.ncsu.edu".
Talk gently to ncsuvm.cc.ncsu.edu -- it's not a unix machine.
Log in as "anonymous", and don't put "@" in your password.
Spell filenames with all caps. "cd" into "PMC", but don't use a slash.
Be sure you use ASCII rather than BINARY transfer. Say things like
"get REVIEW-1.193". The Jan93 files all end in ".193".
It appears the authors do not want me to mail out PMC articles
inside SURFPUNKs -- they want you to have to access the archives yourself.
So I don't think they'll mind me mailing the contents and instructions.
These instructions do tell how to get articles via email instead of ftp.
Happy hacking... strick
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POSTMODERNCULTUREPOSTMODERNCULTURE
P RNCU REPO ODER E P O S T M O D E R N
P TMOD RNCU U EP S ODER ULTU E C U L T U R E
P RNCU UR OS ODER ULTURE
P TMODERNCU UREPOS ODER ULTU E an electronic journal
P TMODERNCU UREPOS ODER E of interdisciplinary
POSTMODERNCULTUREPOSTMODERNCULTURE criticism
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Volume 3, Number 2 (January, 1993) ISSN: 1053-1920
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Editors: Eyal Amiran, Issue Editor
John Unsworth
Review Editor: Jim English
Managing Editor: Nancy Cooke
List Manager: Chris Barrett
Editorial Assistant: Jonathan Beasley
Editorial Board:
Kathy Acker Chimalum Nwankwo
Sharon Bassett Patrick O'Donnell
Michael Berube Elaine Orr
Marc Chenetier Marjorie Perloff
Greg Dawes David Porush
R. Serge Denisoff Mark Poster
Robert Detweiler Carl Raschke
Henry Louis Gates, Jr. Mike Reynolds
Joe Gomez Avital Ronell
Robert Hodge Andrew Ross
bell hooks Jorge Ruffinelli
E. Ann Kaplan Susan M. Schultz
Barbara Kirshenblatt-Gimblett William Spanos
Arthur Kroker Tony Stewart
Neil Larsen Gary Lee Stonum
Jerome J. McGann Chris Straayer
Stuart Moulthrop Paul Trembath
Larysa Mykyta Greg Ulmer
Phil Novak
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CONTENTS
AUTHOR & TITLE FN FT
Masthead, Contents, and CONTENTS 193
Instructions for retrieving files
Barrett Watten, "Post-Soviet Subjectivity" WATTEN 193
Arkadii Dragomoshchenko, from _Phosphor_. Tr. DRAGOMOS 193
Lyn Hejinian and Elena Balashova
Jerome McGann, Vitaly Chernetsky, SYMPOS-1 193
Arkadii Dragomoshchenko, Mikhail Epstein,
Lyn Hejinian, Bob Perelman, Marjorie
Perloff, A Symposium on Russian
Postmodernism, Oct. 26-Nov. 25, 1992
Marjorie Perloff, and Mikhail Epstein, two SYMPOS-2 193
draft essays circulated as part of
Postmoder Culture's symposium on Russian
Postmodernism
Vladislav Todorov, "The Four Luxembourgs" TODOROV 193
(fiction)
Wendy Wahl, "Bodies and Technologies: _Dora_, WAHL 193
_Neuromancer_, and Strategies of
Resistance"
Alan Aycock, "Derrida/Fort-da: Deconstructing AYCOCK 193
Play"
Kathleen Burnett, "Towards a Theory of BURNETT 193
Hypertextual Design"
POPULAR CULTURE COLUMN:
Honoria, "Introducing Mail Art: A Karen Elliot
interview with Crackerjack Kid and Honoria" POP-CULT 193
REVIEWS:
Stuart Moulthrop, "Deuteronomy Comix." A review
of Neal Stephenson's _Snow Crash_. REVIEW-1 193
Jon Thompson, "Consuming Megalopolis." A review
of Celeste Olalquiaga's _Megalopolis:
Contemporary Cultural Sensibilities_. REVIEW-2 193
Philip E. Agre, "Sustainability and Critique."
A review of Will Wright's _Wild Knowledge:
Science, Language, and Social Life in a
Fragile Environment_. REVIEW-3 193
Susan J. Ritchie, "Constructing an Archipelago:
Writing the Caribbean." A review of Antonio
Benitez-Rojo's _The Repeating Island:
The Caribbean and the Postmodern
Perspective_. REVIEW-4 193
James Morrison, "Hitchcock: The Industry." A
review of Robert E. Kapsis's _Hitchock: The
Making of a Reputation_. REVIEW-5 193
Josephine Lee, "Cookbooks for Theory and
Performance." A review of Case, Sue-Ellen
and Janelle Reinelt, eds. _The Performance
of Power: Theatrical Discourse and Politics_,
and Reinelt, Janelle G. and Joseph R. Roach,
eds. _Critical Theory and Performance_. REVIEW-6 193
Glen Scott Allen, "Baptismal Eulogies:
Reconstructing Deconstruction from the
Ashes." A review of Jacques Derrida's
_Cinders_, tr. Ned Lukacher, and Jacques
Derrida's _The Other Heading: Reflections on
Today's Europe_, tr. Pascale-Anne Brault &
Michael B. Naas. REVIEW-7 193
LETTERS:
Vaillancourt-Rosenau and Foley, an exchange LETTERS 193
NOTICES:
Announcements and Advertisements NOTICES 193
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ABSTRACTS
Barrett Watten, "Post-soviet Subjectivity in Arkadii
Dragomoshchenko and Ilya Kabakov"
ABSTRACT: The break-up of official culture in the
Soviet Union led to aesthetic developments characterized by
an intense, utopian, and metaphysically speculative
subjectivity. Identifying these "post-Soviet" developments
with postmodernism would be to misunderstand them, however.
Aspects of this subjectivity can be seen in the
installations and texts of Ilya Kabakov, developing out of
Moscow conceptual art originating in the 1970s and now being
shown in museums in the West, and in the poetry of Arkadii
Dragomoshchenko, representative of the 1980s "meta" litera-
ture from Moscow and Leningrad, now appearing in American
translations. Both projects, while formally very different,
dismantle Soviet authority in ways that are more culturally
specific than generically postmodern. --BW
Jerome McGann, Vitaly Chernetsky, Arkadii Dragomoshchenko,
Mikhail Epstein, Lyn Hejinian, Bob Perelman, and Marjorie
Perloff, "A Symposium on Russian Postmodernism"
ABSTRACT: Jerome McGann moderates an email discussion
among Vitaly Chernetsky, Arkadii Dragomoshchenko, Mikhail
Epstein, Lyn Hejinian, Bob Perelman, and Marjorie Perloff
about Russian Postmodernism. The discussions took place on
Oct. 26-Nov. 25, 1992. The symposium includes poetry by
Arkadii Dragomoschenko, from XENIA, and an essay by
Dragomoschenko, "Eroticism of For-Getting, Eroticism of
Beyond-Being" (translated by Vanessa Bittner with Arkadii
Dragomoshchenko). A draft of an essay by Marjorie
Perloff was circulated at the beginning to all participants;
this essay, and also excerpts from an essay by Mikhail
Epstein (sent during the symposium), are included the file
SYMPOS-2 in this issue. Participants received an advance
copy of Barrett Watten's essay, available in this issue as
WATTEN 193. --EA
Wendy Wahl, "Bodies and Technologies: _Dora_, _Neuromancer_, and
Strategies of Resistance"
ABSTRACT: A pragmatic warning for cyborgs seeking to
resist the "gradual and willing accommodation of the
machine," the author focuses on the ability of therapeutic
and cybernetic networks to recuperate resistance. From
Freudian clinical practice to the historicized future of
William Gibson's _Neuromancer_, promising theoretical
disruptions of oppositional pairs are reclaimed in practice,
often with chilling results. This reclamation is often
signaled by the material moment when gender oppositions
break down; in a backlash against their inclusion with "the
other," the nostalgic and paranoid reaction of male
theorists excludes the object, locating interiority once
again within their experience. Is there any space in a
postnatural future for a female subject with interiority?
Alan Aycock, "Derrida/Fort-da: Deconstructing Play"
ABSTRACT: Although the writings of Jacques Derrida are
notable for their playfulness, little attention has been
given to the possibilities of a deconstructive approach to
the study of play itself. Derrida's discussion of the
"fort-da" game is presented to suggest some elements of such
an approach, and five examples drawn from participant
observation of the game of chess are analysed from a
deconstructive viewpoint. Some implications of
deconstruction are offered for further ethnographic
investigation. --AA
Kathleen Burnett, "Toward a Theory of Hypertextual Design"
ABSTRACT: Commencing with a critique of Poster's
modes of information, this article employs Deleuze &
Guattari's metaphor of the rhizome to explicate
electronically mediated exchange, of which hypertext is the
apparent fulfillment. The "approximate characteristics of
the rhizome"--principles of connection, heterogeneity,
multiplicity, asignifying rupture, and cartography and
decalcomania--are considered as principles of hypertextual
design. --KB
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TO RETRIEVE SINGLE ITEMS LISTED ABOVE, send a mail message to
listserv@ncsuvm or listserv@ncsuvm.cc.ncsu.edu containing as its
one and only line the command
get [fn ft] pmc-list f=mail
(replace [fn ft] with the filename and filetype, as listed in the
table of contents, for the file you want to receive). There
should be no blank lines, spaces, or other text preceding this
line.
TO RETRIEVE THE WHOLE ISSUE as a package, send a mail message to
listserv@ncsuvm or listserv@ncsuvm.cc.ncsu.edu with the command
get pmcv3n2 package pmc-list f=mail
If you request the issue as a package, please make certain you
have sufficient virtual disk space on your e-mail account to
receive it (at least half a megabyte). More detailed
instructions are available in the file NEWUSER PREFACE: to
retrieve this file, send a mail message to listserv@ncsuvm or
listserv@ncsuvm.cc.ncsu.edu with the command
get newuser preface pmc-list f=mail
If none of the above works for you, contact the editors.
_Postmodern Culture_ uses only ASCII text (the character-code
common to all personal computers): this means that readers can
download the text of the journal from the mainframe (where mail
is received) to any personal computer and import it into almost
all word-processing programs. Text in the journal uses a 65-
character line, so you should set your margins accordingly before
importing journal files into a word-processing program.
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_POSTMODERN CULTURE_ is published by Oxford University Press
three times a year (September, January, and May) using the
Revised LISTSERV program ((c) Eric Thomas 1986, Ecole Centrale de
Paris). It is distributed to more than 2,600 subscribers
worldwide from an IBM mainframe at North Carolina State
University. This issue is published with support from the NCSU
Libraries, the NCSU Computing Center, the NCSU Research Office,
and the NCSU Department of English. Special thanks to Chuck
Kesler of NCSU Engineering Computer Operations. _Postmodern
Culture_ is a member of the Conference of Editors of Learned
Journals (CELJ) and of the Association of Electronic Scholarly
Journals (AESJ).
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SUBSCRIPTION to the journal in its electronic-mail form is free.
Each issue is available on disk and microfiche as well. Disk and
fiche rates are $15/year for an individual and $30/year for an
institution. For disks or fiche mailed to Canada add $3 postage;
outside North America, add $7. Single issues are available for
$6 (U.S.), $7 (Canada) or $8 (elsewhere). Postal correspondence
and books for review should be sent to:
Postmodern Culture
Box 8105
NCSU
Raleigh, NC 27695-8105
Orders and payment for disk and fiche formats should be sent to:
Postmodern Culture
Journals Department
Oxford University Press
2001 Evans Road
Cary, NC 27513, USA
To order by fax: 919-677-1714
Electronic-text submissions and requests for free e-mail
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(pmc@ncsuvm or pmc@ncsuvm.cc.ncsu.edu). Using the same
addresses, readers may also subscribe free of charge to PMC-TALK,
an open discussion group for issues relating to the journal's
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SUBMISSIONS to the journal can be made by electronic mail, on
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recommended for documentation in essays; a list of the text-
formatting conventions used by _Postmodern Culture_ for ASCII
text is available on request.
_________________________________________________________________
COPYRIGHT: Unless otherwise noted, copyrights for the texts which
comprise this issue of _Postmodern Culture_ are held by their
authors. The compilation as a whole is Copyright (c) 1993 by
_Postmodern Culture_ and Oxford University Press, all rights
reserved. Items published by _Postmodern Culture_ may be freely
shared among individuals, but they may not be republished in any
medium without express written consent from the author(s) and
advance notification of the editors. Issues of _Postmodern
Culture_ may be archived for public use in electronic or other
media, as long as each issue is archived in its entirety and no
fee is charged to the user; any exception to this restriction
requires the written consent of the editors and of the publisher.
-----------------END OF CONTENTS 193 FOR PMC 3.2-----------------
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The SURFPUNK Technical Journal is a dangerous multinational hacker zine
originating near BARRNET in the fashionable western arm of the northern
California matrix. Quantum Californians appear in one of two states,
spin surf or spin punk. Undetected, we are both, or might be neither.
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Send postings to <surfpunk@osc.versant.com>, subscription requests
to <surfpunk-request@osc.versant.com>. MIME encouraged.
Xanalogical archive access soon. Unless otherwise noted.
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