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Scandinavian Indie Digest Vol 97 Issue 14
Scandinavian Indie Digest Mon, 15 Dec 1997 Volume 97 : Issue 14
Today's Topics:
AW:
Re: mainstream
Beaty contra ugliness.
Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
Northside on NPR tonight
Re: Tour
Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
Re: AW:
Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
Quick question to all digest subscribers
Tour List III (Skrikhult BA) [10-Dec-97]
Sin's Music on the Radio [15-Dec-97]
pusjkins
Souls?
Fidget stories
Re: mainstream (Komeda branch)
Re: mainstream (Komeda branch)
Re: mainstream (Komeda branch)
Re: mainstream (Komeda branch)
Re: mainstream (Komeda branch)
Re: pusjkins
Re: Souls?
Re: pusjkins
Re: Souls?
Re: Souls?
Sin's Music on the TV [12-Dec-97]
Sin's Upcoming Promotion Visits [15-Dec-97]
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------------------------------
Date: Tue, 9 Dec 1997 15:00:56 +0100
From: "Barczinski, Reiner, WAC" <Barczinski@celanese.de>
Subject: AW:
Hey, do you like this as much as I do? To see, because of the
"answered" Mails, which message drove somebody to unsubscribe ?
Unsuccessfully ... ;)
Reiner
-----Ursprungliche Nachricht-----
Von: Connie Nernus-Kangas [SMTP:goldlinks@mail.dreamscape.com]
Gesendet am: Dienstag, 9. Dezember 1997 09:45
An: scan-indie@lysator.liu.se
Betreff: Re:
unsubscribe
------------------------------
Date: Tue, 9 Dec 1997 12:02:00 -0000
From: "Abbott, Daniel, ABBOTTD7" <AbbottD7@defec3.agw.bt.co.uk>
Subject: Re: mainstream
I'd venture to suggest that it's actually a case of Stereolab sounding
more like an English/ French version of Komeda!
- Daniel
----------
BOB HUND, singing in Swedish (but planning to record something in
English
in the future), and KOMEDA who are singing in English nowadays (but
their
first records were in Swedish) are both non-mainstream in terms of
record
sales and in sound too, I would say. They both have quite unique sounds,
if
you ask me (though KOMEDA may sometimes sound like a Swedish version of
STEREOLAB).
------------------------------
Date: Tue, 9 Dec 1997 21:31:01 +0200 (EET)
From: Timo Riitamaa <timo.riitamaa@kolumbus.fi>
Subject: Beaty contra ugliness.
svenskax@sfsu.edu & Chris talked:
>> how mainstream and ugly sounding are these swedish indie pop bands? i.e.
>> bub hund, kent, komeda, popsicle etc.
>
>You want ugly music?
Well, prefarably atleast some ugly sides. for instance those of you who have
been wise or lucky enough to hear Nick Drake know that while he made the
world's most beautiful music, it had it's dark sides. and i dare say that
that hiding uglyness was a major part of the tear bringing beauty of his music.
Tornado DaSilva, the crying rock'n roll animal. (well, actually just a
wanna-be intellectual and somebody's rokkibeibeh)
------------------------------
Date: Tue, 9 Dec 1997 21:31:10 +0200 (EET)
From: Timo Riitamaa <timo.riitamaa@kolumbus.fi>
Subject: Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
per:
>and as this, in turn, is the sole reason for major
>labels to exist, i just can't see why there aren't
>more bands in this friggin' country that turn the
>back on the whole music-industry and do it by them-
>selves instead. you wouldn't have to fear being out
>of a record deal if the label you'd put out your
>records through would be your own, now would you?
Beause they wanted to get rich and famous. nobody goes big major because
they think they'd get more love, caring and understanding from there... they
just want to get a billion fans, fame and fortune... and that's why bands
will keep on doing it untill the end of time...
Ofcourse if were talking about progressive orchestral 180-piece magnum rock,
then you might want to go major just for the resources they have available
for recording, but i don't think that's the case concidering the times we
are living. (but wait 3 more years, and we'll be there!)
And as a few afterwords, i have nothing against somebody wanting to become
rich and famous or wanting a zillion listeners. actually i know a few rich
and famous people and they're quite friendly and fun.
Tornado DaSilva.
ps. Sick Things International do indeed suck, and they have been long ago
banned from all finnish rock'n roll events containing good music.
------------------------------
Date: Tue, 09 Dec 1997 22:17:04 +0000
From: "johanna.hillgren" <johanna.hillgren@swipnet.se>
Subject: Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
Timo Riitamaa wrote:
> per:
> >and as this, in turn, is the sole reason for major
> >labels to exist, i just can't see why there aren't
> >more bands in this friggin' country that turn the
> >back on the whole music-industry and do it by them-
> >selves instead. you wouldn't have to fear being out
> >of a record deal if the label you'd put out your
> >records through would be your own, now would you?
>
> Beause they wanted to get rich and famous. nobody goes big major because
> they think they'd get more love, caring and understanding from there... they
> just want to get a billion fans, fame and fortune... and that's why bands
> will keep on doing it untill the end of time...
>
> Ofcourse if were talking about progressive orchestral 180-piece magnum rock,
> then you might want to go major just for the resources they have available
> for recording, but i don't think that's the case concidering the times we
> are living. (but wait 3 more years, and we'll be there!)
>
> Tornado DaSilva.
>
Turning the back on the music industry and doing it by themselves? It's a
dreamworld!
We, I speak for myself and my band Fidget, couldn't have done anything without
a record company. OK, of course we could've if we had loads of dollares and if
there was more than 60 minutes in an hour. But we have not and there is not.
Making your own record means it takes a lot of time from what it actually means
playing in a rock band. Making music. rehearsing. Being creative.
And in our world we make music for ourselves but even more for the people who
want to listen to it. releasing a record of your own means you have to reach
all those people by yourself. today in Sweden. Where over 10 000 new records
are released every year.
Perhaps it would be easier now, when we have already made an album and at least
a dozen people know of us, but I definitely think we'll be going for a new
record deal. Preferrably something major. Because we don't have any problems
with that.
Mega Records was wrong on every point on how to run a record company, but we'll
have to give them credit that they did not on any crucial issue force us to do
anything. We always chose the singles, we chose the layout, we chose the way we
wanted everything to sound. We never compromised.
And I know we can get that again. Cause the rumours about the horridity of
major record labels are, in our opinion, clearly exaggerated.
And once again, it was our decision to leave Mega Records. They wanted to do
another album with us, but we turned them down. They lost and want revenge.
DANIEL/FIDGET
------------------------------
Date: Tue, 9 Dec 1997 16:43:35 -0600
From: "John Helgeland" <johnboy@visi.com>
Subject: Northside on NPR tonight
Fans of Swedish Folk Music in the United States:
bands: Garmarna, Vasen, Hedningarna and more
Read on:
================
> NEWS FLASH from ESD / NorthSide / Omnium
> Sender: owner-omnews-l
> Precedence: bulk
> Reply-To: tunes@omnium.com
>
> NPR's All Things Considered is scheduled to air a 7 1/2-minute piece on
> NorthSide *today,* featuring selections from many NorthSide releases and an
> interview with fearless leader Rob Simonds.
>
> Air time will vary depending on your location; it's scheduled to go out
> over the satellite at 5:50pm, 7:50pm and 9:50 pm East Coast time. In
> NPR-speak, that's segment "2D". Contact your local station for the exact
> air time.
>
> Give it a listen and enjoy the tunes!
>
> <<<THE END>>>
>
> If you'd like a copy of our complete catalog and mailorder information,
> just drop us an email at one of our myriad addresses:
>
> Omnium -- tunes@omnium.com
> NorthSide -- chill@noside.com
> ESD -- esd@noside.com
>
> Or click over to our website <http://www.noside.com>.
>
> - Drew Miller / NorthSide
> December 9, 1997
>
>
------------------------------
Date: Wed, 10 Dec 1997 00:49:00 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Re: Tour
At 19:08 1997-12-08 -0800, svenskax@sfsu.edu wrote:
>anyone knows when refused is touring?
No tour dates were included in the latest Luger BA tour list -
if they have any upcoming gigs, it'll be listed in that one.
//Erik
------------------------------
Date: Wed, 10 Dec 1997 01:03:30 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
On Tue, 09 Dec 1997, Daniel Claeson wrote:
> We played quite a lot of festivals last summer and we always had a great
> response from the audience and we had an A&R from an English record
> company watching us twice.
>
> The second time he saw us he decided he wanted to sign us, but he didn't
> want to work with Mega, because of their incapability to work the album
> properly.
This means the deal with the UK label came through now, right?
Hopefully it did - but does this mean we won't be able to get
our hands on your forthcoming records here in Sweden?
> Before last Friday, when we finally got the good news. And that was on
> the same day they decided to close down the Swedish part of the office.
> We're very, very comfortable with the situation. We're actually that
> happy that we can give Mega the opportunity to slag us off, to say that
> we weren't interesting enough, to say that they didn't do anything
> wrong.
>
> It really doesn't matter now when we're free.
I guess it is good enough they had to shut down operations. Saw that
Karin Schyffert went to MNW (promotion) by the way.
> And I think I know who the losers are...
And me too. :-) Though a question that pops up in my mind is - what will
happen to the other bands? Which one are still on Mega (DK)? And Peter
Ejheden?
And what about your label Prodik?
//Erik <chief@lysator.liu.se>
------------------------------
Date: Wed, 10 Dec 1997 01:11:13 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Re: AW:
At 15:00 1997-12-09 +0100, you wrote:
> Hey, do you like this as much as I do? To see, because of the
> "answered" Mails, which message drove somebody to unsubscribe ?
> Unsuccessfully ... ;)
>
> Reiner
They've been trying to unsubscribe to the wrong address several times
now, and each time they will receive a note back stating the correct
procedure - and yet they do the same mistake over and over. I suspect
the address doesn't lead to a person...
//Erik
------------------------------
Date: Wed, 10 Dec 1997 01:13:41 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Re: why major labels are never to be trusted (part 154 of the
indie thread. those who are not interested - hit "delete")
At 21:31 1997-12-09 +0200, Timo Riitamaa wrote:
> ps. Sick Things International do indeed suck, and they have been long ago
> banned from all finnish rock'n roll events containing good music.
Sorry all, but I just had to answer this one. Here's the answer:
Ha ha ha ha!
//Erik
------------------------------
Date: Wed, 10 Dec 1997 02:14:17 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Quick question to all digest subscribers
Hello,
I'm Erik the list maintainer - and I want to ask all of you a question
regarding the new automatic digest list, if you have the time?
IMPORTANT NOTE:
*** Please reply to me personally at <chief@lysator.liu.se> ***
------------------------------------------------------------
Question: Is the new format of the digest okay on your side?
------------------------------------------------------------
The reason I'm asking is that it is sent out in MIME encoding with
the new listserver - and on my side (with the Eudora mail client),
it garbles up the digest - removing separation lines and the end
lines, ie. the "End of Digest Vol.97 #87" line.
If you do have problems with the format it is sent out today -
let me know and I'll create a digest list that sends out the
digest without the MIME encoding (ie. in normal ASCII).
Best regards,
//Erik Soderstrom <chief@lysator.liu.se>
------------------------------
Date: Wed, 10 Dec 1997 03:06:01 +0100 (MET)
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Tour List III (Skrikhult BA) [10-Dec-97]
----------------------------------------------------------------------------
Scandinavian Indie Skrikhult Tour List _Update_ Scandinavian Indie
December 10th, 1997
by Erik Soderstrom <chief@lysator.liu.se>
----------------------------------------------------------------------------
SCANDINAVIAN:
A-BOMBS (S) - Outside Society / House of Kicks *NEW*
20/12 Stockholm Underground
CANDYSUCK (S) - StarTracks / House of Kicks
12/12 Trollhattan Magasin 15 New Date
GLUECIFER (N) - White Jazz / House of Kicks
14/12 Stockholm Electric Garden New Date
MATS / MORGAN BAND (S) - UAE / Border
21/2 Hallsberg Stinsen New Date
MAZARINE STREET (S) - Fine Tone / MD
30/1 Malmo KB New Date
----------------------------------------------------------------------------
NON-SCANDINAVIAN:
U.D.O (DE) - Gun Rec. / House of Kicks *NEW*
+ LIONS SHARE (S) - Centuary Media / House of Kicks
28/1 Goteborg Valand
29/1 Vasteras Extremes
30/1 Uppsala Sten Sture
31/1 Eskilstuna Josefs Bar
1/2 Norrkoping Kammaren
2/2 Hono Trubaduren
3/2 Malmo KB
4/2 Stockholm T B A
6/2 Helsingfors Tavastia (SF)
7/2 Tampere Tulliclub (SF)
----------------------------------------------------------------------------
The complete Skrikhult Production Tour List is posted once/month
----------------------------------------------------------------------------
------------------------------
Date: Wed, 10 Dec 1997 03:06:18 +0100 (MET)
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Sin's Music on the Radio [15-Dec-97]
-----------------------------------------------------------------------------
Scandinavian Indie MUSIC ON THE RADIO Scandinavian Indie
December 15 -> 18, 1997
by Erik Soderstrom <chief@lysator.liu.se>
Day Date Artist Recorded
--- ----- ----------------------------- ------------------------------------
Mon 15/12 Erasure Denmark, Roskilde Festival Jun-97
Tue 16/12 tba
Wed 17/12 Stephen Simmonds Stockholm, Lollipop 25-Jul-97
Thu 18/12 Paradise Lost Stockholm, Electric Garden 08-Oct-97
This list covers the Swedish National Channel P3's "Live" - at 21.03-22.00
or 18.03-19.00 where marked with a '*'. (R) = Rerun
-----------------------------------------------------------------------------
This list is also available on the Scandinavian Indie site
at: http://www.lysator.liu.se/~chief/upcoming.html
-----------------------------------------------------------------------------
------------------------------
Date: Tue, 09 Dec 1997 22:14:30
From: Kimmo Saaskilahti <solaris@sci.fi>
Subject: pusjkins
Micke Rehnstrom wrote:
>It would have been interesting to hear some of their new material,
>from their to-be-released full-length album (produced by Ken Stringfellow).
yeah, I couldn't believe my eyes when I read in the latest issue of the
EttNollEtt magazine that Mr. Stringfellow will be producing their album.
Didn't they (Pusjkins) ever get to hear what he did on the Backfish
album???!!! OK, I never bothered picking up the said album after hearing a
track from it on a West Side Fabrication comp. As far as I'm concerned the
earlier track "Bless You" (on the "give ear!" comp) is by far superior,
capturing well what they sound(ed) like live: energetic, aggressive (but
not violent) and sensitive. Whereas Stringfellow's production makes them
sound lame, bland and middle-class.
If you ask me, the Pusjkins' "Avoiding Ground Loops" has perfect sound &
production and tunes are great too. But maybe they want to make their sound
more "radio friendly" or whatever.
Yours,
Kimmo
listening to "mi novela autobiografica" by Le Mans on Elefant Records in
Spain.
------------------------------
Date: Wed, 10 Dec 1997 10:50:22 +-100
From: Mikael Fant <mikael.fant@swipnet.se>
Subject: Souls?
Heard a rumour somewhere that Souls were to continue with the vocalist from Play Dough instead of Cecilia, any truth in this? Anyone?
------------------------------
Date: Wed, 10 Dec 1997 04:59:21 -0500
From: Mo Holkar / UKG <Undying_King_Games@compuserve.com>
Subject: Fidget stories
I just wanted to say thanks to Daniel for giving us the inside story on the
Fidget / Mega Records story -- very interesting! Let's hope that the
English deal he mentioned goes ahead, they could do well here.
Mo
------------------------------
Date: Wed, 10 Dec 1997 10:46:00 -0000
From: "Abbott, Daniel, ABBOTTD7" <AbbottD7@defec3.agw.bt.co.uk>
Subject: Re: mainstream (Komeda branch)
>>I'd venture to suggest that it's actually a case of Stereolab sounding
>>more like an English/ French version of Komeda!
>right. and nirvana is (or rather, was) the american version of bush.
>(even though nirvana released records _years before_ bush was even formed.)
Try listening to some of the newer Stereolab songs next to Komeda's "Pop
Pa Svenska" CD from 1992(Ha!). Either it's some huge coincidence (a
result of both bands having the same record collections?) or Stereolab
are very consciously "borrowing" from Komeda because they figure Komeda
have a relatively low profile outside of Sweden that no-one'll ever
figure out what their game is!
I'm sure Stereolab are nice folks though, I just feel Komeda should get
credit where it's due.
Plus, there are still plenty miles difference between the two bands to
make them both separate enjoyable listening experiences, in my humble
opinion.
- Daniel
------------------------------
Date: Wed, 10 Dec 1997 13:14:47 +0100
From: Mats L <blooob@mindless.com>
Subject: Re: mainstream (Komeda branch)
Abbott, Daniel, ABBOTTD7 wrote:
> Try listening to some of the newer Stereolab songs next to Komeda's "Pop
> Pa Svenska" CD from 1992(Ha!). Either it's some huge coincidence (a
> result of both bands having the same record collections?)
It seems that I always find myself ending up taking about Can...
/M
------------------------------
Date: Wed, 10 Dec 1997 13:36:00 -0000
From: "Abbott, Daniel, ABBOTTD7" <AbbottD7@defec3.agw.bt.co.uk>
Subject: Re: mainstream (Komeda branch)
>> Try listening to some of the newer Stereolab songs next to Komeda's "Pop
>> Pa Svenska" CD from 1992(Ha!). Either it's some huge coincidence (a
>>result of both bands having the same record collections?)
>It seems that I always find myself ending up taking about Can...
>/M
Yup sure ...but with Antonio Carlos Jobim as well.
CANtonio Carlos Jobim?
- Daniel.
------------------------------
Date: Wed, 10 Dec 1997 11:30:24 -0800
From: svenskax@sfsu.edu
Subject: Re: mainstream (Komeda branch)
At 01:36 PM 12/10/97 -0000, you wrote:
>
>
>>> Try listening to some of the newer Stereolab songs next to Komeda's "Pop
>>> Pa Svenska" CD from 1992(Ha!). Either it's some huge coincidence (a
>>>result of both bands having the same record collections?)
>
>>It seems that I always find myself ending up taking about Can...
>
>>/M
>
>Yup sure ...but with Antonio Carlos Jobim as well.
>CANtonio Carlos Jobim?
>
> - Daniel.
>
>are you from "inventing the abbots"?
>
------------------------------
Date: Wed, 10 Dec 1997 15:15:52 -0500 (EST)
From: Chris Forsberg <forsberg@charm.net>
cc: svenskax@sfsu.edu
Subject: Re: mainstream (Komeda branch)
On Wed, 10 Dec 1997 svenskax@sfsu.edu wrote:
> At 01:36 PM 12/10/97 -0000, you wrote:
> >
> >
> >>> Try listening to some of the newer Stereolab songs next to Komeda's "Pop
> >>> Pa Svenska" CD from 1992(Ha!). Either it's some huge coincidence (a
> >>>result of both bands having the same record collections?)
> >
> >>It seems that I always find myself ending up taking about Can...
> >
> >>/M
> >
> >Yup sure ...but with Antonio Carlos Jobim as well.
> >CANtonio Carlos Jobim?
> >
> > - Daniel.
> >
> >are you from "inventing the abbots"?
Why do all your replies already have ">"s before them? It makes it look
like someone else has written what in fact, *you* have written.
Chris
--
forsberg@charm.net Chris Forsberg
------------------------------
Date: Wed, 10 Dec 1997 22:51:35 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Re: pusjkins
At 22:14 1997-12-09, Kimmo Saaskilahti wrote:
>Micke Rehnstrom wrote:
>
>> It would have been interesting to hear some of their new material,
>> from their to-be-released full-length album (produced by Ken Stringfellow).
>
> yeah, I couldn't believe my eyes when I read in the latest issue of the
> EttNollEtt magazine that Mr. Stringfellow will be producing their album.
> Didn't they (Pusjkins) ever get to hear what he did on the Backfish
> album???!!! OK, I never bothered picking up the said album after hearing a
> track from it on a West Side Fabrication comp. As far as I'm concerned the
> earlier track "Bless You" (on the "give ear!" comp) is by far superior,
> capturing well what they sound(ed) like live: energetic, aggressive (but
> not violent) and sensitive. Whereas Stringfellow's production makes them
> sound lame, bland and middle-class.
I can't agree with you more. Live they are fantastic, and their older
(and "own", so to say) songs are utterly gorgeous. On the album there
are three tracks that I like, and the rest I can't even remember.
>If you ask me, the Pusjkins' "Avoiding Ground Loops" has perfect sound &
>production and tunes are great too. But maybe they want to make their sound
>more "radio friendly" or whatever.
I believe the word you are looking for is "produced". ;-)
//Erik
------------------------------
Date: Wed, 10 Dec 1997 22:54:58 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Re: Souls?
At 10:50 1997-12-10 +-100, Mikael Fant wrote:
> Heard a rumour somewhere that Souls were to continue with the vocalist from
> Play Dough instead of Cecilia, any truth in this? Anyone?
That would be fantastic! It was such a shame that Play Dough broke up -
they were really (IMHO) even better than Salt!
But I haven't really heard anything about Souls since the break up.
Does this mean it was Cecilia who left the band, and the rest decided
they didn't want to continue? And what is Cecilia up to these days?
//Erik
------------------------------
Date: Thu, 11 Dec 1997 00:39:42 +0200
From: Micke Rehnstrom <micre215@student.liu.se>
Subject: Re: pusjkins
Erik Soderstrom wrote (as reply to Kimmo Saaskilahti):
>>If you ask me, the Pusjkins' "Avoiding Ground Loops" has perfect sound &
>>production and tunes are great too. But maybe they want to make their sound
>>more "radio friendly" or whatever.
>I believe the word you are looking for is "produced". ;-)
Perhaps they were so overwhelmed by him being interested in them so they
did not even bother considering his skills? I know that the members in THE
PUSJKINS have had THE POSIES as their favourite band for several years. And
I guess it must be hard to turn down a chance to cooperate with a hero of
yours when the chance is given. I have not heard any old BACKFISH material
but I can agree that they sounded much better live than they do on their
latest album. But I guess I have to hear more than one of Stringfellows
productions before I can make any general judgments about his skills as a
producer. But he is up for a great challenge, because I also thought that
"Avoiding ground loops" sounded quite good.
/Micke
------------------------------
Date: Thu, 11 Dec 1997 00:46:53 +0200
From: Micke Rehnstrom <micre215@student.liu.se>
Subject: Re: Souls?
Erik Soderstrom wrote:
>But I haven't really heard anything about Souls since the break up.
>Does this mean it was Cecilia who left the band, and the rest decided
>they didn't want to continue? And what is Cecilia up to these days?
According to some magazine I read a while ago (cant remember which one)
Cecilia claimed that she was the one who wanted to do something else and
that it came as a shock to the other members. They were not very glad about
it, according to her. But I do not know what she, or the others, are doing
at the moment. But I have doubts whether SOULS would be able to work
without her. But once again: I should not make any judgments in advance.
/Micke
------------------------------
Date: Thu, 11 Dec 1997 09:24:05 +0100
From: Mats L <blooob@mindless.com>
Subject: Re: Souls?
Erik Soderstrom wrote:
> But I haven't really heard anything about Souls since the break up.
> Does this mean it was Cecilia who left the band, and the rest decided
> they didn't want to continue? And what is Cecilia up to these days?
cecilia was fed up so she left the band. right now she's working with
something else that doesn't have so much to do with music.
mats
------------------------------
Date: Sat, 13 Dec 1997 06:07:04 +0100 (MET)
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Sin's Music on the TV [12-Dec-97]
-----------------------------------------------------------------------
Scandinavian Indie MUSIC ON THE TV Scandinavian Indie
December 12 -> 18, 1997
by Erik Soderstrom <chief@lysator.liu.se>
Day Date Artist/What TV Program Channel Time
--- ----- ---------------------- ------------------- ----------- -----
Fri 12/12 Supergrass, Prodigy.. Luciavaka SVT 1 22.00
Sat 13/12 Live 'N' Loud Live 'N' Loud MTV Europe 23.00 R
Sun 14/12 -
Mon 15/12 Video Top List Results Voxtopp SVT 1 19.45
Best of... Musikmagasinet Rock ZTV 20.30
Tue 16/12 Best of... Musikmagasinet Rock ZTV 23.00 R
Alternative Nation Alternative Nation MTV Europe 00.00
Wed 17/12 Video Top List Voxpop SVT 1 19.00
Best of... Musikmagasinet Pop ZTV 20.30
Erikah Badu MTV Unplugged MTV Europe 01.00
Thu 18/12 Finnish Top List Lista FTV 17.46
Looking back at 97.. Musikbyr}n SVT 1 19.15
Neneh Cherry Live 'n' Direct MTV Europe 20.00
Best of... Musikmagasinet Pop ZTV 23.00 R
R = Rerun
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This list is also available on the Scandinavian Indie website
at: http://www.lysator.liu.se/~chief/upcoming.html
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Date: Mon, 15 Dec 1997 05:23:58 +0100
From: Erik Soderstrom <chief@lysator.liu.se>
Subject: Sin's Upcoming Promotion Visits [15-Dec-97]
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Scandinavian Indie UPCOMING PROMOTION VISITS Scandinavian Indie
December 15th, 1997
by Erik Soderstrom (chief@lysator.liu.se)
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Artist/Band Rec.Label When Where Gigs
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Aaron Carter Edelpitch 17-18/12 Stockholm Showcase
The Corrs Warner Music 15/12 Goteborg, Stockholm Yes
Eternal EMI 19/12 Stockholm
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If you want to know who to contact, e-mail me for further details.
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//Erik <chief@lysator.liu.se>
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End of Scandinavian Indie Digest Vol.97 #14
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